Top 1200 Long Shot Quotes & Sayings - Page 8

Explore popular Long Shot quotes.
Last updated on December 21, 2024.
We did 'The Conversation' on the Zeus network because we already are on TV and we felt like us being our own therapists could work. We tried it. We just gave it a shot since we already on blast and everybody creating their own stories about what they see. Just tried to give it a shot. Did it help? I don't know.
Whether I'm performing or directing, I'm aways thinking about rhythm; sometimes it's nailing the right rhythm, and sometimes it's intentionally breaking the rhythm. Those two things are what make something funny or not. How long a shot is and where you put the camera are all part of that rhythm of directing.
When I used to play golf. It's a terrible miserable game. It's incredibly frustrating. In 18 holes you make 150 horrible shots off in the woods, in the water...You make one good shot and it brings you back the next time. With writing a long book there has to be at least one bit that has some magic in it that you can go back to.
Some shots, for me, are a good shot even if it's forced. The way it might look to a person watching, they might look at it like, 'That's a tough shot.' But for me, it's not a tough decision. I'm committed to those shots, and I spend time working on them.
When I walk with a camera, I walk from shot to shot, reading the light on a calibrated meter. When I walk without a camera, my own shutter opens, and the moment's light prints on my own silver gut. When I see this second way I am above all an unscrupulous observer.
We shot in a place called Asheville, which is like beautiful, beautiful forests. … And then part of it we shot all the reaping stuff, which was just crazy - because the reaping in the book and in the script is such an emotional thing for everyone. It really did feel like that when we were shooting it.
I did volleyball, basketball, and track all through high school. And then I went to junior college and I stuck with track because I was good at shot put and discus. And then I got a full ride to Fresno State for their track program. Shot put was my main thing. I was the five-time All-American, and I set a couple records.
Telling the story with only a few shots, I love that style. It makes you feel like you're part of the action, part of the story. It reminds me of the theater, where one act is basically like one long shot. It almost makes you forget that you're seeing a movie.
So long as the Constitution is not amended beyond recognition, so long as elections are held regularly and fairly and the ethos of secularism broadly prevails, so long as citizens can speak and write in the language of their choosing, so long as there is an integrated market and a moderately efficient civil service and army, and — lest I forget — so long as Hindi films are watched and their songs sung, India will survive
Cinema is not truth. Even when you make documentary films, you can choose to show this shot and not the other shot - this side and not the other side. In cinema, there's one truth - not 'the truth.' It's only 'my point of view.' Cinema is powerful because of that.
Dillian Whyte hasn't got any power. He hit me with his best shot, didn't even bother me, and he knows that. I hit him with my best shot and he was asleep and I hit him with another one and I woke him up.
Most of my images have been done in-studio, under very controlled lighting conditions. There have been a few that have been shot in nature, but even then they were shot almost exclusively at night, and again, under controlled lighting conditions.
Of all the things in sports, getting a sack is one of the hardest things to do. It's like a last-second, game-winning shot in the NBA. A guy hits the last-second shot, and the fans scream. For us (defensive ends), the sack is everything. It's hard to get there. But once you do, there's nothing like it.
I treat people who write me the way my friends and I all treat each other when we go to each other for advice, which is sometimes with supreme cruelty. I think that's what helps the advice sink in. If somebody comes at you with both barrels, the first shot opens your head, and the second shot allows the advice to get lodged inside.
A lot of people don't want to hire disabled actors. They think you're going to take twice as long over a shot, or they don't want have to put up a ramp for disabled access. They think, 'Why would I do that when I can just hire an able-bodied actor to play the disabled character?'
The two-piece ball I switched to spun too much. One shot would go the distance I thought it should, then the next one would fall short, and then the next one would go long.
When Frank the Pug is singing I Will Survive, the only reason it's funny is that Will is in that shot trying not to get angry. A shot of a dog singing I Will Survive on its own will not get a laugh.
Life is too short to spend your precious time trying to convince a person who wants to live in gloom and doom otherwise. Give lifting that person your best shot, but don't hang around long enough for his/her bad attitude to pull you down. Instead, surround yourself with optimistic people.
Scripts are what matter. If you get the foundations right and then you get the right ingredients on top, you stand a shot... but if you get those foundations wrong, then you absolutely don't stand a shot. It's very rare-almost never-that a good film gets made from a bad screenplay.
You don't see what's gone before. A lot of that can be long, long boring hours in the gym, long, long hours on the track or, for the likes of Paula Radcliffe, long hours out on the road in the rain running and running.
As long as science fails to discover the sources of life, as long as, on sea or in the sky, there is an abyss that is resistant to mathematical reckoning, as long as mankind in its steady progress is ignorant of where it's heading, as long as a mystery exists for man, there will be poetry!
