Top 1200 Make Out Quotes & Sayings - Page 3

If you live in a society that wishes you didn't exist, anything you do to make yourself happy disrupts its attempts to wipe you out, or at the very least, make you invisible.

Then one can't make a living out of poetry? Certainly not. What fool expects to? Out of rhyming, yes.

The reason I make art is because I get to make a choice about who I am, what I do, and what I put out into the world, the footsteps I leave behind.

Houdini used to pull rabbits out of a hat, but he never tried to make a living out of selling them when he had pulled them out of the hat

Before MTV, if you put out an album that sold 50,000 copies, your band could afford not to have day jobs for a while. That meant you could stick around, put out another album or two. Maybe it would be the second or third album where you'd make the statement you'd been trying to make all along.

If you alone found out what the lie was, then you're probably right—it would make no great difference. But if you ALL found out what the lie was, it might conceivably make a very great difference indeed.

I don't think I'd be able to flat-out write a pop song and make it satisfying to me. I'm ready to make a consistent sound in whatever way I can.

I think a lot of Hollywood is in retreat right now trying to figure out how to make money and make the safest bets.

It is so much better to make a big thing out of a little subject than to make a little thing out of a big one.

If you got a dope girl, there's going to be people that want her. But I don't know, I've always kept my 'A-game' on point. I just make a point to make sure the woman that I'm with is taken care of. You got to keep it new, so I go out of my way to make them feel special.

I can be working on a collection and a film at the same time. It can take a lot out of me, but the processes come from the same source. From a brief I set myself I can make a film, I can make a collection, I can make an installation.

It is easier to make a saint out of a libertine than out of a prig.

Every time I make a mistake with a company, I write it out and try to figure out why it happened.

I think the first couple of times you do make-out scenes, you psych yourself out and it's really nerve racking.

There is a blueprint that young female singers seem to follow to make it, to make some noise when they first come out. And it's a hyper-sexualized persona. And the thing is that it works. And they do make noise. But the problem is if it's not authentic to you, then you're trapped in that persona. And you have to live that persona 24/7.

Lampoon ran out of steam in the early '80s, and wasn't able to reinvent itself because it ran out of talent. People who wanted to do this kind of stuff could suddenly make $100,000 in Hollywood right out of college.

When I first started out, I thought it was enough to make an angry song that pointed out the problems of the world.

I am a filmmaker. My job is to make films. When something excites you - a story or characterisation - you immediately forget about everything else. You only think how to make a movie out of it. The economics come only later. You shouldn't let money dictate the kind of films you should make.

Sometimes we'd just play acoustic guitar and try out the parts and make a library. We'd use a double cassette player and make little edits.

After putting out quite a few albums, there's a feeling of why make another? I was trying to make something that was an album experience.

If we make every attempt to increase out knowledge in order to use it for human good, it will make a difference in us and in our world.

I've hardly had an avant-garde career... If you're going to make a film, you have to try to make sure it comes out of a childlike passion, as if you're doing it for the first time.

If I can make it out, anyone can make it out!

Do you really want to make risotto to order when you have eight guests sitting there? No. It won't work. Most cookbooks won't tell you that. They will say make it and it will come out perfectly. They should tell you you're probably going to screw it up the first 10 times you make it.

I know a lot of bands that will make their first record and get to a certain level, and then when the second record comes out, they can start where they left off as a headlining act playing in front of a certain number of people, or they can go back out and make a lot less money and open for people.

I knew I wanted to fight. It's a great way to continue competing and not to mention actually make money. You can make a career out of it.

I think that 'Halo' is a hard property because they don't need to make a film. They make far more money out of the games so why risk?

I call tennis the McDonald's of sport - you go in, they make a quick buck out of you, and you're out.

But everyone cannot be there, and that is why photographers go there - to show them, to reach out and grab them and make them stop what they are doing and pay attention to what is going on - to create pictures powerful enough to overcome the diluting effects of the mass media and shake people out of their indifference - to protest and by the strength of that protest to make others protest.

I've hardly had an avant-garde career ... If you're going to make a film, you have to try to make sure it comes out of a childlike passion, as if you're doing it for the first time.

The way to make better decisions is to make more of them. Then make sure you learn from each one, including those that don't seem to work out in the short term: they will provide valuable distinctions to make better evaluations and therefore decisions in the future. Realize that decision making, like any skill you focus on improving, gets better the more often you do it.

As it turns out, just hanging out around athletes doesn't actually make one more fit.

Yes...and I'm worried that if you get into the habit of making out with your instructors, you'll wind up making out with him too." "Don't be sexist. They could find me a female instructor." "In that case, you have my permission to make out with her as long as I can watch.

