Top 1200 Lot Quotes & Sayings

Life is a series of punches. It presents a lot of challenges. It presents a lot of hardship, but the people that are able to take those punches and able to move forward are the ones that really do have a lot of success and have a lot of joy in their life and have a lot of stories to tell, too.

Being an NFL quarterback there's a lot of advantages that come with it. There are a lot of doors that open when you're a quarterback but at the same time there's a lot of scrutiny. There are a lot of things you can't do as well.

I grew up in a very music-loving home with a lot of records, a lot of TV, a lot of radio, a lot of video - VHS cinema, basically.

The makeup of the drivers has changed a lot with so many young drivers coming and a lot of the legends moving on. Compared to when I started, it's gone through a lot of changes. The cars have changed a lot and the approach to racing. There are a lot more employees. It's become a much bigger business and more corporate.

I feel like a lot of the portrayals of, in particular, younger minority ethnic characters on television, a lot of their dialogue, a lot of their characteristics, a lot of their personality in a writer's eyes, is kind of propelled through their ethnicity.

The film business talks a lot. People talk a lot. There's a lot of chatting. There's a lot of behind-the-scenes chatting. There's a lot of talking before you go and do it.

The engine room really is a metaphor for my head, and all the things bangin' around, and I think I share that with a lot of people. A lot of memories, and a lot of hopes, and a lot of just dealing with the day-to-day. Sometimes it gets all abstract.

Actors are a lot like professors on dissertation committees - it's a lot of ego, a lot of rallying for position, there is a lot at stake in every single interaction.

I think a lot of funds get their ideas from Wall Street. I just like to find my own ideas. I read a lot. A lot of news. I just follow my nose. A lot of times it's a dead end, but sometimes there's value there.

But for me, I thought you made a record, you got on a bus, went out and played your shows and made a lot of money. That was the way it was supposed to go down. But there's a lot more to it than that. There are a lot of early mornings, late nights, a lot of traveling, a lot of being away from home, being away from your family.

Being on set is a hard thing. A lot of people are like, 'Oh, you get to make a movie, and it's all fun.' But the reality is, it's a lot of hours. It's a lot of reshoots; it's a lot of waiting. And you can become increasingly agitated by the amount of time that you are waiting. But that's real.

That became my aesthetic - a very Chekhovian, American realist aesthetic in the tradition of Raymond Carver, Richard Ford, and Tobias Wolff. The perfectible, realist story that had these somewhat articulate characters, a lot of silence, a lot of obscured suffering, a lot of manliness, a lot of drinking, a lot of divorces. As my writing went on, I shed a lot of those elements.

I see that things are getting made a lot faster for less money and there are a lot less opportunity, I think, for actors. There's not a lot of work in the U.K. I mean, that's why everyone's moving to America because that's where the work seems to be. But it definitely feels like a lot more of a slog to get a gig these days. I suppose that's a lot to do with our current climate and financial messes. I certainly see that people seem to have to work harder with a lot less time.

I've been through a lot. I've thought a lot about life, and I've spent a lot of time studying history and science.

I thought of a lot of people from the same era when I was making a lot of records that had continued making a lot of records. A lot of it didn't seem terribly inspired.

A lot of artists use memories. A lot of prose writers, a lot of poets, a lot of songwriters, refer back to something. Generally it's all you've got, unless you're brilliant and can write totally in the now.

But music raises a lot of issues. Music is something that matters to people a lot, and they put a lot of passion into it. And I think when you have an area like that, you're gonna find a lot of issues coming up.

I have never yet met a successful person who hasn't had to overcome either a little or a lot of adversity in his or her life. If life there is a lot of lumps and bumps... a lot of throttling up and a lot of throttling down.

I had a lot of failed relationships, a lot of unhappiness, a lot of shame and embarrassment, bad self-image stuff.

When you have a lot going on in a scene - whether it be a lot of shots, a lot of coverage, a lot of edits, or just the amount of content - it can cover up a deficit of true feeling. But when you don't have a lot of material to work with, you really have to be sincere with everything. You really have to mean it, because there's nowhere to hide.

The biggest takeaway from a memoir is that you have to play fair. Within the first draft, I was writing very angrily because I had a lot of resentment and a lot to process. Through revision is where a lot of learning happened and a lot of forgiveness happened.

I keep myself busy, I read a lot, watch a lot of TV, and do a lot of gardening. I do stupid stuff and I love it.

There's been a lot of coaches, a lot of guys at Stanford, a lot of guys at my high school. A lot of guys in the NBA. Bill Cartwright comes to mind, a lot of people I've learned from.

A lot of Utah State when I was there, there was a lot of California guys. So, you get a lot of Cali music, you got a lot of dance music, I think the Jerk was popular back then. It was a lot of the music that you can dance to with your teammates. A lot of hip-hop, rap, R&B, it was really fun. It was live in there.

It's taken a lot of presidents to get us where we are today, a lot of deployments, a lot of wars, a lot engagements. You add them all up.

I do a lot of stairs, a lot of planks, a lot of squats, a lot of treadmill, a lot of screaming - and I do it four times a week.

I love the working class, and everyone from it that I've met, and think they're incredible witty, inventive - there's a lot of poetry there. A lot of rough stuff as well. What there is, too, is an awful lot of expressiveness and intelligence and originality down there. And a lot of thwarted intelligence.

