Top 1200 Love Songs Quotes & Sayings - Page 20

I just write songs from the heart, and you never know who'll like the songs. I try to make sure that I don't allow anybody's expectation to weigh on me. I have my own expectation of life. I believe in letting people be free.

You have those songs that are very special to you that you don't want to get ruined by production. Something like 'Start Again' shouldn't be touched. It's a classic-sounding song on a piano and violins and harmonies, and I think those songs are perfect as they are.

Most of the time, the songs have jokes in them, little sarcastic things, or purposely kitsch or something. So that's going along with a story, like I do in life, just talking to myself and making fun of stuff and laughing at stuff that's serious. And sometimes it's a good idea to put the laughing into the songs. Sometimes it's not. Sometimes it's all right just to be serious. But most of the songs have some kind of joke in them.

I could have done a hundred songs, really. It was hard to narrow them down, because I tried to pick songs for the most part that actually did have some effect on me or influenced me in the past.

It'll be basically a live album, but it will also include songs, Judas Priest songs, the audience have never heard before, because we felt we wanted to give the kids something else, something they haven't already bought.

Every one of those old songs like "What's My Age Again?" and "All the Small Things" is like a tattoo or a scrapbook or an old photograph. There are just songs that define certain moments in your life. Everyone has a song that got them through a bad breakup or they put on and it made them feel like they wanted to go out and kick the world's ass with their friends on a weekend. Those songs still feel like that to me.

I looked through our catalog year by year, and I saw that there were pockets of time when we wrote some terrific songs. Then all of a sudden, we'd go for another two or three months and there weren't great songs.

My father had a passion for love. It's mostly what he talked about in his songs, and I still have his old records today.

It's such a changing industry, and I realize that it's become more digital- and singles-driven, but I still love listening to a full record. It's the artist's story captured in 12 or 15 songs.

I always try to keep my friends within my music. I always play them all of the songs, and they are my biggest critics, and they love it, so that's a good sign.

There are no limitations with a song. To me a song is a little piece of art. It can be whatever you like it to be. You can write the simplest song, and that's lovely, or you can just write a song that is abstract art. ... A lot of my songs are very serious, I'm like dead serious about certain things and I feel that I'm writing about the world, through my own eyes. ... I have a love for simple basic song structure, although sometimes you'd never know it. ... Most of the songs I wrote at night. I would just wake in the middle of the night. That's when I found the space to write.

I wrote poetry before I wrote songs, and T.S. Eliot was my inspiration. I love his honesty and try to bring that to my own songwriting.

I know my priorities... I love music and I will continue to make songs, I know it's not just a period in my life. But I am focused on my studies.

I moved to Nashville to be a songwriter. I found out that was a job, that someone would pay you to sit in a room with a guitar and make up songs! It is the greatest job in the world. I wrote three or four songs a day. That's what I lived for.

I'm extremely happy, but I don't do love songs for the most part. It feels weird; that's such a personal thing to me. I'd rather live that in my real life and play a different character outside of that.

When I think about putting together an album, the process of listening to hundreds of songs each time and picking out the best 10 or so that will go on the record, it really sinks in as to just how many songs I've listened to all these years.

Make songs for Death as you would sing to Love -But you will not assuage him. He aloneOf all the gods will take no gifts from men.

What I hope is to really focus on being a songwriter. I'd love to write songs for other people; that's something I'd really like to start doing.

A lot of Woody Guthrie's songs were taken from other songs. He would rework the melody and lyrics, and all of a sudden it was a Woody Guthrie song.

I've written so many songs that are hopeful - songs that are, like, about an old man that gives all his possessions away because he wants to help people. I wrote 'Pumped Up Kicks' just to tell a different type of story.

I wouldn't just have other people write songs and me go out and sing it. I would sit down with a guitar and write 11 or 12 good songs for an album and that is gonna take a long time.

The songs of Bizet are by a French peer of Rossini. When Rossini stopped composing, he was living in Paris. He also wrote some beautiful songs in French.

This was when she asked him whether it was true that love conquered all, as the songs said. 'It is true', he replied, 'but you would do well not to believe it.

I love Billy Joel. I cry sometimes when I hear 'The Stranger.' 'You May Be Right' may be one of the greatest songs ever written.

It's easiest to write songs when I'm either really in love or really mad at a guy. It's just always best when I'm feeling superemotional.

I love songs, and I love songwriting, and there's a standard of songwriting within Chicago blues in particular. I don't like the sad blues, necessarily; the Chicago blues is what I like, which is the kind of blues you can dance to.

When your hair is rising, that's when you know it's a good song - that's happened to me with some artists and some songs, John Lennon songs or when Nina Simone sings. It's great to make those moments yourself.

When that Twitter account came out, @HopperDancingTo, and they put me to all these different songs, I thought that's pretty much one of the funniest things I've ever seen. I watched that for a couple hours straight, him dancing to George Michael and all these stupid songs.

Sometimes I need to reject the music proposed for my songs because the musicians misunderstand that the Fanny Crosby who once wrote for the people in the saloons has merely changed the lyrics. Oh my no. The church must never sing it's songs to the melodies of the world.

If somebody wanted to go and find songs of mine to fill an iPod, that aren't on any records. They could probably find dozens of songs besides the ones that are on records.

I'm involved in a lot of different things, like producing, starting a label and writing songs. But still my biggest release, and the easiest and most fun thing for me to do in my life, is to be in New Found Glory, go on stage and play these songs.

