Top 1200 Listening To Music Quotes & Sayings - Page 4

I'm a huge fan of a lot of different genres of music, and I really felt like somehow I had been pigeonholed a little bit - maybe of my own doing - and in a way where I felt like I was sort of falsely defined. What my music was being called wasn't really the music I was always listening to.

Part of the joy of music is listening to lots of different kinds of music and learning from it. Specifically for me, I like writing songs that move me, and what moves me are beautiful songs on the piano or the guitar and really, really heavy music.

Listening to music as preparation or background for your work brings you into a creative mood... choose one type of music to calm down, another to reach a higher energy level, depending on the artwork you are doing.

Very few of us have our special listening room where we close off the rest of the world and only hear the music. As musicians or as listeners, we're generally interacting with music wherever we are, whether we're on a train or on the street.

I'm a real music fan, so I listen to all kinds of music all the time. I listen to a lot of what my friends or people I know are listening to. I'm always checking out new bands.

I actually only started listening to house music around the time I started making it. I got hooked both to making music and to house music.

Being a photographer is like listening to music. If you have a camera, by just living your life you're bound to find some things that are worth taking a picture of. You don't have to be an audiophile to have taste in music. It happens through osmosis.

I grew up on Bach and Beethoven, and now I'm listening to more modern composers who I can't even name. But since I'm constantly doing music, it's difficult to have that quality time to listen to music and do classical stuff.

I had phases of listening to rap and trap, and then I had phases where I'd listen to post-hardcore, rap, grunge, metal... all that. I had different time periods of listening to different music. And now it all clashes together.

I don't think I ever heard music playing when I was younger, other than the radio. My parents got me a Walkman and stuff like that, but I was always way more into listening to music than they were.

If I'm sitting at home playing video games, and I've got a couple of minutes to myself before bed, I'm listening to music and putting a couple of playlists together. I'm passionate about music.

I write music people enjoy playing and listening to, and I have a group that loves playing the music.

I was a strange child. I was the kid with funny hair listening to dodgy music [...] I'd come in with my hoodie and skate-shoes, with purple hair under the hood. I got away with it because I spent all my time in the art room, so they figured I was 'artistic'. I was that kind of kid, listening to Green Day and the Deftones and all that kind of thing.

The touring life wasn't for me. I like to wake up in the same place most days. And I'm really into sitting behind a mixing console and listening to music all night and making music all night. I'm a studio rat.

I love listening to music.

Ballet is always about the realm of possibilities, the realm of what the human body can do, what the human spirit can do. And it's about listening, it's about listening to remarkable music and how we respond to that.

I grew up listening to The Band. I love Lowell George. I love Little Feat, and I was listening to some Springsteen, some of the deep album cuts. I just like the looseness of that kind of music. It all feels like they did it in one take. They let whatever happened happen. If it felt good, they kept it.

My listening changed when I heard music from Stax, Atlantic, Motown because by that age I thought anything that my parents listened to must be square. So I had to find my own rock n' roll, as it were, and I found it in black soul music.

I would rather do a play because it's instantaneous. You go on the stage, and you know whether it's happening or not. Somebody asked me 'What is acting?' And I said, 'Acting is listening.' And if you ain't listening, nobody's listening.

I've looked at pictures that my mom has of me, from when I was four years old at the turntable. I'm there, reaching up to play the records. I feel like I was bred to do what I do. I've been into music, and listening to music and critiquing it, my whole life.

I had composed songs, I sang, and played the vina. Practising this music I arrived at a stage where I touched the music of the spheres. Then every soul became a musical note, and all life became music. Inspired by it I spoke to the people, and those who were attracted by my words listened to them instead of listening to my songs.

When it comes to electronic music, I started listening to a lot of Daft Punk, way before I knew what house music was, and then progressed into a lot of Steve Angello, Eric Prydz, Axwell, Sebastian Ingrosso, and Laidback Luke.

I know how to read music, watching my mom and listening to Mom play music.

I've been told the weirdest things: 'Yeah, I love taking a bath to your music!' or 'I gave birth to my daughter while listening to your music.'

I actually grew up listening to music as like - church music and stuff like that.

As an artist, I always just want to grow as a songwriter. I listen to a lot of music. I listen to music all the time, whether it's hip-hop or soul or rock or whatever. I'm always listening to music and trying to learn from other songwriters and how they tap into certain emotions and communicate more clearly.

I grew up listening to a lot of soul music, and a lot of folk music.

Think about a piece of music - some great symphony - we don't expect it to get better as it develops, or that its whole purpose is to reach the final crescendo. The joy is found in listening to the music in each moment.

I started dating JD Samson from Le Tigre, and suddenly I was listening to more up-tempo music and old dance music, like ESG and Gang of Four, and I thought, 'Wow. This is fun.'

I always really loved soul music but all my friends were into the new romantic scene. I'd go to new romantic clubs and then go home and listen to soul music. I was sort of ashamed of listening to disco and soul music!

I don't know what type of music my son will want. By the time he starts listening to music, really, at like, 15, 16, I'll probably have 10 albums out by that time.

Starting out really punk came from not knowing any better and listening to music like that, not knowing how to play music - well, still not knowing how to play music.

