Top 1200 Love Drawings Quotes & Sayings - Page 6

It was the love of love, the love of swallows up all else, a grateful love, a love of natural, of people, of animals, a love ingengering gentleness and goodness that moved meand that I saw in you

The world concerns me only in so far as I have a certain debt and duty to it, because I have lived in it for thirty years and owe to it to leave behind some souvenir in the shape of drawings and paintings – not done to please any particular movement, but within which a genuine human sentiment is expressed.

In the summer of 1866, as Leo Tolstoy prepared for his serialized novel 'War and Peace' to be published as a single volume, he wrote to illustrator Mikhail Bashilov, hoping to commission drawings for the new edition of the novel, which he referred to by its original title,1805.

They do not love that do not show their love. The course of true love never did run smooth. Love is a familiar. Love is a devil. There is no evil angel but Love.

I did large drawings of couples having sex! Men and woman enjoying intercourse and oral sex in a Madison Avenue Gallery? That was the first time I broke a barrier that made me think, some idiot is going to blow my brains out for sure.

Antonin Artaud wrote on one of his drawings, "Never real and always true," and that is how depression feels. You know that it is not real, that you are someone else, and yet you know that it is absolutely true.

I love the night passionately... I love it with all my senses: I love to see it, I love to breathe it in, I love to open my ears to its silence, I love my whole body to be caressed by its blackness.

I've been creating work by silk-screening images of arms and legs and heads and objects on paper - like drawings of vegetables, guns, hats, whatever - and then also printing sheets of patterns, colorful polka dots and line drawing patterns.

How many people do you know who love their jobs? Did your dad love his job? Was he passionate about it? Because I am. I love it. I love the relationships. I love teaching. I love the competition. I love everything about it.

I write about love, but it's me wanting to be in love. I've never been in love. I love my mom, my dad. I want to be in love. I think I have to allow myself to get there. I'm just so in love with music. It's weird. I'm at a crossroads because I want to be in love.

Practice by drawing things large, as if equal in representation and reality. In small drawings every large weakness is easily hidden; in the large, the smallest weakness is easily seen.

Erich Mendelsohn's drawings are expressive and beautiful. If he'd had the computers we have now, everything I've done he would have done before me. I would have had to figure out something else.

I invented animals and birds - I had about two dozen. After working on them for six months, I sat down and just for fun wrote two dozen poems to accompany the drawings. It was for no one to every see, but a friend sent me in to an editor.

I love hiccups and I love sneezes and I love blinks and I love belches and I love gluttons. I love hair. I love bears. For me, the round. For me, the world.

I really don't see any influence of my work on any artists. But I do think I've had an influence on drawings' being shown. I've had an influence on the economics of it.

We feel closer to the drawings on the walls of Chauvet than the painting of, say, an Egyptian mural. These artists are not remote ancestors; they are brothers. They saw like us; they drew like us. We wear essentially the same clothes against the cold.

In animation and comics, the viewer breezes past the drawings. But with picture books, each page is going to be stared at and touched and read over and over. Maybe even chewed on a little. Everything needs to be thoughtful and economical, thirty-two little masterpieces.

I've been a comics fan since my first hit of those gateway drawings: Judy, Asterix, and the TV cartoon 'Spider-Man and his Amazing Friend' - which naturally led me to Spider-Man comics.

'In-between' is sort of - an animator does the key poses. He'll do extremes, you know, like a character reaching out for a glass of water and then another one of him drinking. And the in-betweener has to do all the drawings that goes between those two. You know it could be 12, 23 whatever in-betweens.

My father is not around any more, so I cannot ask him to do my drawings for me. So, I had to find a different way. And I came up with the solution to use the printers then; I wasn't doing anything complicated. The nature of the printer is efficiency in itself and about working, being productive.

Unlike the photography and prints, I never catalogued, kept track of or exhibited the sketches. I sold some occasionally, but never saw myself as a graphic artist. They became more important to me thanks to the exhibition, however, and I realized that these drawings were quite interesting after all.

