There's a fashion for a macho style of filmmaking. How long can your longest take be? And shooting things in one shot. For me, if you can sort of disappear and make people feel that they are there, that involves massive amounts of work.
If a shot aimed at aptness succeeds aptly, it is then fully apt, since it is not only apt but also aptly apt. But the full aptness of such an attempt is entirely compatible with its being a horrible murder, if the "hunter" is an assassin and the prey his victim. That hunter's shot may still be outstandingly, fully apt, if it manifests the agent's competence in both archery dexterity and shot selection.
I can get a title shot any time I want to. They know I can beat 110% of the champions out there right now. I just have to be motivated. Most of them are going to be trying to not give me a shot.
We shot 'Telusa Telusa' song in Bolivia. It took us 50 hours to get to the location. We shot in high altitudes, and oxygen cylinders were kept handy.
The Fed wants to raise rates because they've been yelling and screaming about it. They've been crying wolf for so long that their credibility is shot, and I think they feel they need to.
There's things that you just couldn't do with an optical printer. Now, with digital compositing, most of the energy that goes into a shot goes into the aesthetic issues of, 'Is it a good shot or not?'
A camera is a camera, a shot is a shot, how you tell the story is the main thing.
Last summer a second unit production crew went to France and shot scenes for several of this season's episodes. They shot costumed actors in and around real castles and landmarks, we couldn't possibly have duplicated here in Hollywood.
I'm 24, which I know doesn't sound very old. But in the world of gymnastics it is. The Tokyo Games are my last shot to compete as a gymnast for Team USA, and my last shot at winning a gold medal.
All I knew about shot putting was that my [older] brother could do 44 feet. I decided I wanted to beat him. . . . So I got a shot and went to work and made up my mind to do 45 feet.
I look at the feature films that come out, and by and large, 85 percent of them are things I wouldn't in a million years sit down and watch. The more interesting storytelling is happening on television by a long shot.
Any type of animation, it could be really super crude or very sophisticated, it doesn't mean anything if we don't make this point in this shot, this one here and this one here. There's the saying, 'One shot, one thought.' It's pretty much a true way to go.
Craig McDean was probably one of the first people I shot with. I shot with him for years with Tommy Hilfiger and a few other jobs. He's just so nice and just a super normal, funny guy.
I shot him the bird. (Get it? I shot him the—never mind.)
I shot film with the Coen brothers on 'Hail, Caesar!' That's fine. I'm sentimental about film; I've shot film for forty years or something.
I felt I have gifted my wicket. So more than technique, I need to work on my shot selection, I need to decide which ball to be hit, I was going for every shot.
Every year the hunters shot cows and horses and family pets and each other. And unbelievably, they sometimes shot themselves, perhaps in a psychotic episode where they mistook themselves for dinner
There's nothing worse than an ostentatious shot. Or some lighting that draws attention to itself, and you might go, 'Oh, wow, that's spectacular.' Or that spectacular shot, a big crane move, or something.
Holy Ghost! wears its influences proudly: Look no further than the duo's video for 'I Will Come Back,' a shot-for-shot remake of the music video for New Order's 1983 single, 'Confusion.'
What I try to do is find a weakness in my opponent. A way that I can hit you. One good, clean shot. Try to time it. If I can get it and the shot is there, if I find that shot in the first round and they go down, they go down. I'm prepared for anything, not just to get first round knockouts. If they're there, I'm not gonna resist to take them.
We shot 'Tevar' in Mathura and Agra, 'Mom' was shot in Noida and Greater Noida.
I think we've missed a trick there. We could develop wheat with the properties of Velcro... to catch whatever it is that's forming those crop circles! But then the spaceship would have to have the corresponding Velcro, so it's a bit of a long shot.
I don't know how many lions and leopards I've shot. I've shot two elephants, which was enough - never again. It's a melancholy and moving thing to hunt an elephant. It's like shooting an old man.
I've got a scar on my shin from when I got shot in New York when I was 17. I was outside a McDonald's and somebody shot a gun from a car, and the bullet grazed my leg.
As you see something that yo want to shot and it's bearing down on you, it's important to start framing long before the subject gets close to you. The light will reveal itself possibly long before you want to take the image, but you have to wait until the picture comes to you, and if you've been anticipating carefully when the subject will be in position, the background will have been figured out in advance.
Cournoyer has it on that wing. Here's a shot - Henderson made a wild stab for it and fell. Here's another shot! Right in front - THEY SCORE!!! Henderson has scored for Canada!
I was in Nashville quite a bit when I shot 'Nashville,' and I was in Los Angeles when I shot in 'Supergirl'.
I shot down some German planes and I got shot down myself, crashing in a burst of flames and crawling out, getting rescued by brave soldiers.
Raft told me how to walk with him in a scene: We'd start off in a long shot normal, and about the time we got together in a close-up, I'd be bending my knees so I'd be shorter.
