Top 1200 Makeup Artist Quotes & Sayings - Page 6

I don't believe in total freedom for the artist. Left on his own, free to do anything he likes, the artist ends up doing nothing at all. If there's one thing that's dangerous for an artist, it's precisely this question of total freedom, waiting for inspiration and the rest of it.

I know a lot of people who don't wash their makeup off of their face at night, and I think that's the worst thing ever. So my thing is, if you ever have a day that you get dolled up, you have to wash all of that makeup off.

I like to believe a true fan of music or an artist has a genuine respect for what the artist does and has a distinct understanding of their actions. In that buying an album they are helping the artist to continue making music. It's hard because everyone wants something to be free.

One year, my good deed started with deciding to give all my friends makeup from a cruelty-free cosmetics line that I love. I did this with the hope that they would love it as much as I do and end up switching their makeup over to that cruelty-free line forever.

I've seen pictures of myself with makeup on, and I look like those women who look like they're wearing makeup so they can look young, and I don't think that's good. They have all these products now called - wait, what's it called, it's my favorite - youth suppressant, or age go away; they don't work.

A photographer is a photographer and an artist is an artist. I don't believe in labels or titles. Why should a painter or sculptor who has probably never challenged the rules be an artist just because his title and an art school education automatically make him one.

There questions of wanting to be an artist, and what does that mean, what makes you an artist? Are you an artist if you're in a gallery in New York and not an artist if you're doing it at home? Do you need legitimation to count? If you've been acculturated to believe that you have certain obligations - familial, social, human - if multitasking has been your forte and that's what's been praised and rewarded, where do you find the single-mindedness, the selfishness to do something like art? I think those are questions that arise differently for women and for men.

Religion begins in story. Yes, it does, because religion is an attempt to make sense of what is incomprehensible to us, what is inexplicable, what is awe-inspiring, what is frightening, what moves us to great wonder, and so on. That is the religious impulse, and it is part of our psychological makeup -- of everyone's psychological makeup.

My mum had a massive influence on me, not just in what she wore and how she looked, but in her spirit. She was married to one of the most famous men in the world, and she didn't wear any makeup, ever. I mean, have you ever seen the wife of a man like that rock up with no makeup on? Because I haven't since.

The critic, to interpret his artist, even to understand his artist, must be able to get into the mind of his artist; he must feel and comprehend the vast pressure of the creative passion.

I don't believe in total freedom for the artist. Left on his own, free to do anything he likes, the artist ends up doing nothing at all. If there's one thing that's dangerous for an artist, it's precisely this question of total freedom, waiting for inspiration and all the rest of it.

Elizabeth Taylor taught me that if you do your hair and makeup first then take a hot bath right before you leave, it brings out your inner glow and takes away the powdery look from makeup. I do that right before every date.

I was associated with the Artist Placement Group in the early 1970s and David Hall, the video artist, was an Artist Placement Group artist. I was completely broke at that time, and he said to me, "Come and do some teaching" - he was head of department at Maidstone College of Art. And I went and did a couple of teaching days and practically the only person who showed up was David Cunningham [Flying Lizard's main man], with all of this finished work

We have a snap of my dad wearing blue eye shadow, which I would always make fun of. When I was about 12 and first started wearing lipstick, my dad would ask, 'Are you wearing makeup?' I would say back, 'You're wearing more makeup there than I am!'

I do a combo situation of lotion and body makeup and put it on with my moisturizer in the morning. That seems to work best for me because self-tanning lotion always streaks and looks kind of crazy. So I put on some body makeup and wash it off at night. I have to do it every day, but that's just a part of my life now.

People always want you to look pretty. I would like to live in the Midwest in a small town and never put makeup on. But they won't let you do that. Once I went through a period when I did do that, wore no makeup, wore my hair any which way, and people looked at me like I was a bum.

Some makeup companies have really good recycling policies, and it's worth finding out whether your favourites are among them. With MAC, for instance, you can take any of your old makeup containers into its shops, and the sweetest deal is that, once you've racked up six containers, you get a free lipstick or lip gloss.

I really like Neutrogena for skin care and CoverGirl makeup. I can't stand heavy makeup. I feel like my skin can't breathe, and CoverGirl is really light.

This image of wanting to be an artist - that I would in some way become an artist -was very strong. I knew for a long, long time that that's what I would be. But nothing I ever did seemed to bring me any nearer to the condition of being an artist. And I didn't know how to do it.

The idea of a talent that was bigger than an artist's ability to choose to use it, that would dictate the artist's life more than the artist could dictate, was interesting to me.

