Top 347 Marble Quotes & Sayings - Page 6

The view of earth is spectacular from space. Most people imagine that when astronauts look out the window of the shuttle they see the whole earth like that big blue marble that was made famous by the flights that went to the moon. But the shuttle is much, much closer than those astronauts were. So we don't see the whole planet, the whole ball at once, we just see parts of it.

In fact, since the accident, Mom doesn't love anyone. She is marble. Beautiful. Frigid. Easily stained by her family. What's left of us anyway. We are corpses. At first, we sought rebirth. But resurrection devoid of her love has made us zombies. We get up every morning, skip breakfast, hurry off to work or school. For in those other places, we are more at home. And sometimes we stagger beneath the weight of grief, the immensity of aloneness.

The immortal mind, superior to his fate, amid the outrage of external things, firm as the solid base of this great world, rests on his own foundation. Blow, ye winds! Ye waves! ye thunders! roll your tempests on! Shake, ye old pillars of the marble sky! Till at its orbs and all its worlds of fire be loosen'd from their seats; yet still serene, the unconquer'd mind looks down upon the wreck; and ever stronger as the storms advance, firm through the closing ruin holds is way, when nature calls him to the destin'd goal.

... not only is life put in new patterns from the air, but it is somehow arrested, frozen into form. (The leaping hare is caught in a marble panel.) A glaze is put over life. There is no flaw, no crack in the surface; a still reservoir, no ripple on its face. Looking down from the air that morning, I felt that stillness rested like a light over the earth. The waterfalls seemed frozen solid; the tops of the trees were still; the river hardly stirred, a serpent gently moving under its shimmering skin.

Earth Is Enough. We men of Earth have here the stuff Of Paradise - we have enough! We need no other stones to build The Temple of the Unfulfilled - No other ivory for the doors - No other marble for the floors - No other cedar for the beam And dome of man's immortal dream. Here on the paths of every-day - Here on the common human way Is all the stuff the gods would take To build a Heaven, to mold and make New Edens. Ours is the stuff sublime To build Eternity in time!

One of the heavy marble busts that lined the higher shelves had slid free and was falling toward her; she ducked out of its way, and it hit the floor inches from where she'd been standing, leaving a sizable dent in the floor. A second later Jace's arms were around her and he was lifting her off her feet. She was too surprized to struggle as he carried her over to the broken window and dumped her unceremoniously out of it.

Up and away for life! be fleet!- The frost-king ties my fumbling feet, Sings in my ears, my hands are stones, Curdles the blood to the marble bones, Tugs at the heart-strings, numbs the sense, And hems in life with narrowing fence. Well, in this broad bed lie and sleep,- The punctual stars will vigil keep,- Embalmed by purifying cold; The winds shall sing their dead-march old, The snow is no ignoble shroud, The moon thy mourner, and the cloud.

So, instead of panicking, I closed my eyes and spent the twenty minutes' drive with Edward. I imagined that I had stayed at the airport to meet Edward. I visualized how I would stand on my toes, the sooner to see his face. How quickly, how gracefully he would move through the crowds of people separating us. And then I would run to close those last few feet between us - reckless as always - and I would be in his marble arms, finally safe.

Economy denotes the the proper management of materials and of site, as well as a thrifty balancing of cost and common sense in the construction of works. ...the architect does not demand things which cannot be found or made ready without great expense. For example: it is not everywhere that there is plenty of pitsand, rubble, fir, clear fir, and marble... Where there is no pitsand, we must use the kinds washed up by rivers or by the sea... and other problems we must solve in similar ways.

Before I think we was emcees, we was more or less narrators too. Because if you look at the early '80s hip hop, it was so much creativity goin' on with artists like then, like Slick Rick, then you had Rakim, and you had these different kind of artists back then. And we was a marble cake of all these artists. So I didn't have a problem with writin' stories because I felt like that was somethin' I loved to do. Even to this day, I really consider myself an entertainer-slash-narrator. I like to talk about stuff that goes on.

Rome was mud and smoky skies; the rank smell of the Tiber and the exotically spiced cooking fires of a hundred different nationalities. Rome was white marble and gilding and heady perfumes; the blare of trumpets and the shrieking of market-women and the eternal, sub-aural hum of more people, speaking more languages than Gaius had ever imagined existed, crammed together on seven hills whose contours had long ago disappeared beneath this encrustation if humanity. Rome was the pulsing heart of the world.

