Top 1200 Live Audience Quotes & Sayings - Page 19

The abundance of our lives is not determined by how long we live, but how well we live. Christ makes abundant life possible if we choose to live it now.

I live my life until I start the cycle of my dreams, then I leave and search for you until I die. When I come back, I live to remember. I live to find you.

I do think there's a smaller audience that's looking for something that's a little more adult and a little more nuanced [than many Hollywood movies]. At the same time, I think everyone who's making movies hopes to appeal to the widest audience possible.

When I was younger, I would go to auditions to have the opportunity to audition, which would mean another chance to get up there and try out my stuff, or try out what I learned and see how it worked with an audience, because where are you gonna get an audience?

I think in our culture there's been a tendency for people to blame the audience. There is a tendency in our industry to say, 'The audience has left the building. People don't want culture anymore.'

I watch films, so I know what it is to be there in a theatre as the audience. So I always want to communicate with them when I make films, but that is not the only thing. I also want to say something which I feel deeply, and which I feel I can connect with the rest of the audience.

You can make a film in a way that, when the audience leaves the theater, they leave with certain answers in their head. But when you leave them with answers, you interrupt the process of thinking. If, instead, you raise questions about the themes and the story, this means that the audience is on its way to start thinking.

By having a blog, you can make yourself very accessible to your target audience. You can leave comments open on your blog so you can learn exactly what your audience likes about what you're doing with your business and about what they think you should change.

It's difficult to get an audience to want to keep up with you, stay present tense. But there's never been a big lag in my career between product. I've constantly tried to pull my audience up into what I'm doing present tense, and they've been usually happy to go there with me.

We learnt a lot from doing Panto, actually back when we were still doing 'SMTV: Live.' We learnt how far we could push things and the show was all the better for that. I think that taught us you really have to know your audience because you could see how they would react to things.

I feel like my music is just an extension of my acting. I treat the songs like scenes that tell a story... it's very similar. My favorite thing is when cartoon fans show up to my live gigs! They are always the most kick-butt audience members 'cause they're not trying to act all cool like a lot of the music fans do! It's refreshing!!

In my book tours I get to meet an audience every night. And I see that there are mostly young people, and there are a lot of more men than before, but always young, I don't get older men. As I'm getting older, my audience gets younger!

Don't let a single comic moment pass you by; then help the audience get the laughs. Give them permission to laugh by holding for laughter and by letting them know early on what they're in for. In the first few moments, the audience is gathering information, looking at the scenery and costumes. Create a comic moment as soon as you can.

I feel so lucky that I live in a society that lets women be. I think that's the one of the biggest fights to keep having, is to fight for women to have the right to live their life the way they want to live it.

The close-up says everything, it's then that an actor's learned, rehearsed behavior becomes most obvious to an audience and chips away, unconsciously, at its experience of reality. In a close-up, the audience is only inches away, and your face becomes the stage.

I am teaching you to live simply. To live with an idea is a very complicated living, it is cunning. To live simply, just like trees and birds.

When you play a smaller, more intimate venue, you can have real conversations with your audience, take risks, and stay current. You can also change the set list, on how the day feels or how the audience reacts. When you do arena shows, every arena looks and feels the same. You can't see who is in the room.

The best live shows I've ever been to were Green on Red live shows. Amazing live band.

I was really sick of bands just ignoring the audience as a posture in rock music. And I think we fed off each other in terms of trying to engage the audience, not in a hammy way, but actually trying to be aware of the space that you are playing in and trying to connect in some way through the music.

Only when we are no longer afraid do we begin to live in every experience, painful or joyous, to live in gratitude for every moment, to live abundantly.

You see, what is my purpose of performance artist is to stage certain difficulties and stage the fear the primordial fear of pain, of dying, all of which we have in our lives, and then stage them in front of audience and go through them and tell the audience, 'I'm your mirror; if I can do this in my life, you can do it in yours.'

I love what I do, and I love the audience, and I love the fact that I get to do it, and I love, I love our craft very, very, much, and it's a noble craft. We have a responsibility to it, and to the audience, and to the playwright, and to the message. I won't ever care less.

Plays have a celebratory nature that no other form has. Theater always meant celebration, a birthday, a reward for good grades. I felt at home in a theater. I loved being part of an audience. All the rules - the audience has to see the play on a certain date at a certain time in a certain place in a certain seat.

I will have a playlist ready that I'll play out to the audience before I walk on stage, and I'll listen to that same playlist in the room, so by the time I walk on stage, I'm in the same frame of mind the audience is.

Cancer has changed how I see adversity, because there is so much inequality in the treatment of the disease and it shouldn't have to be that you live or die depending on where you live. I'm still learning not to sweat the small things and to live each day to the fullest.

When it's time to die, go ahead and die, and when it's time to live, live. Don't sort-of-maybe live, but live like you're going all out, like you're not afraid.

You see, what is my purpose of performance artist is to stage certain difficulties and stage the fear the primordial fear of pain, of dying, all of which we have in our lives, and then stage them in front of audience and go through them and tell the audience, I'm your mirror; if I can do this in my life, you can do it in yours.

The great Easter truth is not that we are to live newly after death - that is not the great thing - but that...we are to, and may, live nobly now because we are to live forever.

We don't live in a capitalist totality. Capitalism couldn't survive as a totality anyway. We live in this complex system and we already live communism and anarchism in a million forms everyday.

