Top 134 Macbeth Quotes & Sayings - Page 2

My wide eyes make me look much younger without make-up, and although it's fun to have a line in innocence corrupted, I doubt I'll get to play the vampy vixen or a Hedda Gabler or Lady Macbeth.

I was in theater school playing Lady Macbeth and doing these great dramatic parts, and then I got out into the real world and was auditioning for commercials, and just not getting to do anything that felt remotely meaningful.

The picture of me is nearly finished, and I think it is magnificent. The green and blue of the dress is splendid, and the expression as Lady Macbeth holds the crown over her head is quite wonderful.

I felt like I was hobbling, like one oof the old crones from Act I of Macbeth - God knows my hair felt scraggy enough that I must have looked the part.

If you're a woman doing classic theater, the big roles are often destroyers. I've played Hedda Gabler, Lady Macbeth, some of the Chekhovian heroines, Electra, Phaedra - they're all powerful women, but they're forces of negativity.

At Rada, I was cast as Lady Macbeth and tried to do it as seriously as I could, but people still started laughing. I just think they find my face too funny.

Sometimes I want to have a mental book burning that would scour my mind clean of all the filthy visions literature has conjured there. But how to do without 'The Illiad?' How to do without 'Macbeth?'

After making my stage debut aged nine as Macduff's small son in 'Macbeth,' I had played a number of parts, from 'Twelfth Night's Viola to 'The Merchant Of Venice's Portia'.

In the power and splendor of the universe, inspiration waits for the millions to come. Man has only to strive for it. Poems greater than the Iliad, plays greater than Macbeth, stories more engaging than Don Quixote await their seeker and finder.

If you actually saw your favorite movie star who is also a great classical actor doing 'Romeo and Juliet,' 'Macbeth' or 'Taming of the Shrew,' it would be a great thing and a great thing for kids to get interested in language.

In the theatre, if you say 'Macbeth', all the actors will start looking very anxious. I'm so well-trained not to say it in the theatre that I can hardly say it in normal life.

The biggest thing about 'Lady Macbeth' is the fact that people are so surprised that this woman is so amazing, and really, it shouldn't be so amazing that this incredible character is on our screens.

When I was 16, I played Macbeth at school and my English teacher said, 'I think you may have acting talent. Try to get into the National Youth Theatre of Great Britain and see where you get.' I wouldn't have thought of that at all. I wanted to be a surgeon, but I wasn't a clever man.

Do I do as false prophets do and puff air into simulacra? Am I a Sorcerer--like Macbeth's witches--mixing truth and lies in incandescent shapes? Or am I a kind of very minor scribe of a prophetic Book--telling such truth as in me lies, with aid of such fiction as I acknowledge mine, as Prospero acknowledged Caliban.

If you think about Shakespeare, you remember Richard III and Macbeth before you remember Ferdinand, whose role is just to fall in love and be a bit of a wimp. I love the baddies. More important, though, is making the baddies somehow, weirdly, understood.

I was very surprised that they would ask a foreign actress to be Lady Macbeth, but I felt it was an opportunity that I couldn't miss. Having the opportunity to play Shakespeare in English - that wouldn't come twice.

'Macbeth' was the first play I ever read. In fact, I remember my brother Tom, who is six years older than me, coming home from school and telling me about it. He was the one that really got me going.

I always want to abandon myself to my characters, and I never knew if I was actually abandoning myself to Lady Macbeth. I was scared to enter the darkness. Almost every day, I would go back home and be like, 'Oh my God, what am I doing?' I had no idea.

I grew up with it. As a young actor, I was always aware of the brilliant work of Shakespeare. We studied Romeo & Juliet and Macbeth in school. As a young actor, you're always mystified and intrigued by such brilliant work. To actually have the chance to be involved in this production was a wonderful thing for me.

At the word witch, we imagine the horrible old crones from Macbeth. But the cruel trials witches suffered teach us the opposite. Many perished precisely because they were young and beautiful.

Sometimes I want to have a mental book burning that would scour my mind clean of all the filthy visions literature has conjured there. But how to do without 'The Illiad?' How to do without 'Macbeth?

I don't think of 'Macbeth' as the villain. I don't think of 'King Lear' as the villain. I don't think of 'Hamlet' as the villain. I don't think of 'Travis Bickle' as the villain.

I want to play King Lear, Macbeth, Benedict, Coriolanus. I wouldn't mind doing Hamlet again. Well, I'm a little old. Perhaps I can rub Vaseline on the audience's eyes.

And you know, I hate to admit this, but I don't always think in terms of Shakespeare. When I eat, I do. When I'm at a restaurant, I'll think, 'Hmm, what would Macbeth have ordered?'

'Macbeth' sags in act four - the England scene with Malcolm and Macduff just doesn't work theatrically. But with 'Hamlet,' although the play is so long, Shakespeare manages to sustain the arc.

With 'Lady Macbeth,' I had two other things offered to me, and they would have also been very fun, but you just have to figure that out. And then you do it.

I see Macbeth as a young, open-faced warrior, who is gradually sucked into a whirpool of events because of his ambition. When he meets the weird sisters and hears their prophecy, he's like the man who hopes to win a million - a gamble for high stakes.

Had Shakespeare listened to the news of Duncans death in a tavern or heard the knocking on his own bedroom door after he had finished the writing of Macbeth?

The only still center of my life is Macbeth. To go back to doing this bloody, crazed, insane mass-murderer is a huge relief after trying to get my cell phone replaced.

I think an awful lot of the reasons people put forward for not liking Hillary Clinton play into deep-seated, negative female stereotypes: ambition, secrecy, calculating. I mean, that is Lady Macbeth, a kind of cold woman. I don't think that's Hillary. And I don't think people would judge a man in the same way.

