Top 1200 Macbeth Theme Quotes & Sayings - Page 16

I've always viewed 'Sons of the Prophet' as the first part of a larger trilogy - not three plays dependent on each other but three stand-alone plays connected by theme and, likely, further adventures of the Douaihy family.

There are patterns which emerge in one's life, circling and returning anew, an endless variation on a theme. So musicians say the greatest sonatas are composed; whether or not it is true, I do not know, but of a surety I have seen it emerge in the tapestry of my life.

When you look at what I've done here, you see a consistent theme of reforms which is not driven by any dogma from across the water, but a radical agenda to make sure Northern Ireland's people enjoy equal opportunities, driven by the values of social justice.

This year's [2016] White House holiday theme is "The Gift of the Holidays," and our decorations reflect some of our greatest gifts as a nation: from our incredible military families, to the life-changing impact of a great education.

In the Air Force, I had an old Wilcox Gay recorder, and I used to hear guitar runs on that recorder going (vocalizing) like the chords on "I Walk The Line." And I always wanted to write a love song using that theme, that tune.

Usually, my rhymes are just in my head. I start off with a theme, and once I start rapping and writing and singing, the chorus and all that, it just starts flowing. Then it's done in about an hour! I write a lot of songs.

When I got to Florida, I was a British kid, but I was also an Indian kid: a brown kid with an English accent. Talk about being an outsider. And that's become the theme of a lot of the stuff I write about.

Out of the blending of human and animal stories comes the theme that I hope is inherent in all my books: that man is an inescapable part of all nature, that its welfare is his welfare, that to survive, he cannot continue acting and regarding himself as a spectator looking on from somewhere outside.

When I went around promoting 'Crumb,' there would be days I'd wake up in, like, Houston or Cleveland, and I'd step outside the hotel and get no idea where I was. It all looks the same: one big corporate, consumer theme park. It's all, 'Here's the Starbucks, and here's the Gap, and we'll go over to Banana Republic and the Cineplex.'

You all know that each title in the Chronicles has a chess theme; that's partly because of the overall design of the Chronicles themselves - the game of chess as an analogue of the game of life.

There's definitely a feeling with a short story that it's pure story telling. You're not really worried about theme. You're not going to stay with the characters long enough to live your life with them. And you have different kinds of relationships with them.

I've never written a book with an outline or a predetermined theme. It's only in retrospect that themes or subjects become identifiable. That's the fun of it: discovering what's next. I'm often surprised by plot developments I would not have dreamed of starting out, but that, in the course of the writing, come to seem inevitable.

There's no theme, no moral to be learned, except for the knowledge that lightning can strike from a clear blue sky one morning and take away everything you've built, everything you've counted on, leaving wreckage and no meaning behind. It can happen to anyone, it can happen to you.

As we [with Edward Herman] discuss there [in Manufacturing Consent] and elsewhere, recognition of the importance of "manufacturing consent" has become an ever more central theme in the more free societies.

I have never wanted to be typecast, one of those actors who plays a variation on a one-note theme. So just as I enjoy playing a wide variety of characters, from good to bad to ugly to cute - so I have enjoyed of late working in film and television, as well as in theatres of various sizes and shapes.

Later on in my life, it became a big theme: just being okay and comfortable to take the risk and to have really thick skin and realize not everybody is going to love your product. Get over it, and if you believe in it, keep going forward.

I feel like there are a lot of artists that you could put together that you love, but it doesn't necessarily mean it's going to make amazing music. Giving an artist a great theme to write about doesn't mean the song's going to be good.

There is no good scientific reason to bring back an extinct species. Why would one bring them back? To put them in a theme park?

I am good when there is something central about the character. There is always a human theme I attach myself to. I am really looking for something that is moving or enlightening or something with depth as an actor. I look for these kinds of roles.

I never try to convey a message, I just want to tell a story. Why that story in particular? I have no idea, but I have learned to surrender to the muse. I become obsessed with a theme or with certain stories; they haunt me for years, and finally, I write them.