I read an awful lot in college - a lot of Dickens, a lot of 19th century American stuff, a lot of old mysteries. Maybe it's helped me attain a certain fluidity with my style.

I went to a lot of theatre schools, got a lot of training, did a lot of repertory where you do a different play every night. I took a lot of voice, movement, and acting classes.

Many people don't allow themselves to love...because there are a lot of things at risk a lot of future and a lot of past.

War is big business. It's a lot of money going to and fro, and unfortunately a lot of angst, and a lot of fear, and a lot of doubt. And eventually a lot of wonderful people, like soldiers, like men and women that are out there trying to do the best they can, they come back being wounded on many levels.

I've been around this game for a long time - a lot of plane rides, a lot of bus rides, a lot of pregame speeches, a lot of national anthems.

I have played a lot games, worked with a lot of these players and learnt an awful lot. I've got the knowledge and leadership qualities. So, its normal that under these circumstances that I got into coaching. I'm learning an awful lot.

It's been very interesting. We've seen a lot of interesting testimony. We've seen a lot of interesting people, a lot of allegations, a lot of lies, a lot of misinformation and some truth.

Again, I'm used to speaking to a lot of people; I have a lot of friends and family, and I perform music and speak in front of a lot of crowds. So I share with people already a lot in my life.

I have a lot of belief in myself and I am also someone who has a lot of faith in God. I get a lot of strength from my Catholicism.

Being on set is a hard thing. A lot of people are like, oh, you get to make a movie, and it's all fun. But the reality is, it's a lot of hours. It's a lot of reshoots; it's a lot of waiting. And you can become increasingly agitated by the amount of time that you are waiting. But that's real.

I think oil prices are down for two reasons. One is, there is a lot of supply. There is a lot of supply because the U.S. now produces a lot of oil and there is a lot of supply because the Saudis seem to want to produce a lot of oil, maybe to punish the Iranians and the Russians.

Dreams do come true. But it will involve a lot of hard work, a lot of dedication, a lot of studying.

It's just that [the Hawks have made] a lot of changes. A lot of their great players have moved on. They have a lot of new faces and a lot of young guys who are going to be a part of this team for a long time. It'll take time. They've got a nice little core to start with.

It's been a lot of responsibility to be an ambassador for U.S. wrestling and the sport. It's a tough journey. There's a lot of obligations but also a lot of opportunity.

I have learned a lot a lot in my three years at Gladbach and developed a feeling for what is best for me. I owe the club a lot.

I'm Latin, and my family is originally from Italy, so we're a loud group. There's always a lot of food, a lot of talking, a lot of fighting.

There's a lot of women now with a whole lot of style but they are not necessarily song stylists. Some of their style is a lot like me and a lot of people sound a lot alike - you can't tell them apart.

I listened to a lot of reggae music, a lot of Caribbean, a lot of gospel, a lot of rock, a lot of country, hip-hop... you know, so it just gave me perspective when it came to music and what I liked.

I think to get first in your division you've got to have a lot of depth, a lot of character, a lot of skill, a lot of competitiveness.

You know a lot of what worked on this was taken from Harry Potter 2, the little Doby character, we had a lot of our skin stuff worked out and that helped a lot. We have a lot of exchange happening.

When push comes to shove, I'm a fighter, and I'm going to force someone to fight. It takes a lot of technique, it takes a lot of skill, but to take that, and make something of it, it's a lot of heart and a lot of determination, and that's something I have. That's who I am.

Early in the phase of being in a female body, there's all this desire that comes at you, a lot of it hostile, a lot of it dangerous, a lot of it ruinous.

I had a lot of success in big tournaments as well - won Masters Series in Rome - so a lot of things are coming together. I've done a lot of hard work in the off-season. A lot of physical work, a lot of work on my serve and on my return game.

I'm the youngest of six kids, and I grew up with a lot of noise, a lot of music, and a lot of laughter.

With 'Seven Deadly Sins,' there was a lot of personal stuff in there that I didn't even realize I'd been carrying around for awhile. And a lot of guilt involved, a lot of emotion, a lot of depression. Once I was done writing that book, I was able to really let go of that stuff.

In 2013, I changed to left-hand low, or cross-handed. And it's helped a lot. At the time, the reason I switched was just a lot of inconsistency with putting. I was either making a lot of putts, or I was missing a lot of putts.

I think I got a lot of life skills; I got a lot of wisdom; I've seen a lot of bad things happen to a lot of good people.

A lot of 3s, a lot of ball movement, a lot of quick movements. Yes, you can win that way.

I think, a lot of times, network shows are under a lot of mandates. There's a lot of moving pieces. There's a lot of money. There's a lot of people who are going to be disappointed if anything goes wrong.

I would say a lot of it came from a lot of different drills that Coach Fleck put me through. That's my man. He taught me a lot, a lot, a lot about receiver play. And he taught me a lot about catching the ball and just hand placement.

Catholic and Jew - it's very closely related, a lot of holidays, a lot of guilt, a lot of the same things going on.

I feel a lot more comfortable being me these days. I'm constantly told that my work is good. A lot of fans and a lot of other artists say my songs and albums mean a lot to them. Isn't that what's important?

I think, you know, people think of the city of New Orleans as a parochial place where it's a lot of folks who are from there and a lot of big families, a lot of musical families, a lot of history, a lot of tradition, but I like to think of New Orleans as an idea.