Both Plockton and the Isle of Muck in north-west Scotland are incredibly beautiful. Sadly, Plockton has been discovered by tourists because it's where they shot Hamish Macbeth.

I hated teaching Shakespeare. In order for the students to understand what was going on, you had to tell them the story of 'Macbeth' or whatever. Shakespeare is about character and language, and they didn't get any of that.

Sometimes I wake up and think, 'I want to look like Sherlock Holmes today,' and other times I want to look like a witch from 'Macbeth.'

My thirties were ruined by being pregnant. I loved my babies but I had been quite successful before I had them, playing Lady Macbeth and Hedda Gabler, one of my favourite roles.

Many actors want to play Hamlet and Macbeth. Ever since I became an actor, from the very beginning I just wanted to play a Shetland pony. I cannot explain why

I want to do all kinds of things. I want to do some comedy. I'd love to do a romantic comedy, and I'd love to do some period pieces with classical text. I'd love somebody to cast me as Macbeth, but for a film. I just want to be all over the place.

There's this classic car crash thing about 'Macbeth.' You can just see this car driving at 100 mph towards this brick wall, and you can't do anything about it, and the characters are desperately trying to stop it and can't.

I had great English teachers in high school who first piqued my interest in Shakespeare. Each year, we read a different play - 'Othello,' 'Julius Caesar,' 'Macbeth,' 'Hamlet' - and I was the nerd in class who would memorize soliloquies just for the fun of it.

In Macbeth a lady is restrained from the murder of a king by his resemblance of her father as he slept. Should not all men be restrained from acts of violence and even of unkindness against their fellow men by observing in them something which resembles the Savior of the World? If nothing else certainly, a human figure?

Shakespeare, who never could think up a plot by himself, found this one [Macbeth] in Holinshed's Chronicles, changing it just enough so that no one would recognize the source. He didn't count on the resourcefulness of modern scholars, who have to discover things like this to become associate professors.

'Macbeth' is one of the best operas ever, and doing it was a great experience. I added some things to the opera based from my experience on the movie - such as some of the special effects and bits of film - to make it new and interesting. It was a very good work and a very good experience.

Methought I heard a voice cry 'Sleep no more! Macbeth does murder sleep', the innocent sleep, Sleep that knits up the ravell'd sleeve of care, The death of each day's life, sore labour's bath, Balm of hurt minds, great nature's second course, Chief nourisher in life's feast...

Still it cried ‘Sleep no more!’ to all the house: ‘Glamis hath murder’d sleep, and therefore Cawdor shall sleep no more,—Macbeth shall sleep no more!

There's an honourable tradition of British actors who've gone to Hollywood playing baddies. Part of that is because we grow up with Richard III and Macbeth - we're not afraid of our villains.

I've never ever read a script. I really must read Macbeth, because I was in it once. I got a lot of laughs in that, I can tell you.

Personally, I don't want to live with limitations. If there comes a time where I am dying to play Juliet or Macbeth, I want to make those avenues for myself.

Richard III is not likeable. Macbeth is not likeable. Hamlet is not likeable. And yet you can't take your eyes off them. I'm far more interested in that than I am in any sort of likeability.

I think it's so interesting which ways your career can go. I would have been a completely different actor doing a completely different story, and I would have missed 'Lady Macbeth.'

I was at a school in England, a prep school, from the ages of 8 and 13. And every play they did was a musical. Parents love musicals. And I don't sing. It was driving me crazy. 'We're doing 'Macbeth.' 'Yes!' 'The musical!' And I was always in the chorus, because of course, in all the main parts, you had to be able to sing.

For me, what Macbeth is about is people who cannot face their fears and pain and instead of facing them and going beyond, they just run away and they try to cover this with power and violence, but it doesn't work.

I was at a school in England, a prep school, from the ages of 8 and 13. And every play they did was a musical. Parents love musicals. And I don't sing. It was driving me crazy. 'We're doing 'Macbeth.'' 'Yes!' 'The musical!' And I was always in the chorus, because of course, in all the main parts, you had to be able to sing.

Macbeth's self-justifications were feeble - and his conscience devoured him. Yes, even Iago was a little lamb too. The imagination and the spiritual strength of Shakespeare's evildoers stopped short at a dozen corpses. Because they had no ideology.

When you are at the right age to play Hamlet you are still to young and immature to play it. It is much later, when you get the life experience and the emotional power, that you understand Hamlet or Macbeth.

Shakespeare without Othello, Lear, Macbeth and Hamlet would be all too much like Hamlet without the prince.

I have been thinking a lot about what we see in villains, how we relate to villains, and what it is about certain villains that we actually empathize with. Like Macbeth. We're not supposed to like a guy who kills the king and takes over, but there's something about him we're really fascinated by.

When you're a young man, Macbeth is a character part. When you're older, it's a straight part.

I use those medical gloves that fit very tightly and are disposable for all chopping - peppers, onions, garlic, etc. Very Lady Macbeth, I think.

Shakespeare villains were extraordinary. Macbeth, Iago, Richard III... They're so richly layered that a British actor would find it almost impossible to create a two-dimensional villain, if he's explored in his early years or continues to explore his Shakespearean heritage. You can almost not judge them, if they're played really well.

I did a production of Macbeth in the 1960s in which I had a swordfight in the final scene. But the blade fell off my sword just as I was stabbing the guy. I ended up having to hammer him to death.

I first came across the script for 'Macbeth' between the ages of 11 and 12; it was the first book that shook my life. Because I did not yet understand that I could simply purchase it in a bookstore, I copied much of it by hand and took it home. My childhood imagination pushed me to feel like a co-author of the play.