A friend of ours said if the same laws were applied to U.S. Presidents as were applied to the Nazis after WWII, that every single one of them, every last rich white one of them, from Truman on would be hung to death and shot. And this current administration is no exception. They should be hung and tried and shot as war criminals.
The action pictures I've been typically involved with, when somebody gets punched, you really feel the punching, and when somebody gets shot, you really feel the shot.
One fine day, in the middle of the night, two dead boys got up to fight. Back to back they faced each other. They pulled out their swords and shot one another. One deaf cop, on the beat heard the noise, and came and shot the two dead boys.
Caddies are a breed of their own. If you shoot 66, they say, "Man, we shot 66!" But go out and shoot 77, and they say "Hell, he shot 77!" — © Lee Trevino
Caddies are a breed of their own. If you shoot 66, they say, "Man, we shot 66!" But go out and shoot 77, and they say "Hell, he shot 77!"
A man who gives way to his passions is like a man who is shot by an enemy, catches the arrow in his hands, and then plunges it into his own heart. A man who is resisting his passions is like a man who is shot by an enemy, and although the arrow hits him, it does not seriously wound him because he is wearing a breastplate. But the man who is uprooting his passions is like a man who is shot by an enemy, but who strikes the arrow and shatters it or turns it back into his enemies heart.
The First World War began because one man was shot. The Second World War began because of a mad German dictator. Who knows how a third could start. There are also people who think that the war has been going for a long time.
I wasn't expecting a proposal from Aamir that night, especially when he had waited long hours for my shoot to get over and I too was drained after giving back-to-back scenes that involved portraying a lot of mental traumas and crying. As I came out of my shot, he stood in front of me, went down on his knees and proposed marriage.
If you want to be a good shot-blocker, you're going to be a good shot-blocker. It's simple. You can't teach it. You're either good at it, or you're not good at it. If you're good at it, then be really good at it.
So what does Tod look like? Whitewashed skeleton skulking around in a black cape and hood? Carrying a scythe? 'Cause I'm thinking that would cause mass panic in the hospital." ..... "Do you chase after a funeral processions in a long, dirty dress, hair trailing behind you in the wind? I shot him a mock frown. "Have you been following me again?
Not missing games, miss one game due to injury in my career, and that even hurt me to miss that game, but I just love to get out there and compete, both ends of the ball, and I don't think I'm afraid to take the big shot. If I'm 2-for-15, I'm not afraid to take that shot, make it 3-for-16.
I mean, take 'Chariots Of Fire.' That opening scene, the long shot of the runners along the beach, and then you hear that music... I think that was one of the first times synthesizers were really used in movie music. I just flipped! I didn't even care what the story was going to be. Give me a nice marriage of sound and music.
I took Hedo (Turkoglu) in the first game and Rashard (Lewis) hit the winning shot. I took Rashard in the second game and Hedo hit the shot. If I could clone myself, we'd be all right. But I can't.
Listen: God doesn't care whether or not you make your next jump shot. God will give you a lot of things in life, but he's not going to give you your jump shot. Only hard work will do that.
You stand up to that challenging shot, you put yourself into that shot, and you pour yourself into it confidently. Stand up and commit yourself completely. If you miss it, you miss it certainly. You've done everything you can.
What strikes me is that 'XIII' looks like a movie. The shot making is movie-like, which is kind of fun - the kind of playful action movie shot making is pretty, is pretty good. What's also great about this game is its style and interesting story-line.
Socialist countries throughout the world love to lower retirement ages to make people prematurely dependent on the government. But we should move in the opposite direction. In the long run, indexing retirement to life expectancy will yield enormous revenues to the system, far more than a one-shot increase in the age in the current legislative cycle.
Well, outside of the tone, the big thing that I gained from working on horror film was how to shoot really quickly with no money. I learned how to be able to go into a production and know exactly what shot I need to get and how the shot needs to look and what performance I need to get out of the talent at a very quick pace.
I confessed to Mike [Cimino] a couple of days before we shot. I was like, "What am I doing here, Mike?" And Mike just looked at me, in that very directorial manor, took a long pause, and he said, "You know the game tag?" And I said, "Yeah." And he said, "Well, you're it." That was some of the best direction I think I've ever received.
You see these terrorists that are flying planes into buildings, right? You see our cities getting shot up in California. You see Paris getting shot up. And then somebody complains when a terrorist gets waterboarded, which quite frankly is no different than what happens on college campuses and frat houses every day.
So much of the game is mental, and that's one thing that I've always wanted to be good at. That if I miss a shot or make a bad play, to never let your opponent see that you are in duress or upset - that they've won in any way. So if I make a big game-time bucket or if I miss a shot, you'll see the same mannerisms. I move on to the next play.
