Top 1200 Making Up Quotes & Sayings - Page 3

Explore popular Making Up quotes.
Last updated on April 16, 2025.
Every story was being made up. My true friends weren't the ones speaking. It was people who never knew me, making up stories. Even my local paper put a $1,000 bounty out for information about my whereabouts.
I felt impelled to write. It felt demonic, and I wanted to improve, the way some people habitually pick up a guitar and get better at playing it and making up songs.
I don't think there is really a favorite, I'm very fond of film making as a whole and as a medium and of course, there are some that I've enjoyed making more than others but I've enjoyed making all of them.
Never reduce a target. Instead, increase actions. When you start rethinking your targets, making up excuses, and letting yourself off the hook, you are giving up on your dreams!
I came up with a lot of characters when I was growing up that were just creative outlets, and then, at one point, I came across Gus Dapperton in the back of my head when I was making music.
Don't give in to bullying or others making fun of people. Stand up for yourself. Stand up for your friends. Be that one person who is genuinely good-hearted. — © Michelle McCool
Don't give in to bullying or others making fun of people. Stand up for yourself. Stand up for your friends. Be that one person who is genuinely good-hearted.
Leadership has to be focused on some very radical ideas that only we as 21st Century people can talk about: making sure people have a livelihood, making sure people receive a living wage, making sure the environment, the Mother Earth, is embraced and cherished and not destroyed. Making sure people are healthy in what they eat, making sure we hold people and corporations accountable for the damage they do not only to our environment but to our institutions.
When the Founders thought of democracy, they saw democracy in the political sphere - a sphere strictly limited by the Constitution's well-defined and enumerated powers given the federal government. Substituting democratic decision making for what should be private decision making is nothing less than tyranny dressed up.
I love the theater as much as music, and the whole idea of getting across to an audience and making them laugh, making them cry - just making them feel - is paramount to me.
In collage you're doing it in stages so you're not actually doing it right there. You first of all draw it on the paper, then you cut it up, then you paste it down, then you change it, then you shove it about, then you may paint bits of it over, so actually you're not making the picture there and then, you're making it through a process, so it's not so spontaneous.
You're always having those life-skills type discussions about decision-making. It's just making sure you're making good decisions and going about your business. There are distractions in every city.
For someone making a pilot, assuming the talent is there and you can maneuver the system properly, it's just a matter of standing your ground and trying to make something great until you are making enough money for the studio that they let you keep making it.
Making knots. Making knots. No word. Making knots. Tick-tock. This is a clock. Do not think of Gale. Do not think of Peeta. Making knots.
I think you set up certain standards. I've always kind of believed in the Neil Pert way of making records where I'm trying to step it up every time I do something. You're trying to better yourself. You're also trying to make your audience or your listeners more interested. So, if you can up it, I think that's important.
There was a long stint during my childhood after I gave up on being a pro football player - we're talking sixth grade here - that I strongly considered a future writing and drawing comic books. I have been making stuff up ever since.
I never saw myself as a director. It's certainly a second language but making movies for 40 years, you pick stuff up. However, this style of making movies, this documentary style, is easier for me because I gather a lot of material and with an editor, write it on screen. You try to write based on what you shot.
Well, I never studied design and I went to art school to study art, you know, sculpture and things like that, and ended up making things like sculpture and started making chairs and jewelry together and that's how I started.
For me, it's about making the winning plays, making the right plays, making the basketball plays and being aggressive whether it's on defense or offense. — © Pat Connaughton
For me, it's about making the winning plays, making the right plays, making the basketball plays and being aggressive whether it's on defense or offense.
It's easier making a smaller film like El Mariachi. There are no budget worries because there is no budget. There is no crew problem because there is no crew. And if you screw up, no one is around to see you screw up -- so it's no longer a screw up.
On an iPhone, you touch on the digital keyboard and you know how the letter pops up and shows up bigger so you're making sure you're touching the correct letter? That's Nokia innovation.
I was a shy little girl. Growing up, I was often content being alone in my room, making up stories, and acting out all the parts. I became so good at it that, with the door closed, my parents thought I had friends over.
There was a long stint during my childhood after I gave up on being a pro football player - were talking sixth grade here - that I strongly considered a future writing and drawing comic books. I have been making stuff up ever since.
The phrase 'teen hottie' literally makes me want to throw up. I'm a pop princess at heart. Pop is about distilling what you want to say and making it easy. And the way I write isn't about making things easy. It's a weird juxtaposition.
Both teams are making mistakes. Florida's making these itsy-bitsy little ones, and Tennessee is making huge, gigantic mistakes.
There were times in my career where I could have easily been traded, easily been given up on, and I think me making strides, me making a commitment to myself to come in and get better showed people what I could do each year.
You always have to keep up with the trends. The biggest thing is making your own trend and making your own stamp in the fashion industry. Whatever is going to be your style, make that your style and go from there.
So the question never comes up. I love to work with actors who I feel really confident in knowing what I'm going to get from them. And making a movie is such a risk that it's comforting to build up a good support team in production as well as cast.
I'm making the art for me first. I'm making it because these are the pictures I want to see. I'm making pictures that don't yet exist.
I think sometimes it's sort of easier to be playing a role based on a real person because there's quite often a lot more information, you're not making it up, it's there in books, it's there in research form. But really the questions you ask about the character, and why people behave, and where they come, and how they've ended up in the places they've ended up are the same.
I didn't like men because they were so physically competitive. Men are always making a pecking order. "I can beat you up and you can beat him up ..."
