Top 1200 Mainstream Society Quotes & Sayings - Page 2

I'm not really interested in participating in mainstream culture. Participating in the mainstream music business is, to me, like getting involved in a racket. There's no way you can get involved in a racket and not someway be filthied by it.

Bob Dylan wasn't a big star early on; it was the release of his Greatest Hits album in 1967, and the mainstream success of the stoner anthem "Rainy Day Women #12 & 35" ("Everybody must get stoned!"), that really put him on the mainstream map.

The mainstream has lost its way. Crime fiction is an objective, realistic genre because it's about the real world, real bodies really being killed by somebody. And this involves the investigator in trying to understand the society that the person lived in.

Independent documentary isn't beholden to some of the interests that the mainstream media are influenced by. It's a pathway to renegade, independent reporting in an in-depth, investigative fashion, and it can do so with a compassionate lens; it allows people to speak in a way that is more human than the mainstream media approach.

I talk about being a 'what' to people. Like, being gay in mainstream society is a different kind of 'what' than being black. They don't always jive. It's confusing and leads to these really awkward personal stories that have just been in me for awhile.

A dreaded society is not a civilized society. The most progressive and powerful society in the civilized sense, is a society which has recognized its ethos, and come to terms with the past and the present, with religion and science. With modernism and mysticism, with materialism and spirituality; a society free of tension, a society rich in culture. Such a society cannot come with hocus-pocus formulas and with fraud. It has to flow from the depth of a divine search.

Independent documentary isnt beholden to some of the interests that the mainstream media are influenced by. Its a pathway to renegade, independent reporting in an in-depth, investigative fashion, and it can do so with a compassionate lens; it allows people to speak in a way that is more human than the mainstream media approach.

I think sometimes we get focused, especially in America, on the traditional broadcast networks as establishing something as being sort of mainstream, and I think what we've found over the years is that streaming is mainstream, and it's also way more accessible.

Can someone within that society walk into the town square and say what they want without fear of being punished for his or her views? If so, then that society is a free society. If not, it is a fear society.

Popular culture does a lot to shape attitudes. You can't compare different communities to each other, but in my lifetime the gay and lesbian community has become much more mainstream in society. I would venture to say it's in part because people began to feel more comfortable when they saw that group on TV.

I don't think I'm mainstream. I think what I am is lots and lots of different cults. And when you get lots and lots of small groups who like you a lot, they add up to a big group without ever actually becoming mainstream.

Blacks are supposed to rejoice whenever our way of life becomes more mainstream. We seldom do. For we see in it a sanctioning that can only be granted by white society. In other words: If you're white, it's all right. If you're black, step back.

You'll be fooled if you only get your hip-hop from the mainstream, you know. The things that move people are not just found in the mainstream cultures. And when we talk about hip-hop in general, hip-hop's basically preoccupied with life.

There's always going to be a fight between mainstream and underground because the mainstream is a very small bubble, and the underground scene is a very small bubble, and they both see themselves as secret societies.

I think I'm a very American director, but I probably should have been making movies somewhere around 1976. I never left the mainstream of American movies; the American mainstream left me.

I haven't got the kind of films from mainstream cinema which I would have wanted. But then mainstream cinema has a different bunch of people who are happy working with each other, which is fine.

Steve Earle had a mainstream career. Dwight Yoakam had a mainstream career. Willie Nelson did. But they always made good music, they always stuck to who they were. They weren't relying on radio like a lot of people are in Nashville.

What my mom failed to understand was that I didn't even want long hair -- I needed long hair. And my desire for protracted, flowing locks had virtually nothing to do with fashion, nor was it a form of protest against the constructions of mainstream society. My motivation was far more philosophical. I wanted to rock.

To be an actor in the society in Israel, you have to be ten times better than the Israeli Jews. To get the roles in mainstream theater or to get any role, not typecast as an Arab. And also if you are ten times better, not all the time you get the opportunity.

You gotta look beyond the mainstream... the mainstream'll drown you, you know? There's always a pulse in the underground that I love. And the pulse in the underground is what keeps heavy metal alive.

