Top 1200 Love Films Quotes & Sayings - Page 14

I'm kind of sad that Tim is not going to direct any more of the Deadpool films, because I really love him. He's hilarious.

I love Hollywood films and when they're done right, they're great. At the same time, I think it's always hard to come on to something that preexists.

I go to see films at the multiplex because they are not good films, and so I don't have to think about things like death, social oppression, or yes, my fertility, while I watch them.

I would love to work with Alia Bhatt. I think she is very talented and has been really good in all her films.

Usually, when I see films that don't have any score attached to them, I think they're beautiful. I love just the naked sound of the voice. That's already music.

I'm drawn to a lot of first-time directors. One of the great common denominators in these small independent films is that there's a person, or two people, who have an absolutely monomaniacal passion to get these films made. That's what makes them happen. Sometimes, it takes years and years to finally get it done, but by never backing down, by never giving up, they get these films to the screen by hook or by crook.

I lived within walking distance of Harvard Square, and that's where I discovered my love of cinema. I saw a lot of foreign and independent films there.

Having such a diverse cast and crew is what makes the 'Fast & Furious' films so unique to all the other studio tent pole films that just have a very singular look to them.

'Raiders of the Lost Ark' made me want to make films. I am wild about the films of John Carpenter, Ridley Scott, Howard Hawks and Sam Peckinpah.

In Australia, they set up a special fund to kick films off. It was quite an enlightened sort of move. You could go to this government bureau with scripts and and get finance for films.

I love doing comedy, and that's the thing I will always go back to, really, but I'd love to have the freedom to do sort of 'meaty' roles but also have the freedom to do the sort of films I want to make, like what Woody Allen does. You forget he's funny because you're so gripped by the story, but they still make you laugh.

We didn't really have television when I was a kid. Around 30, I discovered films and started systematically catching up. I collect interesting documentaries and films, and watch a few nights a week.

Britain is producing some of the worst films in the world. Our film industry is desperate to be part of America, and we just churn out flaccid imitations of bad films over there.

There's always this debate about how we need more good films but how many are willing to be part of such films.

There are so many people who are trying their luck in films and only a few of those actors get to do films and choose to be an actor. The stakes are always high here. It's hard in the sense that it's very uncertain.

What I love about films is that you can see "King Kong" and you can be affected by it and then you realize that he was just this little guy when he made that fall.

Some of the corporate houses are using films as a means to market their brands. They are not concerned with the storyline. When it comes to big-budget films, simple storylines told with conviction are still the safest best.

The black groups that boycott certain films would do better to get the money together to make the films they want to see, or stay in church and leave us to our work.

Other people's films are like a cocktail, a little alcohol with water and juice. My films are like pure vodka.

Their films would probably be better if they'd seen a few more films, which runs counter to this idiotic theory that you run the risk of being influenced if you see too much.

It's true that love stories are my comfort zone, and the result that 'Premam' got has only boosted my confidence in trying films of this genre.

The films that I really liked and the ones that really blew my mind when I was younger were independent films. They're like great records to me.

Even as a teenager, my sensibility was different because my parents introduced me to some amazing films. I grew up watching films like 'Kabuliwala,' 'Casablanca,' and 'Mandi.'

But a lot of 'Bhavesh Joshi' comes from the 'angry young man' - the Bachchan films of the '70s or the Sunny Deol films of the '80s, where there is someone who has been wronged and wants to do the right thing.

What I'm really focused on is the majesty of the best films I see are films that don't panhandle for an extra laugh later, but actually deliver the goods. And when the screen goes black, you go, Yes.

My favorite movies are gory horror films. I love Faulkner. I wanted to see the most painful things possible.

When you make many films with the same actors you can develop a special understanding with them. I love working with people I know and that I trust.

From the moment I met Martin Scorsese in 1962, he educated me about the films that had taught him so much about filmmaking. He had been deeply affected, even as a child, by great films that stretched his mind and struck into his heart, and he was eager to share them with friends and people who worked with him or with actors who were in his films.

Some people are still very romantic! I mean, those funny vampire films are super romantic, and I don't think that's bad. It means there are a lot of people who still believe in love in a weird way. Okay, it's a cheesy way, and I guess if you think about it, you're like, "Wait, you can love them as long as they're dead?" Maybe that's the point. Maybe it's more twisted than I thought. You can love but you can't age.