My mother sent me to art classes at the age of 11. I began to have kids around me say, 'Will you make drawings for me? Will you make a painting for me?' And it really clicked.

The drawings that interest me most are made with closed eyes. With eyes closed, I feel my hand slide down on the paper. I have an image in mind, but the results always surprise me.

The pictures were painted directly through me, without preliminary drawings and with great power. I had no idea what the pictures would depict and still I worked quickly and surely without changing a single brush-stroke.

Let us have love and more love; a love that melts all opposition, a love that conquers all foes, a love that sweeps away all barriers, a love that aboundeth in charity, a large-heartedness, tolerance, forgiveness and noble striving, a love that triumphs over all obstacles.

For a long time, I was brilliantly achieving drawings that were inert, suffocating and dark. If ever you need illustrations that are inert, suffocating and dark, I know how to do them.

Everything is just make believe. They're just different versions of make believe. I love the period of this movie [The Finest Hours]. I love the '40s. I love the '50s. I love the style of the clothes. I love how the women looked. I love the dances. I love the music. I love the amber of the lights and the cars. I'm in love with all of it.

After I'd produced about two dozen pen and ink drawings, one evening I decided that they needed poems to accompany them. I still have no idea where that notion came from, but it took me about two hours to produce verses for these creatures.

'Painting like a child' isn't a negative for me... it's something only great artists can really achieve. The childlike quality of some of Picasso's drawings is precisely what makes them so masterful and extraordinary; the ability to express complete visions, feelings and portraits through a continuous line.

Motion comics are a medium all their own. It is certainly not animation, in which a large number of artists do tens and even hundreds of thousands of drawings. The animation, or 'the reality,' is created in a computer, and the work of the original artist is the work. Nor is it a comic book. You can't turn the pages. You can't read the dialogue.

They [his 'Street Scene' paintings and drawings,he made in Berlin] originated in the years 1911-14, in one of the loneliest times of my life, during which an agonizing restlessness drove me out onto the streets day and night, which were filled with people and cars.

That Moorish architecture is all over the place, of course. It affects me everywhere I see it, as it does so many people. But Brand Library was a special place to me, and I know I've paid homage to it many times in my drawings.

My mother has always encouraged my creative side. She is a very eclectic, creative woman and looks incredibly glamorous, even when trudging about in wellies. Our family home is full of items from her travels and her amazing etchings and drawings.

Love is the door, it is irrelevant with whom you have fallen in love. Love redeems, neither Jesus, nor Krishna. Love redeems. Fall in love. Love is the only redeeming force. Love is the savior.

I believe the reason we sleep is not just to allow our body to rest but that it is to allow this inner wisdom to speak to us through symbols. This includes the body or somatic problems as well as psychological ones. Dreams and drawings are useful in diagnosing physical conditions.

I do make some drawings for wall pieces. I do work out some ideas for large-scale wall pieces where I have to organize words or get proportions right. I do keep them in my files. Not an exhibit or a show; just as part of my records, my archives.

Do you know what love is? Love is an absolute power of self-totality. Love is not what you think love is. Love is a strength. Love is a goodness, like Godliness. There is no limit to it. There is no shortage in it. There is no bargaining in it.

Loving with human love, one may pass from love to hatred; but divine love cannot change. Nothing, not even death, can shatter it. It is all the very nature of the soul. Love is life. All, all that I understand, I understand only because of love. All is bound up in love alone. Love is God and dying means for me a particle of love, to go back to the universal and eternal source of love.

I will never tire of recommending the custom, practiced by the best architects, of preparing not only drawings and sketches, but also models of wood or any other material. These... enable us to examine... the work as a whole... and, before continuing any further, to estimate the likely trouble and expense.

There is no love. There's only love of men and women, love Of children, love of friends, of men, of God: Divine love, human love, parental love, Roughly discriminated for the rough.

Freedom and love go together. Love is not a reaction. If I love you because you love me, that is mere trade, a thing to be bought in the market; it is not love. To love is not to ask anything in return, not even to feel that you are giving something- and it is only such love that can know freedom.

