Top 1200 Live Performance Quotes & Sayings - Page 3

The performance of Carnatic music is multi-dimensional and layered. A performance is at once an artiste's cathartic process of personal exploration and an open energy exchange with the audience: a release and a conversation.

With NOAH, you can create some stunning, yet original soundscapes. Therefore, as a performance tool, it really comes into its own because you can make one single performance which has a lot of detail.

My interest in time emerged out of an engagement with the media that I was working with. Film and performance are temporal media. They rely on time. When I'm carrying out a performance, it matters, for example, how long I hold one particular gesture or posture. Seriality is very important too. Performance can be used to dilate time or to repeat time. And video, in turn, has its own time.

I had never watched a live classical performance before I came to Bengaluru. I feel like this is the New York of India - a melting pot of many cultures.

I always believe that every one of us is working hard not only for our own performance but also to give something significant back to the societies we live in.

We all get to choose where we set up the stage of our lives - before the Crowds, the Court, the Congregation, the Critics (inner or otherwise)-- or the Cross of Christ. All except One will assess your performance. Only One will accept you before your performance ... Only in Jesus is there 100% acceptance before even 1% performance.

I love showing up and giving a performance without the benefit of a lot of rehearsal or dissection. It's fun to me to act on a kind of instinctual level and go straight for the performance.

I come from theater and captured theater has a bad rap of being never what the live performance was.

It's quite different to do a vocal performance, opposed to a performance where you are seen, because in some ways, you don't need to worry about what you look like - you don't have to sit in a makeup chair for a long time!

It's interesting how some songs really lend themselves to performance in a big public venue and performance by a band and so on, and so they're even more successful in that context than they were on the record.

The only difference with wrestling is we're like a live performance. So we're feeding off the audience and if they do't like something, they can let us know immediately.

I've always enjoyed and loved playing live. I relish and cherish it more than anything else because you never know what the performance is going to be.

A studio is like a meditation room where music is created. And a live performance is the place where the creation of the studio is taken ahead. I love both.

A director really doesn't deal with performance that much, especially if you deal with great actors. Their work is the performance. What you're helping them with is all the stuff they cannot be in control of.

I'm interested in really particular details, ideas, thoughts, and emotions, yet it's defused with performance, where you can play with hiding things, or be more confrontational about something shielded. There is this process of layering in performance.

The best voice actors all have a live performance background. And are competent, fearless, incredibly creative actors.

I would love to do a live show with dancers and fashion and scenic elements - definitely bring my love of the theater to a concert-style performance.

Movies aren't normally, necessarily viewed by a community of fans, and we thought if we could take the energy we see at our live performance and inject that into theaters, it might be a special thing.

I think we raised about 20,000 pounds. There was a live performance thing so we thought we'd donate the equipment for an online charity in Britain. I hated to part with my guitar, but it was for such a great cause.

I fell in love with the process of taking pictures, with wandering around finding things. To me it feels like a kind of performance. The picture is a document of that performance.

Early in my career, I had difficulty breathing during workouts and my performance on the ice suffered. It wasn't until I was diagnosed with EIB and received the proper treatment that I was able to reach my peak performance.

If we observe the performance of only those funds that remain active, we will tend to find that the average performance of the surviving funds exceeds that of the market.

I was always more interested in the ultimate live performance rather than the recording for its own sake. And, for the audience too, that thrill of - just being there.

Most corporations have human-resources processes that involve discussions with your manager, performance evaluations, calibrations for performance and potential succession planning.

The ephemeral nature of live performance is the part I love most - it's a monk's sand painting, carefully constructed, then wiped away in an instant.

Learn as much as you can about performing. Live theater, improv classes, music, stand up comedy, dance, anything to make yourself confident and comfortable in front of an audience. It'll all come in handy when auditioning for producers and performing with other actors. The best voice actors all have a live performance background. And are competent, fearless, incredibly creative actors.

In some of the greatest recordings ever made, the performance is a part of the recording. Dylan's 'Rainy Day Women No. 12 and 35' is all about the esthetic of that performance. You can hear the room.

