Top 1200 Long Shot Quotes & Sayings - Page 2

Explore popular Long Shot quotes.
Last updated on April 21, 2025.
I've shot films in Africa. I've shot in America - English is not my language.
A great shot is when you pull it off. A smart shot is when you don't have the guts to try it.
A shot-down advance doesn't have to mean the end of a relationship, right? You can still be friends, as long as you're not dumb about it. — © Ryan North
A shot-down advance doesn't have to mean the end of a relationship, right? You can still be friends, as long as you're not dumb about it.
As a first-time CEO, I wasn't sure if I would scale to run IronPort long-term. But I wanted a legitimate shot at it.
Don't let the difficulty of actually achieving a shot make you think that the shot is good.
To me, theater is the mecca; if you really love to act, that's where it's the most fun, by a long shot.
A shot that goes in the cup is pure luck, but a shot to within two feet of the flag is skill.
As hideous and dumb as it sounds, I wouldn't be at all surprised by an invasion of Iraq on September II. I'll take a long shot bet on that.
Coming to the end of a long shot is brutal so when it's just me, if I mess up I can be like "Sorry. I'm an idiot. Let's go again".
I'm just trying to shoot in rhythm. That's the biggest thing for my shot from long range. I don't try to speed it up too much.
When we shot the first series of Aerobic Striptease, we shot five DVD's, so we slowly put out each DVD and timed it out that they were all done and shot and ready to go. We just started shooting the next series once we felt it was time to work on the next one.
Some day we're gonna have interactive television where you can pick the shot that you want. You can watch defense, or you can watch the end-zone shot, or you can watch an isolated shot of Terance Mathis or whoever you want to. Because right now, the only thing that you watch is what the producer or director decides to show you.
When I lived in Louisiana, 'Django Unchained' was shot at my neighbor's house. They shot a Sly Stallone movie in my gym. — © Ryan Holiday
When I lived in Louisiana, 'Django Unchained' was shot at my neighbor's house. They shot a Sly Stallone movie in my gym.
You look at the inner cities and you see bad education, no jobs, no safety. You walk to the grocery store with your child and you get shot. You walk outside to look and see what's happening, and you get shot. In Chicago 3,000 people have been shot since January 1st. I am not going to let that happen.
I'm the kind of person who if I was playing the role of someone who got shot, I'd probably want to get shot so I knew what it felt like.
I typically come into any project knowing what the opening shot is and what the end shot is.
I did do an American pilot, but it wasnt shot in America, it was shot in South Africa. It was called The Philanthropist, and it was for NBC.
I don't always think I am right, not by a long shot, but no one stifles me. When I care deeply about something, you are going to know.
To decide to film a movie again shot by shot, you must be masochistic to a certain degree because it is a much greater challenge.
It was quite a shot in the head to do the album and then have it shot down by nonmusical idiots.
Why is it that if you hit a shot to within a tenth of an inch of the hole, it's a great shot, but if it goes in, it's luck?
When you go into free agency and have options, any team is up for you to be on - and the Raiders, obviously with me having been there for so long, have a great shot at it.
I love the rehearsal, as long as it's not over-rehearsed. I love it when the actors can rehearse until we feel really comfortable, and then the crew come in and shoot it. I'm not especially a big fan of rehearsing with the crew and the crew rehearsing and, "Let's rehearse this tracking dolly shot 25 times until it's just right." Television has to be shot a certain way to have a certain look. And sometimes the tried-and-true method is the best.
were you sleeping?" He chuckles. "Not by a long shot. I was just tryin' to convince myself not to make a move on you.
Having listened to people for a long time, I believe many of us should be thankful not to be shot.
As long as you gave it your best shot, even if in the opinion of others 'you failed,' you didn't fail.
Where we shot in India, you could literally dump the camera off the back of the truck and you'd have an amazing shot.
It was quite a shot in the head to do the album and then have it shot down by nonmusical idiots
I think CGI is interesting but it's too expensive and limiting in terms of what you can do shot-by-shot.
The mindfulness revolution is not quite as dramatic as the moon shot or the civil rights movement, but I believe, in the long run, it can have just as great an impact.
