Top 1200 Love Poetry Quotes & Sayings - Page 13

When we relate to our bodies as having soul, we attend to their beauty, their poetry and their expressiveness. Our very habit of treating the body as a machine, whose muscles are like pulleys and its organs engines, forces its poetry underground, so that we experience the body as an instrument and see its poetics only in illness.

we are far too used to the assumption that poetry and poets will be there when we want them, no matter how long they have been ignored, taken for granted, misused. After all, isn't poetry a form of prophecy, and aren't prophets known for their talent for flourishing in inhospitable deserts and other bleak surroundings? Maybe. But maybe not indefinitely.

On our earth, before writing was invented, before the printing press was invented, poetry flourished. That is why we know that poetry is like bread; it should be shared by all, by scholars and by peasants, by all our vast, incredible, extraordinary family of humanity.

The middle class is doing fine in fiction. But it's not what gets me going. I love the working class, and everyone from it I've met, and think they're incredibly witty, inventive - there's a lot of poetry there.

My biggest poetic influences are probably 20th-century British and Irish poets. So I suppose I'm always listening for the music I associate with that poetry, the telling images, the brevity. I want to hear it in my own work as well as in the poetry I read. However, I think I'm generally more forgiving of other poets than myself.

I love this quote uttered by the character Widget in The Night Circus. He credits it to Herr Thiessen but knows it is a literary quote by the another author. "Wine is bottled poetry

In high school I was very much involved in poetry. You cannot read a poem quickly. There's too much going on there. There are rhythms and alliterations. You have to read poetry slow, slow, slow to absorb it all.

On sighting mathematicians poetry should unhook the algebra from their minds and replace it with poetry; on sighting poets it should unhook poetry from their minds and replace it with algebra.

The first song I wrote was called "You" and it was a love song about somebody who didn't even exist. I remember them all because I used to always write terrible poetry. I keep all my notebooks.

When I was a kid I would write songs, little plays, and poetry in school. If you're an adult and you're a poet, it's all about love and pain, but if you're a kid it's, "Does anyone know a word that rhymes with shark?"

Love--what a volume in a word, an ocean in a tear, A seventh heaven in a glance, a whirlwind in a sigh, The lightning in a touch, a millennium in a moment, What concentrated joy or woe in blest or blighted love! For it is that native poetry springing up indigenous to Mind, The heart's own-country music thrilling all its chords, The story without an end that angels throng to hear, The word, the king of words, carved on Jehovah's heart!

Part of what we love about poetry is the fact that it seems ancient, that it has an authority of ancient language and ancient form, and that it's timeless, that it reaches back.

Michel Aflaq - is bad poetry wrapped in the guise of utopian politics, or great poetry wrapped in the guise of horrible politics.

To be creative means to be in love with life. You can be creative only if you love life enough that you want to enhance its beauty, you want to bring a little more music to it, a little more poetry to it, a little more dance to it.

Thinking in prose is different. I gained an immense amount of respect for people who write prose, and also felt even more sure that the thinking particular to poetry is essential to my life. I need to think, to explore, to question, in poetry. Without that feeling, I am, in some ultimate way, lost.

Fear kills, want to kill. Fear is destructive. Love is creative energy. When you love you would like to create - you may like to sing a song, paint, write poetry, but you would not take a bayonet or an atom bomb and go rushing off madly to kill people who are absolutely unknown to you, who have done nothing, who are as unknown to you as you are to them.

We are afraid that Heaven is a bribe, and that if we make it our goal we shall no longer be disinterested. It is not so. Heaven offers nothing that the mercenary soul can desire. It is safe to tell the pure in heart that they shall see God, for only the pure in heart want to. There are rewards that do not sully motives. A man's love for a woman is not mercenary because he wants to marry her, nor his love for poetry mercenary because he wants to read it, nor his love of exercise less disinterested because he wants to run and leap and walk. Love, by definition, seeks to enjoy its object.