As soon as you do it, actors realize there is no difference playing a performance-captured role or a live-action role.

I love musical theatre because I love doing a live performance eight times a week.

I've done a lot of films that are purely live-action roles, and even if I hadn't come across performance capture as a technology, I think I'd always consider myself a sort of mercurial actor.

The teacher of history's work should be, ideally, not simply a description of past cultures, but a performance of the culture in which we live and are increasingly taking our being.

I do pay performance royalties on others' songs I perform live, but I'm not recording these songs and putting them up for sale.

I think it's one of those things about live performance - anything goes, anything can happen, and you have to just be ready and able to roll with the punches.

When you have performers, there's the uniqueness of live performance and what performers do in concerts.

For me, I've never drawn a distinction between live-action acting and performance-capture acting. It is purely a technology.

Assessments should compare the performance of students to a set of expectations, never to the performance of other students.

If you're going to be hosting any event or a performance or having dinner with people after a performance, it is work, but it's also social: food and a glass of wine would be involved often.

Performing live can be a drag, the process that leads up to the actual performance. It's all the travel, it's working up all the details and everything, which I hate.

It's always weird when it comes to awards and awards season because how can you say that this performance is better than this performance? Art is so subjective.

Live performance really terrifies me. I haven't done it, really, in years. I think that's why I retired from my brief career in stand-up.

I'm very vain about my performance. I want to give as honest a performance as I can. But I'm not so worried about being regarded as beautiful when I'm playing a character.

Some of Jimmy Stewart's performance in 'It's A Wonderful Life' is some of the most disturbing performance he ever did, when he falls apart and when he breaks down.

I feel there's so much still to learn about acting. But there is some magic in the capturing of performance and in the process of editing a performance. The psychology of human beings and what's coming through the face... that fascinates me.

This idea that my work is about hip-hop is a little reductive. What I'm interested in is the performance of masculinity, the performance of ethnicity, and how they intermingle across cultures.

In the theater you rehearse in order to do the performance. And in the movies the rehearsal and the performance are kind of the same thing. You're figuring it out and hopefully the camera is pointed at you when you're doing it.

Recorded music has always been in a sense promotion for live performance, and some artists have discovered that giving it away is as effective as trying to sell it.

You want people to think. You want people to be emotionally moved. And there's a theory behind that in terms of storytelling. It has been around for thousands of years. And that's where something like live theater or a live performance is something that is very valuable because you get instant feedback from your audience and you kind of know the things that work and the things that don't work.

For me, the question was, how can one take a live-action performance and put it in the parameter of one of those cartoons? How much can you get away with?

I just try to touch people's hearts in a way through skating, so they're not just witnessing a performance, they're feeling a performance and they're a part of it.

I don't particularly love live performance of my music. I love writing and recording, but you can't make money off of that.

When you take an energetic song and add it to one of the most energetic live performance set's you get pure mayhem...which is what the fans want to see!

There's something distinct and interesting about a live performance. There's this weird immediacy that's, for me, really invigorating, and it just feels really rewarding.

I love every aspect of live performance and putting our shows together and approaching it from the standpoint of, 'What would we want to see if we were a fan sitting in the audience?'

I was once an extra in a Bruce Springsteen video where they did a live performance video at Tramps. I forget the name of the song.

Artificial intelligence is taking over a lot of things. Jobs are going to go but artists and theatre are not going anywhere because it is live performance.

The thing I love about live performance the most, is that the doors are closed, the lights are turned down, and the audience has to be reverential to what's happening onstage.

I made my performance debut in New York City downtown on the Lower East Side in college doing awkward performance art as a go-go dancer at Lady Starlight's Party. And I never thought that my love for mediocre performance art and bad mime would ever come to use in my career as an actor. But my fantasies came true and I got to play Maureen in Rent.

Nothing beats a live performance. Nothing.

A live performance is the same no matter what genre it is. Wrestling, rock 'n roll, hosting, acting - it's the same thing.

I know the focus on my performance or the team's performance is on the pitch. We've got to do what we have to do on the pitch. What comes with it off, it doesn't bother me too much.