The very name 'Manson' has become a metaphor for evil... He has come to represent the dark and malignant side of humanity, and for whatever reason, there is a side of human nature that is fascinated with ultimate evil.
Honestly, if you want me to keep it 100, Marilyn Manson has as much style as Kanye West and Pharrell Williams. He has a lot of style. I'm telling you, it's crazy. It might be a little darker, but it's crazy.
Violence, and evil, doesn't always come dressed in black, and it doesn't always look like Charles Manson. Nor does it always come to us as obvious and arrogant[...]. Often it comes to us with the simple plea to be reasonable.
Red lipstick has always been a classic. You have seen the red lip on people from Marilyn Monroe to Marilyn Manson. The right shade of red can turn a boring look into a bold, eye-catching statement.
If anyone should be executed, it should be Charles Manson. Do I go around during the daytime, 'Geez, I'm upset that he's alive'? No, I don't even think about him. I don't think about this case.
Roecker sure is a romantic about certain things, like art and music, though you might not know it from watching Live Freaky! Die Freaky!, his claymation musical retelling of the Helter Skelter Charlie Manson saga.
You read these stories of people who were in Hollywood in the late '60s. After they found out about the murders, everybody was like, "Have you met [Charles] Manson? Have you been to that ranch?" In some way, everybody felt connected, but what was it like for people who really were connected.
Charles Manson loved the Beatles but didn't understand them. Governor Chris Christie loves Bruce Springsteen but doesn't understand him. And Paul Ryan is clueless about his favorite band, Rage Against the Machine.
The Internet is a very powerful tool, but right now it's being handled by a lot of fools. And I think us together, Marilyn Manson as a whole, what we all stand for, should be the biggest spider on the web. I think that it will become our web. Not something that uses us, but something that we will control
Presidents routinely testify in criminal cases. You know, George W. Bush did it with Valerie Plame. Bill Clinton did it three times with Ken Starr. Gerald Ford did it with respect to a testimony about a Charles Manson follower. And Ronald Reagan, I think, is perhaps the most important precedent.
Some make you sing and some make you scream. One makes you wish that you'd never been seen. But there's a shop on the corner that's selling papier mache, making bullet-proof faces, Charlie Manson, Cassius Clay. If you want it, boys, get it here, thing.
You might find me outside with a can of hair spray, spraying it with the hope that the sun will burn a hole in the Earth. Another part of me hopes people will grow up and evolve and get smarter. That's the paradox of Marilyn Manson.
If you want to test cosmetics, why do it on some poor animal who hasn't done anything? They should use prisoners who have been convicted of murder or rape instead. So, rather than seeing if perfume irritates a bunny rabbit's eyes, they should throw it in Charles Manson's eyes and ask him if it hurts.
Any movie about cult figure Charles Manson needs lots of sex, drugs and blood. But as John Roecker discovered while filming his first feature - screening Friday and Saturday only at the Avalon - the key to amping up the gore is an old standby: puppets.
I am a character, so that's the problem. There are many, many levels to how I behave. Some people might associate being Marilyn Manson as having lipstick on, but I don't really have some sort of other lifestyle.
Rather than an excess of firearms there's a shortage of faith and family that has a lot more to do with what happened out in Littleton. Let's face it, our public square is more hostile to religion than it is to Marilyn Manson.
Marilyn Manson has always been intended to confuse some, anger some and make some people feel at home. There's no way to misunderstand what I do - but everyone can understand it differently. That's the only way I've learned to embrace art - it has to be a question mark, not an answer.
The first real concert, other than going with my dad to see Three Dog Night, was Smashing Pumpkins and Garbage. I was fourteen or fifteen. I liked Shirley Manson because she reminded me of Annie Lennox. They both have these deep, sexy, powerful alto voices.
There does seem to be a kind of split. There are those people who are more entrenched in the early electronic years, and new people who have come to it because of people like Nine Inch Nails and Marilyn Manson.
Being true to ourselves doesn't make us people of integrity. Charles Manson was true to himself, and as a result, he rightly is spending the rest of his life in prison. Ultimately, being true to our Creator gives us the purest form of integrity.