Look, then, into thine heart, and write! Yes, into Life's deep stream! All forms of sorrow and delight, All solemn Voices of the Night, That can soothe thee, or affright, - Be these henceforth thy theme. (excerpt from "Voices of the Night")

The truth is often terrifying, which I think is one of the motifs of Larry and Andrew's cinema. The cost of knowledge is an important theme. In the second and third films, they explore the consequences of Neo's choice to know the truth. It's a beautiful, beautiful story.

I was seven years old when 'Creepshow' came out, and I'm guessing I was around 10 when I saw it for the first time on VHS. The opening theme reminds me that there are five stories to be told, all so different, and the process of telling a scary story is a dark, glorious trip.

The media theme was, "June is when you win the presidency," because that's what they thought Hillary [Clinton] was doing. Hillary was running ads condemning [Donald] Trump, characterizing Trump, marginalizing Trump.

Any material may be used but the theme is the same and the response is the same for all artwork... we all have the same concern, but the artist must know exactly what the experience is. He must pursue the truth relentlessly.

I wouldn't say that The Fabric of the Cosmos is a book on cosmology. Cosmology certainly plays a big part, but the major theme is our ever-evolving understanding of space and time, and what it all means for our sense of reality.

I do think, or rather I sense that there is a relationship - at least in my own work - between a dramatic structure, the form and sound and shape of a play, and the equivalent structure in music. Both deal with sound, of course, and also with idea, theme.

I'm not saying that every song has to be an all-time hit or the greatest ever music. That's not what you should set out to do. But you have to find out what will work best for a particular story or theme or backdrop, and discuss how not to make it a cliche or fall into such traps.

Creative force, like a musical composer, goes on unweariedly repeating a simple air or theme, now high, now low, in solo, in chorus, ten thousand times reverberated, till it fills earth and heaven with the chant.

Three characteristics a work of fiction must possess in order to be successful: 1. It must have a precise and suspenseful plot. 2. The author must feel a passionate urge to write it. 3. He must have the conviction, or at least the illusion, that he is the only one who can handle this particular theme.

To this day I over prepare. I draw storyboards for every scene - chicken scratches so crude that they amuse and horrify the crew. I send out shot lists, act out the scenes, and search for a theme that I can relate to. It's my favorite time of the process.

Reminding people what in reality it is all about, giving them a theme on which to ponder, creating a shock within them, pulling them out of the delusion of non authenticity, enabling them to become aware of their true possibilities.

I wrote 'Evil Spider' about wanting someone that's already taken. I guess it was based on a personal experience, but I went a lil extreme on the theme... me being a spider trying to snare someone. In real life, I was just observing!

The situation is not good with the record companies. It's just not working out, so I don't plan to record until it's straightened out. In the meantime I'm happy doing my movies and writing the music for the theme songs, whether I sing them or not.

The theme of Cosmology, which is the basis of all religions, is the story of the dynamic effort of the World passing into everlasting unity, and of the static majesty of God's vision, accomplishing its purpose of completion by absorption of the World's multiplicity of effort.

I was detained a couple of times but that was for not handing in homework because I was playing golf or not present because I was playing golf. There was a theme evolving.

I get thousands of letters, and they give me a feeling of how each book is perceived. Often I think I have written about a certain theme, but by reading the letters or reviews, I realise that everybody sees the book differently.

Headhunters is a popcorn flick - you can laugh and shout and do whatever you want having great fun. But at the bottom of it all there's this theme of being honest to the people you love. I want to be that. And if Headhunters is one of the movies that help me realise that, then that's perfect.

Beauty is a complex theme, for sure. We all have a different concept and opinion regarding it, but we all like to look at things that are aesthetically pleasing. I had the typical high school experience, where you question what is beauty, and you're comparing yourself to others, it was just part of growing up.

