Top 105 Maggie Quotes & Sayings - Page 2

You're a mad scientist,' said Maggie, in what may well have been intended as a reassuring tone. 'We don't expect you to be nice. We just go to bed every night hoping you won't mutate us before we wake up.' Dr. Abbey blinked at her. 'That's...almost sweet. In a disturbing sort of a way.

Then what good is he? (Maggie) I ask myself every friggin’ day exactly what you did. What good am I? The answer is simple. There’s nothing good about me and I like it that way. Pride myself on it, in fact. (Savitar)

No, I chose the name Jane Seymour because I was doing my first film, 'Ode to Lovely War,' and one of the top agents in England spotted me dancing in the chorus. I was a singer and dancer in that movie with Maggie Smith, um, and he told me he couldn't sell me as Joyce Penelope Wilhelmina Frankenberg.

Maggie Smith has a unique sense of comedy, based on a somewhat ironic view of real life, making it both funnier and more sad. But perhaps her greatest ability, or at least the one that most intrigues me, is how she can convey deep and powerful emotion without a trace of sentimentality.

I want Maggie Gyllenhaal. I don't know why. I don't think she necessarily looks like me or acts like me, I just think she's a cool actress and she could play me, so there you go.

How do you feel? (Maggie) Like I got hit by a bus that decided to back up a few times and make sure it finished the job. I think it must have ground its tires on my ribs during the last run. You know, just in case I might actually want to breathe again in my lifetime. (Wren)

What happened to cause the jail fight? (Maggie) They thought it would be fun to knock around the ‘kid’ and show off their manhood. I thought it would be fun to knock a couple of them unconscious. (Wren)

I, Maggie, personally cannot tell you that you're going to save the planet. But what I do know is that we can draw a line to an issue that can conserve what we already have and what's left in a way that we can actually breathe the air, drink the water, actually grow things in soil - that matters in a real, practical way.

We have a number of very powerful women in the world now - Mrs. [Angela] Merkel, who the Germans call Mutti. What did we call Mrs. [Margaret] Thatcher? When she was minister of education, she stopped the children's free school milk. This may sound quaint, but after the war we were such a malnourished nation that part of the founding of the welfare state were public health initiatives. Every little schoolchild got milk. Mrs. Thatcher stopped it. They called her "Maggie Thatcher, milk snatcher."

This thought was interrupted, suddenly, by a crash from the front entrance. We all looked over just in time to see Adam bending back from the glass, rubbing his arm. "Pull open," Maggie called out. As Leah rolled her eyes, she said, "He never remembers. It's so weird.

I'll be 40 this year but honestly would not consider surgery; all my beauty icons are women with expressive faces. Isabelle Huppert ages so beautifully and gracefully, as have Maggie Smith and Judi Dench. I am struck by their expressive beauty.

I’ve never met anyone who had a monkey for a friend before. (Maggie) I don’t know. I think those two guys you were with would qualify as primates, but then, that’s an insult to the primate and I don’t want Marvin to get pissed at me. He has higher sensibilities, you know? (Wren)

You have to capitalise on any success you have and keep doing what you do as well as you can. But how do you define success? In my book, it's to be playing those parts you saw your idols - Judi Dench, Maggie Smith, Helen Mirren, Vanessa Redgrave - playing when they were the age you are now.

I basically drew my own family. My father's name is Homer. My mother's name is Margaret. I have a sister Lisa and another sister Maggie, so I drew all of them. I was going to name the main character Matt, but I didn't think it would go over well in a pitch meeting, so I changed the name to Bart.

I get tetchy with myself when I forget. I also get tetchy when directors ask you for take after take after take after take for no apparent reason. I've heard Maggie Smith gets tetchy for the same reason.

I have slavishly dedicated myself to the construction of an image that nobody but me sees. Nobody but me is pondering the question: How does Maggie Rowe stack up against others as an overall human being?

When I was 16 years old, I joined a drama group called North Queensland Academy of Dramatic Art under a woman called Maggie Shephard-King. She inspired me to audition for the role of Romeo in 'Romeo and Juliet.'

I love being in scenes where I get to be part of a Maggie Smith put-down. A Dowager Countess put-down is always a special moment. Especially if you're working on set and she managed to do one off set at you.

The greatest moment of all was her on set, and she said, 'Would you mind if you change the order of the phrase?' Maggie Smith asking me if I could change the line, asking politely, using my name!

The most exciting thing about joining EastEnders' is not only that I'll be back on the television, but I'll also be working with Maggie. I have admired her for a long time. She is one of my favorite actresses. Filming not just our first scenes but our first episode together will be like first night in the theatre - very exciting indeed.

So, most of it was done over the phone. But one of the first things I did as a director, because it's one of the first things you should do, even though most don't, is to ask good actors who they think is right for the part. They know better than anybody. But without missing a beat Maggie said Pauline Collins. I didn't know Pauline because I hadn't seen Shirley Valentine, but then I saw this thing that she did with Woody Allen [You Will Meet A Tall Dark Stranger], in which she was wonderful as a psychic, and I said to her on the phone: "The dialogue seemed improvised."

Three months ago, if you asked me, I would have told you that if you really loved someone, you’d let them go. But now I look at you, and I dreamed about Maggie, and I see that I’ve been wrong. If you really love someone, Allie, I think you have to take them back.

Maggie squeezes my hand. It’s a silent message that everything will be okay. Somehow I believe her. In the end everything will be okay. But hurdles have to be jumped through first.