It was mainstream Americans that signed up and voted for Donald Trump. Mainstream Americans all over the country. There aren't enough of these ragtag wackos to elect anybody president. The Alt-Right, nobody ever heard of, by the way, until Trump came along.

I always felt, rather than play by the mainstream standards, we've always done what we do and the mainstream has finally decided to, like that but, we've only gotten more extreme so, the band hasn't got more commercial, it's just that more people understand where we're coming from so more people are in to it.

The primary victims of Katrina, those who were given the least help by the government, those rescued last or not at all, were overwhelmingly people of color largely hidden from the mainstream of society.

When Nirvana hit it big, it was overwhelming because we were part of the counterculture. Nirvana didn't go to the mainstream - the mainstream came to Nirvana.

Any judicial nominee who has said that the Constitution means what it says, not what judges would like it to mean, is going to be called an 'extremist.' That person will be said to be 'out of the mainstream.' But the mainstream is itself the problem.

If you grow up in the South Bronx today or in south-central Los Angeles or Pittsburgh or Philadelphia, you quickly come to understand that you have been set apart and that there's no will in this society to bring you back into the mainstream.

I don't really give a f**k about the mainstream. The mainstream doesn't offer me anything. Why would I offer it anything? I love the world I have. I love the sort of subculture that Green Day represents.

At one and the same time, therefore, society is everything and society is nothing. Society is the most powerful concoction in the world and society has no existence whatsoever

I have always felt validated and it shouldn't take film to do that for writer, but I'm glad it has. My plan has always been to be read more widely by doing just what I've always done. I wanted to break into the mainstream without becoming mainstream.

As a member of the mainstream media for many years, I've learned just one thing: never to trust anything I read in the mainstream media - not because of any agenda or deliberate dissimulation, but simply because it's filtered and comes very often from someone whose judgment I might not trust in other circumstances.

For those who resist the notion that the mainstream is a genre, we recommend that they browse the shelves of their local bookstore. For if the mainstream is not a genre, then it must necessarily embrace all kinds of writing: romance, adventure, horror, thriller, crime, and, yes, science fiction.

She was clothed entirely in two large swatches of leather, the leather fake and shiny in a self-mocking way, absolutely correct for 1993, the first year when mocking the mainstream had become the mainstream.

I'm interested in exploring the places where all media meet. As TV, Internet, art, games and movies all start moving towards the same point, I want to be part of inventing that space. I'd like to explore media that are traditionally seen as part of the mainstream but not necessarily utilize mainstream formulas.

This idea of feminism as a party to which only a select few people get to come - this is why so many women, particularly women of colour, feel alienated from mainstream western academic feminism. Because don't we want it to be mainstream?

Part of the problem is that if anybody has a gut reaction about an issue, they can go online and have it backed up. That said, they can also find support for their ideas in the mainstream media - because when the mainstream media gives a so-called balanced view, it's often misleading.

I agree with Ru that it'll never be mainstream, because mainstream means everybody knows it, everybody loves it, everybody accepts it. That's never gonna happen with drag, but it's definitely become more mainstreamed for people that never knew anything about it, being opened up to it as a form of art.

Among the more irritating consequences of our flagrantly religious society is the special dispensation that mainstream religions receive. We all may talk about religion as a powerful social force, but unlike other similarly powerful institutions, religion is not to be questioned, criticized or mocked.

Just about everything put out by Top Shelf and Drawn & Quarterly and Fantagraphics is what I keep up with. And once in a while, I'll read the more mainstream comics - I like Grant Morrison's writing and some of Warren Ellis' stuff, although maybe they're more on the fringe of the mainstream.

Until part of your paycheck is regularly paid in Bitcoin, I'm not sure how it would really go mainstream. I can imagine places in the world where there are not functioning banking systems or payroll systems, where it could go mainstream first because you're not trying to replace the way people are already doing something.

I want to invite the mainstream into my world and to my sound and to what I'm doing. And I want mainstream artists to respect me and accept Latino artists as equals without us having to sing in English. I want them to know that I can compete globally, with whomever, in Spanish.

There's just so many facets, I think, of the ignorance in our society that have to be corrected if we're really going to have a democratic society and a society that is just and that respects all of the members of this society regardless of who they are, what color they may be, what sexual orientation that they have or what gender, you know, they happen to be.

