Top 1200 Looking For Work Quotes & Sayings - Page 3

Everyone is looking for the hack, the secret to success without hard work.

If I look at myself when I'm getting into the [God's] Word and just drinking Him [God] in, when I get to work, I'm looking for someone to love. I'm looking for people to encourage. I'm understanding that, hey, people are people. We're all wearing skin here. We all have our moments. I've already gotten what I need from Jesus and now I can just forgive and love and encourage.

Looking sexy isn't easy. It takes hard work and dedication.

With anybody we're looking to draft, we do an extensive amount of work on their background, history and all that.

I remember going to a music company and while I was sitting there I saw Panchamda. He saw me and hid from me - because he had come there asking for work. That was the most painful moment of my life - that one of the greatest composers, a living legend, was looking for work.

...it’d be like looking for a needle in a burning haystack.' 'Oh, I’ve done that,' Mark said airily. 'It’s a game we used to play, after we got rid of all our livestock and didn’t need our hay no more. You throw a match into the haystack, give the fire a three-second head start, and begin looking. You can find the needle every time if you work quick

I'm not looking to set a standard... but, I believe I have offered a challenge to others with my work.

I'm always looking for relations between my work and the old masters.

When I'm looking for an idea, I'll do anything--clean the closet, mow the lawn, work in the garden.

The only way to do great work is to love what you do. If you haven't found it yet, keep looking. Don't settle.

If I'm in L.A. for longer than 20 days, I'm looking for work, because I don't do vacations.

I started in radio, again accidentally. I wasn't looking for this kind of work at all.

A few years ago I met an old professor at the University of Notre Dame. Looking back on his long life of teaching, he said with a funny wrinkle in his eyes: I have always been complaining that my work was constantly interrupted, until I slowly discovered that my interruptions were my work.

We've got a nation of people who have one eye looking out for the next speed camera, another looking for a speed limit sign and another looking at the speedometer - which is a bit of a shame, when you only have two eyes.

Because I'm so hands on here at work and always looking at fabrics you have to be mobile and as comfortable as possible.

Don't they know science doesn't work like that? You can't just order scientific breakthroughs. They happen when you are looking at something you've been working on for years and suddenly see a connection you never noticed before, or when you're looking for something else altogether. Sometimes they even happen by accident. Don't they know you can't get a scientific breakthrough just because you want one?

I always believed that my work should be unfinished in the sense that I encourage people to add their creativity to it, either conceptually or physically. Back in the 1960s, I was calling for 'Unfinished Music,' number one, and number two, with my artwork - I was taking unfinished work into the gallery. And that's how I was looking at it.

I am looking forward to work on digital platforms more often than not.

I think there's an interest right now in the performance aspect of artworks, instead of just hanging things on walls. We're in a moment when a lot of younger artists are looking at work from the '60s and '70s - they are looking at the pieces by Marina Abramovic or Vito Acconci. These pieces have a time element. They were performed live. To perform them again now isn't simply an homage, because it's a different audience, a different moment.

There are Universes begging for Gods, yet he hangs around this one looking for work.

Looking at faces of people, one gets the feeling there's a lot of work to be done.

People who seek ransom out on the roads, who set up barricades, they are looking for work.

Incidentally, I'm still looking for acting work, my first love.

In my experience, people looking for progress aren't actually looking to move things forward. They're looking to be perceived in a certain way: as a forward thinker. It's about vanity rather than any altruistic motives for the art.

If the girl is good looking and talented, and for some reason the film doesn't work, she gets a second chance. But if subsequent films don't work, she gets branded as an 'iron leg.' The whole thing gets negative.

I remember Julianne Moore talking about acting and she said, "I'm just looking for truth. When people watch, they're not looking to see me. They're looking to see themselves." That's one of my new favorite sayings

If you're a leader, can communicate, and have a great work ethic, those are the things you're looking for.

The work of rehearsal is looking for meaning and then making it meaningful.

Opportunity usually shows up in overalls and looking like work.

Every time I copy something, I can draw it for the rest of my life. But research is so painful - I mean just opening up a magazine looking for a picture of a car or looking out the window looking for a car is just hard!

I do many kinds of work, and if you forbid me from binding books, from gardening, from writing poetry, from practicing walking meditation, from teaching children, I will be very unhappy. To me, work is pleasant. Pleasant or unpleaseant depends on our way of looking.

I don't feel like literature has the power to alienate. I think that's something people feel if they don't connect with a work of art. But I don't think a work of art can actively reject the person who's looking at it or reading it.