Those who will may raise monuments of marble to perpetuate the fame of heroes. Those who will may build memorial halls to remind those who shall gather there in after times what manhood could do and dare for right, and what high examples of virtue and valor have gone before them. But let us make our offering to the ever-living soul. Let us build our benefactions in the ever-growing heart, that they shall live and rise and spread in blessing beyond our sight, beyond the ken of man and beyond the touch of time.

Don Quixote followed nature, and being satisfied with his first sleep, did not solicit more. As for Sancho, he never wanted a second, for the first lasted him from night to morning, indicating a sound body and a mind free from care; but his master, being unable to sleep himself awakened him, saying, "I am amazed, Sancho, at the torpor of thy soul; it seems as if thou wert made of marble or brass, insensible of emotion or sentiment!

Every thought which enters the mind, every word we utter, every deed we perform, makes its impression upon the inmost fiber of our being and the result of these impressions is our character. The study of books, of music, or of the fine arts is not essential to a lofty character. It rests with the worker whether a rude piece of marble shall be squared into a horse-block or carved into an Apollo, a Psyche, or a Venus di Milo. It is yours, if you choose, to develop a spiritual form more beautiful than any of these, instinct with immortal life, refulgent with all the glory of character.

I feel closer ties and more intimate bonds with certain characters in books, with certain images I’ve seen in engravings, than with many supposedly real people with the metaphysical absurdity known as ‘flesh and blood’. In fact, ‘flesh and blood’ describes them very well: they resemble cuts of meat laid out on the butcher’s marble slab, dead creatures bleeding as though still alive.

But at my back I always hear Time's winged chariot hurrying near; And yonder all before us lie Deserts of vast eternity. Thy beauty shall no more be found, Nor, in thy marble vault, shall sound My echoing song; then worms shall try That long preserv'd virginity, And your quaint honour turn to dust, And into ashes all my lust. The grave's a fine and private place, But none I think do there embrace.

Don't be taken in when they paternally pat you on the shoulder and say that there's no inequality worth speaking of and no more reason to fight because if you believe them they will be completely in charge in their marble homes and granite banks from which they rob the people of the world under the pretence of bringing them culture. Watch out, for as soon as it pleases them they'll send you out to protect their gold in wars whose weapons, rapidly developed by servile scientists, will become more and more deadly until they can with a flick of the finger tear a million of you to pieces.

I could really appreciate him now - could properly see every beautiful line of his perfect face, of his long, flawless body with my strong new eyes, every angle and every plane of him. I could taste his pure, vivid scent on my tongue and feel the unbelievable silkiness of his marble skin under my sensitive fingertips.

Excessively precise economic analysis can lead to assessing everything in terms of its easily measurable melt value - the value that thieves get from stealing copper wiring from isolated houses, that vandals got from tearing down Greek temples for the lead joints holding the marble blocks together, that shortsighted timber companies get from liquidating their forests. The standard to insist on is live value. What is something worth when it's working?

Guess what it is that turns plants to coal. Pressure. Guess what it is that turns limestone to marble. Pressure. Guess what it is that turns Briony's heart to stone. Pressure. Pressure is uncomfortable, but so are the gallows. Keep your secrets, wolfgirl. Dance your fists with Eldric's, snatch lightning from the gods. Howl at the moon, at the blood-red moon. Let your mouth be a cavern of stars.

There was movement along the fringe of Chauncey's vision, and he snapped his head to the left. At first glance what appeared to be a large angel topping a nearby monument rose to full height. Neither stone nor marble, the boy had arms and legs. His torso was naked, his feet were bare, and peasant trousers hung low on his waist. He hopped down from the monument, the ends of his hair dripping rain. It slid down his face, which was dark as a Spaniard's.

It was pleasant to wake up in Florence, to open the eyes upon a bright bare room, with a floor of red tiles which look clean though they are not; with a painted ceiling whereon pink griffins and blue amorini sport in a forest of yellow violins and bassoons. It was pleasant, too, to fling wide the windows, pinching the fingers in unfamiliar fastenings, to lean out into sunshine with beautiful hills and trees and marble churches opposite, and, close below, Arno, gurgling against the embankment of the road.

Constantine, the Emperor, saw something in the religion of Christ's people which awakened his interest, and now we see him uniting religion to the state and marching up the marble steps of the Emperor's palace, with the church robed in purple. Thus and there was begun the most baneful misalliance that ever fettered and cursed a suffering world... When ... Constantine crowned the union of church and state, the church was stamped with the spirit of the Caesars.