My dream is to be Endora in Bewitched. That's the part I want to do. I want to do a fabulous old woman. I want to be Maggie Smith someday. Not exactly like her, but that genre. I like that kind of humor - sophisticated, vain stuff.

I have just been working with Maggie Gyllenhaal, who is also a mum, on a movie called 'Hysteria.' She is everywhere because of the nature of film work. Not that I'm name dropping or anything like that. I have to pinch myself when I remember who I've been working with.

Maggie and I got married and then had to wait three years before we got to take our honeymoon because we were both working! Right before 'Chaplin' began, we got to go to Hawaii.

Her heart went out to him with a stronger movement than ever, at the thought that people would blame him. Maggie hated blame; she had been blamed her whole life, and nothing had come of it but evil tempers.

What a dazzlingly generous, gloriously unpredictable book! Maggie Nelson shows us what it means to be real, offering a way of thinking that is as challenging as it is liberating. She invites us to 'pay homage to the transitive' and enjoy 'a becoming in which one never becomes.' Reading The Argonauts made me happier and freer.

[Maggie Smith] brings new meaning to the phrase "doesn't suffer fools." She has just the most amazing, dry timing of anyone ever, I think. I think everyone's always known about it, but with her resurgence on Downton Abbey, a whole new generation has been introduced to it, which is just great.

In her previous novels, Maggie O'Farrell has often measured the distance between intimates and the unexpected intimacy of distance - geographic, temporal, cultural. In 'The Hand That First Held Mine' and 'The Distance Between Us,' characters separated by many miles or many years turn out to be joined in ways they never anticipated.

[Doctor Cukrowicz] was basically a role where you have two diva actresses - Maggie Smith and Natasha Richardson - and my role was to say, "And then what happened? Tell me more." But I wanted to do it was because a) it was Tennessee Williams, a great writer, and b) it was Richard Eyre, an amazing director. And to work with those two amazing women!

My manager's biggest dream is for me to be on Letterman. She says, 'Oh, Maggie, will you promise me you'll be on 'Letterman?” What can I say? I just tell her I can't promise, but I'll try my best.

No, I chose the name Jane Seymour because I was doing my first film, 'Oh! What a Lovely War,' and one of the top agents in England spotted me dancing in the chorus. I was a singer and dancer in that movie with Maggie Smith, um, and he told me he couldn't sell me as Joyce Penelope Willomena Frankenburger.

Perhaps it was Maggie, perhaps not. In solitary moments magpies will perch on a branch and mutter soft soliloquies of whines and squeals and chatterings, oblivious to what goes on around them. It is one of those things, I suppose, intelligence now and then does, must in fact now and then do, must think, must play, must imagine, must talk to itself. ... What, finally, intelligence could be for: finding your way back.

Dr. Maggie DiNome was given the Duke Award for her tireless efforts and stellar contributions to the eradication of cancer. But unfortunately my weight seems much more important to some of you. While I will admit the dress didn't photograph as well as it did in my kitchen, I will also admit I felt very pretty. In fact, I feel beautiful.

It's rare that I actually have a story in my head. I have events or 'what's the next move?' Like, Maggie, 'where's she going to go in this story, where's she going to end up?' Then the story has to fill in the in-between, and that comes as I'm starting it.

I wanted to tour the United States because I feel I owe it to the community that I grew up in. When I was growing up, the only people I saw on TV were Jackie Chan, Lucy Liu and Jet Li. Our representation as Asians wasn't big, but I wanted to be like Lucy Liu and then Maggie Q.

How is Maggie Rowe compensating for her decision to not have a child? Is what she is doing instead enough to justify that decision? What is she doing instead, and why can't she be better at it? What's keeping her from getting a better overall existence score in comparison to an arbitrary sampling of other human beings?

Remember what I said about the mosquitoes?" "Which part" asked Maggie. "The scary part, the really scary part, the legitimately terrifying part, or the part that makes suicide sound like an awesome way to spend the evening?

Maggie Nelson cuts through our culture's prefabricated structures of thought and feeling with an intelligence whose ferocity is ultimately in the service of love. No piety is safe, no orthodoxy, no easy irony. The scare quotes burn off like fog.

[Adam picks up the camera] "I have to get a shot of this." The reaction in the room was swift, and unanimous: every single person except me raised their hands at once to cover their faces. The accompanying utterances, though, were varied. I heard everything from "Please no" (Maggie), to "Jesus Christ" (Wallace), to "Stop it or die" (I'm assuming it's obvious).

As Uta Hagen would say, there's the representational actor and the presentational actor. My sister [Maggie Gyllenhaal] came up to me recently after she saw this movie, Southpaw, the movie I did, and she thought there was this exploration of that type of presentation, and a bit of representation as well, if I could be totally honest, where she was deeply moved.

In terms of the stars, the only ones I cast were Billy Connolly and Pauline Collins. I was in Los Angeles working and a lot of this took place on the telephone. I'd met Maggie [Smith] once and I'd come back-stage, which I'm usually loathe to do because as an actor you don't want people coming back because you want to get home [laughs].

My manager's biggest dream is for me to be on Letterman. She says, 'Oh, Maggie, will you promise me you'll be on 'Letterman?' What can I say? I just tell her I can't promise, but I'll try my best.

But if Maggie had been that young lady, you would probably have known nothing about her: her life would have had so few vicissitudes that it could hardly have been written; for the happiest women, like the happiest nations, have no history.