Top 1200 Long Shots Quotes & Sayings

I build confidence when I practice a variety of shots - hitting it high or low, working the ball. A lot of golfers go to the range and just hit full shots. That doesn't build on-course confidence, because you won't always hit full shots out there. My confidence is built on knowing I can effectively work the ball in any circumstance.

If you have to tell someone they call the shots, they're not really calling the shots.

But now the shots began—not many, but one shot is a fusillade if there have been no shots before.

I don't try and copy anyone in T20 cricket. My cricketing shots are inside out, behind the bowler, and other shots I have developed.

I feel that I can make certain shots, tough shots, and that I can play better when things aren't going well.

As long as I can take open shots or good shots, I'm going to take it.

When you're playing spot minutes, it's harder to hit those shots. But if you're getting volume shots, now it's a lot easier to get a rhythm.

An editor does not just join shots. He creates emotions out of the shots.

Films take us into an entirely different world, and that's why we must ensure that our long shots do justice.

Runs are runs, even if they are coming off playing cut shots or in front, but it's not like T20 can only be played with big shots.

If I made a musical in the beginning of my career, it would have been crane shots and tracking shots and people coming out of cakes and whatever, but these techniques are something that I’ve left behind me.

There's two facets of this game. You know, if I'm not making shots, OK, then I have to do something on defense. So if I'm missing shots or making shots, it doesn't affect my overall game.

I've been learning when to block shots against who I'm playing. I'm not just going to leave a shooter to go block shots.

Golf is the crack of sports. If you hit five good shots, you know you can hit six good shots. The next time you hit six good shots, you know you can hit seven.

I work hard on the precision of my long shots, but you can't plan it in games. Sometimes it all just opens up for you to give it a try.

I've storyboarded for things other people have shot. So thinking in shots and orchestrating shots is not foreign to me at all.

It's one of my obsessions to come up with ways to reimagine establishing shots in new, non-boring ways. Shots that have energy and excitement.

When we get comfortable, we start relaxing, taking bad shots, especially me I take bad shots when I'm tired.

We look at the poor shots and ask why. Then we work on stability and balance. We're always trying to get the club in the little bit better position so we hit fewer poor shots.

I've been feeling really comfortable on clay because I have more time to set up my forehand. I can use a lot of different shots - drop shots and high balls. You can mix up a lot of shots, so it's actually more fun to play on clay.

That first pregnancy is a long sea journey to a country where you don't know the language, where land is in sight for such a long time that after a while it's just the horizon - and then one day birds wheel over that dark shape and it's suddenly close, and all you can do is hope like hell that you've had the right shots.

There are a plenty of shots that I have been amazed by, but a lot of these shots are played because you have worn an iron mask. Take away the protection, and let me see if they play them. Don't forget that the past players did not have any protection.

Making the tough shots and leaning in a certain way and a fadeaway and stuff like that, those are tough shots, but those are shots you have to learn to make in this league.

I try to do a good job of contesting shots and blocking shots and altering shots, but I've got to do a better job of doing more.

An actor's performance can be improved or shaped - or ruined - by what takes you use, how long you are on the actor's face, what line you put on the other actor's face, and when do you use close-ups or wide shots or two shots.

I look at like this: Any player I guard, long twos or shots like that, if they make them I still think that's good defense. You can't make those shots at a high percentage the whole game. It's just hard to make long two-pointers, step-backs, fadeaways, off-the-dribble crossovers.

Hitchcock loved long convoluted shots that contained a lot of tracking and camera moves.

In a normal movie, the director controls what you look at. The shots don't last very long because you're getting the audience to look at specific things. An IMAX shot, on the other hand, can be twenty or thirty seconds long.

Long shots almost always miss the mark.

In putting setting to work, I like to think about long shots and close-ups. The long shot is the overall view of the place in which the characters live - the island, the town, the wide sweep of place. Then we narrow in. The close-up, the tight focus, makes the place different from anywhere else.

I just tried to make things happen, whether it was (my) shots or getting shots for other people.

Big shots are only little shots who keep shooting.

I like to play attacking shots, even if it is in the first over of the game. If I get out playing attacking shots, then so be it.

A shooter takes shots, a shotter makes shots.

I think once you see a couple shots go down, and when you're getting shots in rhythm, the game flows.

When you're younger, you might make some shots you're not normally capable of, because you're more fluid, maybe stronger, maybe faster. As you get older, you learn not to take those crazy shots.

You have T20 and that also plays a part in some of the shots batsmen play. You see guys playing the same shots in T20s and Tests and are sometimes lucky to get away with it.

If I made a musical in the beginning of my career, it would have been crane shots and tracking shots and people coming out of cakes and whatever, but these techniques are something that I've left behind me.

It's my job to make shots. But the big shift is that I understand it's actually my job to take these shots.

Before I went to Liverpool, I was a striker and then sometimes a No. 8 or No. 10, and my thing was shooting, finishing, and long-distance shots.

You go through periods of times where bands are calling the shots, and then sometimes, you've got the record companies calling the shots. I think it has to be a bit of both to make the thing work.

I shoot a lot of bank shots and a lot of shots around the perimeter. There's a lot of things I like to work on, but I know my bread and butter when it comes down to it, and that's in the post.

Even if it's just two shots, I just want to see the ball go in the hole. That gives me the confidence to know I can make shots when I'm called upon in a playoff type of situation.

If I'm blocking shots or changing shots or even preventing players from taking shots, I'm helping the team and we are likely to win when our defense is playing well.

You don't have to hit perfect shots all the time here. The variety of shots you get to play, the shots you sometimes have to hit along the ground, it's just a lot of fun to me.

The poetic temperament is the worst for golf. It dreams of brilliant drives, iron shots laid dead, and long putts holed, while in real golf success waits for him who takes care of the foozles and leaves the fine shots to take care of themselves.

Basketball is a game of sacrificing yourself for the next guy, being a team that takes good shots, and taking the right shots

For those aspiring to make a living from travel photography, it's a sad fact that the boring shots are the shots that are going to make you money.

I don't take any type of shots. I feel like I take the shots that are necessary and open.

Most of my shots are threes and long 2-point jumpers.

Sometimes those shots I take won't go in but I'm going to continue to take the same shots.

I got rabies shots for biting the head off a bat but that's OK - the bat had to get Ozzy shots.

You want to take shots you practice thousands and thousands of times. You want to take those same shots in games. The easier you can find those shots, the better.

I think [Otto Porter Junior] just took a couple tough shots so far - a couple tough jump shots - but I think he has a great mid-range game, he's very tall and can create his shot. So, I think with more spacing he'll get easier shots, I think he'll be fine.

Pull and sweep are two shots which can help me score runs outside India. These are two shots that can immediately put pressure back on bowlers.

I believe that good defense embodies seven cardinal principle: reduce the number of your opponent's shots; force your opponent into low percentage shots; control everything within 18 feet; eliminate second shots; no easy baskets; point the ball on all long shots; and prevent the ball from going into the pivot man.

You have games when you miss shots and when you make shots. But knowing you're here for a reason and you're an NBA basketballer helps.

I had no real photography experience, thankfully. I consciously took a lot of crowd shots. I was influenced by Seattle photographer Charles Peterson, who always seemed to incorporate fans in his live band shots.

I think of all my iron shots as punches - not punch shots, but how much pressure I'm applying to the hit.

A lot of people say I'm reckless and I take too many shots. I take shots on the forehead. There's nothing wrong with that. It puts me in punching range.