Top 1200 Making A Difference Quotes & Sayings - Page 20

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Last updated on April 16, 2025.
I think as long as the standard of quality, the story-telling, film-making, acting etc. etc. remains consistent, then you've got a good change of making a decent anthology.
It is not merely true that a creed unites men. Nay, a difference of creed unites men - so long as it is a clear difference. A boundary unites. Many a magnanimous Moslem and chivalrous Crusader must have been nearer to each other, because they were both dogmatists, than any two agnostics. "I say God is One," and "I say God is One but also Three," that is the beginning of a good quarrelsome, manly friendship.
Making the first million is hard; making the next 100 million is easy. — © Theo Paphitis
Making the first million is hard; making the next 100 million is easy.
The consequence of making it a business thing and making an artist the same as a Wall Street trader is that you do get a robot by the end of it. It becomes more robotic as opposed to being more soulful.
I have no interest in making a 'Vietnam' film, no interest in making a direct political statement.
From the point where our ancestors started making tools, people have been unable to survive without the things they make; in this sense, it is making things that makes us human.
If you've got somebody in harm's way, you want the president being -- making advice, not -- be given advice by the military, and not making decisions based upon the latest Gallup poll or focus group.
I'm not making films for critics, I'm making films for people to go out and enjoy.
I like making series, for a couple reasons. One, the repetition of routine is very healthy because I can get a little crazy; I want to be making things all the time. And if I publish something every week, I don't have to put every idea I have into one piece. It's more like, here's one idea: execute it, see it through, think about it, do it the best you can. And then there are going to be ten more ideas that come while you're making that, because creativity works that way.
We have to get back to a government where leaders are willing to talk across party lines and do not have absolute politics as the goal. Our goal has to be bettering the country, making sure we have an education system that is world-class and a healthcare system that is world-class, making sure social security is safe. People don't care who is huddling in a corner with whom, making the next political move. If you are elected to do a job, you are supposed to do it to the best of your ability.
I worked hard on making a body of work that takes people on a journey. It was never about making a certain type of song. It was simply about embracing real-life situations.
What impact are you making, not only today, but for eternity? What impact are you making to leave a legacy?
We must remember that there is a great difference between a myth and a miracle. A myth is the idealization of a fact. A miracle is the counterfeit of a fact. There is the same difference between a myth and a miracle that there is between fiction and falsehood -- between poetry and perjury. Miracles belong to the far past and the far future. The little line of sand, called the present, between the seas, belongs to common sense to the natural.
I came from a very avant-garde documentary kind of film making world. I like cinema verité, documentaries. I liked non-story, non-character tone poems. And that's the film making that I was interested in.
My overall approach toward art is to remain as open as possible in front of the world, to always be curious, not to be afraid to experiment, and have a sense of self-criticism and a general criticism toward the surrounding. Also, trying to make a difference between serious research and pure gag! And making as few compromises as possible toward doing things that might not be accepted by the majority of society, even if this dominant society is the one which is ruling the art world. To keep this fundamental idea, even if it's a bit trivial: to have the desire to transform the world.
The trouble in America is not that we are making too many mistakes, but that we are making too few. — © Phil Knight
The trouble in America is not that we are making too many mistakes, but that we are making too few.
It's like, now you're actually complaining because you're making $9 million and guys are making more? If it makes you that upset, quit. Leave the game. Go home then and try finding another job that's going to pay you that.
There's no difference between lyrics and poetry. Words are words. The only difference is the people who are in academic positions and call themselves poets and have an academic stance. They've got something to lose if they say it's all poetry; if there's not music to it, and you have to wear a certain kind of checkered shirt or something like that. It's all the same. Lyrics are lyrics, poetry is poetry, lyrics are poetry, and poetry is lyrics. They are interchangeable to me.
When I was working in my first job engineering construction, what I liked the most was working with architects and making buildings that had this creative side coming from the architect and that were making them a big success.
I don't think I'm making any great statements, and I certainly don't think I'm making art.
When you're on a movie set and you are hopefully making a comedy, everyone's stifling their laughter. You're looking at the crew guys, hoping someone is making that face like, and not like, this is not working out, man.
There is a pressure, but my job essentially is not to listen to that pressure, not to buckle underneath that pressure, but instead to continue making music in the way that I have been making it.
Making noise is easy; making stuff people understand is an easy thing to do.
You know when you take a manager's job it could be terminal. I was making sure there was enough in the bank to cover that, making sure myself and my family would be all right when I took the plunge.
No one returns from Christianity to the same state he was before Christianity but into a worse state: the difference between a pagan and an apostate is the difference between an unmarried woman and an adulteress. For faith perfects nature but faith lost corrupts nature. Therefore many men of our time have lost not only the supernatural light but also the natural light which pagans possessed.
Could the two people who are making out please be quiet?" the Colonel asked loudly from his sleeping bag. "Those of us who are not making out are drunk and tired.
I mean, artistic processes are all about making choices all the time, and the very act of making a choice is the distilling down and the getting to the core of what it is that you care about and what you want to say, really.
Even if I'm making music for people for $20 a night, at least I'm making music.
Ultimate satisfaction is found not in making much of ourselves but in making much of God
Is being burnt a requisite for the making of art? Personally, I don't think it is. But art is poultice for a burn. It is a privilege to have, somewhere within you, a capacity for making something speak from your own seared experience.
Nothing prepares you for making art except making art. You have to do it to get better.
I was brought up with the sense that I was absolutely no different from my brothers. I went to college thinking I was absolutely no different from the men in college. But that's not true. I'm fundamentally different. The problem was not being able to understand difference and equality at the same time. It's something that we can't seem to comprehend. You can't state difference and also state equality. We have to state sameness to understand equality. It's a mistake.