I don't think my films are going to get rid of racism or prejudice. I think the best thing my films can do is provoke discussion.

If only every man who sees my films did not get the impression he can make love to me, I would be a lot happier.

I have done many films across the globe and would love to be a part of Bollywood, but the script must have a strong character for me.

I want to make films and write films, which will happen, I'm just taking a different route right now. I'm a bit of a chameleon with the whole entertainment industry so to speak.

I enjoy films where two characters are coming of age, just different ages. That's why I love 'Paper Moon' so much.

I still go see films for entertainment, and I love them, but for me as a filmmaker, I really want to have a purpose in telling a story.

Films of stars as well non stars are working at the box office. People look out for content driven films.

I feel that so many sci-fi films and films in general have just become really dependent on and addicted to CGI, and that some of the big CGI films of the summer, you see these effects that look like crap. You don't know if you're watching a cartoon or something that's real. And I didn't want to fall into that trap. I really thought there was a way to use a lot of these old techniques to do some new and really neat stuff.

I try to express in my films things that no other art can approach. In my monster films for example, I use special effects in the same way one would use a special film stock, a special camera, and so on. Monster films permit me to use all of these elements at the same time. They are the most visual kind of film.

I think films are perishable, because they depend too much on technology, which advances too quickly and the films become old-fashioned, antiques. What I hope for is that technology advances to the point that films in the future will depend on a little pill which you take; then you sit in the dark, and from your eyes you project the film you want to see on a blank wall.

I think movie makers in every country are looking for ideas. It's interactive. And sometimes we remake a lot of Hollywood films but we don't buy the rights, we just try to imitate those films.

Most of my films I call arena films. I deal with a confined area -- an arena -- and I try to cover every aspect of it.

One corollary of the wretchedness of the second trilogy of 'Star Wars' films has been the final, demented sanctification of the first trilogy of films.

My early films were about self discovery, and films of internal conflict. At that level, they were very personal.

I'm not particularly interested in working with movie stars. It depends on where you come from, I suppose. Why are you making films? The reason I want make films is because they convey ideas. I think some directors make films because they want to hang out with movie stars and be part of Hollywood. They want to be a star themselves.

Now Kolkata audience loves to see films from Shinoprosad Mukherjee, Srijit Mukherji, Kaushik Ganguly. But I believe the industry still depends a lot on commercial films.

I revere my serials. But the reality, at the same time, is that it is difficult to get a break in films. I have been unceremoniously ousted from 20-25 films because I am a serial actor.

I do love action films and I hope I'm going to do many more and learn lots of new crafts 'cause that's the joy of movies.

Growing up, I was on film sets occasionally, when my dad was acting, so I got to run around and do odd jobs on films like 'Labyrinth' and others... I seemed destined to make films.

I have a lot of brothers. It's easy for me to do physical stuff. I had to survive. I really love it, and I'd love to do more of it. I want to do action films. I want to go and hang off of wires, and jump off of bridges, and hang on bungee cords. I've always really loved it.

Everyone has this conjecture that action films are somewhat less prestigious than dramatic films. Nothing could be further from the truth. I've done them both and this is hard and dangerous.

Horror films and genre films are interesting, because I always look for a deeper meaning or a deeper theme in the film.

I am a cynical optimist. Big opening weekends are like cotton candy. The films you will remember over time are the films that stick in the consciousness of the audience in a good way.

I'll continue making films because I love being able to drop into other people's worlds. My goal is to be constantly learning.

I believe there are more films that involve love and forgiveness than violence, but they often seem fake and are almost embarrassing to watch.

Although I've watched most of Spielberg's films, I haven't watched many animated films. I prefer reality over animation.

I love watching Marty Scorsese's films, but they always make me feel terrible about being a man.

I knew that all South Indian language films were first made in Chennai and that Tamil Nadu is one of the biggest film-producing centres in the country. I wanted to be part of films here.

You can do films for the fun of it, or the thrill of it, but certain films you can't do unless there's something driving you, something you have a passion for that will pull you through.

Here's how I've lived my life: I've never been late to a set. I make films I believe in. I feel privileged to be able to do what I love.

Yeah, I'm a geek. I read sci-fi and I watch sci-fi films. I love my computer and I love to fix it. I'm a total nerd. I literally am a 12-year-old geeky boy trapped in a 32-year-old woman's body.