Top 1200 Live Audience Quotes & Sayings - Page 3

The most important person is the audience and the composer. The rest of us - and even the composer is a servant to the audience. And of course, the audience is a servant to the higher art.

I've never not appeared in front of a live audience for any longer period than a month or two.

There's nothing more fun than acting on stage with a live audience and that immediate feedback.

I love being out there. as an audience member. It gives the audience a little bit of something different. Like, why are these wrestlers sitting in the audience? And why are they heckling at this guy and that guy?

I performed at Live Aid in front of a worldwide TV audience of 1.9 billion but I wasn't nervous - the atmosphere was electric.

There's nothing more exciting than that conversation you have with a live audience. It's the best feeling in the world.

A lot of people are very interested that a Korean director has made a western. But when I look at the reactions of the audience, I realise the points at which people laugh are the same for a Korean audience and an international audience.

I trained to be a theatre actor, I love the live gig, the transference between an audience and a performer.

As an actor, you should always keep your trump card hidden from your audience. I want the audience to keep expecting more and more from me. I want to do 'different' work - good and memorable roles - so that audience appreciate me more. That's why I love to surprise my audience with something they never expect me to do.

Originally what I used to love was being on a stage and reacting to a live audience and maybe my calling is more in theatre.

If you're a new artist, practice your art and share it. Set up shop somewhere, whether it's a street corner or a coffee shop. I got my start in a coffee shop that didn't even have live music. I wanted to play in coffee shops that did have live music, but I didn't have an audience.

I think honesty is a big part. Because when you sing live, you want the audience to believe you.

When the audience resonates with my music and sings every single word from the song, the high of performing live is unmatched.

I have no experience performing that music live in front of an audience. So that remains to be seen. I'm very excited to see what that's going to be like.

I've always thought of the audience. I just want to entertain the audience. That's what it's about: what's good for the movie, what's best for the movie, what's best for the audience.

Sometimes critics disagree with the audience, and that's fine. I make movies for the audience. I guess I hope that the critics like it, but on the other hand, I just really want the audience to like it.

Theatre is for you if you truly want to act and test yourself. There is no room for error as you are performing in front of a live audience.

Performing in front of a live audience can be pretty intimidating, so having a full head of hair was important to me.

Learn as much as you can about performing. Live theater, improv classes, music, stand up comedy, dance, anything to make yourself confident and comfortable in front of an audience. It'll all come in handy when auditioning for producers and performing with other actors. The best voice actors all have a live performance background. And are competent, fearless, incredibly creative actors.

I'm still learning about music. The best way to learn is to listen to the audience. When you listen to the audience, they will tell you what they like. I wish these big corporations, instead of telling the audience what they should have, would listen.

The audience is the most revered member of the theater. Without an audience, there is no theater. Everything done is ultimately for the enjoyment of the audience. They are our guests, fellow players, and the last spoke in the wheel which can then begin to roll. They make the performance meaningful.

There is always an audience for different individuals, but critics sometimes stop the audience finding the show and the show finding the audience.

In a live performance, it's a collaboration with the audience; you ride the ebb and flow of the crowd's energy. On television, you don't have that.

When I bring my music to a live audience, I know right away whether it is being appreciated or not.

I love the rehearsal process in the theatre, and the visceral sense of contact and communication with a live audience.

We film in front of a live audience, and I was a theater actor before I got into television, so I like that.

The way you survive in the performing arts is by having a sense of your audience, and doing things which entertain and satisfy the audience, but in a more important way, cause the audience to question many things.

I think about the audience in the sense that I serve as my own audience. I have to please myself the way, if I saw the movie in a theater, I would be pleased. Do I think about catering to an audience? No.

The live events are more interactive for the fans. With TV, you have the cameras there, commercial breaks where the fans can tell there's a down moment. At the live events, it's non-stop. We get to play with the audience; the crowd gets to get involved a little more. It's a very intimate feel.

Radio helps you break into a whole different audience. Radio has so much power. And that's my mission: to not only break into the EDM audience, but to break also into the mainstream audience.

I tend to like the heavier things, especially live on stage. I need that energy and interaction and feeling the audience.

I do an improv show on Sunday where we have a class, and then afterwards we go and do a live performance in front of an audience.

