Top 683 Malcolm X Autobiography Quotes & Sayings - Page 9

One's life story cannot be told with complete veracity. A true autobiography would have to be written in states of mind, emotions, heartbeats, smiles and tears; not in months and years, or physical events. Life is marked off on the soul by feelings, not by dates.

Autobiography. Apparently one should not name the names of those one has been to bed with, or give explicit figures on the amount of money one has earned, those being the two data most eagerly sought by readers; all the rest is legitimate to reveal.

I always tell my students that Malcolm X came both to his spirituality and to his consciousness as a thinker when he had solitude to read. Unfortunately, tragically, like so many young black males, that solitude only came in prison.

It is important to understand how leaders have adapted and thought about war and warfare across their careers. 'The Autobiography of General Ulysses S. Grant: Memoirs of the Civil War' is perhaps the best war memoir ever written.

To me, craft work is the ultimate. Maybe I got this idea from the autobiography of Benvenuto Cellini, who was employed as a sculptor to the state and church, making coins and things. While he admired Michelangelo, he also made fun of his spiritual angst with art.

I had seen 'Do the Right Thing' when I was at college, and it was incredibly inspiring as a piece of cinema. Just brilliant, I thought. But saw 'Malcolm X' with a crowded audience. It was my first time in an American cinema, hearing an audience respond. You know, in England, everyone is so restrained.

The rage was in me, and if it wasn't for the rage, then I wouldn't know how to be calm. They feed off of each other. Just like when Malcolm X fed off Martin Luther King. They needed each other.

Former South Africa President Nelson Mandela announced Tuesday he will begin writing his autobiography. He spent 25 years in prison before being elected to public office. In America, we do it the other way around.

I have to say in premise 'Winter Journal' is really not a memoir. And I don't even think of it as an autobiography. I think of it as a literary composition - similar to music - composed of autobiographical fragments. I'm really not telling the story of my life in a coherent narrative form.

We talk about how hard it is now. But if we look back at the '60s, we actually had a president that was assassinated. We had riots, we had Vietnam, Martin Luther King, Malcolm X, the FBI, and the Black Panther war. There was so much happening at the time where it felt like America was coming apart at the seams.

I wrote a little autobiography about how luck has to do with everything. It's called "My Lucky Life In and Out of Show Business." A publisher came to me and said write a book so I did. I wanted to call it "Everybody Else Has Got a Book."

Malcolm X envisions a broad-based pluralistic united front, which is spearheaded by the Nation of Islam, but mobilizing integrationist organizations, non-political organizations, civic groups, all under the banner of building black empowerment, human dignity, economic development, political mobilization.

After my stroke I put down much of the luggage of my life. I didn't have to prove anything anymore - in business, in my personal life or whatever. And now, as I work on my autobiography, I enjoy looking back, seeing the connections, the causes and effects of my life.

Well, in fact everybody - everybody - in the entire nation has enough stuff in their life to write about that's interesting that they could write their autobiography. And in the end that's why I find people interesting.

There's something about the authenticity rather than the autobiography that makes my story and my pain move across and become your story and your pain.

I got out of autobiography because my story is, I was famous, it was hard for me, I got into therapy. I had trouble with food, I got a nutritionist. There's no story there.

In your telephone call, you [Malcolm Turnbull]said that neither you nor the Cabinet would be supporting my nomination. When I asked the reasons for this, you said that neither you nor the Cabinet has the view that I had the qualifications for the position [of UN's secretary-general].

For [Malcolm Subban] I know that he's the No. 1 ranked goalie in North America and the world right now, he's got a great opportunity. He's got to enjoy this whole process because it only comes once. Not that many players get the opportunity to walk up on that stage and get that jersey.

I was making a film on Muhammad Ali in 1964, and I went to Miami to film everything around the fight for the world championship with Sonny Liston. I had the good luck of flying down to Miami, and there was one empty seat, and the guy sitting next to this empty seat was Malcolm X.

Autobiography is the most fascinating thing you can do because you get to touch the human condition. And in the end, what else is there? To me, it's the ultimate affirmation of life, and a miracle of this transient, extremely fragile organism. To celebrate that, I think, is a noble thing to do.

