Top 1200 Love Songs Quotes & Sayings - Page 2

There are not so many songs written about love today like there were in the past. It's all changed, but that's why my songs still last as big favorites today.

I am so happy to be able to do what I love. To have the songs I've written for other artists go No. 1 and my songs go to No. 1 has been amazing.

I have country songs, I have rock songs, I have songs that don't even sound like songs.

Human beings love poetry. They don't even know it sometimes... whether they're the songs of Bono, or the songs of Justin Bieber... they're listening to poetry.

There's only one reason why you write new songs: You get sick of the old songs. It's not that I didn't do anything during the time when I wrote no songs. I was creative, but in another way. I had ideas for songs and collected the ideas.

It's hard to believe the life that 'Someone Like You' has taken on. It's proof that people hunger for great songs - and they are open to different interpretations of songs they love.

I love writing songs, but I don't want to write the songs everyone else is asking me to write.

I think that the best songs to sing are songs that you love, because you sing them with love when you love them.

Literature is love. I think it went like this: drawings in the cave, sounds in the cave, songs in the cave, songs about us. Later, stories about us. Part of what we always did was have sex and fight about it and break each other’s hearts. I guess there’s other kinds of love too. Great friendships. Working together. But poetry and novels are lists of our devotions. We love the feel of making the marks as the feelings are rising and falling. Living in literature and love is the best thing there is. You’re always home.

My pump-up songs before I compete are not the usual. They're more girly songs. I love 'The Climb' by Miley Cyrus. It's about the journey and savoring every moment. I have 'The World's Greatest' by R. Kelly on my playlist, too.

I've got a talent, and people enjoy my songs, people love my songs; why stop?

I think a lot of my fans are anxious for more than just my singles. They know I'm a dreamer. They know I'm someone who is real spiritual. I love to have fun, and I always have fun songs - songs you can party to. But I also always have songs you can live to, that when you're depressed, it may lift your spirits up.

Pop music often deals with subject matter like breakups, or you have songs that are like, "I will love you forever," or "you're so hot right now," or "I really feel you," or "We should be together." There aren't that many songs that are like, "I just walked into the room and now I have nothing to say because I feel so awkward because I fancy you so much." There's not as many songs that deal with that awkward bit about love; about how you can really have such a huge crush on someone that actually is completely disabling.

A dream set would include songs by other artists like Paul Simon, Joni Mitchell, and other favorites. More obscure Heart songs like 'Wait For an Answer' and 'Nada One' would be fun, plus fan favorites like 'Love Mistake' and 'Language of Love.' Endless possibilities.

I think my legacy is important because my songs - perhaps more than those of any other songwriter I know - cover every movement from 1965 on, socially and artistically. If you want songs about ecology, I've got ecology songs; if you want songs about spirituality, I've got spiritual songs.

it's about a love song to myself, and a love song to the universe, kind of like the way that Song of Solomon consists of love songs to God or like the way Sufi poems are erotic love songs to God, I kind of wanted something like that. Because I was getting to know myself more deeply at this point. I've always been on this track where I wanted to be enlightened.

The songs of 'Border' and 'Refugee' were from my heart. Everything that is patriotic comes from the heart. If these songs come out time and again, that shows how much I love the country.

I love characters songs and I love to fit into a story. I love singing through a character's journey.

Thanks to 'Super Dancer - Chapter 4,' that I was reminded how popular was our jodi, and the love for our songs. It was exhilarating to experience the fandom in person and to remember all those old songs. It was a great feeling.

We used to have a nanny who was obsessed with Take That. She was in love with Mark Owen and her room in our house would be plastered with Take That posters. Whenever I used to walk in the door she would be playing Take That songs to Harley, my daughter. That's when I fell in love with the song 'A Million Love Songs,' that song means a lot to me.

Writing songs has always been my first and foremost love, and, you know, whether I continue to have success as an artist or not, I will always write songs.

She sings the songs without words Songs that sailors, and blind men, and beggars have heard She knows more of love than the poets can say And her eyes are for something that won't go away.

Yeah, except that when I write pop songs I have pretty strict constraints that I impose on myself. 69 Love Songs is a constraint. That the titles have to begin with "I'"s is a relatively strict constraint. Charm of the Highway Strip is all travel songs. And I am free to change the plot slightly to accommodate something that happens to rhyme conveniently.

I love songs. Songs are my favorite things.

Love songs in particular are so compelling because love is probably the strongest emotion you can have, and I think it's relatable to absolutely everyone, whether it's unrequited love or love.

I love the pursuit of songwriting, and I've seen what songs can do in people's lives. Some of the stories that come back from songs flying around the globe are so encouraging.

I love good momentum. It makes everybody happy and in this time that we're living in, especially musically speaking, if you can make a record that has more than 4 or 5 songs deep and it has a good variety of songs. You don't frontload it with those first couple of songs. You continue the record taking the listener on a journey, musically speaking. I think you've really got something there.

I love making people sing. I love group singing, sacred harp singing, choral singing, recordings of people singing sea shanties, work songs, prison songs - how people just sang to get through things.

On 'Love Letters', I focused exclusively on songs with lyrics, creating a collection of songs that directly address heartbreak and its ensuing emotions in a way that instrumental music can only hint at.