Christ alone, of all the philosophers, magicians, etc., has affirmed eternal life as the most important certainty, the infinity of time, the futility of death, the necessity and purpose of serenity and devotion. He lived serenely, as an artist greater than all other artists, scorning marble and clay and paint, working in the living flesh. In other words, this peerless artist, scarcely conceivable with the blunt instrument of our modern, nervous and obtuse brains, made neither statues nor paintings nor books. He maintained in no uncertain terms that he made ... living men, immortals.

I know all about violence and physical abuse because my first husband used to beat me severely when he got drunk. Once, I can remember coming home from a party and walking up our vast marble staircase at the Fifth Avenue house while he was striking me. I thought, If I just gave him one shove down the staircase I would be rid of him forever.

It's like growing lotus flowers. You cannot grow lotus flowers on marble. You have to grow them on the mud. Without mud you cannot have lotus flowers. Without suffering, you have no way to learn how to be understanding and compassionate.

How does one chip off the marble that doesn't belong? ... That comes about through five things: humility, reverence, inspiration, deep purpose, and joy. No great man has ever wise-cracked his way to greatness. Until one learns to lose one's self he cannot find himself. No one can multiply himself by himself. He must first divide himself and give himself to the service of all, thus placing himself within all others through acts of thoughtfulness and service.

I have this table in my new house. They put this table in without asking. It was some weird nouveau riche marble table, and I hated it. But it was literally so heavy that it took a crane to move it. We would try to set up different things around it, but it never really worked. I realized that table was my ego. No matter what you put around it, under it, no matter who photographed it, the douchebaggery would always come through.

When I come to a new city is I combine: I say, well, it's like Barcelona and Edinburgh, though I can't imagine what that would be. But Toronto, the last few times I've been here, what always comes up is Chicago and West Berlin. It's a big, sprawling city beside a lake, of a certain age and a certain architectural complexity. But the high-end retail core looks more like West Germany than the Magnificent Mile. Yonge Street is like K-Damm. There's an excess of surface marble and bronze: it's Germanic and as pretentious as pretentious can be.

Your soul is a chosen landscape Where charming masked and costumed figures go Playing the lute and dancing and almost Sad beneath their fantastic disguises. All sing in a minor key Of all-conquering love and careless fortune They do not seem to believe in their happiness And their song mingles with the moonlight. The still moonlight, sad and beautiful, Which gives the birds to dream in the trees And makes the fountain sprays sob in ecstasy, The tall, slender fountain sprays among the marble statues.

A written word is the choicest of relics. It is something at once more intimate with us and more universal than any other work of art. It is the work of art nearest to life itself. It may be translated into every language, and not only be read but actually breathed from all human lips; -- not be represented on canvas or in marble only, but be carved out of the breath of life itself.

In the center stood a marble alter, where a kid in a toga was doing some sort of ritual in front of a massive golden statue of the big dude himself:Jupiter the sky god, dressed in a silk XXXL purple toga, holding a lightning bolt. "It doesn't look like that," Percy muttered. "What?" Hazel asked. "The master bolt," Percy said. "What are you talking about?" "I-" Percy frowned. For a second, he'd thought he remembered something. Now it was gone. "Nothing, I guess.

Self-confidence without self-reliance is as useless as a cooking recipe without food. Self-confidence sees the possibilities of the individual; self-reliance realizes them. Self-confidence sees the angel in the unhewn block of marble; self-reliance carves it out for oneself.

Within each of us exists the image of God, however disfigured and corrupted by sin it may presently be. God is able to recover this image through grace as we are conformed to Christ. Just as the figure of David lay hidden within the marble, discernible only to the eye of its creator, so the image of God (however tarnished by sin) lies within us, see and known by God Himself. Yet God loves us while we are still sinners. He doesn't have to wait until we stop sinning. Acceptance of His love is a major step along the road that leads to our liberation from the tyranny of sin.

As an attorney, I assure you the law isn't a line engraved in marble, immovable and unchangeable through the centuries. Rather the law is like a string, fixed at both ends but with a great deal of play in it very loose, the line of the law so you can stretch it this way or that, rearrange the arc of it so you are nearly always short of blatant theft or cold-blooded murder safely on the right side. That's a daunting thing to realize but true.