You can still make music that people love, but there won't be more innovation. I started listening to electronic music a long time ago. But mostly I listen to rap. I think rap is the most interesting.

I think that a lot of people are going so wrong by analysing music too much and learning from a totally different perspective from the way I learned. I mean, I just learned by listening to people. People I learned from learned by listening to people.

Sometimes I can listen to music - sometimes there's no choice, especially if I'm out writing at a coffee place. But sometimes it's too distracting. If I'm listening to something I really love - I have to stop and give everything over to it. I'm listening to its structures, its melodic lines, the bass. It takes up too much of my head - in a good way.

I grew up listening to a lot of player-piano music in my house and a lot of old Tin Pan Alley songs and American standards. My dad listened to a lot of traditional Irish music and I grew up doing musical theater. So most of the music I was exposed to as a kid was pre-rock n' roll.

...yet, unbeknownst to him, it had been kept alive - and it was only now, in listening to Deet's songs, that he recognized that the secret source of its nourishment was music: he had always had a great love of dadras, chaitis, barahmasas, horis, kajris - songs such as Deeti was singing. Listening to her now, he knew why Bhojpuri was the language of this music: because of all the tongues spoken between the Ganges and the Indus, there was none that was its equal in the expression of the nuances of love, longing and separation - of the plight of those who leave and those who stay at home.

When I was in my early teens, I joined a cult. And we weren't allowed to listen to secular music or anything that wasn't made by us. So I spent a lot of time not listening to music, and by the time I could, I just didn't get into it.

After touring the first album, we went into the studio and started making music that was influenced by all the freaky folk music we'd been listening to. Lots of Canterbury scene stuff from the 1960s and '70s. Robert Wyatt, Soft Machine, Caravan, Gong.

I grew up listening to a lot of 2Pac and a lot of East Coast, West Coast rap; Bad Boy, Lil Kim, Foxy Brown, Biggie, 2Pac. Super hip-hop, super listening to that raw era of music.

The chamber music repertoire is so vast that if one is genuinely curious about music, the art of listening, understanding and responding to a score, the elementary skills and requirements of chamber works are easily applicable to that of any solo playing.

Deep listening is the kind of listening that can help relieve the suffering of another person. You can call it compassionate listening. You listen with only one purpose: to help him or her to empty his heart.

There's always been music in my house growing up. In the kitchen, there's a speaker, and we'd always have my mum's iPod in it - she never makes food without listening to music. And I used to watch 'Top of the Pops' with my dad.

I am glad so many women singers are being heard in music today. It is healthy for music . . . healthy because it means a lot of men are listening!

How we absorb music is unique. I know what I do. When I'm listening to music, I tend to find myself in a song. That's what really makes you connect is if you feel what that song is saying.

As I understand life at different levels, I can use music to express what these levels feel like to me. Hopefully the listener can be transported to this understanding by listening to the music.

Leaders can get stuck in groupthink because they're really not listening, or they're listening only to what they want to listen to, or they actually think they're so right that they're not interested in listening. And that leads to a lot of suboptimal solutions in the world.

Between every record, we all split off in our own world and we all end up listening to usually pretty different music on our own. We come together not really knowing what the other people having been really listening to and what's been influencing them.

I grew up on Bach and Beethoven and now I'm listening to more modern composers who I can't even name. But since I'm constantly doing music, it's difficult to have that quality time to listen to music and do classical stuff. That's the only reason I'm thinking of going on.

I think youth will always be connected to the strongest music at the time because... I don't want to use the word 'tribal,' but there was this sort of familial affiliation that people would feel with the music they were listening to.

Listening to music and driving - that's the best way to listen to music. You just kind of zone out. Driving's so futuristic - you're barely putting in any effort, and this huge machine is pummeling down a strip of concrete.

I hate the technological rip-offs that pass for music formats these days, and go back to vinyl to hear a good record because the sound is always so much fuller. I don't even like listening to music in the car.

I still don't have a real appreciation for music because I didn't really start listening to it until my 20s. My wife knows everything about music, and I try and get her to educate me, but it's just not part of my DNA.

Reading is like thinking, like praying, like talking to a friend, like expressing your ideas, like listening to other people's ideas, like listening to music, like looking at the view, like taking a walk on the beach.

Ten, 15 years before, the Latin industry was singing Anglo music, trying to get an opportunity with them. Everything changed, and now around the world everyone is listening to our Latin music.

There are two things that really move me: music and acting. And I'm not talking about my music or watching myself as an actor, but listening to other people's music and watching other actors. There are so many different songs that have moved me. It all depends upon the mood that I'm in at that moment.

I was listening to a lot of bebop. And to Miles Davis. Everyone thinks I was just in the folk world in 1966, but in 1963 and 1964, I was absorbing enormous amounts of music, from baroque to jazz to blues to Indian music.

All the music I listened to in high school that I loved and that moved me wasn't the same music other kids were listening to in school. I got into punk rock and new wave, then dub and hip-hop.

I don't know what type of music my son will want. By the time he starts listening to music, really, at like 15, 16, I'll probably have 10 albums out by that time.

I'm a child of the 80s so I grew up listening to an awesome variety of music. John Cougar Mellencamp, Tom Petty. I've always loved Elvis Presley and Kenny Rogers. Beastie Boys made me start making music.