Manson's the man who's responsible for "killing the Sixties." He really knew how to play up the whole "most dangerous man alive" thing when at the time, the most dangerous man alive was Richard Nixon.
I mean, I want my live show to be like a Marilyn Manson show, where it's gruesome and dark, but I want the music to be straight-up pop.
Well, I didn't really grow up playing or listening to metal, like many of the kids I went to school with. I only got into it in my late teens, so when Marilyn Manson formed, it was at a time when I was still excited about approaching music from that angle.
I'd like to make over Marilyn Manson and just dress him really normally to see what he looks like. That'd be really weird!
Karina Longworth, the genius behind 'You Must Remember This', has quite correctly spun off her series about the Sharon Tate murders as a separate podcast called 'You Must Remember Manson' to mark the passing of the man who unleashed hell because he couldn't get a recording contract.
I truly enjoyed my time with Manson and have the greatest respect for the incredible fans. I am grateful to have contributed over two dozen songs to his projects. It was a great creative outlet for me at that point in my career.
I don't remember reading much at all during the writing of Eileen. I go through several years-long dry spells and I don't feel like reading at all. I was working part-time for a guy in Venice, California while I drafted Eileen. He wanted help in writing his memoir. The research had a lot to do with the 60s, so that must have informed my sense of the place and time in my novel, and perhaps even the memoir point-of-view. He was also from New England. It was a fun job. I learned a lot about motorcycle clubs, Charles Manson, hopping freight trains.
I haven't got many tattoos, but the two that are most important to me are music tattoos. I have a black heart with a lightning bolt down the middle. And the black heart was for Manson and the lightning bolt down the middle was for David Bowie. I have black diamond with circles that keep swirling and swirling, and it's surrounded by sort of crazy diamonds because Pink Floyd's "Shine On You Crazy Diamond" really inspired me, and everybody's called me Crazy Diamond since I was a teenager, so it was always important to me.
Throughout the entire time I was filming 'Thirteen,' I'd just lock myself in my room and listen to Garbage's first album. It was Shirley Manson, Nirvana and Radiohead who got me through everything. Also, Alanis Morissette and Tori Amos. They were so beautiful and strange, and they gave women permission to be angry and emotional, but also strong.
I had been in a place where I was letting too many people dictate who I should be and what I should be, and I was trying to make everybody happy to the point where it was just killing me. I'd completely lost myself. It's kind of funny now that people think I've completely changed myself for Marilyn Manson, when this is actually the first time in my life that I took a stand and said, "This is who I am and this is who I've always wanted to be, and I'm finally with somebody who lets me be who I want to be."
The end of the '60s was a terrible time. I was in Los Angeles then, and I remember the night someone ran into the studio and told us about the Manson murders. Then suddenly something happened, the '60s disappeared. The '70s were completely different.
Sociopaths are not usually physically violent. A typical sociopath never kills anybody and doesn't look like Charles Manson - they look like you and me and everybody else. You're not looking for someone who's recognizably evil or scary-looking, but rather someone who looks normal. Another lynchpin is dishonesty. Lying for the sake of lying. Lying just to see whether you can trick people. And sometimes telling larger lies to get larger effects.
It bothered me in a kind of Charles Manson way to have a brown smear of blood on my wall but I also liked it because every time I looked at it I was reminded that I was, at that very moment, not bleeding from my face. And those are powerful words of hope, really.
If Marilyn Manson would write a song that says, 'Do your damn homework,' it would make the world a better place, and it wouldn't hurt him at all. And if he doesn't like it, to hell with him. He can come fight us - by the bicycle racks.
Marilyn Monroe wasn't even her real name, Charles Manson isn't his real name, and now, I'm taking that to be my real name. But what's real? You can't find the truth, you just pick the lie you like the best.
I've accepted the fact that Limp Bizkit is my band, one that I'm a part of, a band that I've built from the beginning. It does me no good to be in somebody else's band playing their music, like Marilyn Manson or Korn. Being in Limp Bizkit allows me to be myself.
I don't understand the problem with paroling Charles Manson? I say set him free and let him get on with his work. I have a long list of celebrities I'd be glad to share with him.