Being in love is something like poetry. Certainly, you can analyze and expound its various senses and intentions, but there is always something left over, mysteriously hovering between music and meaning.

In my experience poetry speaks to you either at first sight or not at all. A flash of revelation and a flash of response. Like lightning. Like falling in love.

Poetry can be criticized only through poetry. A critique which itself is not a work of art, either in content as representation of the necessary impression in the process of creation, or through its beautiful form and in its liberal tone in the spirit of the old Roman satire, has no right of citizenship in the realm of art.

I developed a definition - which I think becomes less and less accurate as poetry moves into the world - that poetry was a way of speaking to the world, but fiction was a way to get the world to speak to me.

I had originally planned to do musical theatre and be on Broadway, but then my love for poetry also set in. Once that happened, I became torn between a career as an English teacher or a music teacher.

I chose poetry. Actually, poetry chose me.

Poetry springs directly from our primal need and capacity for communication[Poetry] mobilizes such a concentration of devices, such an intensification of language via rhythm, syntax, image and metaphor. Reading it-the best of it-can create another, very different kind of perpetual present, an awareness that can be as ongoing in the soul as the stop-time of trauma.

Painting is silent poetry, and poetry is painting that speaks.

Poetry and painting are done in the same way you make love; it's an exchange of blood, a total embrace - without caution, without any thought of protecting yourself.

Among those today who believe that modern poetry must do without rhyme or metre, there is an assumption that the alternative to free verse is a crash course in villanelles, sestinas and other such fixed forms. But most... are rare in English poetry. Few poets have written a villanelle worth reading, or indeed regret not having done so.

Such discussions help us very little to enjoy what has been well done in art or poetry, to discriminate between what is more and what is less excellent in them, or to use words like beauty, excellence, art, poetry, with a more precise meaning than they would otherwise have.

In 1945, just at the end of World War II, the American poet Muriel Rukeyser wrote a remarkable book called The Life of Poetry. In it she says that on any particular day in the world, if poetry ceased to exist, it would immediately be reinvented on that same day.

Ted Hughes is dead. That's a fact, OK. Then there's something called the poetry of Ted Hughes. The poetry of Ted Hughes is more real, very soon, than the myth that Ted Hughes existed - because that can't be proven.

I think I love humor in poetry, but not that slapstick cheap easy humor, but that uncomfortable, "did she say that out loud?" kind of humor.

The main thing in poetry criticism is that I have all these opinions, and I love having something to do with them. And I think it's important that people try not to be false. The ideal would be that everybody says everything in print. I don't know that it's that I'm not afraid.

Poetry is very playful with language. I think all poetry, at its heart, is playful. It's doing unusual and playful things with the language, stirring it up. And prose is not doing that. Primarily it's not attempting to do that.

The same people who are murdered slowly in the mechanized slaughterhouses of work are also arguing, singing, drinking, dancing, making love, holding the streets, picking up weapons and inventing a new poetry.

The critics could never mortify me out of heart - because I love poetry for its own sake, - and, tho' with no stoicism and some ambition, care more for my poems than for my poetic reputation.

There is all the poetry in the world in a name. It is a poem which the mass of men hear and read. What is poetry in the common sense, but a hearing of such jingling names? I want nothing better than a good word. The name of a thing may easily be more than the thing itself to me.

Modern" poetry is, essentially, an extension of romanticism; it is what romantic poetry wishes or finds it necessary to become. It is the end product of romanticism, all past and no future; it is impossible to go further by any extrapolation of the process by which we have arrived, and certainly it is impossible to remain where we are who could endure a century of transition ?

I thought poetry could change everything, could change history and could humanize, and I think that the illusion is very necessary to push poets to be involved and to believe, but now I think that poetry changes only the poet.

What men call love is a very small, restricted, feeble thing compared with this ineffable orgy, this divine prostitution of the soul giving itself entire, all its poetry and all its charity, to the unexpected as it comes along, to the stranger as he passes.

