Top 1200 Marching Band Quotes & Sayings - Page 10

When Spandau were at the peak, there was a lot of pressure on us as brothers that kind of saved the band for years. If there was ever a moment where the band might explode, it was left to me and Gary to go off and have the biggest argument - I remember having proper fist fights with him in the 80s - and that got rid of the tension.

Major labels have always been around our band since the beginning, and we just waited. We knew we had to do some things, and we needed to grow as a band before we made that step. We needed to do it our way and not do it how it works for other people.

With the exception of Megadeth, I can't imagine any band we were hesitant about touring with. I mean we liked the original Megadeth, but I can't think of any band we toured with we weren't psyched about.

Some people are marching together and some on their own. Others are running, the smaller ones crawl. But some sit in silence.

People in every direction No words exchanged No time to exchange And all the little ants are marching Red and black antennas waving They all do it the same We all do it the same way

I feel self-conscious for even having met so many other band people and artists, I don't want to be that artist that is only able to talk about themselves and their own band. I don't want to be that person. I'd rather just be quiet than be that person.

I remember the day we were hanging around the band's commune and Roger came in with the press kit for a rock band (Moby Grape) any of us had ever seen. It looked psychedelic, yet it was done by ad people. I believe the word "hype" was coined on that very day.

I was with Nightwish for such a long time that I still feel the band as a part of myself. I was one of the most important elements in Nightwish for nine years, and the band was an essential part of myself too.

It's terrifying to play your favorite band's song in front of your favorite band.

But if you want to be in a band and write music, then you should just be in a band and write music.

What armies and how much of war I have seen, what thousands of marching troops, what fields of slain, what prisons, what hospitals, what ruins, what cities in ashes, what hunger and nakedness, what orphanages, what widowhood, what wrongs and what vengeance.

My band is the best band in the world, period. So, I insist on every song being better than it is on the record. So by the end of the tour, we have to be playing the song better than how it's recorded.

I like what's going on in Finland, with the rebirth of Beherit. I also like a band called Oranssi Pazuzu and a band called Spiderpact. There's a great scene there where they don't really care what's going on elsewhere and create music in their own vacuum.

When you're in a young band for the first time, geographically you're in the same place and you tend to go out and socialize. You play more shows, you spend more time together. You're a unit. As you grow older, inevitably you develop a life outside the band. I think it would be tragic if you didn't.

...And for every day you paint the war, take a week and paint the beauty, the color, the shape of the landscape you’re marching towards. Everyone knows what you’re against; show them what you’re for.

Everything is so computerized these days and it's all edited and everything. Everything sounds so perfect, and we just want to be a band that sounds like a band.

I formed a band called Atomic Rooster. The Atomic Rooster was sort of an underground cult band, sort of psychedelic. We did very well.

I've always been in a band where it's been somebody else's band - or pretty much always.

A guitar for me is pretty much strictly in the context of writing songs for my band, coming up with ideas with my band, and then being able to perform those songs as best as I can on stage - that's what the guitar for me has always been.

When it comes to grunge or even just Seattle, I think there was one band that made the definitive music of the time. It wasn't us or Nirvana, but Mudhoney. Nirvana delivered it to the world, but Mudhoney were the band of that time and sound.

My grammar school graduating class in 1941 had a little party for 13 or 14 year-old kids. [Trumpeter] King Kolax's band played for the party and Gene Ammons was playing tenor saxophone with the band. And that's when I said, "That's it!" Just like that, tunnelvision ever since.

I think I would be much more enthusiastic about a band that covered more than just one particular album of mine. I don't ever really intend to record or to do shows with a live band. I don't really have a problem with it, but it doesn't really affect me either way.

The songs were there before the band was there, and it's my songs. And it's like, we're not in the 1950s. We can't call ourselves, like, 'The Revolvers' - it just doesn't work that way. And 'The Lukas Graham Band' just sounded wrong.

I was just a kid in 1987 when I heard of the Pixies, the year after I graduated high school. But I had my band together, and my best friend at the time, Corey Hickock, who was the guitar player in the band that would become STP, Mighty Joe Young, turned me on to the Pixies.

I've actually thought very little about solo work up until just very recently. Most of it is because in my band, Incubus, it is very much a collaborative effort. I do what I do in the band, and everyone plays their respective parts, but in the end, we are sort of a democratic process.

The power of protest depends not only on how many turn out, but also on what legislative, judicial, and civil society institutions exist to enact the will of those marching in the streets.

The E Street band casts a pretty wide net. Our influences go all the way back to the early primitive garage music, and also, we've had everything in the band from jazz players to Kansas City trumpet players to Nils Lofgren, one of the great rock guitarists in the world.

I consider us to be one of the first Internet-based bands, especially because we basically started our entire band via the Internet. Before MySpace Music even existed, we had a band MySpace page. We were one of the first fifty bands on PureVolume(.com), and we really built everything from the Internet. That's how we started talking to record labels, that's how we booked our first tours. Without the Internet social networking, like Twitter, we definitely wouldn't be where we are today. It is a huge part of the band.

Our band is rock n' roll. We were never just a studio band trying to make everything perfect. It was never supposed to be perfect. It was supposed to be cool.

At the time of starting this band I was listening to tons of death metal. However, the bands that made me want to be in a band to begin with were groups like Korn, Deftones, Slayer, Sepultura... everything that my dad would buy and bring home to me and my brother saying 'Hey, listen to this'.

O how beautiful is morning! How the sunbeams strike the daisies And the kingcups fill the meadow Like a golden-shielded army Marching to the uplands fair.

