Top 1200 Long Shots Quotes & Sayings - Page 2

Some players like to change clubs around the green to hit high or low shots. I play all of my short-game shots with my 54-degree sand wedge and change my ball position to hit it higher or lower. I think it's easier to learn one club than four.

I don't shoot shots just to shoot shots. I'm always working in a rhythm, working on mechanics. I've got a checklist of the things I need to do with my form, my legs, my arms, all of my mechanics.

It's difficult to always perform well, to always go on the court and win and hit great shots. It takes a lot of time and a long learning process.

Does Grandpa love to baby-sit his grandchildren? Are you kidding? By day he is too busy taking hormone shots at the doctor's or chip shots on the golf course. At night he and Grandma are too busy doing the cha-cha.

I'm not a guy that's going to shoot 10 3s a game - I like to get to the basket. But some of those shots I do gotta take. Some of those shots I gotta let fly.

Most of the time when you're open that's when it's tough to make shots because you try to get some different focus than normally when some guys try to contest your shots.

Long shots do come in and hard work, dedication and perseverance will overcome almost any prejudice and open almost any door.

'Twin Peaks' was incredibly slow, methodic, taking shots that were uncomfortably long, with a lot of scenes where there was barely any dialogue. 'Riverdale' has a much faster pace.

Our bigs do a lot for us guards to get us shots, to get us shots, to get us open buckets, that they deserve the praise.

You never make any of the shots you never take. 87% of the ones you do take, you'll miss too. I make 110% of my shots.

Sometimes you get nervous because you cannot make shots and then you rush your shot and then you take bad shots and then you get even more nervous.

The Taliban are terrible shots. At the end of some long patrols, we'd be walking through the fields and get shot at - and we'd just keep walking.

At first you see a lot of people say 'Oh he's good, but he can't shoot' or 'Oh he's good, but can his shot translate to the NBA?' That just made me go into the gym and work that much harder to show and prove that I can shoot outside shots, and I can make shots.

I'm a big fan of fiction film where you have a story and you have to transform that into a visual language, basically working with actors and also transforming that into how you pronounce that in the visual language of the shots, the construction of the shots and the lighting. All of that appealed to me from the beginning of my career at the university. When I graduated from the university, I wanted to deal mainly with that, with the visual aspect of the movie.

Don't be irresponsible in your risks, but as long as the project can fail without it causing the person to fail, keep trying; keep taking the best shots. Learn from them; pick yourself up.

There are basically five ways to score in the half court. Layups, mid-range, three-pointers, free throws - and then what I call 'tough shots.' Tough shots come anywhere on the floor, under difficult circumstances. The ability to create that shot is a special skill in the NBA.

I don't do nudes. I don't do semi-nudes. I don't do cigarette shots. It took me a long time in the business to realize I didn't have to do everything people told me I should if I wanted a career.

Good shooters take the shots; best shooters take most of the shots.

Antonio Inoki majored in strong style. He showed real emotion with real technique in the ring. Hard shots that look like hard shots. But the important steps is the real technique from the real martial arts. It means detail is important.

The camera can move, you can make the shots, blah blah blah, but as long as the actors are good, you have something.

I'm not better when I force shots. I'm going to take them as they come. They are really sagging in there, trying to take me out of the game. It's my job to find guys. I want to be aggressive and take my shots, but I can't force them.

We are all in it together. This is a war. We take a few shots and it will be over. We will give them a few shots and it will be over.

I've just aimed to go out with a clear mind; to try not to premeditate my shots and if I'm going to play a few big shots I try to have a few deliveries under my belt first; have my eye in a bit better.

For me, it's just finding ways to create shots. I feel like if I got a shot off, it has a good chance of going in. So it's finding ways of creating different shots. Being smart. I watch film a lot, and different tricks that I can do to get my shot off the ball and creating ways to get shots off of pick-and-rolls or one-on-one situations like that.

Golf is not a game of good shots. It's a game of bad shots.

I found out some of the spots on the floor that I like to shoot - do my little floater shots, my pull-up shots, being able to get all the way to the rim. By me doing that, it's kind of opened up my 3-point shot.

I have never seen anybody, and I don't think there has ever been anybody like Nick Diaz in all of MMA. Can you tell me another guy who is going to stand right in front of you, take big shots, and still keep coming at you with those body shots and those amazing combinations?

Obviously, I can always get better on defense, improve intensity, my willingness to be locked in and stay in a stance, all that stuff is great, but I feel like playmaking, for myself, not only to create shots for myself but to create shots for others, benefits everybody.

I was tired. I hadn't slept eight hours in two, three years. I lived on four, five hours of sleep. You can do it during a campaign because thousands are screaming for you. You're getting adrenaline shots each day. Then the campaign ends, and there are no more shots.

Some shots, for me, are a good shot even if it's forced. The way it might look to a person watching, they might look at it like, 'That's a tough shot.' But for me, it's not a tough decision. I'm committed to those shots, and I spend time working on them.

When you hear my lyrics, you hear the shots that I throw at people. I throw shots because I always been the underdog. I got rejected so many times, and I say it in my lyrics constantly.

