Top 101 Loops Quotes & Sayings - Page 2

Explore popular Loops quotes.
Last updated on April 15, 2025.
I fell in love with you," he said, "because you were one of the bravest people I'd ever known. So how could I ask you to stop being brave just because I loved you?" He ran his hands through his hair, making it stick up in loops and curls that Clary ached to smooth down. "You came for me," he said. "You saved me when almost everyone else had given up, and even the people who hadn't given up didn't know what to do. You think I don't know what you went through?
By cultivating rich social networks, by cultivating weak ties, not just close ties but the weak ties, by becoming connectors and by connecting others so that they connect us, we create a world in which these self-amplifying feedback loops feed on top of each other.
From George Martin's classically inspired production of the Beatles to Peter Gabriel's early solo masterpieces, to Stereolab's beautiful loops and blips, U.K.-based bands have often found a way to squeeze warmth and compassion from the stone-cold - especially now that the tubes are gone - machinery of the recording studio.
Not only are we not using any programmed loops or computers onstage, we're also improvising with our instruments. We're playing our instruments probably more so than most people that I see play their instruments. I think we all sort of strive for that - we all want magical things to happen onstage. We don't say "mistakes" in this band, we call them "highlights."
Kashi looks like twigs, so it makes me feel like I'm healthy. This cereal has been with me since childhood. Once a year in my family, we had a junk food day. I could eat Cocoa Crisps and Fruit Loops. Now I'm back eating Kashi. As much as I hate to admit it, my mother has won.
What we hear now is great-sounding records with great-sounding grooves and loops. And the sound of these records is irresistible, but the craft of songwriting is just about over. That's why, whenever I get an opportunity to do an album full of standards, I jump at it because I miss it.
There's no doubt about it. Arcadia is Tom Stoppard's richest, most ravishing comedy to date, a play of wit, intellect, language, brio and, new for him, emotion. It's like a dream of levitation: you're instantaneously aloft, soaring, banking, doing loop-the-loops and then, when you think you're about to plummet to earth, swooping to a gentle touchdown of not easily described sweetness and sorrow.
Signs are small measurable things, but interpretations are illimitable, and in girls of sweet, ardent nature, every sign is apt to conjure up wonder, hope, belief, vast as a sky, and colored by a thimbleful of matter in the shape of knowledge....wrong reasoning sometimes lands poor mortals in right conclusions: starting a long way off the true point, and proceeding by loops and zigzags, we now and then arrive just where we ought to be. Just because Miss Brooke was hasty in her trust, it is not therefore clear that Mr. Casaubon was unworthy of it.
I'm skimming across the surface of my own history, moving fast, riding the melt beneath the blades, doing loops and spins, and when I take a high leap into the dark and come down thirty years later, I realize it is as Tim trying to save Timmy's life with a story.
I picked up the guitar when I was about 14 or 15 maybe, and then I started just messing around with loops on GarageBand, and just building my own beats in my bedroom and then just releasing that on SoundCloud.
An accurate charting of American women's progress through history might look more like a corkscrew tilted slightly to one side, its loops inching closer to the line of freedom with the passage of time-but, like a mathematical curve approaching infinity, never touching its goal.
Squaring numbers is a symmetrical process that I like very much. And when I divide one number by another, say, 13 divided by 97, I see a spiral rotating downwards in larger and larger loops that seem to warp and curve. The shapes coalesce into the right number. I never write anything down.
Brown Penny I WHISPERED, 'I am too young,' And then, 'I am old enough'; Wherefore I threw a penny To find out if I might love. 'Go and love, go and love, young man, If the lady be young and fair.' Ah, penny, brown penny, brown penny, I am looped in the loops of her hair. O love is the crooked thing, There is nobody wise enough To find out all that is in it, For he would be thinking of love Till the stars had run away And the shadows eaten the moon. Ah, penny, brown penny, brown penny, One cannot begin it too soon.
In New York, I'm playing in a church, solo, doing instrumental stuff. There's talk of doing more, like, installation-type things with some of the specimen horns I've played through. Just filling a room in a museum with these horn-speaker sculptures and then making loops that run all day, and you walk around the room and sort of mix the sound by where you stand. That's all way in the future, but that kind of stuff is a different way of thinking about performing.
There are some sights that, once seen, can never be unseen. They replay themselves on a loop in your mind’s home-theatre system with Dolby surround sound until you’re so desperate to be rid of them that you’ll resort to other loops simply to dislodge them for a while.
I am out to sing songs that will prove to you that this is your world and that if it has hit you pretty hard and knocked you for a dozen loops, no matter what color, what size you are, how you are built, I am out to sing the songs that make you take pride in yourself and in your work. And the songs that I sing are made up for the most part by all sorts of folks just about like you.
I'm not interested in stories. Stories are interesting but I don't think my head works that way. I remember at age 10 I dreamt of making animated cartoons as loops, something you could just project on your wall and look at from time to time. Kind of, something to stare at, something that's always there.
Even back then I really didn't enjoy playing chord changes, riffs, and solos when I was young. The only thing I enjoyed playing were these Robert Fripp-type double-picked loops that no one wanted to hear, including me; I just liked playing them.
I followed your footsteps," he said, in answer to the unspoken question. "Snow makes it easy." I had been tracked, like a bear. "Sorry to make you go to all that trouble," I said. "I didn't have to go that far, really. You're about three streets over. You just kept going in loops." A really inept bear.
The phenomenon of emergence takes place at critical points of instability that arise from fluctuations in the environment, amplified by feedback loops. Emergence results in the creation of novelty, and this novelty is often qualitatively different from the phenomenon out of which it emerged.
