Top 390 Lyric Quotes & Sayings - Page 3

Explore popular Lyric quotes.
Last updated on November 9, 2024.
When I'm performing, sometimes a lyric will touch on my personal life, and it can be difficult to sing. For instance, when I sing 'How I Love You,' I'll choke up.
I get a different kind of lyric from someone else that might make me go in a different musical direction.
I was an usher at the Lyric Theatre Hammersmith. You had to watch whatever play they had on 40 times. — © Robert Webb
I was an usher at the Lyric Theatre Hammersmith. You had to watch whatever play they had on 40 times.
When the student has her voice under complete control, it is safe to take up the lyric repertoire of Mendelssohn, Old English Songs, etc. How simple and charming they are!
You'd think, of course, it's about the melody - that's a given. But really, I'm no good at singing a song unless it has a good lyric.
Something taken off the page can sound great, I guess. Usually it doesn't. It seems like lately Pitchfork is trying to champion lyric writers more.
Only a tiny portion of music history involves a singer and a lyric. Songs in music are generally thought to be a minor form.
I have a card catalogue in my brain of every lyric of every sappy love song ever written.
I grew up listening to a lot of Simon & Garfunkel and Peter, Paul and Mary. I know that sounds dorky, but I always responded strongly to that kind of lyric-driven folk music.
But in the dying world I come from quotation is a national vice. No one would think of making an after-dinner speech without the help of poetry. It used to be the classics, now it’s lyric verse.
The fact that The Bridge contains folk lore and other material suitable to the epic form need not therefore prove its failure as a long lyric poem, with interrelated sections.
Sometimes I'll be driving and a lyric will come into my head, and I will have to pull over and record it on my phone.
This proves that great lyric poetry can die, be reborn, die again, but will always remain one of the most outstanding creations of the human soul. — © Eugenio Montale
This proves that great lyric poetry can die, be reborn, die again, but will always remain one of the most outstanding creations of the human soul.
Rock and roll doesn't necessarily mean a band. It doesn't mean a singer, and it doesn't mean a lyric, really. It's that question of trying to be immortal.
Clearly, the inhabitants of stable democracies find it hard to appreciate what they have: 'You don't know what you've got 'til it's gone' isn't just a song lyric; it's an expression of something fundamental about the human brain.
You know, when I did 'American Idol' the three times, I tried to tell these kids you have to tell the story of the lyric.
When I say a spoken Hebrew sentence, half of it is like the King James Bible and half of it is a hip-hop lyric. It has a roller-coaster effect.
A novel takes place over time. It's a historical narrative, and it needs to have a series of peaks and valleys and the move through. You can't just start at the highest pitch and stay there, but you can in a lyric poem.
Sometimes, the best songs are the ones you write without any pen and paper or audio recording device or guitar in your hands. Because there's nothing between you and the melody; it's just a great lyric.
It's funny how the littlest things can make you feel larger than life; the right lyric, the most heartfelt melody, the clearest message. Love.
There can be no proof that Blake's lyric is composed of the best words in the best order; only a conviction, accepted by our knowledge and judgment, that it is so.
I'm not trying to dog any artist or genre, but to me, there is a lot of diversity missing from the radio. I miss turning the radio on and getting punched in the soul with a great lyric.
I don't find the songs; they find me. I just strum my guitar and wait for a lyric to come.
My advice to singers is always the same: 'Don't sing the song, sing the lyric.'
Disgust at having to talk about oneself is what distinguishes novelistic talent from lyric talent.
Illuminated by the same joyful curiosity and erudition, lyric writing, and plain love of life that made a classic of Archie Carr's The Windward Road.
Singing for me has always been a joyous but private pleasure that connects me in a lyric thread to my beloved grandmother Alice.
Anything is food for starting a song. A song can start with a lyric idea or a melody or just a sound that inspires.
I started cutting my teeth on "Someone To Watch Over Me" [George Gershvin] in the college. I've sung that one for a while. There's something so simple and sweet about that lyric.
In those days, it didn't take much imagination to come up with something that required great lyric development skills. You just thought of an experience that you might have gone through, and write it down.
