Top 1200 Love Drawings Quotes & Sayings - Page 5

I'm not really smart, but I'm dedicated. I can be good at anything if I love it and dedicate myself. And I love history. I love science. I love music. I love golf. I love learning. I love life.

I had been doing wall drawings, but they were always black and white. Then in 1993 I painted all the walls of a room to make an installation and as soon as I saw the colour on the walls, it changed my whole life.

I didn't set out to be a singer. Actually, the earliest creative efforts I made were drawings copied from comics we got every week at the newsagent, or rearranging photos I cut out and pasted in scrapbooks.

Future is an empty paper, but not absolutely empty; the shadows of the drawings of the past is there, on the paper!

As a child. I grew up on a small farm, so I did a lot of drawings of animals, chickens and people. At the bottom of every page, I'd put a strange scribble. I was emulating adult handwriting, though I didn't actually know how to write.

I suppose we carry photographs now, but I think it's rather wonderful that people used to carry drawings and watercolours. I wish people did that more often.

I do a lot of work on computers, but I am so practiced in drawing that I can draw it full size, and you can take the measurements off my drawings. It's like drafting, but it's a work of art - a really beautiful drawing.

The comics were not only stories to enjoy for me they were drawings that possessed me.

The drawings in 'Portal' were actually me scribbling that stuff... I had a funny moment when I realized that someone gotten 'The cake is a lie' tattooed on themselves. It was really interesting to see my handwriting tattooed on another human being. That... that's odd.

Cartooning isn't really drawing, any more than talking is singing... The possible vocabulary of comics is by definition unlimited, the tactility of an experience told in pictures outside the boundaries of words, and the rhythm of how these drawings 'feel' when read is where the real art resides.

When I was very little, four or five, I did comic strip drawings, so my first novel had no words. I couldn't write and thought adult handwriting was a mysterious scribble. When I was 14, my grandmother gave me a typewriter and I started writing in a different way.

The comics were not only stories to enjoy; for me they were drawings that possessed me.

Love really is the answer to human problems: love of oneself, love of others, love of where one is, love of what one is doing, love of nature, love of life, love of the world, love of spirit in all its wonder and splendor. Love sets our energy free. It opens us and puts us in a flow with spirit and life on many levels. Love is the true secret behind manifestation.

Therefore, when we arrive in a place and talk to new people about a new image, it is very hard for them to visualize it. That's where the drawings are very important, because at least we can show a projection of what we believe it will look like.

My father worked in Chrysler's drafting department and used to bring home tracing paper, No. 2 pencils, and masking tape from the office. With these, I used to trace off drawings from the 'Superman' and 'Batman' comics and put them up on my bedroom walls.

I object to the hegemony of form in contemporary architecture. We have very advanced technological tools, but ultimately, we create buildings exactly like we used to before: We send the drawings to an engineer and let him struggle with figuring out how to build it.

Most children are given far too much praise for their early drawings, so much so that they rarely learn the ability to refine their first crude efforts the way their early attempts at language are corrected.

Every moment has infinite potential. Every new moment contains for you possibilities that you can't possibly imagine. Every day is a blank page that you could fill with the most beautiful drawings.

I didn't go to school for illustration. I did larger pieces, mostly drawings and paintings, and minored in video, but when I moved to N.Y.C., I didn't have a studio space anymore and downsized to my desk and started illustrating. I started a greeting card company and sold cards all over the city.

It is difficult to talk about fashion in the abstract, without a human body before my eyes, without drawings, without a choice of fabric - without a practical or visual reality.

I must learn to express the gentle vibration of things: the intrinsically rough texture. I must find this expression in drawings; in the way in which I draw my nudes here in Paris, more original and at the same time sensitively observed.

When I was 15, we settled in Santa Monica, in a beige suburban ranch house. By then, my father, Ray, was an architect at Welton Becket's firm. He was handy with a pencil and pen. His figurative drawings were very good, and his talent was intimidating.

What do drawings mean to me? I really don't know. The activity absorbs me. I forget everything else in a way that I don't think happens with any other activity.

Jerry and I always felt that the character was enjoying himself. He was having fun: he wasn't taking himself seriously. It was always a lark for him, as you can see in my early drawings.

All my paintings are usually done in drawing form, very small. I make notations in drawings first, and then I make a collage for color. But drawing is always my notation.

A drawing of the nude is a most revealing expression because it is at once the most private and the most personal. Often such drawings are made with no thought of public exhibition. They possess the intimacy of diaries.

Abstraction has always been around, since the drawings in the caves. It exists in all cultures all over the world. I thought for a while that it was going to be the major movement. But people always drift back to realism. I guess there is a certain security in that.

The trouble is, we've been taught what to see and how to render what we see. If only we could be in the position of those men who did those wonderful drawings in Lascaux and Altimira!

Somehow I started introducing writing into my drawings, and after a time, the language took over and I started getting very involved with the handwriting and then the look of the handwriting.