The instrumental record is a bit subtler. It's the kind of stuff on sound check, when I first pick up my violin and start to play, the kind of melodies that just pour out of me. Some of them sound very classical. Some of them sound experimental, polyrhythmic loops that I make.
I had eJay, and then I had Acid Pro. I had a crack of both of them, and I would just make little loops, and then I'd hum along to them. I used to spend a lot of time on a computer looking for music and making beats and stuff.
But when I took up my pen, my hand made big, jerky letters like those of a child, and the lines sloped down the page from left to right horizontally, as if they were loops of string lying on the paper, and someone had come along and blown them askew.
Playing inside the changes means playing enough of the important notes of the chord progression at important times. A good solo might be very free, but every once in a while it loops or hooks into an essential note that describes the harmonic change.
What differentiates human from lower-animal consciousness is time. You can't explain the concept of "tomorrow" to your dog. Our consciousness is dominated by time - We're constantly running simulations of the future. Our brain is a prediction machine. The hallmark of intelligence, indeed of genius, is the number and complexity of the feedback loops we use in predicting the future.
The recurrent laryngeal nerve - which runs from the head to the voice box - goes all the way down into the chest, loops around a major artery, then goes all the way back up again. It goes right past the larynx on the way down. All a decent designer would have to do is loop it off at that point. What we're looking at is the legacy of history.
I checked the icebox. The faeries usually brought some sort of food to stock the icebox and the pantry when they cleaned, but they could have mighty odd ideas about what constituted a healthy diet. One time I'd opened the pantry and found nothing but boxes and boxes and boxes of Fruit Loops. I had a near-miss with diabetes, and Thomas, who was never quite sure where the food had come from, declared that I had clearly been driven Fruit Loopy.
Life is not made of atoms,it is merely built out of them. What life is actually 'made of' is cycles of cause and effect, loops of causal flow. These phenomenon are just as real as atoms - perhaps even more real. If anything, the entire universe is actually made from events, of which atoms are merely some of the consequences.
In re-reading 'Presumed Innocent,' the one thing that struck me - and I re-read the book four different times in writing 'Innocent,' interested in different things each time - but I did think there were a couple of extra loops in the plot that I probably didn't need. The other thing that sort of amazed me was how discursive the book was.
We gather the things we learned, and they don't nearly add up to fill the space of a life. You will miss the taste of Froot Loops. You will miss the sound of traffic. You will miss your back against his. You will miss him stealing the sheets. Do not ignore these things.
The thing about living alone is that it gives you a lot of time to think. You don't necessarily reach any conclusions, because wisdom is largely a function of intelligence and self-awareness, not time on your hands. But you do become very good at thinking yourself into endless loops of desperation in half the time it would take a normal person.
There is indeed a level of improvisation where we can distort and shuffle the music patterns, samples, and loops in each phase of the show within fixed cue points, but at the same time there is a constant result that we are trying to achieve each night while performing and operating our system - quite similar in spirit to a broadway show for example: If you go see a musical two nights in a row, the performances are different yet similar.
Marital partners often trigger in each other resourceless states—negative trance-like experiences in which partners feel devoid of satisfactory solutions. Carol Kershaw maps these interactional loops and provides Ericksonian strategies to help couples make their marriage entrancing. Therapists of all persuasions are sure to benefit from this important book.
I dont run much on roads any more but instead stick to the trails around where I live in West Sussex. Im surrounded by hills and so love doing long loops over the South Downs. Give me mud, puddles, flinty paths and nettles any day.
When I first starting making beats, I didn't know samples were being used in any beats. I had no idea where producers were getting the real string sounds or the voices on their tracks. I knew nothing about loops or sampling off of records. So, by me knowing nothing about this it made me concentrate on my chords on the keyboard.
The plumbing and pluvial dynamics of the Amazon, the largest freshwater system on Earth, are still far from understood. This is partly because it is a semi-open system. Moisture flows in and out unpredictably. A lot of nonlinear feedback loops and 'remote influences' - continental, transcontinental, oceanic, meteorological - come into play.
The rhythmic feel of 'Dark Days In Paradise' is completely different to anything I've ever done before. There's a lot of drum loops on there, but used in conjunction with real drums: a lot of influence from hip-hop and dance music, with the keyboard sound and sequencing.
But it is the knowledge of how contingent my unease is, how dependent on a baby that wails beneath my window one day and does not wail the next, that brings the worst shame to me, the greatest indifference to annihilation. I know somewhat too much; and from this knowledge, once one has been infected, there seems to be no recovering. I ought never to have taken my lantern to see what was going on in the hut by the granary. On the other hand, there was no way, once I had picked up the lantern, for me to put it down again. The knot loops in upon itself; I cannot find the end.
I think coming off of "Blame", I've been talking a lot about directing. It's something that I really love and connect with. I truly consider it what I was born to do. That kind of loops in with filmmaking on the whole, because when you create something, you're also wearing a lot more hats than just director. At the same time, I also think acting is something that's very powerful in my life.
I've battled my weight since I was 12. My parents took to us to New York once, for a holiday, and there I'd buy fruit loops from a 24x7 shop and sit down with my books. I never played; I wasn't that kind of kid - I just read. I ate chocolates like peanuts. I was 86kg till I was 19.
Permaculture principles focus on thoughtful designs for small-scale intensive systems which are labor efficient and which use biological resources instead of fossil fuels. Designs stress ecological connections and closed energy and material loops. The core of permaculture is design and the working relationships and connections between all things.
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