Top 254 Loathe Quotes & Sayings - Page 5

But first, on earth as vampire sent, Thy corse shall from its tomb be rent, Then ghastly haunt thy native place, And suck the blood of all thy race. There from thy daughter, sister, wife, At midnight drain the stream of life, Yet loathe the banquet which perforce Must feed thy livid living corse. Thy victims ere they yet expire Shall know the demon for their sire, As cursing thee, thou cursing them, Thy flowers are withered on the stem.

I have wanted to kill myself a hundred times, but somehow I am still in love with life. This ridiculous weakness is perhaps one of our more stupid melancholy propensities, for is there anything more stupid than to be eager to go on carrying a burden which one would gladly throw away, to loathe one’s very being and yet to hold it fast, to fondle the snake that devours us until it has eaten our hearts away?

Haply for I am black, And have not those soft parts of conversation That chamberers have; or for I am declined Into the vale of years—yet that’s not much— She’s gone. I am abused, and my relief Must be to loathe her. O curse of marriage, That we can call these delicate creatures ours And not their appetites! I had rather be a toad And live upon the vapor of a dungeon Than keep a corner in the thing I love For others’ uses. Yet ’tis the plague of great ones; Prerogatived are they less than the base. ’Tis destiny unshunnable, like death.

You are out of control, Rand al'Thor,' she declared. I do what must be done,' he said, speaking now from the shadows. He sounded exhausted. ... I hate what you just did, Rand,' Nynaeve snarled. 'No, "Hate" isn't strong enough. I loathe what you've done. What has happened to you?' Test him!' Rand whispered, voice dangerous. 'Before condemning me, let us first determine if my sins have achieved anything beyond my own damnation.

Can you sacrifice a few? When those few are the best? Deny the best its right to the top--and you have no best left. What are your masses but millions of dull, shriveled, stagnant souls that have no thoughts of their own, no dreams of their own, no will of their own, who eat and sleep and chew helplessly the words others put into their brains? And for those you would sacrifice the few who know life, who are life? I loathe [Andrei] your ideals because I know no worse injustice than the giving of the undeserved. Because men are not equal in ability and one can't trust them as if they were.

I still have a stammer. I hate it; I loathe and despise it. But it's always there, and I have lots of ways to conceal it. I can conceal it now but I'm not good on the telephone. I get my husband to make dentist appointments. And I hate live radio. Hate it. I really try to avoid it at all costs. But it's always there. Stammerers become skilled at sentence construction and synonyms: we have to be. Faced with a problem word, we need to have instant access to eight others we could use instead - ones we could say without stumbling. I think my stammer is a huge part of my being a writer.

I loathe my name because it is mine and also because it is not mine; it is at once too intimate and seems to have no connection with me. Perhaps because the name is quite common, it never seems to fit me, or fit me alone. Nevertheless, when I see the name, I always feel a peculiar sense of shame.

What I bring to the interview is respect. The person recognizes that you respect them because you're listening. Because you're listening, they feel good about talking to you. When someone tells me a thing that happened, what do I feel inside? I want to get the story out. It's for the person who reads it to have the feeling . . . In most cases the person I encounter is not a celebrity; rather the ordinary person. "Ordinary" is a word I loathe. It has a patronizing air. I have come across ordinary people who have done extraordinary things. (p. 176)

I put my hand out and wiped the vomit from his lips, and cooed soothing words to him. It squeezed my heart to see him suffer like this - but where my genuine concern for him ended and where my self-interest began, I could not tell: no servant can ever tell what the motives of his heart are. "Do we loathe our masters behind a facade of love - or do we love them behind a facade of loathing? "We are made mysteries to ourselves by the Rooster Coop we are locked in.

Singing what's in your heart? Naming the things you love and loathe? You can get hurt that way. Hell, you will get hurt that way. But you'll get hurt trying to hide away in all that silence and leave your life unsung. There's no future without tears. Are you really setting your hopes on not getting hurt at all? You think that's an option? You clearly aren't listening to enough Morrissey songs.

Human courtship has some wild extremes. At one end of the spectrum, there is harassment, pestering, blackmail, and an abuse of institutional power, which its targets rightly fear and loathe. At the other end is love, which as Nietzsche said, is beyond good and evil and always deserves our respect and compassion even when it is doomed or destructive. In the wide middle of the spectrum are all the ambiguous and tragi-comic goings-on of our species.

This word "redemption," what is it about this word? Is it tangible? Do you know when it has happened? Is it necessary in a drama? Does it make a character boring? Does everyone agree on a character being "redeemed?" Or is it a word that is so subjective and polarizing and insignificant in modern television? It is a word that has been given, quite possibly, far too much significance, when it is truly ambiguous and meaningless in a drama. I have personally grown to loathe that word in literature.

It is truly strange how long it takes to get to know oneself. I am now sixty two years old, yet just one moment ago I realised that I absolutely love lightly toasted bread. Simultaneously, I also realised that I loathe bread when it is heavily toasted. For almost sixty years, and quite unconsciously, I have been experiencing inner joy or total despair at my relationship with grilled bread.

In the closed world of the gynaeceum, despite the gardens and parkland extending beyong the horizon, despite the insurmountable walls separating pavillions and palaces, the tangled web of our fate was inescapable. Why did these women love each other to the point of madness? Why did they loathe one another so vehemently, and why did sworn enemies feel such horror and fascination for one another? Why should furious hate become obsession, then intoxication and the very reason to live?Because love and hate were the two heads of the demon.