I didn't even know the industry of songwriting existed. I thought everybody sang songs and they were only singing the songs that they wrote. So after I found out about songwriting in college, I was like, "Okay, I want to do that."

Oh, what a love it was, utterly free, unique, like nothing else on earth! Their thoughts were like other people's songs.

I started off playing my own songs, just because I saw it as a means to an end almost of, 'Right, if you want to play gigs, you have to write your own songs.' I mean, they were absolutely terrible.

Although I was writing songs when I was younger, I didn't feel I had much of a clue as to what I was doing or how I was doing it. There are a few songs from my past where I thought, 'Well, that's pretty decent,' but I didn't have a discipline. I suppose I'm kind of a late bloomer.

When I'm on stage, the songs that we've chosen to play from the back catalog are things that still resonate with me, and matter to me. And the songs that I couldn't be a part of, we don't play anymore.

I will be gone from here and sing my songs/ In the forest wilderness where the wild beasts are,/ And carve in letters on the little trees/ The story of my love, and as the trees/ Will grow letters too will grow, to cry/ In a louder voice the story of my love.

When I think about the things that cause me pain or the things that cause me trouble or frustration, it's not people asking for my autograph; it's people breaking my heart. That happens to you whether you've sold millions of records or whether you're taking classes at college. You're going to believe people when they say that they love you. I don't leave out details when I write songs about that. I try to make my songs as personal as possible because, ultimately, my music started out as just trying to turn my diary entries into something that was a piece of music. And that has never changed.

I've been writing songs since I was 10 years old and always had a penchant for rhyming. I started listening to hip hop through my friends and fell in love with it.

By the Angel, Bridget’s depressing,” said Henry, setting down his newspaper directly on his plate and causing the edge to soak through with egg yolk. Charlotte opened her mouth as if to object, and closed it again. “It’s all heartbreak, death and unrequited love.” “Well, that is what most songs are about,” said Will. “Requited love is nice, but it doesn’t make much of a ballad.

You know, the European record labels always say, 'We want 12 songs and then we want bonus songs,' and you're going, 'What for? Why?' That's not a record.

Songs don't wear out. Good songs are good now. If they were a comfort during those hard times in the past, they'll be a comfort in today's age.

My old songs used to take place in Gothenburg; then, when I lived in Melbourne, the songs just naturally took place more in Melbourne.

You should celebrate the end of a love affair as they celebrate death in New Orleans, with songs, laughter, dancing and a lot of wine.

I love Calle 13 - they are Puerto Rican; some songs sound like Reggaeton, but it's not Reggaeton; it's good urban music.

I'm not looking for career attention, for more success, more money. I'm just singing songs I chose because I love them.

It's a pretty crazy thing in which I tried to make songs, real songs, not the quick stuff like on a tape. A dose of Kendrick Lamar, a dose of J. Cole... because it's got to be an album that goes [in the] club.

I love a good road trip. And I have been known to sing cheesy '80s songs at the top of my lungs on a windy road when no one can hear.

I do go back and listen to my songs. I'm biting my fingernails the whole way through, but I do listen. I have a lot of songs I've wanted to re-record just because of how advanced technology is and the different instrument sounds that I'm more experienced with.

All the new songs have been written since the re-issue of Diamond Day. With my first royalties I got a Mac and a little mixer and a keyboard, figured out the basics of a music program, and gradually started to write and record the songs and the arrangements.

A label is like a bank with all these really important relationships, and maybe an aesthetic or a point of view. But if you only want to release two songs, you don't need the guy who can talk to all the retailers, because they're not going to stock two songs.

At the beginning of my career, I saw an opportunity to forge new ground and focus on songwriting. Not many people were doing that at the time. Pretty much nobody. I thought I could write some really cool songs that would rise above all these dozens of genres that exist within dance music. I'd make it more about the songs. For the last 20 years, I've been sharing stories of my life through music. I've been writing songs about my life.

I've been writing songs all along, and since moving to Nashville in the late-'80s, I'd begun writing something like 15-20 songs a year, instead of the typical three or four in previous years.

I don't dream songs. I'm more apt to write dreams down and then to be able to interpret them into a song. I also tend to get up and write prose in the morning from which will come songs.

I started writing an album on flights to Africa and Brazil, but it was crazy because I left the notebook on the plane. It had seven or eight songs in it. After that, I'm not writing any more songs on notebooks - and I keep my Blackberry close!

I think Pearl Jam, greatly inspired by The Who, really did become a sort of musical conscience of a generation. I love such passionate songs as 'Not for You,' 'Wishlist,' and 'Long Road.'

There's this Ryan Gosling quote that I steal all the time - I watched an interview with him in Cannes - and he said picking roles is like listening to songs on the radio: There can be a lot of really great songs in a row, but then one comes on that just makes you want to dance.

A few things I've noticed about myself as a listener, and the music that I relate to and the music that's continued to mean something to me since I was a little kid or a teenager, is that they're songs that tell stories and songs that come from a place of experience.

You can only write so many pop songs before they all sound the same. I got to a point where something overtly melodic and straightforward sounded sort of cheesy to me. Pop songs seemed too manufactured.

I really believed that my songs were good enough for the whole world to listen to. I had fans from America or the U.K. who would be like, 'Oh my God, I love your music'.