I hit Damian Fuller with a left hook that left him laid out for 30-45 minutes. They brought oxygen to him, they couldn't wake him up, he was out cold. The television station kept having to take breaks, he was out so long. It was unbelievable. That was the best one-shot I've ever done in my life.
In piano, if you try to force hitting this key and that key, it's very broken. It's not pretty. When you're in archery, you can't try to force it step-by-step-by-step. Then the shot doesn't flow and it's not a good shot. If you just let the performance flow, it's really beautiful.
I've been playing the CNN Drinking Game, have you ever played that? Where you do a shot every time George Bush says the word "evil"? Oh, I'm a wreck! You gotta do a double shot every time he says "evildoers". Chug the bottle for "axis of evil". Are you a president or an exorcist?!
We shot in a place called Asheville, which is like beautiful, beautiful forests. And then part of it we shot all the reaping stuff, which was just crazy - because the reaping in the book and in the script is such an emotional thing for everyone. It really did feel like that when we were shooting it.
We shot every scene of mine in the entire movie in five days. All my coverage, everything. I left. They went back and shot everybody else around me. Insane. The part [Billie in Crazy Six] called for a handsome, coiffed cool guy romantic lead, and I showed up like you see him in the movie. And they let me do it.
The Republicans had their shot not long ago to address the real needs and concerns of everyday Americans, and they blew it. I think that's mitigated by the fact that we had a terrorist incident, there is a war, and there was a lot of proper focus on those issues, but over the time that they were there and had the leadership opportunity, they blew it. We got fired for a reason.
I've always been known as a pure scorer, and I've always said if I just sat outside and shot 3s and just really focused on that - coming off of screens and spot-up 3s - and shot six or seven 3s a game, I would probably be more known as one of the greatest shooters in NBA history.
You go through slumps. The shot feels good in practice and looks good and for whatever reason in the game, they're in and out. Sometimes it gets frustrating, but for me, I've played in the league long enough to know you just have to put in the work in practice and shoot with confidence, shoot your way out of it.
It's hard to make a film in Britain. It's hard to raise money. The best stuff that is shot on film in Britain is usually shot on film for television. — © James Nesbitt
It's hard to make a film in Britain. It's hard to raise money. The best stuff that is shot on film in Britain is usually shot on film for television.
So long as there are poor, - I am poor, - So long as there are prisons, - I am a prisoner, - So long as there are sick, - I am weak, - So long as there is ignorance, - I must learn the truth, - So long as there is hate, - I must love, - So long as there is hunger, - I am famished. - Such is the identification Our Divine Lord would have us make with all whom He made in love and for love.
For all your long-term investments, such as retirement accounts that you won't touch for at least ten years, you need a mix of stocks and bonds. Stocks offer the best shot at inflation-beating gains. But stocks don't always go up. That's where bonds come into play: They have less upside potential, but they also do not pack the same risk.
It makes me very, very happy to get someone a world title shot, which I've done with a few fighters, or a European title shot or a British title, and I see them lift that belt above their waist and they come to me and say 'Thanks Ricky. I've just paid my mortgage off with that.' That's what its all about.
I did a film that I shot in 24 hours that was self-financed for $5,000. It was a feature called Looking For Jimmy that I shot with a bunch of friends. I spent eight months editing because we had 24 hours of footage that made no sense and I learned a lot about directing while editing that film.
I can tell you a graphic difference. In Prague, for example, big red posters were put up on which could be read that seven Czechs had been shot today. I said to myself: If I put up a poster for every seven Poles shot, the forests of Poland would not be sufficient to manufacture the paper for such posters.
The winter will be short, the summer long, The autumn amber-hued, sunny and hot, Tasting of cider and of scuppernong; All seasons sweet, but autumn best of all. The squirrels in their silver fur will fall Like falling leaves, like fruit, before your shot.
Long and long has the grass been growing, Long and long has the rain been falling, Long has the globe been rolling round.
I just shot my first dramatic movie in France, and for those dramatic scenes that I shot, I would not want to look at those. There's a certain mindset you have to put yourself into for those scenes, and looking at the monitor would just take you out of it.
When I came to the league, back in Europe I was so much faster than the other guys, I was always penetrating. I didn't use my jump shot. When I came to the league it was tough to get to the basket. All those guys, they went under the pick-and-roll. It was long threes, especially for me coming from Europe.
When someone tells me about Malala, the girl who was shot by the Taliban - that's my definition for her - I don't think she's me. Now I don't even feel as if I was shot. Even my life in Swat feels like a part of history or a movie I watched. Things change. God has given us a brain and a heart which tell us how to live.
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