Top 1200 Live Tv Quotes & Sayings - Page 17

I did a live late-night talk show called 'Creation Nation' with friends of mine. I had a sidekick and a band, and I wrote the whole thing. And it had the form of a late-night talk show, but we did it on stage because no one was giving me a TV show at the time.

Remember 'The Brady Bunch' TV show? That 1970s family had a full-time live-in housekeeper called Alice. Mrs. Brady worked at the PTA and did community work. She didn't clean her own house. That was middle class. Now you have to be very rich to employ a housekeeper. Everything it meant to be middle class has changed dramatically.

Go find very early versions of things: the first TV pilot of a later-successful TV show; early audition tapes by famous actors; early demos by famous musicians. Focus on these early examples, not what they became over the next 20 years. Remember that what you're doing will constantly improve.

The difference between doing a live show and a sitcom is that a sitcom can live on. If you do it well, it can leave a legacy, whereas most of our live work never gets repeated because it's final, it's done, you start again.

I live, but live to die: and, living, see nothing to make death hateful, save an innate clinging, a loathsome and yet all invincible instinct of life, which I abhor, as I despise myself, yet cannot overcome — and so I live. Would I had never lived!

Sometimes you feel a need to express yourself, and there is no better way than to go to places where people need everything. It's dramatic, it's tragic. You just can't understand why, in the world of today, there are still things like that. The images you see on TV kill you. Of course when you are there (at these trouble spots) you can't turn off the TV. You are face-to-face with reality.

If they don't have that extreme addict personality, you can never understand how a guy can blow 300 or 400 million dollars. If I have to live at the top of the world, I also have to live at the bottom of the ocean. I don't know how to live in the middle of life.

I love the live shows when they're on and all singing great but I hate it when the judges say bad things about their singing. I feel sick because I feel it is mean because I've done the reality TV thing so I have such strong memories of what it feels like and I just imagine how bad and how nervous they must feel.

And do you know, do you know that mankind can live without the Englishman, it can live without Germany, it can live only too well without the Russian man, it can live without science, without bread, and it only cannot live without beauty, for then there would be nothing at all to do in the world! The whole secret is here, the whole of history is here. Science itself would not stand for a minute without beauty

A new survey reveals that women would rather give up sex than give up the remote control for the TV. Men, on the other hand, would be willing to have sex with the remote for the TV.

The clothes that I design and everything I've done is about life and how people live and how they want to live and how they dream they'll live. That's what I do.

I've only really had one period when I lost myself and felt like I was going to lose my career, and that was when I first began presenting 'X-Factor' spin-off 'The Xtra Factor' two years ago. I was worried if I did a rubbish job live on Saturday night TV that my music career was going to get affected and I would lose everything.

I was joking the other day about how my real life feels like a TV show, and my TV life feels real - because, to be on Thursday nights on NBC, which is what I grew up with, has been such a big part of inspiring me. To be part of that tradition is really completely surreal, and I'm so grateful.

Because of television, sports columnists have become personalities. I went to a party [during Super Bowl week] and there must have been 500 people who wanted to talk to me because they saw me on TV. I've become sort of the Soupy Sales character on TV, and people do not really know me as a writer.

A woman can walk miles without making one single step forward. As a child born in a harem, I instinctively knew that to live is to open closed doors. To live is to look outside. To live is to step out. Life is trespassing.

TV does not care about you or what happens to you. It's downright bad for your health now, and that's not a far-out concept. I think watching the TV news is bad for you. It is bad for your physical health and your mental health.

my dream is someday to have a bank of TVs, where all the different channels could be on and I could be monitoring them. I would love that. The more the better. I love the tabloid stuff. The trashier the program is, the more I feel it's TV. ... Because that's TV's mode. That's the Age of Hollywood. The idea of PBS - heavy-duty Masterpiece Theater, Bill Moyers - I hate all that.

It was actually the production group that ended up producing the show for us...Every musician, especially in the hip-hop community, you always make these show recaps or vlogs, and essentially what "Touring's Boring" was is, we tried to make our vlogs interesting and almost more like a TV show. That's how we got discovered by TV.

