Top 1200 Magazine Editors Quotes & Sayings - Page 6

Explore popular Magazine Editors quotes.
Last updated on April 21, 2025.
There is always a certain leap of faith that editors have made with their nonfiction writers. If the trust is broken, things can get very embarrassing for the writers and the publisher.
I've been on the cover of every magazine in the world.
I think on civilian casualties they could do more. It's actually something I've discussed with the editors involved. They're aware of it, and I'm hopeful that there will be more reporting on that.
I've never graced the cover of a fashion magazine. — © Vera Farmiga
I've never graced the cover of a fashion magazine.
Somebody has to pay our editors, writers, journalists, designers, developers, and all the other specialists whose passion and tears go into every chunk of worthwhile web content.
I write for 'Self' magazine sometimes.
I don't want a splashy magazine wedding with celebrities.
Our editors, I'm afraid, have come to believe that the photograph is an end in itself. They've forgotten that the photograph is only the subsidiary, the little brother, of the word.
Fashion magazine disease articles. My personal Kryptonite.
One of the annoyances of working for The Guardian is that, obsessed as the organisation is with its digital and social media presence and its own sense of singular importance, editors would militantly try to edit your tweets.
I do care about the consequences of being negative toward people who are powerful. But I'm more afraid of not being taken seriously as a critic - by editors, by readers.
Publishers have in-house editors, but I hire my own before I submit the work to publishers. They appreciate it and I feel more confident about the material.
The pressure for conformity is enormous. I have experienced it in editors’ rejection of submitted papers, based on venomous criticism of anonymous referees. The replacement of impartial reviewing by censorship will be the death of science.
What's the justification for a semiautomatic weapon with a magazine of 30 rounds? — © Richard Cohen
What's the justification for a semiautomatic weapon with a magazine of 30 rounds?
Far From Home was also my idea from a magazine I'd seen.
I had a hard time publishing my books in the beginning of my career, because editors were afraid what people would think of THEM, personally, if their name was associated with me
When I decided to launch my first knitwear line, it was because I saw a void in the basics category. The editors were always looking for cool, fashion-forward tees and sweaters. So that's where I started.
If teachers and grammar school editors find my jawbreaker sentences shatter their mushmilk teeth, let them eat stale cake dunked in weak tea of their own ungodly manufacture.
I just enjoy lying on the couch and reading a magazine.
I learned how to make a documentary by having a good team around me. My editors (and co-writers)Bent-Jorgen Perlmutt and Frédéric Tcheng were very helpful.
I don't do 'Image' magazine or high-fashion shows.
Slate is not a political magazine but a lot of what it does is politics.
I had a wonderful and very successful career in New York and had the privilege of working with some of the best editors and publishers in the business.
It's not Brits who think American readers are a bunch of whinging morons with the geo-social understanding of a wire coathanger, it's American editors.
The thing with newspapers is that they are a filter. We're relying on the editors of that paper to be a filter and to tell you that this is worth reading about, this is quality, and this is quite reliable.
I wanted to be on the cover of Life magazine.
There are some really genuinely talented people that make fan videos. They cut them really well, like, I'm amazed at the quality these editors have.
The role of designers and product makers is to really become much better editors. What kind of functionality is actually needed - and truly delightful - to consumers? Remove all the extraneous stuff.
Originally, I broke the story [The Gunslinger Born] into eight comic books, but when the editors at Marvel thought we should make it more compact, I managed to cut back to seven.
A magazine is so much more beautiful than what's online.
If you write something and they all tell you it is bad - editors, critics, everybody - think it over and you may become convinced that they are right (though you are not to be ashamed or discouraged for a minute, but keep on writing).
French 'Vogue' was always a photographer's magazine.
The Central Propaganda Department is the highest-ranking censorship agency in China. And it has control over everything from the appointment of newspaper editors to university professors to the way that films are cut and distributed.
You shouldn't presume that all quotes that are in a magazine or a newspaper are accurate.
If you see a look in a magazine that you like, try it.
It was always my ambition to be on the cover of a free gay magazine.
To say that creative writing courses are all useless is almost as silly as saying all editors are useless. Writers of all levels can benefit from other instructive voices.
I've imparted that philosophy to the writers, but some of them look stuff up while some don't. Same with the editors, directors and actors. To each their own.
I started in 1957 when I sold my first story to a magazine. — © Jean Giraud
I started in 1957 when I sold my first story to a magazine.
I work with a lot of different editors at different publishers and magazines and so on, and having a system of shared folders makes keeping track of things a snap.
When I was young and beautiful, I never appeared on the cover of a magazine.
How valuable NBC Magazine was in my career is questionable.
A successful magazine has to build a myth its readers can believe in.
I don't read magazine articles that I've been in.
I want to be a writer. I do not want to spend 40 hours a week handling e-mails, formatting covers, finding editors, etc.
And in Hollywood, you know, everyone is an expert. Most of them are expert editors. They can't direct, they can't write, they can't act, but, by God, they all think they can edit.
I was twelve when I read my first sf magazine
For while agents and editors often misunderstand their market and sometimes reject good or even great works, they do prevent a vast quantity of truly execrable writing from being published.
A magazine is not just one person. And a fashion shoot is the same! — © Carine Roitfeld
A magazine is not just one person. And a fashion shoot is the same!
I had a hard time publishing my books in the beginning of my career, because editors were afraid what people would think of THEM, personally, if their name was associated with me.
My daughter writes and is the editor of her school magazine.
I depend on good editors and a good director.
A great magazine is sort of a net for ability.
I have the LIFE magazine of the men walking on the moon.
My very first magazine cover was the National Enquirer.
I'm obsessed with 'New York' magazine.
To the small group of editors and designers who would launch Wired in January 1993, technology represented the future's best hope; but to the media, the tech boom was yesterday's story.
'Ebony' has been more than a magazine; it is a movement.
It is a documented fact. I read it in People magazine.
Even in the business department of a magazine, tech was a backwater.
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