We grew up listening to alternative music from the '90s, and there was no shame in being on a major label and still making the music you wanted to make. I feel like rap rock came around and drew a line in the sand, and everybody that was like me ran away from that and started making indie-rock.
God was feeling sardonic the day He created the Universe. So it's rather up to at least one man every few centuries to pop up and come just as close to making him swallow his laughter as possible.
When people say, 'I don't see you enough,' well just because you don't see me don't mean I don't exist, or just 'cause you haven't heard me don't mean I haven't been making noise. But if I keep making noise, you'll pick up.
Stand-up was interesting to me at the beginning, because I was trying to parody it. My early stand-up was really Andy Kaufman-esque, and then I became the very thing I was making fun of.
The group is enthusiastic about making art, but it's also a good excuse to get together with friends and to enjoy each other's company and to catch up on what's going on with us. Our attitude to making music is carefree and we don't stress about it at all. If music or a particular feeling doesn't come out willingly, we'll force it out.
When I play games, I'll make up little stories for just anything. It's almost the game of making up background stories for people you see on the street. You know what I mean? I wasn't exactly the popular kid in school growing up, so I found myself really observing people, and watching how they interact, and how they react to things.
It's complementary. It's fairly clear where the boundaries are. When I start telling you the contents of his head, I am making it up. But I try to make it up based on what is on the record. So even my wildest speculations [on Thomas Cromwell] will have a root somewhere.
Decision-making when things show up instead of when they blow up is actually a habit that can be developed and enhanced. The trick is to get used the clean feeling of having decided, instead of sitting on a fence.
It's a surreal thing because you are there and made up and dressed up as if you're making the film. You do the scene, which is going to be in the film, and I met him [Daniel Craig] and I'm working with the director, and so it is different to just a normal audition.
When I was a girl, I would make up songs for fun. Then I realized, after making them up, that I could remember how they went a week later - I remember that's when I thought: Maybe I'm gonna be a singer.
The main three components are the blues, improvisation - which is some kind of element that people are trying to make it up - and swing, which means even though they're making up music, they're trying to make it up together. It feels great, like you're having a great conversation with somebody.
A dog – a collie – went up to Eric, looked up at his face, and growled. “Shoo,” Eric said, making an imperious gesture with his hand. — © Charlaine Harris
A dog – a collie – went up to Eric, looked up at his face, and growled. “Shoo,” Eric said, making an imperious gesture with his hand.
If you want to be powerful in life you have to enjoy the process. You have to get pleasure out of making the thing that you're making. There has to be that kind of purpose behind it. If your purpose is simply gaining power, if that becomes your end in life then you end up sort of destroying yourself because you lose the sense of detachment that's very necessary.
I've grown up putting my suitcase down, making new friends, and then having to pick it up again, like 'Let's move him to another foster home in six months' time.'
Making of poetry, music, dance and art as culture-making in the service of nation-making. You can find writings that make that purpose for art quite explicit.
When I'm hired just to be an actress, I don't have to worry about anything else but showing up on set, making sure I know my lines and making sure I know what I'm bringing to the character. When I'm a creator and executive producer, I have to worry about the whole thing.
I don't know about you, but all this modern technology that's supposed to save us time and effort has actually ended up making things more complicated in my life, eating up extra time.
When people say I don't see you enough, well just because you don't see me don't mean I don't exist or just 'cause you haven't heard me don't mean I haven't been making noise. But if I keep making noise, you'll pick up.
The main thing I'm into is going about on a bike, taking random routes; I'm really into the idea of making up journeys, and just seeing where they take you, because they always end up taking you someplace freaky.
[ If I wasn't making music ] I'd probably end up going to school, I never went to school. Or just give up and get my plumber's ticket and move back to Edmonton and become an alcoholic.
The main thing I’m into is going about on a bike, taking random routes; I’m really into the idea of making up journeys, and just seeing where they take you, because they always end up taking you someplace freaky.
When you're making a record - and I've never said this to anybody, but it's true - when you're making a record, and you go, 'Man, this might win a Grammy!' you feel that level of confidence when you're making a record.
I'd be at someone's house or be up on the roof all day and I'd get lonely - stir crazy - and talk radio became this soothing voice in my life. But the idea that I was making $10 an hour and stacking drywall while these guys were making a few hundred thousand, and they were having a party, and there were Playmates and there were good times, I just couldn't imagine it.
The Making of Friends Life is sweet because of the friends we have made And the things which in common we share; We want to live on, not because of ourselves, But because of the ones who would care. It's living and doing for somebody else On that all of life's splendor depends, And the joy of it all, when we count it all up, Is found in the making of friends.
I love making up titles. — © Mark Morris
I love making up titles.
I've grown up with girls that are like Precious. I've grown up with people that are like everyone that I read about in that book. And so years later, when I was given the role, I just felt a huge responsibility to show the reality of that situation and to show that we're not making it up.
My total focus was on building up our military, building up our strength, building up our borders, making sure that China, Japan, Mexico, both at the border and in trade, no longer takes advantage of our country.
Which implies that the real issue in art is the audience's response. Now I claim that when I make things, I don't care about the audience's response, I'm making them for myself. But I'm making them for myself as audience, because I want to wake myself up.
Up above Aliens hover Making home movies For the folks back home Of all these weird creatures Who lock up their spirits Drill holes in themselves And live for their secrets.
At 11 years old, in 1968, my job was to deliver food on foot, so I spent my day walking around the city. I had an active imagination, jacked up by movies. I passed the time making up stories and serializing them.
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