I live in a neighborhood so bad that you can get shot while getting shot.
The difference between a good shot and bad shot can be an inch to the left.
It's definitely been a long, long... long, long, long, long, long journey since I was selling burnt CD's out of my backpack in downtown Oakland.
In putting setting to work, I like to think about long shots and close-ups. The long shot is the overall view of the place in which the characters live - the island, the town, the wide sweep of place. Then we narrow in. The close-up, the tight focus, makes the place different from anywhere else.
Live a "Why not?" life, man. Take the shot. The shot is always worth taking.
A shot of Shyam Benegal inspires me a lot. I wonder why a film of David Dhawan cannot have a shot like that.
The first video I shot for "A Zip and a Double Cup"â€"I have two versions, a remix video and a the originalâ€"because I wasn’t really trying to do anything. I just came home and got kind of high and shot a video in the parking lot. I just shot the video how I wanted to do it and posted it online and the next day it went crazy.
I'm not a star, man. If a guy came in here and shot you and shot me, we'd both be two dead people. You understand? — © Kevin Garnett
I'm not a star, man. If a guy came in here and shot you and shot me, we'd both be two dead people. You understand?
Everyone deserves a shot....and some deserve to be shot.
The video for 'Ride the Wind,' we shot that in Detroit. We shot it at Joe Louis Arena two nights in a row.
Who shot you?" For a moment he looked annoyed. "I fail to see what that's got to do with anything. Reading assures me that anyone who's ever met me would have reason to shoot me, so I must admit with all candor that I have no idea. Was it you?" "If I'd shot you I wouldn't have missed," she said. "Was that wishful thinking or are you in fact a practiced shot?" "Desire would have made up for lack of expertise.
May I suggest a drinking game where everytime I do a ridiculously long awkward blink, someone does a shot of some kind of alcohol?
There's an ecstasy about doing something really good on film: the composition of a shot, the drama within the shot, the texture... It's palpable.
The success of an archery shot may bring food to the hunter's starving family, or may constitute a horrible murder. But these outcomes are irrelevant to the assessment of that shot as a hunter-archery shot, as an attempt to hit prey without running excessive risk of failure.
I think it's really great to be able to stick with a character for a long period of time. It's not like you have one shot, and that's it.
I played for a long time, and there's not many guys I would say, 'O.K., take any shot you want.'
I wasn't the brightest kid, not by a long shot. I was interested in football, in girls, in getting my work done with the least amount of effort.
I wish I was sort of someone like Woody Allen who can stage everything in one long master shot, no coverage; just, you know, that's it. — © Jay Roach
I wish I was sort of someone like Woody Allen who can stage everything in one long master shot, no coverage; just, you know, that's it.
I have got to stay aggressive. When I have a shot, I have to take that shot.
I think CGI is interesting, but it's too expensive and limiting in terms of what you can do shot-by-shot.
A big shot is a little shot who keeps on shootin'
There's only one shot you have at a movie, and that's your best shot. If you can't give it that, don't go. They're paying you! You gotta do a job for them.
Get the kids to understand that they shouldn't worry about who makes the shot, only whether or not the shot is made
Sometimes I feel like I have a good shot, and then I see somebody that has a better shot.
He's a great shot-blocker. So once you go in there, you've got to either get into his body and get an and-one, or you've got to drive and kick. It's not all about trying to force the shot over a shot-blocker like Nerlens Noel. You've got to kick it.
You shoulda shot that fella a long time ago. Now he's too rich to kill.
I'm not a big fan of shooting something that looks like it could belong in any movie. I'm not a fan of, okay, 'wide shot, wide shot, medium shot, close-up, close-up - we'll figure it out in post.' I hate that.
Because of the long, long history of British shipping, immigration, trade, empire, missionaries, you can have a better shot at telling a worldwide story in the British Museum's collection than any other. Britain has been more connected with the rest of the world than any other country, for longer.
The only difference between a good shot and a bad shot is if it goes in or not.
To me I just, I'm a geek when it comes to cinematographers . And when it comes to Robert and when it comes to someone like Roger Deakins who shot Prisoners and he shot Jarhead.
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