Top 1200 Magazine Editors Quotes & Sayings - Page 20

Hell itself does not contain greater monsters of iniquity than you and I might become. Within the magazine of our hearts there is power enough to destroy us in an instant, if omnipotent grace did not prevent

Every young writer, I imagine, has their first intellectual magazine, whose essays and articles are devoured all the more greedily for being slightly over one's head. Mine was First Things.

I'm always looking for a cover subject that reflects the magazine, an interest in fashion, in culture, in society. We're trying to bring the world into the pages of 'Vogue.' We do that by tapping into the zeitgeists with our cover subjects.

It was my very good fortune to find a mentor, Clay Felker, who started my career at the 'New York Magazine' as a freelance writer when I had to quit my job at the 'Herald Tribune' to stay home with my young daughter.

I came up in a time when Springsteen, the Stones, Dylan, and the Beatles were still dominant. For every magazine cover with a new band, there were five covers with one of those guys.

The lovely thing is, if Marvel had a Spider-Man movie over at Sony or something, they own the rights to the character, and the editors and producers make suggestions and get notes and things. But you're talking about Matthew Vaughn and Jane Goldman. They're two of the best people in the world. The notes are just things like, "This is absolutely brilliant."

How can rogue terrorists in Iraq detonate bombs? They're all too busy flying kites with their children! Hasn't [Katrina vanden Heuvel (Queen of the May at the fun-loving Nation magazine)] seen Fahrenheit 9/11?

I agree that there are some bad apples on Wall Street. I spent about ten years exposing corporate and financial fraud for 'Barron's' magazine and I found a lot to write about.

At certain times each year, we journalists do almost nothing except apply for the Pulitzers and several dozen other major prizes. During these times you could walk right into most newsrooms and commit a multiple axe murder naked, and it wouldn't get reported in the paper because the reporters and editors would all be too busy filling out prize applications.

The writing is what gives me the joy, especially editing myself for the page, and getting something ready to show to the editors, and then to have a first draft and get it back and work to fix it, I love reworking, I love editing, love love love revision, revision, revision, revision.

As a member of the Mormon church, Romney is instructed to tithe 10 percent of his income. That's in keeping with most charitable giving: Religious institutions get about one-third of all contributions, according to 'The American' magazine.

The global embrace of the Chilean miners had as much to do with the state of the planet as it did the fate of the trapped men. Every year, thousands of miners are trapped and die. Hundreds more are rescued. The world's press has no shortage of global good-news stories. Heroes abound if reporters and editors take the time to search.

There was an interesting article in Los Angeles Magazine about women directors. A woman director makes one bad independent film and her career is over. Guys tend to get an opportunity to learn from their mistakes.

You can tell when women have a sensibility about, or a sense of bravery or a sense of understanding about their personal style that's outside of what you see from a magazine.

When I signed onto 'Superman,' editors Matt Idelson and Wil Moss gave me a rough outline that JMS had turned in for the remaining issues of the 'Grounded' arc, which amounted to a couple of sentences for each issue, spelling out in general terms where the issue would take place geographically, specific guest stars, things like that.

'The Lady's World' should be made the recognized organ for the expression of women's opinions on all subjects of literature, art and modern life, and yet it should be a magazine that men could read with pleasure.

After a lifetime of nature shows and magazine photos, we arrive at the woods conditioned to expect splendor - surprised when the parking lot does not contain a snarl of animals attractively mating and killing each other.

She'd like to model or maybe act or star in a magazine. Before she signs any big contracts, she better learn how to read.

Anyone who's in the magazine business thinks about advertisers when they write about something. And anyone who says they don't is a liar.

Assange is not a 'journalist' any more than the 'editor' of al-Qaeda's new English-language magazine 'Inspire' is a 'journalist.' He is an anti-American operative with blood on his hands.

I was partially raised by an aunt who was a dress designer, so I was around her studio all of my early life. I know materials. I can look through Harper's Bazaar and decide what works and what doesn't, or any other magazine, Seventeen if you wish.

Instagram is a personal subscription. It's like your own personal magazine. It's like doing a photo shoot for no money, which is cool.

I was always creatively stubborn, adverse to editing by others, and wanted to use the kind of Ukrainian we spoke among ourselves rather than the more artificial prescribed literary Ukrainian. The problem was the greatest in prose, where editors would change my language because "it sounded better this way." My poetry they left alone probably out of deference to that hallowed genre.

Look at this Judith Miller thing. Isn't that problematic? Like, she's getting fed information from the White House and she's feeding it to her editors and then it's in the Times and then the people at the White House can quote themselves? And it's the New York Times!

When my editors and I at 'Rolling Stone' came up with the idea to do a profile of General McChrystal, I simply just e-mailed General McChrystal's press staff, said we wanted to do a profile, and said if you could give us any time to hang out with the general, that would be great.

Chats are so new to newspapers, historically. But they're so incredibly valuable because editors/reporters/columnists get to find out what's on the minds of our readers, what you think we should be writing about, what ticks you off, what makes you happy. Sometimes it can confirm what you think readers are interested in; sometimes it can turn you around 180 degrees.

And what we called photojournalism, the photos seen in places like Life magazine, didn't interest me either. They were just not good-there was no art there. The first person who I respected immensely was Henri Cartier-Bresson. I still do.

David Price is a big guy but he has not used his advantages, I have known him since the amateurs in the early 2000s and I would always see him in the Boxing News magazine.

I am not insecure enough to count the bouquets I receive on my birthday, I don't assess my popularity by the number of magazine covers I am on, I don't get worried if my song is on the seventh position on countdown charts.

When People magazine called me, I did the job on Ansel. I'm older than Ansel and he has to mind me.

