Top 1200 Live Television Quotes & Sayings - Page 16

People in America, of course, live in all sorts of fashions, because they are foreigners, or unlucky, or depraved, or without ambition; people live like that, but Americans live in white detached houses with green shutters. Rigidly, blindly, the dream takes precedence.

Live strong is exactly I guess what it says. It's one thing to live, but it's another thing to live strong, to attack the day and attack your life with a whole new attitude. This was a gift for me. I guess before the illness I just lived. Now, after the illness, I live strong.

We don't evaluate what's right and wrong, we live in a society. We live in a culture. We have to live within the culture.

I saw him playing on television and was struck by his technique, so I asked my wife to come look at him. Now I never saw myself play, but I felt that this player is playing with a style similar to mine, and she looked at him on Television and said yes, there is a similarity between the two...his compactness, technique, stroke production - it all seemed to gel!

You know a constellation of imperishable values. Live by the mighty truth and power of God. Live above the sludge of a sick society. Live among dispirited humans as the vanguard of peace and good news. Remember, our Commander in Chief has no use for tin soldiers.

Al Bernstein has seen cable television sports grow up. In 30 Years/30 Undeniable Truths he looks at his time in the industry through a prism that is unique to him. This book gives the reader an insight into the sometimes absurd world of television sports. There is a 31st undeniable truth: Al Bernstein is a truly funny man.

Young singers ask me, "Do I have to live in New York?" I say, "You can live wherever you want-as long as people think you live in New York."

If you live to be a hundred, I want to live to be a hundred minus one day so I never have to live without you.

We live in this era that has benefited from the Industrial Revolution, and we live with a kind of luxury and plenty that even all but the poorest of Americans live with a kind of sensuousness that was unimagined by medieval kings. But in order to get to this point, a lot of people had to suffer in really terrible ways.

The depth of this conflict, which is more than one hundred years old, requires us to find a way to communicate... so that the residents of the Middle East, Jews and Arabs alike, can live not as if they were forced to live together, but rather destined to live together.

Long live Germany. Long live Austria. Long live Argentina. These are the countries with which I have been most closely associated and I shall not forget them. I had to obey the rules of war and my flag. I am ready.

I grew up doing plays - I went to a stage school after school - and it's always something that I've wanted to do, but, in a weird way, if you do television and film and you didn't go to drama school and don't have a theatrical background, it's hard to get your foot in the door. In the same way that it is for theater actors to get into television and film. There's a weird prejudice that goes both ways.

The only way to live free, the only way to live your life as an offering of love, is to feel everything fully and live open.

To live in prison is to live without mirrors. To live without mirrors is to live without the self. She is living selflessly, she finds a hole in the stone wall and on the other side of the wall, a voice. The voice comes through darkness and has no face. This voice becomes her mirror.

May you live as long as you are fit to live, but no longer, or, may you rather die before you cease to be fit to live than after!

I started on television. I had five years of network television before I ever got up on a stage. The first thing I ever did was in 1967. This guy Bill Keene had a little talk show at noon, and Gary Owens took over for a week. He knew about this dummy bit I used to do, this ventriloquist thing, and I was on 'Keene at Noon.'

The Last American Man by Elizabeth Gilbert... I don't live inside buildings because buildings are dead places where nothing grows, where water doesn't flow, and where life stops. I don't want to live in a dead place. People say that I don't live in a real world, but it's modern Americans who live in a fake world, because they have stepped outside the natural circle of life.

During the season, your team should be led with exuberance and excitement. You should live the journey. You should live it right. You should live it together. You should live it shared. You should try to make one another better. You should get on one another if somebody's not doing their part. You should hug one another when they are. You should be disappointed in a loss and exhilarated in a win. It's all about the journey.

We can live with lots of things, but we can't live without imagination, we can't live without hope.

I certainly don't feel there's a distinction to be made between a television and a film actor. I think there's a distinction between great actors and not so great actors. But I really think if you watch a person working in television give a wonderful performance, that person is f - ing great, because there is no time.

Words may inspire, but only ACTION creates change. Most of us live our lives by accident - we live life as it happens. Fulfillment comes when we live our lives on purpose.