The experienced physician, mechanic, or physiologist looking at a wound, an engine, a microscopic preparation, "sees" things the novice does not see. If both, experts and laymen, were asked to make exact copies of what they see, their drawings would be quite different.

Though I am often in the depths of misery, there is still calmness, pure harmony and music inside me. I see paintings or drawings in the poorest cottages, in the dirtiest corners. And my mind is driven towards these things with an irresistible momentum.

I have seen and drawn dying, poisoned worlds. I published a book of drawings called 'Death of Wood' about one such world, on the border between the Federal Republic of Germany and what was then still the German Democratic Republic.

My website's kind of fun for me. I get to do drawings on that. It's kind of fun.

Creeds made in Dark Ages are like drawings made in dark rooms

As "Calvin and Hobbes" went on, the writing pushed the drawings into greater complexity. One of the jokes I really like is that the fantasies are drawn more realistically than reality, since that says a lot about what's going on in Calvin's head.

I hated art as a kid. I didn't even like art class. I didn't like to draw. I would make my dad do all the drawings because I hated it so much.

I make very involved drawings, even little structures, and try using design to figure out the rhythm of a plot. If there are several narrators then a clue has to pop up in the first line. There have to be certain grammatical clues, or distinctive names.

I have designed my style pantomimes as white ink drawings on black backgrounds, so that man's destiny appears as a thread lost in an endless labyrinth. I have tried to shed some gleams of light on the shadow of man startled by his anguish.

My own interest in art was because of my mother. My father didn't like contemporary art, so he didn't give her large sums to spend. So, she began buying prints and drawings. During my school days, I remember sitting in on many of the early meetings.

Children of five and upwards write asking if it's my own hair, whether I'm married, how old I am, what's inside a Dalek and how Tardis works. Nearly all of them send me drawings of Daleks and incidents from stories.

I used to draw cartoons of my teachers which used to get passed around the class and I'd always wind up getting caught which often meant detention. But they sometimes said the drawings were good!

The living model never answers well the idea or impressions the painter wishes to express; one must, therefore, learn to do without one, and for that, you must acquire facility, furnish one's memory to the point of infinitude, and make numerous drawings after the old masters.

Movie actors disappear - any young person wouldn't know Cary Grant. They're going to disappear. Fifty years ago, you thought film was here to stay. But nothing is here to stay, actually - except perhaps paintings and drawings.

I became a fashion designer by accident. I loved to make portrait drawings when I was a teenager, and from that came the interest in what people were wearing and why they were wearing it.

In Arlington, people would laugh at you if you tried to get people to look at your drawings or listen to your poetry. It was like you thought you were special.

Every artist returns to things. The drawings that you make as a child or as an adolescent and the ideas that you have as a young beginning artist, no doubt they crop up again and again.

Creeds made in Dark Ages are like drawings made in dark rooms.

I profess the religion of love, Love is my religion and my faith. My mother is love My father is love My prophet is love My God is love I am a child of love I have come only to speak of love.

Think of drawing as a way of talking about the things that interest you. Think of those wonderful documents, drawings made on scraps of paper by the lesser Dutch masters while they were wandering around market places and sitting in saloons.

Just as the development of earth art and installation art stemmed from the idea of taking art out of the galleries, the basis of my involvement with public art is a continuation of wall drawings.

Growing up, I just always doodled, which is the worst word for it. I would just draw things in class, get yelled at by my teachers, get my drawings taken away. That stuff happened all the time.

I have a number of friends that try to live off their writing, and there's way more pressure for a hit or to write a certain type of book. You can't do a limited-edition short-story book with drawings unless you don't want to eat anything but ramen.

During photography's first decades, exposure times were quite long... So, similar to the drawings produced with the help of a camera obscura, which depicted reality as static and immobile, early photographs represented the world as stable, eternal, unshakable.

We tell them that we believe it will be beautiful because that is our specialty, we only create joy and beauty. We have never done a sad work. Through the drawings, we hope a majority will be able to visualize it.

I do remember when it occurred to me the first time, when I got the idea of painting the way I feel at a given moment. I was sitting in a chair and felt it pressing against me. I still have the drawings where I depicted the sensation of sitting.

Joy is love exalted; peace is love in response; long-suffering is love enduring; gentleness is love in society; goodness is love in action; faith is love on the battlefield; meekness is love in tough situations; and temperance is love in training.

In Miami they're building all these hideous monstrosities. It's just so easy to be an architect, once you've got the ability to do your computer drawings. They just knock off each other. There's nothing creative in any of them.

When I'm doing a drawing, I get lots of ideas I use them in my songs, even. I do a lot of drawings because that's where I get most of my spending cash and I just always have to have new records, to get something to satisfy my listening pleasure.

Kids would come up to me after concerts and give me drawings they've made of violins or, you know, landscapes with a violin floating in it or some sketch of a concert or a portrait of me.

The architect who first inspired me to follow this profession was Sir John Soane and his Regency home; well, his three homes, now a museum. The place is like an encyclopedia of paintings, antiquities, furniture, sculptures, and drawings.