The only thing I miss from the sitcom format is that immediate gratification of when you're, if we're talking about comedy, of the live audience.

In theatre there is a certain discipline that you have to follow, and you have to be experienced to be performing in front of a live audience. It is satisfying to me.

I'd love to go back and do theater. There's nothing like that instant response and the connection to a live audience.

Radio helps DJs break into a whole different audience. Radio has so much power. And that's my mission: to not only break into the EDM audience, but to break also into the mainstream audience.

This medium that we're working in - film and television - for an audience, it's like you live through these characters because it's things you can't do in real life. Places you're not prepared to go in real life as a decent human being, anyway. Because if you're a conscientious person, so you live kind of vicariously through these people.

Sometimes improv doesn't work on TV because the audience had heard the thing that was shouted and they're very much alive, the audience in the room - they're alive in that moment. Whereas the audience sat at home on the sofa, it feels like it's part of a party that they haven't been invited to.

The weakness of cable news is that it chases its audience around. Your audience wants fast-paced, popular news. It needs real news. Cable news changes its stripes based on audience reaction. Viewers are reacting well to breaking news? You probably do more breaking news than you need to. The struggle is building something so that people will come to you, as opposed to constantly changing what you are because you're unsure of where the audience is.

I never understood the need for a "live" audience. My music, because of its extreme quietude, would be happiest with a dead one.

There's a kind of dynamic quality about theater and that dynamic quality expresses itself in relation to, first of all, the environment in which it's being staged; then the audience, the nature of the audience, the quality of the audience.

I don't like to be my own audience, I find that being my own audience, being in the audience, makes me self-conscious, basically. So I tune in sometimes, with the sound off, to check it out and I back up to it. In the future I will look at it when some time has passed.

In America, instead of making the audience come to the film, the idea seems to be for you to go to the audience. They come up with the demographics for the film and then the film is made and sold strictly to that audience.

When I play live, I feel how the audience is going and follow and lead at the same time.

It's an honour when your audience sings along, more than they listen to you at a live gig.

The live performance aspect of shooting a multicamera sitcom is wonderful. You have that instant audience reaction.

There's really nothing like a live audience right there. When you're in a bad show, you can hear the creaks in the chairs.

I find animated movies very touching. They reach an audience that's hard to get with a live-action film.

I see the audience as the final collaborator. I think it's kind of bullshit when people say, "I'm not interested in the audience reaction." I'm like, "Then why do you do theater? You can write a book, then you don't have to see how the audience reacts." It's a living, breathing thing.

You don't fully understand the meaning of a work until the audience responds to it. Because the audience completes the circle, and adds a whole other shade of meaning. Whenever you view something, and this is why great works of art survive decades and centuries, is because there's a door within the work that allows the audience to walk through and complete the meaning of the work. An audience isn't passive, nor are they unintelligent.

The audience is an absolutely critical part of 'Question Time' and selecting that audience is a big and very important job every week. What we need to do every week without fail is make the audience politically representative of the picture across the nation.

Once you're on, nobody can say, 'Cut it.' You're out there on your own, and there's always that thrill of a real live audience.

The secret is to let the audience feel through the actress, rather than having the actress feel for the audience. When you can do that, you involved the audience almost without their knowledge or awareness.

There is nothing more joyful to me than hearing a live audience laugh. Especially when I planned it that way!

With 48 million subscribers through Xbox Live (silver and gold), Microsoft has a bigger audience than DirecTV.

I feel that tennis is an art form that is capable of moving the players and the audience - at least a knowledgeable audience-in almost sensual ways. When I'm performing at my absolute best, I think that some of the euphoria I feel must be transmitted to the audience.

The audience works as such a mob. They either all laugh or all don't laugh, and, you know, changes from audience to audience.

It's crazy how the world evolves and the audience gives you an opportunity to really grow and live out your dreams.

But I don't mind, I'm a bit of a touring animal. When I'm on tour that is the greatest thrill for me, playing to a live audience.

There's actually a disdain for the conversation about audience in the art world. Artist to artist, if you say, "What do you think about audience?" they would probably say, "I don't think about audience, I only think about my work," yet the audience is such an important part.