You see now more girls getting involved in their sports because they can see it on TV and see these people playing, and I think - the more and more it's exposed and is out there - it will continue to grow and grow. They watch it on TV and think, 'Well, that could be me!'

I want to see more Asians on TV. I want to see more faces like mine on TV.

I guess life offers you opportunities to live your dream. We just have to accept what comes our way and live those moments completely. You will not get back this time again, so live every moment you get.

In 1980s, I discovered 'Late Night with David Letterman.' It was on one of the 13 cable TV channels. They didn't have 25 late night talk show hosts trying to be the most outrageous. There was the likeable television genius Johnny Carson and his mad-genius counterpart Dave. There was nothing else crazy on TV every night, and there was no Internet.

We live by the sun, we feel by the moon, we love by the stars. We live in all things, all things live in us.

When I was four I thought everything in TV was just TV, then I was five and Ma unlied about lots of it being pictures of real and Outside being totally real. Now I’m in Outside but it turns out lots of it isn’t real at all.

What I really like about 'Grit' - especially being the guy who goes on TV every week and says 'Never Give Up' and who truly tries to live his life to that credo - we recruited 16 people who said, 'I will never give up.' And the only way they can leave the contest is by doing the one thing they said they never would.

I think the thing we see is that as people are using video games more, they tend to watch passive TV a bit less. And so using the PC for the Internet, playing video games, is starting to cut into the rather unbelievable amount of time people spend watching TV.

If people can't take the heat and can't take the controversy then they shouldn't be involved in advertising of reality TV because there is so much heat and controversy in reality TV.

I've chosen not to live in Hollywood, and instead I live in Brooklyn, New York. It's how I like to live. I'd rather hang out with my kids and family when I'm not working. Going to premieres is not my idea of a fun night out.

If I were to ask you who the first million-pound show winner was on British TV, you'd probably go for Judith Keppel. She was, indeed, the first 'Who Wants To Be A Millionaire' contestant to win £1 million, but the first one on TV was actually Clare Barwick, who won £1 million on Chris Evans' show 'TFI Friday.'

Spoiled. That's all it's about - can't live without this, can't live without that. You can live without anything you weren't born with, and you can make it through on even half of that.

It seemed to me at an early age that all human communication - whether it's TV, movies, or books - begins with somebody wanting to tell a story. That need to tell, to plug into a universal socket, is probably one of our grandest desires. And the need to hear stories, to live lives other than our own for even the briefest moment, is the key to the magic that was born in our bones.

People can see you on TV sloshing paint around with big four-inch brushes, and I learned to talk to camera in a friendly voice, not talking down to people, just explaining what I was doing. People like Picasso, Van Gogh, and Rembrandt did not have a weekly TV programme where people could see them painting.

I was like, 'I'm only going to do musical theater for the rest of my life. I'm never going to do TV.' And whenever I'd get auditions for TV, I'd be like, 'Okay, whatever. I've got a lisp, so they're not going to take me.' And then I started doing this, and I guess it was my sister that got me into the acting thing.

I wanted to live. For the father and brother who I never knew and for my mother who was cheated of a life of happiness. I wanted to live for them. And I wanted to live for me.

We've always dreamt of a TV series and working in film. When we first sat down to seriously write 'A Little Nightmare Music,' to write something for TV was our original inspiration. But all the stuff we were writing down is not going to work on stage. We had to rewrite it so it would work on the stage.

Do you believe in miracles? Well, you should. In fact, life itself is a big miracle. There are so many things that are beyond our understanding. There are two ways to live: you can live as if nothing is a miracle; you can live as if everything is a miracle.

Both TV and movies seem to be produced in a more similar way as time goes on. It used to be that movies were much bigger productions on every level and took much longer to shoot. I liked that. But with the advent of digital, everything can be done much quicker and cheaper, and that seems to be the goal of most movies and TV these days.

I have to think about the future because, not that I'm bored with it now, but I can't live now, it's not my place to live now. I've got to live ahead of myself.

If you live to be a hundred, I want to live to be a hundred minus one day so I never have to live without you.

You have to go the way your blood beats. If you don't live the only life you have, you won't live some other life, you won't live any life at all.