Say to them, say to the down-keepers, the sun-slappers, the self-soilers, the harmony-hushers, "Even if you are not ready for day it cannot always be night." You will be right. For that is the hard home-run. Live not for battles won. Live not for the-end-of-the-song. Live in the along.

Make Earth Day Every Day.” While we might not always live up to this ideal, I try to keep this quote from Denis Hayes, founder of the Earth Day Network and president of Seattle’s Bullitt Foundation, in mind when I need a little extra motivation to be a better environmentalist: “Listen up, you couch potatoes: each recycled beer can saves enough electricity to run a television for three hours.

In modern society most of us don't want to be in touch with ourselves; we want to be in touch with other things like religion, sports, politics, a book - we want to forget ourselves. Anytime we have leisure, we want to invite something else to enter us, opening ourselves to the television and telling the television to come and colonize us.

A woman can walk miles without making one single step forward. As a child born in a harem, I instinctively knew that to live is to open closed doors. To live is to look outside. To live is to step out. Life is trespassing.

It's just a challenge doing live television every week, you know, it's a challenge to come up with new material every week and stuff like that and try to keep it current, you know what I mean, like it's just, you know, it's a kind of a stressful environment. Like I didn't really realize that we had a show this Thursday until yesterday.

To ask me whether I could endure to live without friends is absurd. It is easy enough to live out of material sight of friends, but to live without human love is impossible.

With the rise of cable, network is clearly floundering because the characters on cable are far more fascinating than they are on network. Network television is trying to figure it out. Network television really relies on story rather than character, and cable relies on character.

Spoiled. That's all it's about - can't live without this, can't live without that. You can live without anything you weren't born with, and you can make it through on even half of that.

Selfishness is not living as one wishes to live, it is asking others to live as one wishes to live.

Let it be enough for you to have bread and live virtuously and poorly like Christ, as I do here. I live meanly and don't bother about life or honor ... and I live with the greatest toil and a thousand worries. It is now about 15 years since I had a happy hour.

To live by grace is to live solely by the merit of Jesus Christ. To live by grace is to base my entire relationship with God, including my acceptance and standing with Him, on my union with Christ.

You will live as you live anywhere. With difficulty, and grief. Yes, you are dead. And I and my family and everyone, always, forever. All dead, like stones. But what does it matter? You still have to go to work in the morning. You still have to live.

Where is it I've read that someone condemned to death says or thinks, an hour before his death, that if he had to live on some high rock, on such a narrow ledge that he'd only room to stand, and the ocean, everlasting darkness, everlasting solitude, everlasting tempest around him, if he had to remain standing on a square yard of space all his life, a thousand years, eternity, it were better to live so than to die at once. Only to live, to live and live! Life, whatever it may be!

Never, never underestimate the power of desire. If you want to live badly enough, you can live. The great question, at least for me, was: How do I decide I want to live?

I live the way I want to live, and I don't comment on the way that other people live.

Some of my best friends in LA are devoutly religious people. I'm completely supportive and interested in people doing their own thing. That's a motto that I try to live by, and I hope that's how other people treat me. Live and let live.

If children live with hostility, they learn to fight. If they live with fear, they learn to be apprehensive. If they live with criticism, they learn to condemn.

What little reality television I've seen seems to be about economic desperation. Like the marathon dancing of the Great Depression, which should give us pause. People willing to eat flies and worms for a sum that is less than the weekly paycheck of the show's producer. I haven't seen "reality television" that is other than this kind of painful, sadistic exploitation of fit young people looking for agents.

One of the blessings that comes from paying a full tithing is developing faith to live an even higher law. To live in the celestial kingdom, we must live the law of consecration. There we must be able to feel that all we are and all we have belong to God.

I'm sure in less than 10 years there will be several streaming services or whatever you want to call them that are dedicated to retro television, like rare retro television, and maybe we'll end up doing something with that. Maybe Gigi will find popularity there, because it was fun, it was kitschy and very stupid and very dirty. But it had heart. I hope people will watch it one day.

