Top 1200 Long Shots Quotes & Sayings - Page 3

I make shots, and that's what I am.

My true role is to get actors to understand what the camera is doing and what my intent is so they don't waste their good stuff on over-the-shoulder shots and wide shots. They need to know when we're going in to get something important, so they know to really go for it. No human being can give you 1,000 percent on every single take or shot, so you need to let them know what you're heading for. It's important that the actors know they're being looked after and being recorded in a way so they can do their best.

Although the assembly of the shots is responsible for the structure of the film, it does not, as is generally assumed, create its rhythm; the distinct time running through the shots makes the rhythm of the picture, and the rhythm is determined not by the length of edited pieces, but by the pressure of the time that runs through them. The pieces that 'won't edit', that can't be properly joined, are those which record a radically different kind of time

I don't hunt shots.

I’m not perfect. I never identified with the way I look; I was just born this way. I don’t feel rejection if I’m not the right person for a job, because that’s not where I find my self-worth. I’m a beautiful person, and that’s not because of my modeling career. There are good shots, and there are bad shots, but it’s just like playing a character. If you think of the top five people that you care about the most in your life, you probably don’t care if they look good in every angle or photo.

I am not a great fan of computers. I do watch videos and analyse which batsman is playing how. Batsmen can play different shots on different days. A batsman may not play cover drives well, but if he connects with two such shots, he starts playing the drive well on that day.

As long as there are human rights to be defended; as long as there are great interests to be guarded; as long as the welfare of nations is a matter for discussion, so long will public speaking have its place.

The long takes process doesn't allow for that many takes. In the past I have shot over 50 takes of different shots. Sometimes you end up using take 64, sometimes take four.

I missed 100% of the shots I didn't take

They're stealing my ideas. They're imitating my shots.

I miss all the shots I don't take.

Golf is the closest game to the game we call life. You get bad breaks from good shots; you get good breaks from bad shots - but you have to play the ball where it lies.

It is always tough to miss shots.

I collect head shots from bands.

I miss 100% of the shots I don't take.

At its best, the US Open demands straight drives, crisp iron shots, brilliant chipping and putting, and strategic position play. Plus the patience of St. Francis and the will of Patton. At its worst, the Open eradicates the difference in ability between a Tom Purtzer and a Tom Watson and throws both in the same jail of high rough and high risk shots. This is the disturbing tendency in the Opens of the seventies and eighties, one which worries everyone in golf.

I don't do a lot of guest shots on television.

If you are allergic to alcohol... can you take shots for that?

You try to do as much as you can on set because practical looks cool and practical looks great. Until you get to a point where the reality is you look at it - and I went through this in my last movie which was a war film, which my brother fought in Iraq and I did a ton of research and as much as I could made it documentary-like - and then at some point on set, the reality is somebody says to you, "You know, you can use a real squib and you can have three hours of clean up and you can lose five shots or we can do that blood explosion in post and you can get those five extra shots."

When I used to play golf. It's a terrible miserable game. It's incredibly frustrating. In 18 holes you make 150 horrible shots off in the woods, in the water...You make one good shot and it brings you back the next time. With writing a long book there has to be at least one bit that has some magic in it that you can go back to.

I don't take bad shots.

I enjoy blocking shots. It's kind of a rush.

And so not only do you have to make that work, you can't really start putting the thing together in any form because some of the shots are very short and obviously many of them take so long, you're waiting months and months and months before you can see if it's going to be working emotionally.

If I can do a scene in one shot, it's in one shot. Most of my shots are pretty long. I think with 'Looking,' what we have in the first minute is a whole episode of a traditional TV show. I like to let things breathe; I like to let things have a certain tone.

On the off days, you have to come in and try to maintain your rhythm, just try to keep everything together. I sometimes come by myself, or some of my boys, get up a few shots, not too much, before or after practice. I always find time to get some shots up.

I'm not against taking shots, but I am against taking bad shots.

I'm a Scorpio, so I call the shots.

My ideal situation is to be able to call the shots and be able to work with whomever I want to work with, and really make something amazing. I'd like to crossover more to have mainstream appeal, but I recognize that the music I make isn't your typical top-40 pop record. Striking that balance is my long-term goal.

It's hard for women who make a lot of money and make decisions all day long, then they have to come home and be 'Stupid Sally.' Men need respect, and they need to know that they can lead in the relationship, so even if they don't make the most money they need to be able to call the shots.

Even dramatically how you position some person, the depth, the existence [in 3D] is different than a flat image even though by itself it has depth, we create the illusion of depth. For example, some of the shots I have to stay closer to the actor because it's a young actor, I like it closer for some of the shots. I watch 2D scenes next to the camera, then when I go back to my station and watch it in 3D I have to go back and reduce his acting, he has to shrink a little bit because he peeks out more.