Michael Sunday and I are the original members of the band. We first did it just for charities and benefit concerts. It was very ad-hoc, and before we knew it, we were really a band. We went through several drummers and guitarists before we were happy with the line up.

My faith plays a big part in who I am: a Christian guy playing pop-rock music. I'm in a pop-rock band, not a Christian band.

I moved to Manchester to join a band and ended up getting into acting, and I moved back to London to become an actor and ended up joining a band.

Having a band was part of my heart's desire, musically. Within myself, I was saying that, 'Not until you have a band for yourself can you maintain the standard of your songs,' and the sound become a foundation. You don't have to feel around for two or three weeks for the sound because the foundation is already built.

I feel like there's not as many bands anymore. It's more like there's a front-person and a band supporting them, solo-type spirits that have a look, a vibe, a message, a voice and a style. I was talking about it with a journalist in Europe; he was like, "You're a democracy; everyone in the band does stuff." There's not a lot of bands I can think of that still have it so every member of the band has an equal say. I was like, dude, you're right. I can't really think of any right now. There might be one or two leaders in them, but there are not a lot of bands like that anymore.

Jesus is why women have traveled continents, spent decades learning a strange language so they could translate the Gospel, planting churches, caring for the sick, educating the illiterate, and marching for the oppressed.

That is the great mistake about the affections. It is not the rise and fall of empires, the birth and death of kings, or the marching of armies that move them most. When they answer from their depths, it is to the domestic joys and tragedies of life.

I will call him Small Bob," said Bob. "He is a good monster." End of discussion.The Titan hefted his spear and they continued marching into the gloom.

It's really important to be free and be open and honest about the things you want to do. Just 'cause you want to make a solo record or another record with another band, it doesn't have to be an insult or a slight to the band you've been with for a long time.

This is my dream. I ain't giving up. I see a band like the Red Hot Chili Peppers, and they've had their ups and downs, but they've continued with heart. We look up to that. I see Papa Roach being around for another 15 years. We've always wanted to be a career band.

I joined Elton John's band in '75. He not only allowed me to play the electronic keyboard on his albums, he also let me do the orchestrations. Then I left the band and started producing records. I was not really a popular kind of hit music guy. I was attracted to more esoteric things.

What we've noticed is that people latch onto our music, and are very, very supportive of it, even almost defensive about it. Quite fanatical, some fans, aren't they? Just like they are in England, once they get a hold of "their" band, they don't want their band to get too big anyways.

When I was 17, my main goal was to be in a band and travel the world. I ended up getting to do that with my old band Hey Monday. I got to see the world and learn how to tour, and the next thing I knew, I was on 'The Voice.' So it was just a crazy, crazy ride.

Ben was more improvisational, and relied less on methodology, and basically is a guitarist who switched to bass, whereas Jeff has a more traditional approach to playing bass in a band, and has a great sense of what his band sounds like, and we lock up nicely.

I like myself. I think I'm cool. But I think when you're in a band you take on a role within the band, and I think people over the course of years can identify those roles as almost being bigger than just the individual. I don't know. It's kind of hard to talk about.

Burzum is not a political or religious band, or even an anti-religious band. Burzum is music - art if you like - and the interpretation of art lies in the eye of the beholder.

The bands of perception vary greatly. There is the human band of perception. There are lots of different bands of perception. Simply because we are in one band of perception, doesn't mean others are not there.

The Democratic Party hasn't whipped anybody into a frenzy. The assumption is that the people that are marching and protesting and standing up against this don't have enough sense to stand up for their own interests.

A song is what you fall in love with first, but then I think a band's ideals and a band's sense of fashion and a sense of how they treat people is what you fall in love with afterwards.

I did some stage when I was a kid, around 16 or so. I was living in Melbourne and had a band. I was quite young. We weren't very good. Then I found a band in Perth. We played around for three years. We're in the 'History of Rock'N'Roll,' a book about Perth music.

If you take a band like Nirvana, their biggest hits are structurally the same as even a hair metal band's biggest hits. The structure's not different - the attitude was different. Except it really wasn't. It seemed a little more human.

All those experiences were a chance to learn more about music. Playing with the Valley band is like such a "live" band. I mean, really, in many ways Bright Eyes is really a studio project. We form bands to tour, but it really is - you know, we take the songs and we figure out how to decorate them and it's all in the studio, we build the songs that way. Whereas Mystic Valley Band was the exact opposite, where everybody knows what they are gonna be playing on the song and there's sort of a general stylistic approach, and then it's just plug in and play.

The Saints come, as human as a mouth, with a bag of God in their backs, like a hunchback, they come, they come marching in.

Band members have a special bond. A great band is more than just some people working together. It's like a highly specialized army unit, or a winning sports team. A unique combination of elements that becomes stronger together than apart.

LCD live was set up to be an argument about what's wrong with bands and why bands should be better. I always thought that we were so obviously not a great band, comically not a great band. I was not a great front man.

It was a big deal for us to be on Ozzfest, especially as one of the main headliners and being the band that wasn't announced: the mystery band. We'd never played the second stage at Ozzfest, and all of a sudden we're on the main stage.

My friend and I were talking about the band Limp Wrist, and how cool that name is, so we started bouncing other queer-punk band names off each other. The first one I thought of was The Power Bottoms, which I later shortened to Power Bottom.

Democracy can tie your hands in a rock 'n' roll band, you know? It can be a great thing, but if you've got a certain amount of vision and you write a lot of songs, it's sometimes better to have your own band and make your own decisions.

Within white Australia, there was a growing movement for what was known as reconciliation - a movement that peaked with millions marching in 2000 to demand the government say sorry for past injustices.