Top 1200 Love To Read Quotes & Sayings - Page 5

I usually need to read emails to actually wake up. I'll read these and Twitter, and my brain will start to get going about what a narcissistic monster I am. I read on Twitter who is talking about me. I'll also start making jokes for the day based on what I read on Twitter.

I think for [Albert] Camus his mother was more than just that. She's love, absolute love. That's why it's written for her, dedicated to 'you who will never be able to read this book'.

'Beloved' by Toni Morrison. I think I read it first in college and have read it every few years since. The language itself is remarkable. I don't know that I've read a book that explains America so well.

For me, even though I love, love, love both Cliff Chiang and Brian Azzarello, I haven't read the new '52 Wonder Woman' past the first issue. It's just... you know, once I'm on a book for a really long time... it's like going through a divorce. It takes a while before I can be 'friends again' with the character.

I love to be a working actor, and I love to read scripts as they come in. If I find the script or character that is interesting, I want to transform myself into that character.

I read a lot of news online, but I like buying a paper because I'll read an article I wouldn't normally read. And more often than not, the articles that you don't expect to care about are the ones that grab you.

To go back and read Swift and Defoe and Samuel Johnson and Smollett and Pope - all those people we had to read in college English courses - to read them now is to have one of the infinite pleasures in life.

If there had been a job of being a reader, I would have taken that, because I love to read and I don't love to write. That would be blissful.

I don't read a word that's written about me. I don't read my own interviews. I don't read reviews. I think it would drive me insane.

I read a lot of fantasy as a kid. I read 'The Hobbit' and all of the 'Lord of the Rings' books, but I also read a lot of realism like 'The Outsiders.'

I can read books and news articles about people who have excelled, people who have done extremely well in their chosen field, or made a lot of money, or married well, or what have you. When some people read this stuff, they get inspired, but when I read it, it makes me feel worse. Sometimes I wish I had never learned to read.

To understand oneself requires patience, tolerant awareness; the self is a book of many volumes which you cannot read in a day, but when once you begin to read, you must read every word, every sentence, every paragraph for in them are the intimations of the whole. The beginning of it is the ending of it. If you know how to read, supreme wisdom is to be found.

How about Proust's In Search of Lost Time?" Tamaru asked. "If you've never read it this would be a good opportunity to read the whole thing." "Have you read it?" "No, I haven't been in jail, or had to hide out for a long time. Someone once said unless you have those kinds of opportunities, you can't read the whole of Proust.

But I have a list of books that I want to read before I die, and whenever I get time to read something that isn't a script, I'll read something from that.

If you care about the news and write what you want to read - not just what you think Google search wants to read - there are people out there who want to read it.

Whenever there's an interview with me, I might read it, but I don't read the comments because they're so hateful sometimes. When someone writes something nasty, I just think, "If that's your contribution to my day, I really don't need your impoliteness." I'm lucky that people are very cool with me and I get a lot of love. I appreciate that.

My first advice would be to read, read, read, which sounds interesting coming in a digital age, but it's so much easier to listen to a poem than it is to sit down and actually read it and to hear it in your head and that is something that every poet or aspiring poet needs to be able to do, I think to hear it in their head.

The thing about Dickens is you either love him or you hate him and I fell in love with Dickens, I fell in love with his prose style and I decided that I wanted to read the whole Dickens verve during the course of my life.

I don't read young adult or children's books, now that my grandchildren are beyond the age of my reading to them. I read reviews, and so I'm aware of what's out there. But I tend not to read the books.

I have this theory that people in Hollywood don't read. They read 'Vanity Fair' and then consider themselves terribly well read. I think I can basically write about anybody without getting caught.

When I read Jerome D. Salinger's "The Catcher in the Rye" that was the first time I felt my mind blow open. I thought that book was speaking to me. I was 12 or 13 when I read that. I read everything on my mother's bookshelves.

Growing up, as a kid, I loved to read. I liked to read books that were above my range. I always tried to aim higher and read difficult books.

I think that some books are more successful than others to certain readers. People who read my books for the humor, they're going to love one book. People who read my books for the mystery, they might not like that book quite as much.

I love to read things that have moral messages, and I love to hear stories where it's not just a hook, you have to follow the story, you have to listen to the message of the song, and get it and use it in your everyday life.

The poem in Where Good Swimmers Drown are love poems. But love poems that defy the divisions between emotion and intellect, private and public, life and art, writer and reader. To read Elbe's poems is to discover not only what it means to be in love, but what it means to be alive.

I have a confession to make. The love affair of my life has been with the Greek language. I have now reached the age when it has occurred to me that I may have read some books for the last time. I suddenly thought that there are books I cannot bear not to read again before I die. One that stands out a mile is Homer's Iliad.

This next to never happens, but if I had time to sit on a beach and read, I wouldn't read a cozy. But I've read cozies. That's how I got interested in crime fiction: because my mother was a soft-boiled reader.

Everyone knows 'Little Women.' Most women love it if they've read it. If they haven't, they might love the movie, or they've heard of it.

I love movies, but I would love to write as many graphic novels as people would read from me.

One of the things that amazes me is the amount of functional illiteracy in this country... people can't read to get around, or people who can't read the newspaper but can barely read street signs.