As long as I'm at Kentucky, you've got to be able to take the shots, or don't stay at Kentucky. To be the coach at Kentucky and get what I get, you can't be a 35-year-old coach whose never been fired. I've been fired.

For as long as there's life, for as long as we have things happening in the world, for as long as people haven't been able to work it, for as long as people are not trying to work it out, for as long as there's crime, destruction, hate, bigotry, for as long as there is a spirit that does not have love in it, I will always have something to say.

You miss 100% of the shots you don't take.

Alan Rickman was such a terrific actor, and that was such a terrific character that he played. And it was a joy to be with him. We used to laugh together because we ran out of reaction shots. They were always - when everything had been done and the children were finished, they would turn the camera around and we'd have to do various reaction shots of amazement or sadness and things. We used to say we'd got to about number 200-and-something and we'd run out of knowing what to do when the camera came around on us. But he was a joy.

Hale looked at Macey, who added, "Seven minutes since shots fired." "Kat what's the emergency response tie in Midtown Manhattan?" "Not long enough if they want a clean exit," she told him. Macey hadn't heard Kat's words, but she looked at Hale like she'd read his mind.

You don't see what's gone before. A lot of that can be long, long boring hours in the gym, long, long hours on the track or, for the likes of Paula Radcliffe, long hours out on the road in the rain running and running.

They really are bad shots.

Actually, in a lot of circumstances, the Kalashnikov is poorly used by people who are not especially good shots, or who are outright bad shots. In these cases, the rifle's weaknesses emerge. As far as accuracy goes, the Kalashnikov is stubbornly mediocre, and the ease with which it can be fired on automatic means that many people fire it on automatic when they would be better served firing a single, aimed shot. Getting shot at by a sniper is a much different experience, and far more frightening. But either experience is, to borrow your word, memorable. These memories are pretty much all bad.

It's America calling the shots in everything

As they embrace, she kisses him full on the mouth. And suddenly sticks her tongue right in. She has done this before, often. It’s one of those drunken long shots which just might, at least theoretically, once in ten thousand tries, throw a relationship right out of its orbit and send it whizzing off on another. Do women ever stop trying? No. But, because they never stop, they learn to be good losers.

God doesn't love me any more or less because I had some work done on my face. You know, I prayed about it a long, long, long, long, long time, because there again, I wouldn't want to do anything that I felt was going to be offensive to God.

I block shots and stay out the way.

Long and long has the grass been growing, Long and long has the rain been falling, Long has the globe been rolling round.

I love just seeing shots of New York inside of a fictional movie that are not controlled. I do not like shots with extras, I have to say. I don't mind extras in other scenes, but I love New York City streets just as they look. I don't even care if someone looks at the camera. It doesn't bother me.

Golf is not about the quality of your good shots, it is about the quality of your bad shots.

Nobody - but nobody - has ever become really proficient at golf without practice, without doing a lot of thinking and then hitting a lot of shots. It isn't so much a lack of talent; it's a lack of being able to repeat good shots consistently that frustrates most players. And the only answer to that is practice.

I have never lied to the people. I have always told them to love themselves, to move their body, and to watch their portions. I never jumped on any other bandwagons for stupid diets or shots or pills or anything. I'm very worried about our young people. And we need to take care of them, or they're not going to live as long as their parents. And this is really something very important to me.

I don't like cheap shots, I really don't.

I've always loved blocking shots.

Some game. If you get on the side where all the hot-shots are, then it's a game, all right - I'll admit that. But if you get on the other side, where there aren't any hot-shots, then what's a game about it? Nothing. No game.

I want to be the guy calling the shots.

All of my shots are dunks or are around the rim.

All true competitors in any field and walk of life take adversity and are strengthened from it. They develop a reputation of determination and toughness that wins more decisive moments in life than winning shots. Bobby Blair was one tough player. Playing him was like going into a phone booth with an angry bobcat. His massive talent was only surpassed by his courage to hit the big shots under the most pressure. No one ever looked forward to playing him. It was going to be pain and suffering if you wanted to go the distance it took to beat him.

The night before games, I try to get some shots up. Early on the game day, I come early in the morning to try to get some shots up. I just try to do the same things: go through the scouting, watch some clips before the game, just try to get my body ready.

You have to make shots. That's the bottom line.

Some people see ESPN. They see the long shots. They see me scoring the basketball, but they don't show often too many assists - and I've been doing that my whole career, being able to get the ball to the guy at the right time.

Telling the story with only a few shots, I love that style. It makes you feel like you're part of the action, part of the story. It reminds me of the theater, where one act is basically like one long shot. It almost makes you forget that you're seeing a movie.

I'm not a great patient, and so I don't love shots.

I have always been interested in crafting films that use long, static urban landscape shots as a way of manipulating the emotions of the viewer and forcing them to slow down, which I think simultaneously makes them more vulnerable as spectators, and also puts them in a position of being more than just spectators.

I'm always trying to block shots.