I'm more of a seat of my pants, heat of the moment kind of person, which lends itself well to hosting and acting, but not necessarily going, "Oh, what is my shot list? That's right, I needed to work on a shot list."
Know that a word suddenly shot from the tongue is like an arrow shot from the bow. Son, that arrow won't turn back on its way; you must damn the torrent at its source.
With a Grammy, if you're releasing your record with a major label, you have a chance with any record. You also have a very long shot with every record.
First of all, I'm a performer, so people really want to see my performance in different styles and genres. We tried to do hip-hop and EDM, and very energetic performances through 'Camo,' 'Nega Dola,' and 'One Shot, Two Shot.'
I did Phone Booth, and that was shot very, very quickly, but that was Joel Schumacher, who's shot so many movies that, if anybody can figure out how to do it in a couple of days, it's him.
Last summer a second unit production crew went to France and shot scenes for several of this seasons episodes. They shot costumed actors in and around real castles and landmarks, we couldnt possibly have duplicated here in Hollywood.
The first job I did was Volkswagen, we shot it in Long Beach, and it was like they won multiple awards with it and they were super excited about it and that kind of launched me into the world of commercials. Still most of what I do is car-related stuff.
Always make your team around you feel like you are succeeding, even though you know, way down deep, it's a long shot. You have to be the fighter and the leader and the one who instills energy and hope in others.
It was probably when I had a game point at 3-1 in the first set and it was a really long point, and I did a passing shot after a huge rally. Maybe from then I was like, 'Okay, that's not normal.'
I knew exactly what I wanted out of my actors - the film stars Ranveer Singh and Sonakshi Sinha in lead roles - and how each shot should look. A large part of 'Lootera' has been shot under tough conditions.
After a few days [in Iceland] I tried to take a photograph. But with my attempt to distinguish the first shot, the place disappeared on me.... I hadn't been in Iceland long enough to simply be there.
I hate movies that take a long time to shoot or directors that labor over every shot or do excessive amounts of coverage and excessive takes and don't keep things moving or constantly cutting.
I made a movie where I played a girl that just got out of prison and we shot it very very quickly but very intensely-that took me a long time to get over.
Clouds of insects danced and buzzed in the golden autumn light, and the air was full of the piping of the song-birds. Long, glinting dragonflies shot across the path, or hung tremulous with gauzy wings and gleaming bodies.
The beauty of Toronto is that it has not been shot a lot in movies, for itself at least. I mean, most of the time, Toronto is shot to portray something else.
At 7:45 p.m. I was shot in the left arm by a friend. The bullet was a copper jacket 22 long rifle. My friend was standing about fifteen feet from me.
There are a lot of players who fiddle around with their towel in your shot or they get up out of their chair to see if a ball's on when you're about to play your shot.
In order to hit a good golf shot at that moment in time when you're standing over the ball, you must believe that golf shot is the most important things in your life.
It affects you when you get shot at, when your children get shot at. In our case, we had one shooter, a guy from Illinois mad that Trump won, and decided to come to Washington and shoot GOP congressmen.
I think it is always a long shot getting a book made into a film. Making that book into a film is going to be quite a challenge.
I was shot when I think it was number one. That was the catalyst for the interest in the show. Certainly it went on for a long time after that but that's what really kicked it off. Of course a lot of people watched it just because of the novelty of the situation.
He asks me what happened to my leg. I told him I was shot by a shark. He doesn't react. Doesn't seem confused or amused or anything. Like getting shot by a shark is a perfectly natural thing in the aftermath of the arrival.
I have been parts of some films in the South where I didn't expect certain shots to be shot in a certain way. I wasn't experienced enough; I was very naive. I didn't have the standing of an actor to say that I don't want to do this shot.
For the most part, when you play a full shot from the primary rough at your course, you're gauging how close to a standard shot you can hit based on your lie in the grass.
Once I started working with the Polaroid, I would take a shot and if that shot was good, then I'd move the model and change the lighting or whatever... slowly sneaking up on what I wanted rather than having to predetermine what it was.
When you have an open shot, it's an open shot and it's not about your role or the offense.
Sometimes the biggest problem is in your head. You've got to believe you can play a shot instead of wondering where your next bad shot is coming from.
[Keeping Up with the Joneses] is not one of those movies where people get shot and fall down and there's no reality of what would happen if you got shot and knocked over a motorcycle. It's meant to be a slight comedy in that sense.
Golf is day-to-day. It's shot to shot; it's not four days at a time.
I don't want to mess up my life. You only get one shot. I don't want to let my fans or anybody else down. So, I always think before I act. And as long as I do that, I'll be okay.
I'm old enough, by a long shot, to remember going to the library and spending days researching. If I was looking for a line from a poem or something else I needed, that would be the trip I would have to take.
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