People look at me like I should have been like Malcolm X or Martin Luther King or Rosa Parks. I should have seen life like that and stay out of trouble, and don't do this and don't do that. But it's hard to live up to some people's expectations.

I'm sorry to bang on about it because I know everyone is, but Bryan Cranston in 'Breaking Bad' is remarkable. To see him switch from 'Malcolm in the Middle' to suddenly become Walter White is incredible. It's a) nice to see an actor given that chance, and b) great to see him really take full advantage of it.

I wanted to be a pariah, because all my heroes were cult artists, people who devoted their lives to poking into very narrow, very deep corners - Erik Satie, Alfred Jarry, Malcolm Lowry - people who suffered in order to express their vision of life.

Because I write fiction, I don't write autobiography, and to me they are very different things. The first-person narrative is a very intimate thing, but you are not addressing other people as 'I' - you are inhabiting that 'I.'

My mother witnessed the martyrdom of her husband, Hajj Malik Shabazz, Malcolm X, on Sunday, February 21, 1965, at the Audubon Ballroom in New York City. My older sisters, Attallah, Qubilah and I were seated with our mother up front and stage right.

A home should be an intimate autobiography of the things that you like. One of the things I'm so keen on expressing is that, if you don't do it for yourself, if you're always seeking affirmation from outside, you'll never have a home. It'll just be a house.

Doc has been my name all my life, and John is my middle name. I'm proud of all my names - Malcolm John Michael Creaux Rebennack. I'm proud of them names.

The reason why I began making quilts is because I wrote my autobiography in 1980 and couldn't get it published because I wanted to tell my story, and my story didn't appear to be appropriate for African-American women.

I grew up in the sixties watching B.B. King and Tito Puente and Miles Davis and Coltrane, everybody, Marvin Gaye, Jimi. And at the same time, with my left eye I was watching Dolores Huerta, Cesar Chavez, Martin Luther King, Malcolm X, Mother Teresa.

That is what the highest criticism really is, the record of one's own soul. It is more fascinating than history, as it is concerned simply with oneself. It is more delightful than philosophy, as its subject is concrete and not abstract, real and not vague. It is the only civilized form of autobiography.

We had no money, and we had to go through 'punk' school. We ended up living in the rehearsal room that used to be the Sex Pistols rehearsal room at Malcolm McLaren's office. So we had this sort of interesting beginning.

I was a fan of the Marx Brothers. One of them had this character where he pretended not to be able to talk, but then he wrote this autobiography called 'Harpo Speaks!' He wrote about how he quit school at nine years old to become a professional.

At 16, I went to Smith College in Massachusetts and that was right after the peak of the civil-rights movement and all the rest. It was an era when students were making demands and many black students were closer to the teachings of Malcolm X, or what they thought were his teachings.

'Masquerade' is the autobiography of Wyclef Jean. A lot of people know me through my work with Carlos Santana or Destiny's Child, winning all those Grammy Awards, but you do not know what is going on inside me.

If you want to pontificate, I'm certainly willing to pontificate. That's why Joely was laughing because you don't know what you asked for. Malcolm Gladwell, in his newest book "David and Goliath," writes about how sometimes things that we think of as handicaps often times are just the opposite. Or the reverse is also true.

What is striking is that from almost from the very beginning of certainly by September and October of 1963, as the book was being constructed, that [Alex] Haley was vetting - asking questions to the publisher and to the publisher's attorney regarding many of the things that Malcolm X was saying. He was worried that he would not have a book that would have the kind of sting that he wanted.

In 1999, I had my back against the wall, and WWE had a ghostwriter working on an autobiography for me. He was halfway through, and it was awful, just boring. I took over as a way of trying to fix things, as I thought I could probably do a better job.

I wrote a little autobiography about how luck has to do with everything. It's called 'My Lucky Life In and Out of Show Business.' A publisher came to me and said, 'Write a book,' so I did. I wanted to call it 'Everybody Else Has Got a Book.'

Quincy Jones' autobiography 'Q' is very good. Because he's a master at music, he's one of our greatest composers, and its good for him to have a book and tell the good ole days when he was with Duke Ellington, Count Basie, Sarah Vaughan and Ray Charles.