Opera on television in Europe is very important. If you think about it in the broadest sense: a lot of the dramas made in India with music are practically operas. They're not sung but they have a very big appeal. I don't know why American television people are so stupid but at the moment, they just seem to have some sort of a block. They just do what they do and they do it for a certain number of years. Then it wears out and they try something else. It's just a matter of time I think.

There are two ways to live: you can live as if nothing is a miracle; you can live as if everything is a miracle.

I traveled and worked with amazing actors, like Andy Garcia, Alec Baldwin, Brendan Fraser, Forest Whitaker, Lee Pace. It was this great learning experience. And then, I started watching a lot of television. I was always in these foreign countries and I would get TV shows on DVD, and I started to realize that all of the amazing roles for women were on television. I was spoiled by Buffy because I thought that was the way it was everywhere, and it's not.

Michael Bay and his team are experts in exciting tentpole-type film and television, and the combination of their film experience plus the great television writers that have come on will be really successful in bringing us something really unique. We are looking to put on these big canvas shows, and Black Sails is going to fit into that. The scripts have been terrific. Everything that we are trying to do is incredibly ambitious, and this is certainly in that category.

And do you know, do you know that mankind can live without the Englishman, it can live without Germany, it can live only too well without the Russian man, it can live without science, without bread, and it only cannot live without beauty, for then there would be nothing at all to do in the world! The whole secret is here, the whole of history is here. Science itself would not stand for a minute without beauty

Theater is my favorite platform. Television is my favorite paycheck. The more television I can do, the more theater I can do.

I'm not sure if my involvement in causes, benefits, marches, and demonstrations has made a huge difference, but I know one thing: that involvement has connected me with the good people: people with the live hearts, the live eyes, the live heads.

I would not live forever, because we should not live forever, because if we did live forever, then we would live forever, which is why I would not live forever.

Do you believe in miracles? Well, you should. In fact, life itself is a big miracle. There are so many things that are beyond our understanding. There are two ways to live: you can live as if nothing is a miracle; you can live as if everything is a miracle.

If you write a good line, you write a good line, and the best line wins in television. It doesn't matter if you're the guy who gets the coffee or if you're the showrunner - best line wins. That's the beauty of television collaboration.

Indeed, intolerance is essential only to monotheism; an only God is by nature a jealous God who will not allow another to live. On the other hand, polytheistic gods are naturally tolerant, they live and let live.

I'm more European than anything. I've lived in America for 10 years, and I live in Florida because I like to be outdoors. I live a week in New York, and I live a week in Italy. When I'm here in Italy, I come to work at eight in the morning and usually I leave work at 10 o'clock at night. I don't even breathe the air. So that's why I like to live outside.

It would be nice to travel if you knew where you were going and where you would live at the end or do we ever know, do we ever live where we live, we're always in other places, lost, like sheep.

Dream or nightmare, we have to live our experience as it is, and we have to live it awake. We live in a world which is penetrated through and through by science and which is both whole and real. We cannot turn it into a game simple by taking sides.

The clothes that I design and everything I've done is about life and how people live and how they want to live and how they dream they'll live. That's what I do.

...a condemned man who, at the hour of death, says or thinks that if the alternative were offered him of existing somewhere, on a height of rock or some narrow elevation, where only his two feet could stand, and round about him the ocean, perpetual gloom, perpetual solitude, perpetual storm, to remain there standing on a yard of surface for a lifetime, a thousand years, eternity! - rather would he live thus than die at once? Only live, live, live! - no matter how, only live!

It is not hard to live through a day, if you can live through a moment. What creates despair is the imagination, which pretends there is a future, and insists on predicting millions of moments, thousands of days, and so drains you that you cannot live the moment at hand.

I really learned that, when I got into television, I really learned the power, how deeply it affects people to see themselves on television, to see something that they can relate to, that they feel is like them in some way; people feel validated. Its not a little thing. It really means a lot to people. It actually can change people.

In Fahrenheit 451, Ray Bradbury raised cautions against mass media, especially the television, which dumb down human sensibilities and coerce everybody's thoughts into a single uniform value, allowing human to forget the fundamental action of "having one's opinion". As a result, the society deteriorates. I decided to exhibit [Edward] Kienholz's work which features television as its subject, as well as the Big Double Cross as works that represent this warning.