You don't want to be a one-trick pony. On a lot of Smiths songs, I used a pick or a plectrum, and for some of the slow songs, I used my thumbs and my fingers. That's why I love the bass - it's adaptable, and you can express yourself so well with it.

With DJing, there's still an art to it - you get two DJs and give them songs to play, one can play it better. There is a way, and it's not just about the songs you're playing, it's about how you mix, the timing, when you cut out and in. I love it, and I love feeling the excitement of the crowd - you go on this journey with them for an hour or so.

I think up until the 'Honestly' album it was very much label-company lead, of 'this is a sound that we need, this is what you need to do. You need to do ballads, you need to do a million different types of love songs,' and I hate ballads and I hate love songs.

The songs that I've written about Africa, and AIDS and HIV and about the power of humanitarian love, those songs, I'm gonna sing them because I know that it's real.

What I do now is all my dad's fault, because he bought me a guitar as a boy, for no apparent reason. ... I wrote some of my best love songs ever when I was unhappy and my saddest love songs when I was very much in love. When I wrote 'You're in My Heart', which is an uplifting song, I had just broken up with-Now who had I broken up with?. ... Half the battle is selling music, not singing it. It's the image, not what you sing.

I recorded songs with a great deal of meaning, songs of lasting material. That's the legacy I want to leave behind - a legacy of love.

There are great songs out there, and if I love them, and I know them, I'm going to sing them just because that's what songs are for.

I fell in love with music at the age of four, and I remember my grandmother being on the piano teaching me some church songs, some primary songs.

A lot of the album is made of love songs I've written over the past three or four years that have lasted the test of time. It's probably the thing that connects the songs together other than the sound of my vocals.

As a song writer when I first was aware of the Beatles and started, you couldn't avoid hearing it, not that I, I tried. And what, what struck me was not so much the songs or the part of the songs that, that seemed unique to me were, was more melodic at the beginning than, than the lyrics because they were still talking about, you know, I love you, I don't love you and I need you or don't need you.

For me, the good songs are the ones that come really naturally. There are certain songs that you rework and rewrite and the craft becomes very evident, but a lot of times those aren't my favorite songs. The favorite songs are the ones that I can't even hear my own voice in.

My aim is always catchy songs, or songs with meaning and I want to write music people can relate to, about things anyone could go through, just real, honest music... songs that mean something, songs that are inspired by true life events.

I definitely still have ... angst but I also wrote some songs that say it's okay to love, now. I'm happy in my life, and it's a bit easier to write happy songs when you are actually happy.

When you find a song that you love, you just have to do it - why would I try to match it? When I wrote more of the songs in the '90s - 'Nick of Time' and other songs I was surprised I came up with - it was because nobody else was saying what I wanted to say.

My favorite music isn't necessarily the songs that One Direction come out with. That doesn't mean to say I don't secretly really love some of our songs, which I do.

I do love to sing Jacques Brel songs, intensely. I get terribly excited, just by reading a couple of lines in any one of his songs.

I'm just writing love songs. I'm not trying to be pop. I'm not trying to be jazz. I'm not trying to be anything. I'm just writing love songs. And everyone loves a love song.

My father's songs don't intimidate me; my father's songs are my songs. My songs are his songs. There's no intimidation.

I achieved something specially different with Love To Love You Baby and I Feel Love. These songs will endure.

I love, love songs, but sometimes it's okay to just be young and talk about something other than getting married or falling in love.

I kind of tend to write a lot of songs, so it's never too hard for me to finish an album; it's more about just getting enough songs that I really love.

Just because I write some songs about bad women, though, that doesn't mean I hate women. I've written songs that show great love and respect for women too. Songs that talk about strong, upstanding women and their pain. I have women working on my music. They understand where I'm coming from. So does my mama. I always play my music for her before it comes out. Why do you think I wrote "Dear Mama"? I wrote it for my mama because I love her and I felt I owed her something deep.

I write all my own songs and they are just simple melodies with a lot of lyrics. They usually have to do with current events and what is going on in the news. You can call them topical songs, songs about the news, and then developing into more philosophical songs later.

I think if you buy the 'Christmas Queens 2' album, there will be songs you love and songs you hate, just like every other album.

'Rainy Dayz' and 'Glaciers of Ice,' those two songs - I mean, I just love those songs.

I have so many songs, it's ridiculous. I love so many different types of music and tend to write all over the map, style-wise. R&B, rock 'n' roll, screamers, pop, good-time songs.

As always, I wrote songs. Some people cook or play sports. This is what I love to do. Sometimes I can't express myself that well in talk, so I write songs.

I have fallen deeply in love with songs - musical theatre songs included - over the years, and this experience has taught me to hear and honor the writer's voice in my soul.

So I realized when I was successful in a piece, it was because I didn't abandon a notion early on what it ought to be, and I let it take me along. So I've had songs that started out as being about the environment and ended up being love songs and love songs that ended up being about the environment. I've had things that I thought would be a poem and realized that it was just too big for that. I've got to do something larger and it became a play. I wrote one poem that started a whole play.

Lust is raw selfishness. It's all about my wants, my needs, my pleasure. Most love songs are actually lust songs.

Our species uses music and dance to express various feelings: love, joy, comfort, ceremony, knowledge, and friendship. And each one is distinct and widely recognized within cultures. Love songs cause us to move slowly and fluidly, for example, while songs of joy inspire us to dance in a full-body aerobic way.