I don't work from drawings and colour sketches into a final painting. Painting, I think, today - the more immediate, the more direct - the greater the possibilities of making a direct - of making a statement.

There's love and there's romantic love. The Greeks had different words for different kinds of love. And we just got "love." I don't know what you would call the other kinds - maybe brotherly love, Christian love, the love of Saint Francis, love of everyone and everything. Then there's romantic love, which, by and large, is a pain in the ass, a kind of trauma.

There's the artist's intimacy and truthfulness to himself, but an equal intimacy to the Other [the one drawn]. Picasso drawings are like that... the Rembrandts are like that. The artist who most often did that was Van Gogh.

There are many ways to love someone. Sometimes we want love so much, we're not too choosy about who we love. Other times, we make love such a pure and noble thing, no poor human can ever meet our vision. But for the most part, love is a recognition, an opportunity to say, "There is something about you I cherish." It doesn't entail marriage, or even physical love. There's love of parents, love of city or nation, love of life, and love of people. All different, all love.

But now with technology I could sit down and do a bunch of character drawings and scan them into a computer, and the computer using my exact style could bring it into life, where it would have been edited by various human beings before.

I like making books but I'm not sure exactly what I'm doing. Perhaps I just try to arrange a bunch of seemingly random drawings into something that makes a vague narrative sense. Sometimes it sort of makes sense, sometimes it doesn't.

I've been on the road for so long that it's a part of my being. Even after all these years, I love playing. I love recording. I love writing. I love rehearsing. I love touring. I love all that stuff.

I could not do what I do if I were not obsessive compulsive to a certain extent. I don't act clinically OCD. I'm not going to check things so many times I have to take drugs for it. But the kind of complicated and painstaking work I have to do to make my drawings, it just kind of harnesses that compulsive energy in a constructive way.

Pure painting or the art of drawing whose point of departure is based on purely formal criteria is,in my opinion,passé. I do not reject it if other artists make attempts,but as far as I am concerned,this is what I believe. if I do not place a text next to my drawings,I consider the work on such programmes to be futile.

I like to make sculpture because it makes my life social. When I make drawings, I work alone. When I work with sculpture I have someone I can work with.

Sometimes the things I learn making paintings or drawings - composition, colour, expressionism, texture - can directly influence the making of a film. Sometimes it's great that they are different, and simply taking a break from one medium to spend time with another, recharges the batteries and I feel refreshed.

Your love is unique. Let love remain love, don’t give it any name. The love that is defined by a relationship is limited. The love that is beyond relationships, that is true love

An animatic is a process where every voice and every sound effect is added to rough animated drawings and it lasts exactly as long as the final movie. So you actually get to go into a screening room with the rest of the cast and you get to see it all at the same time.

Love is not a relationship, love is a state of being; it has nothing to do with anybody else. One is not "in love", one is love. And of course when one is love, one is in love – but that is an outcome, a by-product, that is not the source. The source is that one is love.

Here I am, a not over-good business man, a second-rate engineer. I can make poor mechanical drawings. I play the piano after a fashion. In fact, I am one of those proverbial Jack-of-all-trades who are usually failures. Why I am not, I can't tell you.

I get a little Verlaine for Patsy with drawings by Bonnard although I do think of Hesiod, trans. Richmond Lattimore or Brendan Behan's new play or Le Balcon or Les Negres of Genet, but I don't, I stick with Verlaine after practically going to sleep with quandariness

All love - love of children, love of parents, love of God or life - comes out of making physical love. Without the making of love there is no body to love anything.

Why did Ted Geisel end up writing and illustrating for young minds? He has specific imagery in the book, and we never would have moved beyond the discussion phase, if we couldn't have found an expression for The Lorax, dimensionally, that was true to the soul of what comes through in his simple line drawings, on the page.

I am still learning about love. I thought I understood it--not just mother love, but the love for one's parents, for one's husband, and for one's laotong. I've experienced the other types of love--pity love, respectful love and gratitude love. But looking at our secret fan with its messages written between Snow Flower and me over many years, I see that I didn't value the most important love--deep-heart love.