I want to be an artist artist, a real artist. I don't just want to do this for temporary money.

There’s no “correct path” to becoming a real artist. You might think you’ll gain legitimacy by going to university, getting published, getting signed to a record label. But it’s all bullshit, and it’s all in your head. You’re an artist when you say you are. And you’re a good artist when you make somebody else experience or feel something deep or unexpected.

Year after year, we see a new crop of musicians who do their best to look tough in lipstick and makeup. Maybe it's a cry for help, an admission of their strong feminine side, or the realization that they don't look so good any other way. Whatever the reason, makeup is as rock n' roll as a Marshall stack.

There's a very old tradition of theater actors doing their own makeup. It's like putting on your mask. There's an element of storytelling involved in it - you put on your character when you put on your makeup. At least, that's how I like to look at it.

What an honor that Stephen Prouty got nominated for best makeup and hairstyling for Jackass Presents Bad Grandpa. Am I as stunned as everyone else we didn’t get the nod for best picture? Well of course, duh, but I won’t let that take away from my happiness for Steve, Tony Gardner, and our whole makeup team. Wahoo!

Being an artist doesn't just mean you have a song. That doesn't make you an artist. The word 'artist' means so many different things, and I feel like to be a real one, you really have to do it all. The people that I think of as artists - Tyler the Creator, Childish Gambino, Kanye West - are doing the most.

A little artist has all the tragic unhappiness and the sorrows of a great artist and he is not a great artist.

I'm not particular about makeup, but when I do wear it, I am partial to Fenty. That is what I own. I own it because it is partial to the various colors and shades of black women. It is one of the best cosmetic companies around as far as trying to remove toxins from makeup, and Rihanna is empathetic to the experiences of trans women.

It's all in L.A. There might be some location shooting as well. I think it's pretty short. I heard it was like six to eight weeks, which is pretty short. But you don't have to do makeup or anything. There's no hair, there's no makeup, there's like one trailer for Jason and one for the actors who do cameos. It's quick. So that's what they're saying. I don't know if that will change.

My makeup routine is a small amount of base, a mascara, nude eye shadow, and a lip balm or a gloss. When I go out at night, I wear a blusher and tons and tons of mascara - very easy, very fresh, very light. I can't sit around doing my own makeup all day - I wish I could.

I have two little girls, four and one. My four-year-old is obsessed with makeup, and not through me! All on her own. But ultimately I'm teaching her that it's not a necessity; it's a treat. It's a tool that you can use to transform yourself. I think that's important. You don't need the makeup. It just makes you feel fun and allows you to be creative. That's what I love about it.

I was worried that I, the artist Morimura, would have conflicts with the participating artists and develop a strenuous relationship with them. But the actual experience was completely the opposite. The artists accepted my requests rather positively, because it came from a fellow artist. I strongly feel that the fact that my being an artist avoided the usual curator vs artist tension, and led to creating a positive atmosphere as well as developing a solidarity amongst artists and building a community for artists.

Only funny line I've had was my first day on the set of Chitty Chitty Bang Bang. They were making me up, and I saw the director call the makeup man over, and he says "What are we going to do about the hooter?" And the makeup guy said, "I'm not a plastic surgeon." So I started that show with a big nose, and quite conscious of it.

That's what is really cool about this whole new wave of makeup artistry and people on Instagram and YouTube: It's about doing it for yourself and experimenting. People don't wear makeup to impress people or because they'll be seen in public. It's more of a hobby now, just because it's fun.

At the end of the day, I'm an artist. I may make work and decide to do something political, but it will come out of an artist's position. It won't come out of society telling me I have to. If I do, it's because I choose, as an artist, to do it.

I like to tell the artist what the song or album means to me, in detail. Then I let the artist run with it and create in an unrestrained manner. Once the artist gets back to me with a few ideas, I like to do the little changes to make it perfectly speak to the audience.

The artist is a strange being. I think it's safe to say that a real artist is conscious of having a personal singularity that is partly a blessing and partly a curse. An artist enjoys and suffers from isolation. As solitude, isolation can nurture. It can also destroy.

When I go into 'You're the Worst,' I'm very glammed up, and my hair and makeup is va-va-voom. Now what I'm having fun with in 'Grease' is, honestly, I go to rehearsals with zero makeup. When I get pimples, I get excited about it, like 'Yay! It helps the character!' The frumpier and uglier and grosser, the better with Jan.

I never let people see me without makeup. And it's not an insecurity thing. The perk of being a girl is being able to wear makeup and dress up. It's another artistic outlet. And the 45 minutes it takes me to get ready... is very therapeutic for me. It's hard to start my day without that.