When he at least reached the door the handle had cease to vibrate. Lowering himself suddenly to his knees he placed his head and the vagaries of his left eye (which was for ever trying to dash up and down the vertical surface of the door), he was able by dint of concentration to observe, within three inches of his keyholed eye, an eye which was not his, being not only of a different colour to his own iron marble, but being, which is more convincing, on the other side of the door.

We are each given a block of marble when we begin a lifetime, and the tools to shape it into sculpture. We can drag it behind us untouched, we can pound it to gravel, we can shape it into glory. Examples from every other life are left for us to see, lifeworks finished and unfinished, guiding and warning. Near the end our sculpture is nearly finished, and we can smooth and polish what we started years before. We can make our progress then, but to do it we must see past the appearances of age.

What makes someone an artist? I don't think is has anything to do with a paintbrush. There are painters who follow the numbers, or paint billboards, or work in a small village in China, painting reproductions. These folks, while swell people, aren't artists. On the other hand, Charlie Chaplin was an artist, beyond a doubt. So is Jonathan Ive, who designed the iPod. You can be an artist who works with oil paints or marble, sure. But there are artists who work with numbers, business models, and customer conversations. Art is about intent and communication, not substances.

You must be mistaken," Isabel said, unconcerned by the insult that the words carried. "I assure you i am not. Voluptas is nearly always portrayed wrapped in roses. If that were not enough, her faces confirms her identity." "You cannot tell a goddess from a face carved in marble," she scoffed. "You can tell Voluptas by her face." "I've never even heard of this goddess, and you know what she looks like?" "She is the goddess of sensual pleasure." Isabel's mouth fell open at the words. She could not think of a single thing to say in response. "Oh

The authour who imitates his predecessors only by furnishing himself with thoughts and elegances out of the same general magazine of literature, can with little more propriety be reproached as a plagiary, than the architect can be censured as a mean copier of Angelo or Wren, because he digs his marble out of the same quarry, squares his stones by the same art, and unites them in columns of the same orders.

Hillary Clinton knows, as I did know, as my women members know - that a woman being elected to a position, it's not about what it means to that woman. It's not about what it means to Hillary to be the first president. It's about what it means to all of the women in America, that a woman has broken the ultimate marble ceiling and that anything is possible for them and their daughters - and their sons. It's about sons, too.

Every man is the builder of a temple, called his body, to the god he worships, after a style purely his own, nor can he get off by hammering marble instead. We are all sculptors and painters, and our material is our own flesh and blood and bones. Any nobleness begins at once to refine a man's features, any meanness or sensuality to imbrute them.

It occurs to me that the peculiarity of most things we think of as fragile is how tough they truly are. There were tricks we did with eggs, as children, to show how they were, in reality, tiny load-bearing marble halls; while the beat of the wings of a butterfly in the right place, we are told, can create a hurricane across an ocean. Hearts may break, but hearts are the toughest of muscles, able to pump for a lifetime, seventy times a minute, and scarcely falter along the way. Even dreams, the most delicate and intangible of things, can prove remarkable difficult to kill.

Several sets of arms would embrace me. But in the end, the only person I truly want to comfort me is Haymitch, because he loves Peeta, too. I reach out for him and say something like his name and he's there, holding me and patting my back. "It's okay. It'll be okay, sweetheart." He sits me on a length of broken marble pillar and keeps an arm around me while I sob.

And at this moment in history, our core value happens to be the raw, aching truth of the human predicament. It may also be the only belief that can save us as a species. A species that will continue to find comfort and delight in the companionship of animals, the miracle of birds, the colours of the corals and the majesty of the forests. We are in it together, on this blue spinning marble in the cold and silent void. And we must act on that belief, if we are going to be able to continue to live a good life here, in this beautiful and fragile country, on this lovely planet, our only home.

I stood in Venice, on the Bridge of Sighs; A palace and a prison on each hand; I saw from out the wave of her structure's rise As from the stroke of the enchanter's wand: A thousand years their cloudy wings expand Around me, and a dying Glory smiles O'er the far times, when many a subject land Look'd to the winged Lion's marble pines, Where Venice sate in state, throned on her hundred isles.

O thou who art able to write a Book, which once in the two centuries or oftener there is a man gifted to do, envy not him whom they name City-builder, and inexpressibly pity him whom they name Conqueror or City-burner! Thou too art a Conqueror and Victor; but of the true sort, namely over the Devil: thou too hast built what will outlast all marble and metal, and be a wonder-bringing City of the Mind, a Temple and Seminary and Prophetic Mount, whereto all kindreds of the Earth will pilgrim.