Top 1200 Love Songs Quotes & Sayings - Page 14

I love the '40s. I love the '50s. I love the style, I love the clothes. I love how the women looked. I love the dances. I love the music. I love the amber of the light. I'm just in love with the cars. I'm in love with all of it.

You know that first love that leaves you? You never forget that, especially if you're a songwriter. I must have gotten nine songs out of that girl.

I love the sad songs with their maudlin, self-deprecating, almost funny lyrics. As an Englishman, they make a lot of sense.

I could sing you a thousand and one doo-wop songs. I love the simplicity in that music. It's not super-poetic, it's just from the heart.

When you're singing about love stories, which is most of my songs, it's good to have a lot of information and to have a different point of view.

I'm not somebody that has an encyclopedic knowledge of ballads and could sit around a fire and sing songs for three hours. I basically only know the songs that I've taken on and reworked and recorded.

I love the Girls Aloud songs and get messages from fans asking to hear them performed live again.

Among the songs I love best were those that I see as historically important, and helped change and develop my taste.

I like to be on most of my songs. I think being on your songs makes it all the more special in a way. Especially for me, just knowing that I'm releasing something that I was really a part of and dug in the dirt with.

All of our songs take these really big creative turns and twists throughout the process, so sometimes songs will start out as a melody or some musical chord progressions.

I'm a very lucky man. I get to do the thing I want most in life, write songs and sing them for people, and ride bikes. I love my family. I love my home. I get to work with people I've admired my whole life. It's a pretty good life.

I just want to write songs in my little corner. And I still love music, I've not been worn down by cynicism.

I love songs about horses, railroads, land, Judgment Day, family, hard times, whiskey, courtship, marriage, adultery, separation, murder, war, prison, rambling, damnation, home, salvation, death, pride, humor, piety, rebellion, patriotism, larceny, determination, tragedy, rowdiness, heartbreak and love. And Mother. And God.

I love melody, and that's what I love about pop music. The words can become what they are through a special melody. I learned to play guitar by myself, and writing songs came with playing guitar, so the writing isn't one part and the music something else.

Songs are snapshots of things - it's likened to looking at pictures. It will never feel like it felt in real life. When you look at it, it always feels different. It's sort of the same with songs.

That's what I love. Not being interrupted, sitting in a car by myself and listening to music in the rain. There are so many great songs yet to sing.

So we've done science songs. We've done historical songs. A lot of people would like us to do more historical songs. Our history record would probably be like the people's history of the United States, set to music.

I've always cared about how certain songs fade into other ones and which songs should follow others. I studied that as a consumer and fan before I even got into music.

When I wrote songs like 'Everyone I Love is Dead,' I never thought about how I was going to execute them live.

I don't really need to stand out, there's room for everyone. Although I haven't built a niche yet, I'm just writing love songs.

We have songs and we have smiles; that is the beauty of 3HO. We have many, many songs and we have very, very, very many smiles. We have all the tools not to be fools but still sometimes we mess up. But it's all right. If one thing doesn't work another will work-we have the technology and methodology to become and be good, graceful, courageous, pure human beings. We are all on the same path. Nobody is slave to anybody and nobody is subject to anybody. We worship no man but we love every man.

We tap our toes to chaste love songs about the silvery moon without recognizing them as hymns to copulation.

I love music and hopefully I'll be able to do something with it - I just have to find time to get into the studio and record a few songs.

Every song you're trying to find something that going to connect in different ways but for me the songs that I'm really drawn to are inspirational, songs that lift you and that everybody can relate to no matter where you're from.

That's what I love. Not being interrupted, sitting in a car by myself and listening to music in the rain. There are so many great songs yet to sing

When I perform in north India, I have a set of songs, and when I am in the south, I tend to prepare a playlist of Tamil songs along with Bollywood numbers. As a performer, I feel the pulse of the people!

I am out to sing songs that will prove to you that this is your world and that if it has hit you pretty hard and knocked you for a dozen loops, no matter what color, what size you are, how you are built, I am out to sing the songs that make you take pride in yourself and in your work. And the songs that I sing are made up for the most part by all sorts of folks just about like you.

I love to play the songs that got me to where I am. I like to take a little bit from all of my records and mix it up.

I have songs - even from my first album, I've always been on some socially conscience/love whatever music, you know?

I realized music is the most important thing to me and I love writing songs, and I think I had more to say in life.