The music I make is very underground-sounding, it doesn't sound like it goes into the charts. It doesn't sound like it's trying to fit into today's style. So I think I have already a vibrating tool to an art form that isn't the mainstream. I'm very outside of the mainstream in my taste of music.

When you're making an adaptation, you have to make content for the fans; otherwise, you'll get something that won't even be accepted by the mainstream. You want to make something that the fans will approve and the mainstream will enjoy.

Any way that I can use my career or my platform to push along transgender visibility in the mainstream and society serves me on a personal level in that it will make day-to-day existence when I'm not doing this that much easier.

Sex and gender are such befuddling mysteries even for those of us who are in the mainstream that you'd think we'd be wary of being judgmental. Yet much of society clings to a view that gender is completely binary, when, in fact, there's overwhelming evidence of a continuum.

We have witnessed a stunning reversal of power between mainstream and social media: The ability to go direct to end users of information through social channels radically disrupted the mainstream news agenda.

It's funny how comedy is, you look at people like French and Saunders, when they started out they were very alternative. A lot of those alternative comedians have ended up being mainstream, they know that longevity is about being mainstream.

People who don't quite fit society, they are often kind of either under an awful lot of pressure or otherwise not acceptable to the mainstream and that tells us a lot about who we are. The people that don't fit are a great way of reflecting on all of us.

I don't see many explosions or ten-car crashes in the course of my life, so I don't put them into my movies. I would love to live in a society where 'My Dinner with Andre' made $100,000,000. Then I would be in the mainstream. I could do that stuff easier than I could do 'Meatballs.'

Mainstream American society finds it easiest to be tolerant when the outsider chooses to minimize the differences that separate him from the majority. The country club opens its doors to Jews. The university welcomes African-Americans. Heterosexuals extend the privilege of marriage to the gay community.

I think I fall into a lot of cracks in terms of I'm too something. I'm too this, I'm too that. And my music has never really had a home. I've been this floating alternative. I'm too mainstream for alternative. I'm too alternative for mainstream. And I'm just kind of wandering.

I think maybe since there isn't a great deal of access to the mainstream media and people don't understand the language of mainstream media, if you put music out there with lyrics that are loosely political, people absorb some of it and spit it back out.

Very rarely does a mainstream film push the envelope. A film that's so-called mainstream and questions certain norms, certain notions of morality, and gets away with it opens doors. It means the common man, the majority of the people, have accepted it.

Whether these were liberal publications or conservative publications, whether they were mainstream or slightly to the side of the mainstream; out of the mainstream, they all believed that they had the right to tell you how to stylize yourself. And from the New York Times to the much more left-winged nation. And The Voice said, no, whatever you want to. You drew whatever you want to, we'll publish it. Nobody was doing that. Nobody does it today. The Voice is no longer that paper, and editorializing is now in the hands of editors, with few exceptions.

I feel like a lot of artists these days are going out with being a feminist and making it cool, and being outspoken and letting it be mainstream, which is a great thing. I absolutely think it should be mainstream to be a feminist, it should be a no-brainer to speak up about stuff and have a voice.

The mainstream needs Ellen DeGeneres and Rosie O'Donnell. The mainstream needs RuPaul.

I do feel like I have always, in my life, been inclined to be on the outside, walk a different path or something. Because of that, and increasingly over the years, my sense of distance from mainstream society or from the way culture works, I have a different kind of perception of it.

There are certain jokes that indicate how mainstream a comic is. If you're talking about how the side effects of drugs that they advertise on TV are worse than the actual illness they're supposed to prevent, that's like the hackiest joke out there now. If you're still doing that joke, that usually is an indicator of being mainstream, in a bad way.

A crowded society is a restrictive society; an overcrowded society becomes an authoritarian, repressive and murderous society.

The behavior of the Occupy Wall Street protesters has raised some curious questions about the continuing double standards in our society. When it comes to fascistic leftist behavior, our mainstream media overlooks and excuses it - while conservatives are demonized and blamed for every dead sparrow that falls from the sky.