I always get a little uppity when I hear the phrase 'TV actor.' It's like saying you're a magazine reporter. I was in the theater for ten years before I ever had a TV audition.

If you're holding a championship that means something in the landscape of Japanese wrestling, you're guaranteed to get a huge feature in almost every magazine - you might even be guaranteed a front page. That's big.

I was - in this magazine, it referred to me as "political parrot." And I thought, "That's the best you can come up with, really?" Okay, and I think it made fun of something I was wearing. But that does happen, and it happens a lot with female journalists, folks.

I'm one of those people who doesn't understand how it was that I went to bed at 3 o'clock in the morning or what I was doing. Like, I looked at 'Bon Appetit' magazine for three hours for things I'm never going to cook. Or I'm just on Pinterest for no logical reason.

To the public, the press is not David among Goliaths; it has become one of the Goliaths, Big Media, a combination of powerful television networks, large magazine groups and newspaper chains that are near-monopolies.

Playboy seems like a sad magazine for me. It seems like for men who would sit around in a bath robe.

Many things make the ideal magazine story . But one thing is that it calls attention to the reader to something that they never would have imagined being interested in. And you leave them with a sense of wonder. I have to think more about this.

I myself wouldn't want to read a magazine that focuses solely on a small part of the literary field or of the popular culture - better to smash the borders and look for interesting and important stuff from many different forms of storytelling.

No-one in their right mind would buy the 'New Statesman' and change it from being a left-wing to a right-wing magazine.

When you see a fantastic colour or cut in a magazine, perched up on some famous so-and-so's head, it's tempting to ask your stylist for the same, but do not be fooled. The hair in those fancy photos can be very high maintenance.

You can't make a rule about it. The minute you make a rule, it's like putting your wedding pictures in 'In Style' magazine - you're divorced.

I think screenwriters, I think editors in the cutting room - they have a lot of responsibility that we don't think about, but they could cut the coverage of an Asian person to focus on a white person because, unknowingly, they think that white person has more to say or is more interesting.

The whole thing about magazines is that, magazines are going to become deeper and more tutorial, and the nature of the magazine is going to change.

I'm optimistic, though. Now, with the Arab Spring, I think that people in the region are beginning to overturn some of these clichés, and Western editors are starting to catch up. We're seeing some exceptions to the stereotypes, like Elizabeth Rubin's great piecein Newsweek, "The Feminists in the Middle of Tahrir Square." But an article like that shouldn't be the exception. It should be the rule.

Jason Rezaian is finally headed home. He's the correspondent for The Washington Post who was held in Iran for a year and half while U.S. diplomats, his family and his editors worked to win his release. Rezaian was one of the four Americans released from prison in Tehran in a swap for seven Iranians held in U.S. prisons.

You have to see the stories [The New York Times] have written, it's one after another, after another, and facts mean nothing, third-rate journalism. The great editors of the past from the New York Times and others, ladies and gentlemen, are spinning in their grave.

If you open up a magazine and there's a photograph of you with a giant red circle around your thigh, like, look at this cellulite, any person - I don't care what you do - would be mortified. It's no wonder people get crazy about it.

It is important to have a woman editor. Movie is an industry where it is predominantly women. Male editors might cut out pauses that are interesting, while a woman might not be afraid of that pause. Trying to do a movie with an editor who is not funny is impossible. There are certain talents that go with certain genders.

The magazine at the health food store said, Stop Aging! Isn't that what death is for? Trust me, we're all gonna stop aging.

As women, we are constantly told that we need to compare ourselves to a girl in school, to our co-­workers, to the images in a magazine. How is the world going to advance if we're always comparing ourselves to others?

One thing that's important to point out is that this kind of populism has a long and mixed history. It's part of this tradition of problematic anti-elitism where the elites are always the liberal class - the intellectuals, the professors, the artists - and not the economic elites. Why are we so mad and aggrieved at newspaper editors but not at corporate executives? I think we need to look more at the latter, at economic elites.

The overwhelming pressure of mechanization evident in the newspaper and the magazine, has led to the creation of vast monopolies of communication. Their entrenched positions involve a continuous, systematic, ruthless destruction of elements of permanence essential to cultural activity.

I'm very much against photographs being framed and treated with reverence and signed and sold as works of art. They aren't. They should be seen in a magazine or a book and then be used to wrap up the fish and chucked away.

The BBC is very much in thrall to all this techno cross-fertilisation, in much the same way that print journalists are now encouraged to blog. To the point where there is an emerging breed of sub-editors who take perfectly well-written and punctuated original copy and rewrite it so that it resembles a text message written by a 14-year-old under the influence of Bacardi Breezers.

If everybody can author their own story, if media is democratizing because everybody can make a really good-looking website... that's the way we learn now instead of in books. It means that more people get to tell their own story in their own terms rather than having to go through publishers and editors and executives.

You can't pick up a business magazine ever without seeing the word 'collaborate' splashed all over it. I think people are probably feeling assaulted by the need to always be on and always be interacting.

Every week I read about myself in a magazine, about something that I haven't done or some place that I've never been or don't even know. It's just gossip, rumors, egos, and politics.

The challenge for me, and for Asian models in general has been convincing editors, stylists and photographers that we can have mass appeal, but Asian, especially Chinese models have become a stronger presence. Just a season or two ago, there weren't many models for me to talk with backstage in my native Mandarin. Now I usually have no trouble finding someone at any show.

Before I got into television, I was working in New York. I interviewed a few people there, wrote a few articles for a fashion magazine out there called Paper' - which I hugely admired.

You've gotta take care of the body you've got. You've got to be fit. You've got to be active. You've got to be healthy. We don't need to be pictures in a magazine.