But I love listening to my own songs and I know they're working well if I'm not thinking too much about them technically.

I watch movies and hang with my family, go shopping, love to cuddle with my dog, Happy, & write songs with my guitar!

Carlos Sosa, the saxophone player for Zac Brown Band, and I worked up two songs for 'When You're Feeling Sick.' They were a blast to work on. The songs are real upbeat and silly.

I've always kind of tried to do something that was a little different than just simple 'I love you, baby'-type songs.

I am going to sing lesbian love songs and support gay rights no matter what. The rest is public relations.

With 'Location' and all the other songs around it, my music turned into therapy for others. And that's something I really love and am blown away by.

All of the guys love to take serious topics and go for it; we're not writing a whole lot of love songs. With 'Sacrificed Sons,' we had some sensitivity there about how we'd present it. I remember there was a lot of discussion about the kind of words that would be used and how direct we wanted to be.

There's no love in my songs. There's just a lot of resentment. Just bad attitude. But that's intentional, that's what I like. I love the whole idea of Motown. Their idea was to sing how down on their luck they were, but the song implied hope that it would get better. I liked that idea, and I wanted to go even further with it.

Many of the songs were written as a way of paying tribute to specific people, but in the end the songs took on a life of their own and I didn't worry about accuracy or biographical truth, so it's not a problem.

I love music. I love making songs. I feel like I've been given a path where I can contribute, where I can protest if somebody does something really obviously wrong or inhuman right in front of me, where I can make a difference. Where I can most especially elevate, make you happy, elevate the condition, elevate the thing.

I've always been a singer-songwriter - it started off with me and the guitar, just writing songs, they were very simple. When I got in the studio it took me probably three years to get where I am now - being open to experimenting with new songs, being comfortable with where the songs were headed. I'm happy with where they are because they feel very genuine and authentically who I am.

I love to play guitar. I've been writing my own songs on the axe since I was nine years old. I suck at leads.

Songs, to me, have always been kind of like a diary, you know - and, say, when I did 'Teenager In Love,' maybe I was 16.

People started noticing my singing on YouTube, and then I came to L.A., and I lived on a studio couch. I wrote songs every single day with whoever I could write songs with.

Initially, in starting to pick the songs for the live show, it was really a matter of picking songs that I loved over the years. As far as the album goes, it happened very naturally.

I find it quite hard to connect with the songs where I portray myself as this clumsy, adorable, love-struck man-child.

All comics want to be musicians. There's a part of me that wants to be a serious musician. I love songs about heartache and heartbreak.

I've played music since I was six, and I always wrote songs just for myself. I did it for fun, posting songs on Tumblr, Bandcamp, and Soundcloud. I didn't think anyone would notice.

My producer, Michael Knox, he's kind of my eyes and ears on Music Row. While I'm out on the road, he's looking for songs, and then he and I will get together and go over songs.

If people respond to the songs, whether they love you or hate you, then you've really done your job. You've evoked something.

I've written some songs that are pretty scary, but 'Jessica,' 'Ramblin' Man,' and 'Blue Sky' are happy songs. That's the way I wrote them: have-fun tunes to make you feel good.

I write songs about love because, above all, love is the most human thing we have together. Feelings are a part of us every day. You feel things every day, no matter where you are. So that's what I write about.

I love playing our older songs along with newer ones but If all I have is my old stuff, I quit. Creating is more rewarding.

I sit around and try to play along to certain songs that I really love. It helps you explore new territory.

I think when we were starting out, it was more about imitating our songwriting heroes. We would try to write songs like Neil Finn, or we would try to write songs like Ray Davies, or we would try to write songs like Glenn Tilbrook.

Bob Dylan, Neil Young, Merle Haggard, Hank Williams. All of them are different styles, but those are the songs that make the times. They're the songs that last through time.

'Black Love' made my mama cry, so this is one of those song songs. When I hear it, it makes my heart do some things.

I have this theory about us. When we started writing our own songs, we were 17 years old. When you're 17, you write songs for other 17-year-olds. We stopped growing musically when we were 17. We still write songs for 17-year-olds.

The thing that makes love stories work, in my opinion, in movies and novels and country & western songs, is the feeling of longing.

A lot of the songs I write are like songs that I've never been able to find on any record, but that I've always wanted to hear. Or maybe in a style I already loved, but I was looking for something in it that I wasn't hearing yet.