I don't think there's a problem. First of all, I don't think music turns people into social liabilities. Because you hear a lyric
When I write a song, I get the melody right first, and then hopefully I can back it up with a lyric that has to respect the melody.
One man's vulgarity is another man's lyric.
Tom Sleigh's poetry is hard-earned and well founded. I great admire the way it refuses to cut emotional corners and yet achieves a sense of lyric absolution.
No matter what road I take, I can never get too far away from the conscious lyric and the socially conscious content.
George had performed musical alchemy, distilling the essence of Christmas into music. Adding a lyric which told the tale of betrayed love was a masterstroke and, as he did so often, he touched hearts.
If I'm writing the music, and I don't feel like its really connecting inside, then I'll know there's no reason to really put a lyric on it; it's a waste, and I'll throw it.
You can't tell the story of a 13-year-old boy who knows every lyric to 'Phantom of the Opera' without also referencing how much teasing he gets at school. — © Tim Federle
You can't tell the story of a 13-year-old boy who knows every lyric to 'Phantom of the Opera' without also referencing how much teasing he gets at school.
Everything stems from real experiences but I do also have a very vivid imagination. A song lyric gets easily carried away with itself and can end up somewhere I'd never have predicted.
The road, lyric-wise, is a trap, and a bore. Maybe it's interesting to me, but I don't think it's a connecting thing with other humans. What is there to write about? Truck stops, hotels, clubs?
I'm very particular about everything. That goes along with the artwork, and how it's laid out, and every lyric. So it's pretty much all in my hands, which is crazy to be touring and doing that at the same time.
One thing a lyricist must learn is not to fall in love with his own lines. Once you learn that, you can walk away from the lyric and look at it with a reasonable degree of objectivity.
'The Ways of a Woman in Love' is one of my very favorite early Johnny Cash songs. I like the way the lyric talks about the character walking by the girl's house and wishing he was the one in her arms.
If I play anything that sounds like a solo, it's gonna sound like a lyric.
O lyric Love, half angel and half bird. And all a wonder and a wild desire.
I certainly believe you can write a narrative lyric or a lyrical narrative - why not a nyric or a larrative?
It's nice that all the composers have said that nobody interprets a lyric like Fred Astaire. But when it comes to selling records I was never worth anything particularly except as a collector's item.
The title song of David Bowie's 'Young Americans' is one of his handful of classics, a bizarre mixture of social comment, run-on lyric style, English pop and American soul.
The way I teach people to sing... I have them talk the lyric out until it sounds like something they really believe, like an actor with a monologue. — © Margaret Whiting
The way I teach people to sing... I have them talk the lyric out until it sounds like something they really believe, like an actor with a monologue.
Enormous enlargements of an object or a fragment give it a personality it never had before, and in this way, it can become a vehicle of entirely new lyric and plastic power.
Lyric writing is an interesting process in Sonic Youth. There's three people writing now, and we've all had a lot of interest and involvement with expression through words
Most lyric poetry is about love, whether yearned after, fulfilled, or wistfully regretted; what isn't tends to consist of laments and cris du coeur over this, that, and the other.
The Republican convention, an event with the intellectual content of a Guns'n'Roses lyric attended by every ofay insurance brokerin America who owns a pair of white shoes.
In the under-wood and the over-wood there is murmur and trill this day, For every bird is in lyric mood, And the wind will have its way.
'Pain' is more indicative of what I like to do. I'm lyric-conscious. I like to tell stories, give advice. Instead of writing a 'Dear Abby' column, I do it on records.
The simpler songs are just done when the lyric has been stated; the more complex or band-oriented stuff can go in a million directions.
I'm not a lyric writer to make statements. What I enjoy doing is making paintings with lyrics, creating colorful images. I think that's more what entertainment and music should be.
Lyric writing is an interesting process in Sonic Youth. There's three people writing now, and we've all had a lot of interest and involvement with expression through words.
Music straightjackets a poem and prevents it from breathing on its own, whereas it liberates a lyric. Poetry doesn't need music; lyrics do.
'Check Yes Or No' is a song that I reference in ''90s Country.' George Strait had a very crafty lyric: it tells a story then comes back around. Never gets old.
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