It was more of me rushing my shots than anything. Thats the biggest thing for me. I was making good moves, but at the end of my moves, I was rushing all my shots. I learned a lesson.

I'd get 3-4 cheap home runs every year. You know, little 'wood shots' down either line. They would be pop flies in any other park. But, goodness me, they didn't count the number of long outs!

Just someone trying to shoot in 70mm deserves the nomination, and he[Quentin Tarantino] is shooting interiors, like tight interior shots, for that matter. Obviously [Quentin] is the director and demanding the shots, but all credit for the beauty of that film [Hateful Eight] goes to the director of photography.

In the school of boxing that I come from, that's frowned upon, giving up free shots, cos we know what those kinda shots do to a man's career, regardless of whether it shows up now, or shows up when you least need it. It takes a toll.

Yes, you'll try and set up a batsman and get him to play a few shots. It's just that you are always trying to play a mental game with the batsmen and as long as you are doing that consistently throughout the day and keep asking questions you are bound to be successful.

In eighth grade, I pretty much didn't want to pass. I was 6'8'.' I was always bigger and stronger. I was getting triple-teamed, and the results weren't good. I wasn't helping my team. I was forcing shots. Then I started passing it out to my team, and they started hitting shots and slashing, and that's when things opened up for me.

In the past years, I got in a lot of foul trouble because I was out of position, or because I was just too aggressive. I was trying to block too many shots. It's really just learning when to take a chance at blocking shots, and to get to spots early.

I'm a big fan of being able to hold those long shots and use space. I don't know, I think everything's so quick cut these days, as if films are too afraid that the audience is going to get bored instead of relaxing and trusting their work.

I never casually shoot shots, ever. I shoot the same way every time. I shoot the same shots that I'd shoot during the game.

The ratio of successful shots is one in God-knows-how-many. Sometimes you'll get several in one contact sheet, and sometimes it's none for days. But as long as you go on taking pictures, you're likely to get a good one at some point.

I wouldn't have the experience or the confidence to go on 'AGT' without being on 'Little Big Shots' because doing 'Little Big Shots' was really fun, but it was also really good practice for my appearance on 'AGT,' and it was just a great, awesome experience that I will remember always.

Even though Sachin is great, I have always found Rahul more solid and hard to get out. He has a solid defense and plays less shots than others. When a batsman plays less shots then it is tough to get him as he makes less mistakes.

With 'Call Me by Your Name,' they locked off the camera and let scenes play out in long, wide shots to make them feel almost voyeuristic.

Now, I just made an animated movie a few years ago, 'The Tale of Desperaux', and that had twelve hundred shots in it. Twelve hundred CG shots is a pretty big plan.

A hunter archer can also be out to shock by taking crazy shots. What makes his shots "crazy" is set by excessive risk, judged by hunting-archery standards, which would tend to draw agreement from knowledgeable observers.

If a guy is shooting a shot in the corner 70 percent of the missed shots usually come off that other side and 30 percent hits off the front rim so just playing the percentages and kind of studying your teammates' shots throughout the course of the game.

I'm not afraid to take big shots. I'm not afraid to take any type of shots.

Me with diabetes, when I talk about it, it lifts people up. When I talk about how people need to take their insulin shots, it make people go take their shots. My words is like a damn preacher.

You've gotta play a head game; especially blocking shots, you've gotta make it hard. You're playing against the best of the best: they're not gonna go straight to the basket, do a layup. You've gotta lure them into some shots.

If you start worrying about your shooting percentages, you start not taking the shots you know you can make. You start worry about taking shots because you don't want to mess up your percentage.

There are times when a golfer is tempted to throw her clubs away and forget the whole 'humblin' business.' At other times, she wouldn't trade places with a queen-that's when the shots are long and true, and putts are dropping.

I'm very proud to be part of a cast that's gonna put Hot Shots on screen for the first time, Hot Shots are the first line of defense against wildland fire and these guys are so selfless, they are guys that do what they do without wanting any kind of attention for it.

When you play guard, you're not going to block a lot of shots. Inside, you're going to block shots.

My grandpa would take me to the driving range and, I don't know, it didn't take me long to realize I'm a little different with golf. I have an eye for seeing things differently. Somehow I just see shots in my head.

There's times where I could take all the shots every time I touch the ball, but that's not me. I just play a team game and just take open shots.

I've hit a lot of big shots and missed a lot of big shots, and I'll continue to shoot them.

The time to hurry is in between shots. It's not over the shot. It's timing how people walk. You have to add that to the equation. If you've got somebody walking slow and they get up to the shot and take their 20 seconds, what's the aggregate time for them to hit that shot in between shots? That's what really matters. It's not the shot at hand.

Chi Chi Rodriguez had as good a pair of hands as anybody I ever saw, and more shots than you can imagine. But Chi Chi had a habit of turning simple shots into difficult ones.

It's definitely been a long, long... long, long, long, long, long journey since I was selling burnt CD's out of my backpack in downtown Oakland.