Dustin Hoffman and Tom Cruise were both so generous to me on the Rain Man set. I remember Tom was in the trailer when I said to the makeup guy, "You know, I would really like to not wear any makeup. I just have this feeling that she wouldn't have any." And Tom said, "Yeah, that's cool!"

Looking young and attractive with makeup is the next best thing to actually being young and attractive. After all, a woman only has a few years where she really is youthful, but she can wear foundation makeup til the day she dies (and even after!).

I went to go see 'Final Destination' which you have to be 17 and over to see and they're like 'Uh, we need to see your I.D.' Here's the really funny thing is that I actually had done my hair and makeup that day. If I don't do my hair and makeup I can understand it but I had actually made an effort to look older.

To many people Michael Jackson seems an elusive personality, but to those who work with him, he is not. This talented artist is a sensitive man, warm, funny, and full of insight. Michael's book 'Moonwalk', provides a startling glimpse of the artist at work and the artist in reflection.

I think an artist can fit under a few different categories depending on how much you explore your creativity. It can vary from artist to artist from musician to performer to vocalist. I thrive on creativity. So in the long run I want to be an all around entertainer.

Nowadays, if you're a great artist, you don't have to leave the house, which is a really big difference. You're closer to the artist. And the artist can be closer to their artistry without having to always worry about branding themselves or building something image-wise.

When I hug her, I notice she's still wearing yesterday's false eyelashes. Mom? You know those come off with a little makeup remover and a cotton pad?" I'm not taking them off." Why not?" I spent $180 on that makeup job and I refuse to wash my face until I get my money's worth.

I just like artist-driven projects, but for artists themselves: artist spaces, artist mentor programs, and artists buying buildings and making lofts. Doing whatever we can do. Because at the end of the day, I really think that we as a community only have each other.

It's important to leave your face without makeup for a while after waking up...Let your skin breathe a while before applying your makeup, even if it means waking up a bit earlier.

I always messed around with makeup. From a very early age, my mom would let me play with hers, and my grandma, and my aunts and stuff were always like, 'Let me put lipstick on her!' that they'd have in their purse. But I think just from a very young age I've had fun with makeup.

I vividly remember hearing the car pull into the driveway and looking into the mirror on my mom's vanity with a face full of makeup and the counter below me a mess; it sent me into complete panic mode. From there, I would steal bits of makeup where I could to start my own little collection and play in my bedroom with the door locked.

I chose makeup over photography because there was something very sensual about makeup that I loved. But photography was always in the back of my mind. That was always something that I was very connected with: looking at magazines, enjoying photography, and then taking pictures myself when I was a kid.

I remember so clearly, in the early days, if I had to do a piece of press, they'd phone for me and say, 'Oh, we're going to bring hair and makeup, it'll take about five hours.' And I said, 'Well, if it was Ian McEwan, would it take about five hours? Would there be hair and makeup? Cause if that's not the case, then don't bring the hair and makeup.' So, it's fascinating that they just assume: it's a young woman, she must want to be photographed for five hours. She must have nothing better to do than delight in trying on all your shoes. But it's not the case.

When I first started with social media, there were a couple of us that were men in makeup. I didn't have anyone that I looked up to at a young age. Now, it's so accessible. You just go online and see all these amazing men in makeup. We share the same passion, but we all have different goals and we come from different places.

I feel like whole idea with makeup is that I don't want anyone to think, 'Oh she's wearing makeup.' I just want them to think, 'Oh she looks good!'

For me, in my normal life, I'm very all-or-nothing. I'm super comfortable dressed to the nines - full hair and makeup. I love feeling really done up. And I love feeling undone. I love sweatpants and my hair in a topknot. I go with no makeup. Or I have a full look.

I definitely hand myself over to the hair and makeup gods of 'Girls.' Our look on the show is very specific, and it's different from mine in real life, although I've definitely learned things from working with both the hair and makeup people for the show.

My mom was an aesthetician and she went to beauty school back in the '60s. I just remember watching her do her makeup all the time. She always had her nails done, makeup on - her face was ready to go when she went out. I loved it.

If you've got a great crew it's intense, but its quite short. 'The Elephant Man' was longer than most, for an independent film. That was a 14 week film. But it was because of the intrinsic difficulties. We had to invent a different way of filming, because the makeup was so long. A working day for me with a full makeup on was nineteen hours. So obviously you couldn't do that twice running.

Don't wear makeup all the time. When you wear makeup all the time it clogs your pores.

I'm just not wearing any makeup. People thinking I'm wearing prosthetics of all sorts, I just don't have any makeup on.