I hit adolescence only to discover my autobiography had already been written; plagiarized, in fact, by a man named J.D. Salinger who, in appropriating to himself my inner mass of pain and confusion, had given me the unlikely name of Holden Caulfield.

Christopher Hitchens's autobiography, 'Hitch 22', is a poignant read and very interesting because I have a very poor knowledge of recent political history - or, for that matter, distant political history.

I have my Grade 1 autobiography that says I'm going to the 2012 Olympic Games, and it has a picture of me on the podium. So, I've known my whole life. It's not something I just thought of. I've known I would be an Olympic athlete; didn't know what sport, but I drew myself in a judo gi.

To me, I feel that my game is strong. I feel as thought I'm a shining prince, just like Malcolm, and I feel that all of us are shining princes, and if we live like princes, then whatever we want can be ours. Anything.

In [Yogananda's] celebrated Autobiography of a Yogi, he offers a stunning account of the 'cosmic consciousness' reached on the upper levels of yogic practice, and numerous interesting perspectives on human nature from the yogic and Vedantic points of view.

A man's memory is bound to be a distortion of his past in accordance with his present interests, and the most faithful autobiography is likely to mirror less what a man was than what he has become.

I don't view my memory as accurate or static - and, in autobiographical fiction, my focus is still on creating an effect, not on documenting reality - so 'autobiographical,' to me, is closer in meaning to 'fiction' than 'autobiography.'

I mean at the end of the day, we are still brothers [with Malcolm Subban]. But I'm also getting paid to score goals so he better watch that glove side, because I like to go glove side. I know he thinks he's got a hot glove but I'm going to have to try and expose it.

We are seeing some challenges and some changes in American business, American enterprise, but the Malcolm Baldrige National Quality Award is a reminder of things that must never change: the passion for excellence, the drive to innovate, the hard work that goes with any successful enterprise.

I realized going back and writing and explaining in details the difficulties I had lived actually became emotional again. It's like therapy but sometimes therapy can be painful. But it's part of life and part of the autobiography so I'll have to finish it sooner or later.

I love biographies. I read Patti Smith's 'Just Kids.' I'm into that time frame in New York, the '70s and '80s. In art school, I read 'Close to the Knives,' the autobiography of the artist and AIDS activist David Wojnarowicz.

A reflection of my feelings about the space program is found in a quotation from Charles A. Lindbergh's "Autobiography of Values." It reads, "Whether outwardly or inwardly, whether in space or time, the farther we penetrate the unknown, the vaster and more marvelous it becomes."

Today, journalists more than any other cohort of professionals, are responsible for the confusion that surrounds power and its criminality in contemporary society. As Janet Malcolm said in another context, 'Every journalist who is not too stupid or too full of himself to notice what is going on knows that what he does is morally indefensible.'

When you are what we call a 'minority writer,' a writer of color, a writer of any kind of difference, there is some kind of presumption of autobiography in everything you produce. And I find that really maddening, and I resist that.

I think that Malcolm X was envisioning, even while he was in the Nation of Islam, a black nationalist progressive strategy toward uniting black people across ideological, class lines, denominational religious lines, Christians, as well as Muslims, to build a strong movement for justice and for empowerment.

I realized going back and writing and explaining in details the difficulties I had lived actually became emotional again. It's like therapy but sometimes therapy can be painful. But it's part of life and part of the autobiography so I'll have to finish it sooner or later.

It isn't that you subordinate your ideas to the force of the facts in autobiography but that you construct a sequence of stories to bind up the facts with a persuasive hypothesis that unravels your history's meaning.

After reading Eminem's autobiography, which I did because I'm so interested in him as an artist, I respect him a lot. Even though he seems angry and mad, he's had to fight so many demons in his life.

Autobiography is awfully seductive; it's wonderful. Once I got into it, I realized I was following a tradition established by Frederick Douglass - the slave narrative - speaking in the first-person singular, talking about the first-person plural, always saying 'I,' meaning 'we.'

An artist should create beautiful things, but should put nothing of his own life into them. We live in an age when men treat art as if it were meant to be a form of autobiography. We have lost the abstract sense of beauty.

I've been working on my autobiography, just pecking away in longhand. The more you write, the more you remember. The more you remember, the more detail you recall. It's not all pleasant!