I hope people realize that drag queens and queer people, we're not just archetypes and stereotypes. We're human beings with a lot to share. And a drag queen doesn't have to just be a clown, she can also be like a cooking TV personality or like a DJ, or a talk-show host. We should be able to infiltrate TV everywhere.

Sour Patch, Swedish Fish. I love candy, man. I can't go without candy. And when I'm recording, I always have a TV on with cartoons - on mute, though. When I'm recording, I like to look at the TV now and then and see some crazy, wacky stuff. When you're thinking creative, it just keeps you creative. Everybody got their way of making music.

TV has taken reflection out of the human condition. People didn't use to have a ready answer for everything, whether they knew something about it or not. People think they have to have an answer for everything because the guys on TV have an answer for everything. But it's bullsh**t! Reflection is crucial.

I just think I started off like many composers, just in different fields of music I was doing. I started doing a lot of commercials and jingles, and then that led to doing TV and then films and games and TV.

I grew up in Lancaster, Pennsylvania, watching the Tony Awards on TV. Not just 'watching' the Tony Awards on TV - I would record them on a VHS tape and bring them in to school and show them to the other kids.

I like TV in the way that it moves quickly, I like the pace of TV because I'm that type of actor. I like to go-go-go. I don't have to do 50 million takes of something. I guess I'm not that patient. I really like the pace of it.

There's always something at least a little smug about self-reference - magazine articles about idealistic journalists, TV shows about TV actors, ironic films within ironic-er films: all this meta-media populated by thinly disguised characters making oblique inside jokes.

I don't watch much television. My old TV agent used to always get mad at me because he'd send me out on auditions and I'd be like, 'What's this show?' and he'd be like, 'It's literally the top show on television.' I wasn't allowed to watch TV as a kid.

I don't want to do something just to be on TV. If I did I might as well just go on and put a meat pie on my head! If I go on TV I want to be doing something I want to do.

Jesus is the starving, the parched, the prisoner, the stranger, the naked, the sick, the dying. Jesus is the oppressed, the poor. To live with Jesus is to live with the poor. To live with the poor is to live with Jesus.

...a condemned man who, at the hour of death, says or thinks that if the alternative were offered him of existing somewhere, on a height of rock or some narrow elevation, where only his two feet could stand, and round about him the ocean, perpetual gloom, perpetual solitude, perpetual storm, to remain there standing on a yard of surface for a lifetime, a thousand years, eternity! - rather would he live thus than die at once? Only live, live, live! - no matter how, only live!

People behave differently to TV stars and film stars; it's to do with the scale of the medium. Film stars get hushed awe, TV stars get slapped on the back. Neither is good for you. Famous people don't hear the word 'no' enough.

To live with the conscious knowledge of the shadow of uncertainty, with the knowledge that disaster or tragedy could strike at any time; to be afraid and to know and acknowledge your fear, and still to live creatively and with unstinting love: that is to live with grace.

The chance to tell personal, language-specific, culturally specific stories is really flourishing on TV and I think it's just the nature of movies and international demands that you need to get a much bigger audience. TV is more like independent film was. The forms of adult drama and certain kinds of sophisticated comedy, there's no room for them in the tentpole movie universe.

In terms of writing and developing, TV is very open because TV needs stories. They need new pitches, and they need new ideas. They don't always take the risk for new ideas, but they are certainly open to it. They can't have enough people come in and pitch to them. It doesn't matter how they look or what gender they are.

Live shows are where I can just go off, I do the most. I can recreate songs live and take one element and build on that that for like 40 minutes and I like seeing people's faces when I'm making something live.

I want to be comfortable on TV. If I'm comfortable, they're comfortable watching me. I think nothing's more icky than watching icky on TV.

Reality TV now doesn't feel reality TV when it started. The line between reality and fiction is blurred. So many of these people are phony or shallow, in their own right. If you've ever watched any of The Real Housewives, or those types of shows, they're all performing. Even though they're real people, they're performing.

When I was younger, I did a TV show in the U.K. for a couple years, and I learned a lot from that. It taught me a lot about being known amongst your peers and having to deal with a lot of derision from them. It's not easy being known as 'the kid from the TV show.' Not in school it's not.

We don't evaluate what's right and wrong, we live in a society. We live in a culture. We have to live within the culture.