Travelling childhoods are a common theme among actors. Army kids, embassy kids, travelling salesmen, clergy. Thing is, you learn about behaviour, that different places are separated by behaviours which are culturally driven.

The circus is a global theme. It exists in all parts of the world - maybe not in Africa, but it exists in Asia in all parts. In Latin America, it's difficult to find a person who hasn't gone to the circus.

Seriously, my music really does help my acting, and, like, getting in and out of a character from a different lifestyle and writing a song about it. Likewise, my acting inspires the music because I can write a theme that I wouldn't necessarily approach at all in life.

Writing music is very, very clinical. You just sit down at a piano, map out a theme and when all the technicalities come together, out pours the music.

The one theme of the Vedanta philosophy is the search after unity. The Hindu mind does not care for the particular; it is always after the general, nay, the universal. "what is it that by knowing which everything else is to be known." That is the one search.

The real artist, who knew what he was imitating, would be interested in realities and not in imitations; and would desire to leave as memorials of himself works many and fair; and, instead of being the author of encomiums, he would prefer to be the theme of them.

Any material may be used but the theme is the same and the response is the same for all artwork... we all have the same concern, but the artist must know exactly what the experience is. He must pursue the truth relentlessly

Adjustment, that synonym for conformity that comes more easily to the modern tongue, is the theme of our swan song, the piper's tune to which we dance on the brink of the abyss, the siren's melody that destroys our senses and paralyzes our wills.

There is no good scientific reason to bring back an extinct species. Why would one bring them back? To put them in a theme park?

My main theme is the extension of the nervous system in the electric age, and thus, the complete break with five thousand years of mechanical technology. This I state over and over again. I do not say whether it is a good or bad thing. To do so would be meaningless and arrogant.

I can think of no other writer who so thoroughly embodies the Jamesian spirit as Alison Lurie. Like him she can excavate all the possibilities of a theme. Like his, her books seem long, unbroken threads, seamless progressions of effects.

This gentleman has taken on the very fashionable theme of fighting corruption and I say again: In order to fight corruption you have to be crystal clear yourself. But there are problems here, and in this regard I unfortunately have a suspicion that this is just a way of getting votes and not a genuine desire to solve the problem.

And our big theme has been, you have made so much progress, we urge you on with the openings and market openings that have occurred. They clearly work and continuing on that path will produce further growth and further opportunities for the Indian people.

The theme that runs through all my books is connection. Connection - physical and non-physical - with other humans, and connection with nature are necessary for our well-being. Without it, we are depressed, lonely, and fail to thrive.

Many readers share their stories with me and if one speaks to me (or if the same theme keeps coming at me), I will research it and decide if it would make a good book. But, straight down to it, people inspire me.

We spend more time at cinemas, theaters, art galleries and theme parks than we do at churches, and they have become our new cathedrals. We can spend hours at any of these places of entertainment but if church service goes on too long we get impatient.

We all get betrayed or we all betray. Life is so complex that it's almost impossible to avoid that. Betrayal is also a critical theme in all the world's great stories. If Christ had not been betrayed, would you have had the resurrection?

One of the themes in my novels is that our crises can turn into blessings. We can feel like our world has crumbled, but ten years down the road when we look back on that time, we can see God's hand at work. I love writing that theme into my books.

But more than anything I kind of pride myself in continuing the process that we're trying to accomplish, and that's just to get better and work on my fundamentals. So that's been kind of in the theme now for a couple years and we stuck with it and that's kind of what I want to keep doing.

When I was a kid, before there were VCRt, my parents had a movie projector, and we'd watch Frankenstein and Dracula. I just always though that stuff was cool - creepy comics and monsters and horrific stuff. Music lends itself to that whole theme.

I want a History of Looking. For the Photograph is the advent of myself as other: a cunning dissociation of consciousness from identity. Even odder: it was before Photography that men had the most to say about the vision of the double. Heautoscopy was compared with an hallucinosis; for centuries this was a great mythic theme.