But if a stranger in the train asks me my occupation, I never answer "writer" for fear that he may go on to ask me what I write, and to answer "poetry" would embarrass us both, for we both know that nobody can earn a living simply by writing poetry.

I would love to write a script, for sure. I write poetry and songs. But writing a script needs a lot of time and discipline.

To separate journalism and poetry, therefore-history and poetry-to set them up at opposite ends of the world of discourse, is to separate seeing from the feel of seeing, emotion from the acting of emotion, knowledge from the realization of knowledge.

Poetry is probably the one field of writing in which it is a mistake to try to psych out editors. In fact, specific marketing advice can sometimes harm the novice poet by enticing him to pursue fashions. The poet's best hope is to sound like nobody else, The finest, most enduring poetry constructs a marketplace of its own.

We can look forward to four more years of wonderful, inspirational speeches full of wit, poetry, music, love and affection, plus more goddamn nonsense.

To write poetry, like sincere poetry, it is like performing heart surgery on yourself without anesthesia...in public...You are peeling back layers. You are dissecting yourself...You do not know what they [the audience] is going to do when you reach into yourself and rip out your organs to be displayed

There's no money in poetry, but then there's no poetry in money, either.

Political system is contrary to everything a feminine heart stands for. It lacks tenderness. It lacks poetry. It doesn't nurture. It doesn't love. And without those things, a woman's soul is bereft.

Love's the only thing I've thought of or read about since I was knee-high. That's what I always dreamed of, of meeting somebody and falling in love. And when that remarkable thing happened, I was going to recite poetry to her for hours about how her heart's an angel's wing and her hair the strings of a heavenly harp. Instead I got drunk and hollered at her and called her a harpy.

Myriads of daisies have shone forth in flower Near the lark's nest, and in their natural hour Have passed away; less happy than the one That by the unwilling ploughshare died to prove The tender charm of poetry and love.

I'm primarily a poet, so I'd have to say in my case I'd investigate the mystery in poetry in a different way than prose might investigate it, in a way that includes the power of the music of language and maybe more imaginatively in poetry, but I don't really know about better or worse. I guess it depends on the writer.

If you want a definition of poetry, say: Poetry is what makes me laugh or cry or yawn, what makes my toenails twinkle, what makes me want to do this or that or nothing and let it go at that.

I have the idea that lyric poetry is a poetry that's driven by a sense of the presence of death. That there's something unbearable about the fact that we're going to die and that we can't stand it and I think you find that out in childhood and you don't really - at least I found it out in childhood and I found it hard to get over.

Poetry has in a way been my bridge to my acting career. I had so many questions about my life, so I took to poetry to express my questions. I had questions about politics, family relationships, and more.

On the subject of literary genres, I've always felt that my response to poetry is inadequate. I'd love to be the kind of person that drifts off into the garden with a slim volume of Elizabethan verse or a sheaf of haikus, but my passion is story.

I love poetry; it's my primary literary interest, and I suppose the kind of reading you do when you are reading poems - close reading - can carry over into how you read other things.

I would say there are different kinds of poems. There are things that poets in the history of poetry hit upon when they're very young that can never be outdone and it's a remarkable, strange experience when you think of say Arthur Rimbaud who write poetry between the ages of 17 and 21 whose career was over by the time he was 22.

Poetry is often very critical of the culture from which it emerges. Quite often literary critics of a nationalist bent talk up the national culture, in a way that the literary texts don't. Poetry can bring out areas of denial and repression.

I think most good poetry is about suffering; I think that's what underlies the love in these landays pieces - suffering and longing.

I've never thought of my poems as violent. Violence, to me, has so much negativity attached to it - maybe that's my trouble with the word. But ferocious - indeed, I'll take it. And yes, poetry does need a bit of ferocity. Poetry needs to be alive, unabashedly, and, for me, that entails seeing its complexity - the grit and grimness and jubilance and beauty.

I guess the two Manifesto, Communicating Vessels, Mad Love, and some of his poetry made a significant mark on me but as far as bringing a literary element into the music I see it as a much broader assimilation.