I like creating these moments where there's this dichotomy between something that repels you but is still so attractive that you can't stop looking. You still want to acquire it; there's still that level of aspiration for the image of the figure or the person you're looking at. when you look at the work there's this, "Oh it's really beautifully rendered!" or, "I love those beautiful tones." There's some aspect that's really attractive but the image itself could be slightly distributing.

I wouldn't say I see my work as having a political ideology. Lynn Nottage certainly has a political ideology. I think that the work is an extension of who I am, but I don't think that when I write the play I'm looking to push the audience one way or another.

I'm looking for something that gives me a chance to stretch. Because I have my own work, and I can do anything I want in my own work - juggle, tap dance, anything I want.

Let's see... Rihanna! Work, work, work, work, work, work; OK, what? How much work does it take to move your behind, honey? I don't understand the job situation you're going through.

A lot of people quit looking for work as soon as they find a job.

I certainly was not the romantic lead. I couldn't be that, because I was not that good looking. And that is something about Hollywood that I do not like at all. Why can't a woman who is just normally good looking fall in love? I mean, everybody in the movies is so good looking.

I'm not looking to be famous, but I want a body of work and a moral character that is deserving of fame.

The really intelligent person keeps his childhood alive to his last breath.He never loses it-the wonder the child feels looking at the birds,looking at the flowers,looking at the sky...Intelligence also has to be,in the same way,childlike.

Being able to step away from your work is big. Not even the actual work of sitting down and looking at game tape, but actually putting your job aside and focusing on other things. That's a big part of being successful in this league.

So much work went into this book [ "The Thorn & The Blossom"] - you can probably tell from looking at the art and overall design.

I'm doing philosophy like an old woman, first I'm looking for my pencil, then I'm looking for my glasses, then I'm looking for my pencil again.

So I think that in the beginning of your career you're just looking to work. Luckily for me, my first movie was 'Rabbit Hole' and I got to work with incredible people, a Pulitzer prize winning writer, John Cameron Mitchell, and all the actors involved. So it's tough, man, because you want to have credibility.

In my work, the information is the least important part. It's there, and the work wouldn't mean the same thing without it, but it isn't structured around the information. The most interesting part to me is the visual play... looking at this little universe of representation that I can make out of the world.

We're looking to identify funds if we can. We're also looking at other resources to assist the government in making this a reality, ... At this point, we don't have a particular source of funding for that but we're still looking if we could help in finding another way to assist.

I think that if in your heart, you are seeking out a real puzzle, and you're not looking to frighten anybody, you're not looking to upset anybody, and you're looking to discuss a subject that you yourself went through when you were nine - you just don't remember the difficulties of one's own childhood.

When you do a really good play, the audience and the performers are looking into the same looking glass, the same microscope. And the specimen they are looking at is human life and that's why I do it, that's why I like it.

If you're looking to freelance, just get as many gigs going as you can, and you can make it work... It's about getting as many side projects as possible, keeping as many balls in the air as you can, and what you're doing, basically, is diversifying your portfolio, with the same kinds of rewards. One falls through, and you still have another one to work on.

[I'm] looking for a good balance between digital and creative work.

Breughel is an example of an artist - I mean, this is true about artists and painters in general, but he is a specific example of an artist whose work contains more than you think it does at first glance. Whose work rewards, sustains attention and looking.

The things that have always been important: to be a good man, to try to live my life the way God would have me, to turn it over to Him that His will might be worked in my life, to do my work without looking back, to give it all I've got, and to take pride in my work as an honest performer.

I'm looking to find good stories, not big commercial pieces of work.

I do like ensemble work. I would like to do a lead role, though. I didn't shy away from that. I'm desperately looking for a lead role to do in a film, an independent film, and it just hasn't come my way yet. I'm desperately looking for that role that will put me in a lead category. Or a television series.

America's not just [about] looking out for yourself, it's not just about greed, it's not just about trying to climb to the very top and keep everybody else down. ... Hard work, that's a value. Looking out for one another, that's a value. The idea that we're all in it together and [that] I'm my brother's keeper and [my] sister's keeper, that's a value.

With no object no image and no focus, what are you looking at? You are looking at you looking.

I do lot of work with NGOs and I am not looking for a Bollywood career.

I think the nice thing about showing work in New York is that other artists come to see it. When you show work in Switzerland or somewhere else, everywhere else seems to be the provinces in a certain way. You wonder what your paintings are doing on the walls and you wonder who's looking at them.

Walk to work, even if it's four miles. Ride a bike to work. Drive a different way. On your way there, try to find beauty. You'd be surprised how much more of the neighborhood you can perceive and experience when you're looking for unique spots of beauty.

I'm quite chameleon in my work - not normally looking much like I do in real life.