I became alienated from this religious upbringing, and started making music. I wanted to be a big star. All those things I saw in the films and on the media took hold of me, and perhaps I thought this was my god: the goal of making money.
The hope of ISIS was to break the Yazidi community. But for survivors especially, going back to their lives and getting married and making a life and working, it's basically making sure ISIS did not succeed.
It's been years, but I still say that I went out with the same progressive values and liberal ideals that I went in with. I made a couple of mistakes, I will honestly admit. In retrospect, there are a few votes I wish I could take back. But, through it all, I kept my support for organized labor, I kept my support for income equality, I kept my support for making sure that kids that come from poor families have access to education. So, yes, I still believe that you don't have to give up your ideals and go along. One person can still stand up and make a difference.
Sometimes, making the wrong choice is better than making no choice. You have the courage to go forward, that is rare. A person who stands at the fork, unable to pick, will never get anywhere.
To me the most important thing is getting into a studio and making an album that is 12 or 14 amazing songs, getting up onstage, and making people happy by livening the rock.
Despite a few really bad days we had quite a lot of fun making Low, especially when all the radical ideas were making sense and things were starting to click. — © Tony Visconti
Despite a few really bad days we had quite a lot of fun making Low, especially when all the radical ideas were making sense and things were starting to click.
The difference between the right word and the almost right word is the difference between lightning and a lightning bug.
There's no question that a great teacher can make a huge difference in a student's achievement, and we need to recruit, train and reward more such teachers. But here's what some new studies are also showing: We need better parents. Parents more focused on their children's education can also make a huge difference in a student's achievement.
Some people hit a profession and just keep going deeper into it, making a life and making it more and more stable. That's not been my experience. I always want to try something new.
Coming from my bedroom in San Antonio to this big world and going from singing covers off my laptop to making music in this nice studio, making professional-sounding music - it's just weird.
If we can cultivate in the world the idea that aggressive war-making is the way to the prisoner's dock rather than the way to honors, we will have accomplished something toward making the peace more secure.
For me, movie-making is more than making a 'hit' film. It's about working with a team of people I really respect and doing something that gives me satisfaction.
Senator John Kerry is in trouble for making a joke about soldiers being uneducated. As a result, Kerry promised to stop making jokes and stick to boring people.
The way I see it, the difference between farmers and suburbanites is the difference in the way we feel about dirt. To them, the earth is something to be respected and preserved, but dirt gets no respect. A farmer likes dirt. Suburbanites like to get rid of it. Dirt is the working layer of earth, and dealing with dirt is as much a part of farm life as dealing with manure. Neither is user-friendly but both are necessary.
I used to be quite negative about going back to Greece and making something, but there is a certain kind of freedom that I've experienced while I was making films in Greece that is hard to replicate elsewhere.
The difference between ignorant and educated people is that the latter know more facts. But that has nothing to do with whether they are stupid or intelligent. The difference between stupid and intelligent people-and this is true whether or not they are well-educated-is that intelligent people can handle subtlety. They are not baffled by ambiguous or even contradictory situations-in fact, they expect them and are apt to become suspicious when things seem overly straightforward.
He's a very funny and very nice man. When you read the script, you want to stick with it. But when you're with Eddie Murphy you've got to improvise. He's always making jokes and making me crack up when the camera's on.
I don't see making films to entertain and making films to inform as separate things.
What 'Scream' was great at was presenting ironic detachment and then making you actually care about the people that were having it, and juxtaposing it with their situation, all in the service of making a great horror movie. It was fresh.
From a human point of view, the difference between the mind of a human and that of a mountain goat is wonderful; from the point of view of the infinite ignorance that surrounds us, the difference is not impressive. Indeed, from that point of view, the goat may have the better mind, for he is more congenially adapted to his place, and he would not endanger his species or his planet for the sake of an idea.
If I'm practicing making up what the characters will do, it's never good. In fact, when I catch myself doing that, I try to get rid of that section, and try and let them start making the decisions.
Big Brother isn't watching. He's singing and dancing. He's pulling rabbits out of a hat. Big Brother's busy holding your attention every moment you're awake. He's making sure you're always distracted. He's making sure you're fully absorbed. He's making sure your imagination withers. Until it's as useful as your appendix. He's making sure your attention is always filled. And this being fed, it's worse than being watched. With the world always filling you, no one has to worry about what's in your mind. With everyone's imagination atrophied, no one will ever be a threat to the world.
My general approach to making art making hasn't changed much since I was 20, poor, and writing songs in my bedroom wanting to get my art out of my body into the world in some way.
Sheet music, recording, radio, television, cassettes, CD burners, and file sharing have all invalidated, to some extent, the old model of making a living making music.
Nothing prepares you for making art except making art.  You have to do it to get better. — © Philipp Meyer
Nothing prepares you for making art except making art. You have to do it to get better.
Almost every comedy you see is about people making all wrong choices and making all the errors of judgement possible. Good comedy is when it works on this scale. Because it is psychologically very real.
An up-close portrait of middle-class Nigeria exploring the boundaries of morals and public decorum. Pitched between humor and despair, with stripped-down, evocative prose, A Bit of Difference bristles with penknife-sharp dialogue, but its truths are more subtle, hiding in the unspoken. Ultimately, A Bit of Difference explores – with a hint of mischief–the problem of how to look like you have no problems when you have abundant problems–the universal problem of the socially-motivated classes.
There is a difference between a job and the promise of jobs, there is a difference between economic development and the promise of economic development.
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