A story might sell if there's a headline like 'Marilyn Manson admits to being Satanic', all the little hypocrites will go and buy the magazine, read about what evil, weird people we are and will feel better about themselves.
When I was touring with Ozzy, you know, when I was with Manson, we toured with Ozzy, so many times, we did Ozzfest a thousand times, and, you know, it seems like I'm always playing with Ozzy in one way or another opening up.
I was at a book convention, in a cab. On one side of me was Arthur Schlesinger; on the other side was William Manchester - real heavyweights. All they were doing was asking me about Charles Manson. The only thing that enables me not to be bored is the people talking about it - they're so interested.
I wouldn't specifically say rock n' roll is dead, but I don't see a lot of charismatic performers in the way of new blood who are edgy and dangerous on stage, like Marilyn Manson, who you never quite know if he's going to make it through his own show.
I think the media made Manson, turned him into some larger than life figure and surrounded him with mystery and some shady glamour.
Long before there was Marilyn Manson, long before there was Alice Cooper, way before Ozzy Osbourne, there was Screamin' Jay Hawkins
FLYING DOWN SUNSET SMOKING CRACK
TRANSVESTITE IN THE FRONT
EDDI MURPHY IN THE BACK
MOP HAD ME GRINDY AND GRIDDY
MARILYN MANSON, I DYED MY HAIR BLUE
AND GREW SOME TITTIES
How long can we maintain? I wonder. How long before one of us starts raving and jabbering at this boy? What will he think then? This same lonely desert was the last known home of the Manson family. Will he make that grim connection.
I can tell when I've met a bad journalist when they say, "I've met Madonna," or "I know Marilyn Manson." Because I haven't met anyone I've ever interviewed. I've sat down in the position of an interviewer, and they've sat down in the position of an artist trying to promote a product. We have no relationship. I'm able to ask them questions I'd never be allowed to ask them if we were casual friends. It's a completely constructed kind of situation.
I wasn't doing it to shock anybody or to be rebellious or to get attention making "Heart-Shaped Glasses" with Marilyn Manson. I was more proud of that than anything because it took a lot of strength and bravery to put myself out there like that. It was a risk. I'm glad that I did it because usually the best things I've done have come from the biggest risks. Thirteen was a risk and that was amazing.
Charles Manson loved the Beatles but didn’t understand them. Governor Chris Christie loves Bruce Springsteen but doesn’t understand him. And Paul Ryan is clueless about his favorite band, Rage Against the Machine.
Throughout my years in From First to Last, I was always dabbling and making electronic music on my own time. The first records I ever owned were crossover electronic rock, like Prodigy, Marilyn Manson and Nine Inch Nails.
Eyes Wide Open' took shape from two real life events straight from my own past. One was the sad suicide of my young nephew, a troubled kid, who was found at the bottom of a landmark cliff in central California. The second was a chance encounter forty years ago with none other than, ahem, Charles Manson!
When I was a kid I really didn't have my own opinions and then sort of transformed into this angel which is really Marilyn Manson and then the final stage is Antichrist Superstar which is the more nihilistic, totalitarian element in everybody's personality, that, is a real struggle on the album and in my life, between that power.
I really fell for Marilyn Manson. I thought how awful it was that an artist like him could be blamed for something - someone who brings so much to the world and, if anything, probably comforts kids who are in pain by saying, "You're not alone."
A lot of seriously insane people have managed to acquire huge followings based on the idea that their insanity is a kind of enlightenment. An obvious example would be Charles Manson or Shoko Asahara who is the person responsible for the Sarin gas attack on the Tokyo subway.
How can Hitler, or some other murderer, appear in this world? I don't think any single theory can account for the phenomenon, and I think it's a mistake to try to reduce it to being brutalized by your parents or having grown up in some horrible situation - like Charles Manson.
It seems like every year Hollywood makes an attempt to retell the Manson story, and I just couldn't be less interested in it. It's not really our crowning achievement as a civilisation. I'm not saying it shouldn't be done, but it just bores me.
Roman's wife Sharon Tate had been murdered by Charles Manson the year before, but Roman had been through so much leaving the Warsaw ghetto that he was very strong and private.
This site uses cookies to ensure you get the best experience.
More info...