More and more, I tried to make comics in the way I like to read comics, and I found that when I read comics that are really densely packed with text, it may be rewarding when I finally do sit down and read it, but it never is going to be the first I'm going to read, and I never am fully excited to just sit down and read that comic.

I read a lot growing up. It was kind of my comfort, you know; I loved it. I love story. I love narrative. I was academic. I wasn't particularly athletic. I didn't make the drill team. I didn't go out for sports.

I love doing the readings. The readings are the fun bits... The readings are probably the things that actually keep me going on these. If I couldn't do the readings, I wouldn't do the [signing] tours. I get to stand up there and read to a bunch of adults who in many cases nobody's read to in years, since they were about five. They just squat on the floor. That's enormously enjoyable.

Oh, I love to read more than anything. I always love the 'New Stories From the South' anthologies - I think it's the best short fiction collection anywhere, just filled with treasures.

I don't really have a structured path of wanting to say, 'This is what I'll do next.' I'm just going to read a bunch of scripts and see which one I love. There are so many things I would love to play, in all different genres.

I worked privately, and sometimes I feel that might be better for poets than the kind of social workshop gathering. My school was the great poets: I read, and I read, and I read.

I had to audition for Fandango. When I read the script, the role that was interesting - so everyone thought - was the role that Costner played. He was the cool guy. And I read the script, and my representation at the time said, "That's the role you should read for." And I was like, "Really? How about I read for this other role." And they went, "Well, you're not going to get that role."

I love 'To Kill A Mockingbird' - it seems to offer up new layers every time you read it. I also love Kate Atkinson's 'Behind The Scenes At The Museum' - that's the book that started me writing.

Reading was my first solitary vice (and led to all others). I read while I ate, I read in the loo, I read in the bath. When I was supposed to be sleeping, I was reading.

I read a lot about her. I read a lot of bios. I read bios about the royal family; I read this little novella called 'The Uncommon Reader,' which is a fiction: it's about Queen Elizabeth going on this library bus and choosing books and reading them, but it's so sweet.

Jenny Offill's Dept. of Speculation resembles no book I've read before. If I tell you that it's funny, and moving, and true; that it's as compact and mysterious as a neutron; that it tells a profound story of love and parenthood while invoking (among others) Keats, Kafka, Einstein, Russian cosmonauts, and advice for the housewife of 1896, will you please simply believe me, and read it?

I think that's not a question that one can answer accurately. I read a whole range of books, quite a lot of history at the time, and still do read a lot. I read very widely.

Most actors really love it, that's what they want to do. They burn to do it. And so they'll read a script and think, that's an interesting part. And because they love acting, that blinds them to the fact that the rest of it is pretentious nonsense, which it very often is.

Like everybody at that age, I read an awful lot of pulp fiction. But at the same time, I also read quite a bit of history and read that as much for pleasure as part of a curriculum.

The founding American generations did something that almost no others have ever done. They read the fine print! They taught their children to read bills, laws, court cases, legislative debates, executive decrees, and bureaucratic policies. They read them in schoolrooms and at home....They said they would consider their children uneducated if they didn't read such things.

I read everything by Ian McEwan, he is so elegant. I love reading anything about Shakespeare, too. He is my first love. If I had a time machine, I would be hanging out with him.

One of the most important elements of my identity is my identity as a reader. I love to read - really, if I'm honest with myself, it's practically the only activity that I truly love to do.

Success is something you should never take into consideration: if you follow it it'll elude you. It's important to really love your work as a writer, to read loads to the point where you can recognise blindfolded, hearing them read, the writers of yesterday and today. It's important to write every day, for hours. To have faith in your imagination and let it wander.

Read! Read! Read! And then read some more. When you find something that thrills you, take it apart paragraph by paragraph, line by line, word by word, to see what made it so wonderful. Then use those tricks next time you write.

I am mostly at home and I do my housework, I read and I love watching documentaries. In short, I love staying at home.

Read! Read something every day. Discipline yourself to a regular schedule of reading. In fifteen minutes a day you can read twenty books a year.

Generally as a rule I am not. Unless I am super in love with a particular author, because I just want to read masterpieces. I just want to read one amazing book after another. As a completist you are generally reading the bad ones.

I may be the person who put "dieselpunk" into the conversation. I have always been a reader who reads in a really broad way. I read genre writers and I read literary fiction and I read books by dead people.

I don't really have a structured path of wanting to say, "This is what I'll do next." I'm just going to read a bunch of scripts and see which one I love. There are so many things I would love to play, in all different genres.

Read everything. Read fiction and non-fiction, read hot best sellers and the classics you never got around to in college.

I still have a struggle reading (dyslexia, fh) and so I don't read much.. ..Probably the only reason I'm painter is because I couldn't read yet I love to write, but when I write I know what I'm writing, but when I'm reading I can't see it, because it goes from all sides of the page at once. But that's very good for printmaking.

I've read a lot of classic literature from assorted cultures, and always glad to read more when one comes across my path - but why be embarrassed by the fact that flesh and blood has limits? Nobody's read everything.

One can't write without having read - you have to read before beginning to write - and universities offer a very good opportunity to read.

I love Sherlock Holmes, but I love any of these old stories where the writer was paid by the word, so the adventures just continue forever. They are almost like they were meant to be read out loud.

There are more books in the world than hours in which to read them. We are thus deeply influenced by books we haven't read, that we haven't had the time to read.