You start out with big dreams and I mean, big dreams artistically. You want to work with the greatest living directors, make a great movie. I wanted to make a great love story, I wanted to make a great epic and then you realize that the truth of it is that it's so hard to make a great film. It's hard to get a great role. Those big expectations change to realism pretty quickly. But what's never changed is my desire to work with great directors and to find projects that push me out of my comfort zone and keep me alive. I still don't think I've done my best work

You don't always make an out. Sometimes the pitcher gets you out.

Success can make you go one of two ways. It can make you a prima donna - or it can smooth the edges, take away the insecurities, let the nice things come out.

If I had a vision of the perfect psychedelic drug and knew its structure, I'd make it. That's why I have a laboratory out there - to make things that haven't been made before.

If you want to make movies you need to think on a micro-micro level and figure out how to make them for nothing with people who really care about your movie and really want to make it.

I could take the greatest deal-makers of all time and they've always had something that didn't quite work out. You never want to put yourself in the position where something not working out is bigger than what you are and therefore takes you down. It's got to be in smaller chunks. In all cases, I want to learn something from things that didn't quite work out and learn, so that it doesn't happen again or so that in the future, you make great decisions. You don't want to make the same mistake twice and you have to learn that early on in your life.

Sometimes the world is just out of our control and we like to blames ourselves so that we can make sense out of it.

He's in the mold of a Tom Watson, in that he'll hit the ball in the trees and undaunted go it there, flail it out and make something out of it.

I could never make a ballet by wrinkling my brow and concentrating. If you set out deliberately to make a masterpiece, how will you ever get it finished?

When teams are really out on me, I'm trying to drag them out as much as possible so my teammates can make plays.

Many years ago I found out something about hamburgers that really grossed me out. You may not know this, so I hope I don’t make you sick, but it turns out hamburgers are actually made out of dead cows. I am not making this up. Needless to say, as soon as I discovered that, I gave up meat entirely.

You can make something out of nothing. I proved that with my career, making it out of the city that I'm from.

I plot as I go. Many novelists write an outline that has almost as many pages as their ultimate book. Others knock out a brief synopsis... Do what is comfortable. If you have to plot out every move your characters make, so be it. Just make sure there is a plausible purpose behind their machinations. A good reader can smell a phony plot a block away.

Figure out what you are meant to contribute to the world and make sure you contribute it. If this requires public speaking or networking or other activities that make you uncomfortable, do them anyway. But accept that they're difficult, get the training you need to make them easier, and reward yourself when you're done.

I want to make movies - and I want to portray characters - that make people think. I want to make movies that have a redemptive message. I want to tell good quality stories and take out the derogatory sex, violence and language.

We've teamed up with some Japanese companies to, basically by 2010, make all our clothing out of recycled and recyclable fibers. And we're going to accept ownership of our products from birth to birth. So if you buy a jacket from us, or a shirt ,or a pair of pants, when you're done with it, you can give it back to us and we'll make more shirts and pants out of it.

What is important to me, is to make a girl look better. To really make the most of all her womanly wiles. It's all about accentuating a waist, perking up a bust line, rounding out hips; things that just make you look in the mirror and say, "I look awesome."

You have to take a wheelbarrow full of money and roll out and try to make a movie out of it. But you run out of money eventually, and then it becomes painful and it becomes a struggle and time will kill the enthusiasm!

When I was younger I used to make wallets and purses out of newspaper and I would give them out to people.

As a nation, China, is one of the most powerful countries around and if anyone can make something happen, if anything is in their control and they can make things happen and make things the best and look at their country as a beautiful place to come visit and our people are great they're going to do it. I feel like everything that hasn't been perfect over there is out of their hands. They've done everything they can to make it perfect.

We hear a great deal of lamentation these days about writers having all taken themselves to the colleges and universities where they live decorously instead of going out and getting firsthand information about life. The fact is that anybody who has survived his childhood has enough information about life to last him the rest of his days. If you can't make something out of a little experience, you probably won't be able to make it out of a lot. The writer's business is to contemplate experience, not to be merged in it.

I wanted to find out why I wasn't getting off on what I was doing and try and make some sense out of the evolution of it.

The Internet requires evolved forms of governance that we haven't figured out as a planet. I'd love to help make that easier and make that possible.

I write - though perhaps it sounds pretentious to say so - to make a clearing in the wilderness, to find out what I care about and what exactly to make of it.

Problems are the gifts that make us dig out and figure out who we are, what we're made for, and what we're responsible to give back to life.

I think you make the movie in your head that you have to make, and you have to get it out of you. You have all these pretentious reasons why you want to do it, and you set out to accomplish them. And you think "This is important for what I'm trying to accomplish for the story," and I think those reasons will come through to an audience, and they will find it. That's the best you can do.

I know a lot of bands that will make their first record and get to a certain level, and then when the second record comes out, they can start where they left off as a headlining act playing in front of a certain number of people, or they can go back out and make a lot less money and open for people. I feel like if you go out and just go right back into that headlining stuff, you're playing to the converted.