I love America. I eagerly became a citizen. I have no bitterness toward those casting directors who dismissed me because of my accent, nor toward the producers and directors who wanted to cast me but thought the audience wouldn't accept my accent. I think they're selling their audience short.

I shall never forget Juliek. How could I forget this concert given before an audience of the dead and dying? Even today, when I hear that particular piece by Beethoven, my eyes close and out of the darkness emerges the pale and melancholy face of my Polish comrade bidding farewell to an audience of dying men.

I don't want to live in a society that does these sort of things... I do not want to live in a world where everything I do and say is recorded. That is not something I am willing to support or live under.

My core beliefs revolve around the idea that we should live to the best of our abilities-we should live and let live.

When you die, it does not mean that you lose to cancer, you beat cancer by how you live, why you live and in the manner in which you live.

I instinctively live. I do what I do. A lot of people live off of logic rather than emotions. I just live off of emotion.

I looked out into the audience, saw dozens of faces I knew well - LGBTQ folks, mostly - all avid comics readers and superhero fans and DC supporters, and it just hit me: Why was this so impossible? Why in the world can we not do a better job of representation of not just humanity, but also our own loyal audience?

To act out something or take chances in the performance is one thing. But in terms of a camera, whatever's captured is captured so that's a little more daunting. You know you can't go back next week and fix it. Whereas in a live audience you know it's so in the moment and you just go with what's happening. First of all you never have to see it again so you don't know if you were really fulfilling it or not.

I've never been very comfortable as an actor looking out into the audience; I always like to keep my focus on the other person. When you start playing out to the audience, it takes me out of it, because people don't do that when you're in life behaving with another person - you don't often look out, around you, in a presentational manner.

Well, I'm half Australian, half English and I live in London. That is the only reason I came upon this story. My Australian mother, Meredith Hooper, was invited in late 2007 by some Australian friends to make up a token Australian audience in a tiny fringe theater play reading of an unproduced, unrehearsed play called 'The King's Speech.

Smart brands never try to appeal to more than their audience group. Assuming you're audience is one of the segments that watches, it's your chance to galvanize this specific group, which is larger here than anywhere else, with a bold new idea that can re-magnetize the human/brand connection for a new year.

No man can live happily who regards himself alone, who turns everything to his own advantage. Thou must live for another, if thou wishest to live for thyself.

The audience wants something that entertains them, and whether that entertainment is in the form of a physical match or in the form of a skit or video or promo, it's our job to deliver it to them, to the point where the audience becomes the biggest champion of our brand. And if we can't match that, then we're falling short.

You can live, provided you live; that is, you can live for ever, provided you live a good life.

Though my music audience is cross-generational, like my television audience, my core demographic is people like myself. People who have grown up on hip-hop, but hip-hop doesn't necessarily speak to us any longer.

When you're actually talking over someone, it's as if you're just pontificating and they're not even there. And their body language - they're trying to get away from you. And if you're pontificating at an audience, and there's a break, the non-martyrs in the audience are not going to come back. I mean, they just want to get away from you.

Great stories agree with our worldview. The best stories don't teach people anything new. Instead the best stories agree with what the audience already believes and makes the members of the audience feel smart and secure when reminded how right they were in the thirst place.

Every 20 minutes you've got to have a bump, you've got to have a change in course, you've got to unsettle the audience. It can't be too predictable so something has to happen. I think that was something that Hitchcock did very well too. You couldn't let an audience feel too settled in.

I honestly just live in Trippie Redd's world. I don't live in America... I ain't finna live anywhere else but America.

Well, I'm half Australian, half English and I live in London. That is the only reason I came upon this story. My Australian mother, Meredith Hooper, was invited in late 2007 by some Australian friends to make up a token Australian audience in a tiny fringe theater play reading of an unproduced, unrehearsed play called 'The King's Speech.'

But the answer to how to live is to stop thinking about it. And just to live. But you're doing that anyway. However you intellectualise it, you still just live.

Bad reviews I've gotten never diminished the number of people in my audience; good reviews have never added to the number of people in my audience; be your own critic.

I would hate to be in high school now. Psychologists talk about the 'imaginary audience' that teens seem to feel they have around them and that makes them think they have to keep up their image all the time. Now with Facebook and MySpace and 24/7 online access, that imaginary audience has become real.

I think the way the audience takes the Indian film-star is a little different from the way the audience takes the Western star there. We are considered like demi-gods here, and the reason is not because we are better or good, but because there is no other mode of entertainment in India.

When you die, it does not mean that you lose to cancer. You beat cancer by how you live, why you live, and in the manner in which you live.

I'm the audience first, and if you're gonna be a great performer, you need to be a great audience. So, I do music for me first, and whoever likes it likes it, and whoever doesn't -- well, it's just not for them.

If you live with alertness, you live rightly. If you live in imitation, you live wrongly. To me there is only one sin: And that is not to be yourself. And to me there is only one virtue: And that is to know yourself.

Religion is a temper, not a pursuit. It is the moral atmosphere in which human beings are to live and move. Men do not live to breathe: they breathe to live.

It takes a real man to live for God-a lot more man than to live for the devil, you know? If you really want to live right these days, you gotta be tough.

You don't want to get too far ahead of the audience and you don't want the audience to be ahead of you. So, that balance is difficult and it takes a lot of work and tuning in the edit, to get the right balance.

Stand-up on the telly is one thing, but seeing it live is something else. There are brilliant comedians playing to rooms above pubs and arts centres around the corner from where you live. And anything could happen at a live gig.