Top 1200 Marching Band Quotes & Sayings - Page 14

Life is a series of experiences, each one of which makes us bigger, even though sometimes it is hard to realize this. For the world was built to develop character, and we must learn that the setbacks and grieves which we endure help us in our marching onward.

The Indian danced on alone. The crowd clapped up the beat. The Indian danced with a chair. The crowd went crazy. The band faded. The crowd cheered. The Indian held up his hands for silence as if to make a speech. Looking at the band and then the crowd, the Indian said, "Well, what're you waiting for? Let's DANCE.

That just felt like the most natural name out of all of the names. Everything else just felt so contrived. Even now, when I try and think of band names just randomly, I'm so thankful that "fun." is the name of the band. I never really think twice about it. It is so simple and so easy.

One of the many American ideals that make no sense at all is that we're all a million rugged individualists marching in lockstep. We dress accordingly, at least the men. If it's always been thus, I yearn for the halcyon days of the man in the gray flannel suit because at least that guy had some flair.

I really enjoy being with the people I play with. I enjoy their company. I love the crew, the band - we just move through the country like an army. I always feel very grateful to be up there. There aren't any bad nights anymore unless I'm singing bad, but then the band will carry me. And if they're playing bad, I will carry them..

It happened to be, from '73 to '78, the five years that, our most glorious years for bass players. We had Larry Graham, with his own band, Stanley Clarke with his own band. We have Bootsy doing his thing. We had Jaco Pastorius. They were all leading their own bands.

Up against the corporate government, voters find themselves asked to choose between look-alike candidates from two parties vying to see who takes the marching orders from their campaign paymasters and their future employers. The money of vested interest nullifies genuine voter choice and trust.

It was a long hard bumpy road, but this great country kept me inspired with its beauty, character, and spirit, driving me to keep marching on and devoted to sing about its people and places that make Canada the greatest country in the world.

Has he paid his dues? Is he black enough? John Lewis and I were out there marching and organizing sit-ins back in the '60s so that his children and my children would not have to do it. We would have been failures if had to do the same things we did.

The Iranian government prevented journalists from marching in solidarity with the victims of the Charlie Hebdo massacre yet it organized flag-burning protests against the French embassy, that hasn't ingratiated them to a French nuclear negotiating team that is deeply cynical about the nature of the Iranian regime.

Take off your bedroom slippers, put on your marching shoes. Shake it off. Stop complaining, stop grumbling, stop crying. We are going to press on. We’ve got work to do.

My dad taught me to play bass. He's a bass player; he still plays in a band in Michigan to this day. He taught me to play bass when I was about 6. I used to just go to band practice with him, and whoever didn't show up for rehearsal that day, I would take their spot.

God has given each of us our "marching order." Our purpose here on Earth is to find those orders and carry them out. Those orders acknowledge our special gifts.

The trouble is that nonviolence is so often defined as refusal to fight, and that is the American definition of cowardice. In fact, marching unarmed against the guns and dogs of the police requires more courage than does aggression. The perverted idea of manhood coming from the barrel of a gun is what keeps people from understanding nonviolence.

We started the band with a work ethic of 'it's us against the world' and that is something that our fans aligned with, too. Together, we speak a common language. I think that motto has helped us keep the creative force alive all these years while the fans have kept the fire burning for us to always be excited to create new music for them. Without the fans, we are a band without a home.

With all respect to Congressman Lewis, when I think about him, I always have that image in my mind when he was on the Selma Bridge. The truth of the matter is, with all that he has given towards the fight for civil rights - which we greatly appreciate - these are no longer the days of marching over the Selma Bridge.

Rhythms, beats, etc., are fundamentally central to my creative drive: my first instrument was the drums, nearly every band I have been involved in or at the helm of, is driven by rhythm, my band is driven entirely by rhythm, machine rhythm, and the purpose of the rock instrumentation is literally to speak the beats, to emulate the rhythms with guitars and bass, with very little articulation, and without being 'progressive'.

With so much evidence of depleting natural resources, toxic waste, climate change, irreparable harm to our food chain and rapidly increasing instances of natural disasters, why do we keep perpetuating the problem? Why do we continue marching at the same alarming beat?

In 1855, a former American slave remarked: "Tisn't he who has stood and looked on, that can tell you what slavery is - tis he who has endured."I think the same holds true for women's rights. The incredulity in the question, "What rights don't women have presently that they are marching about?" reflects a troubling disconnect that comes from power and privilege.

Commercial record has never interested me. It's amazing I was in a band like The Police that had such phenomenal commercial success. Part of what made The Police what it was was that we didn't all come in with obvious mainstream musical tastes. We were a rock band and somehow we had to make rock music, but it was informed by a lot of things outside of the mainstream for sure.

You know, I went through the whole blond hair bit. And dad took me to see The Police when I was 13. And I was like, this is a cool band, dad. See this is a cool band. And I felt bad for years because then a year later... I never had a chance to tell him how great I think was. After he passed away, I would go and listen to his music.

I actually think the band doesn't need the television show. And I actually think the television show holds it back. No one at radio wants to play a band that's on a television show.

I really wanted to, but I just didn't understand how people became comedians. I kind of thought it was something you were born into. And so I wanted to be a veterinarian or an architect. I wanted to be in a band, and for some reason I could understand how you could be in a band because I had guitars and all my friends played music. Comedy was a secret want, but it wasn't anything I pursued.

A tale is told of a man in Paris during the upheaval in 1948, who saw a friend marching after a crowd toward the barricades. Warning him that these could not be held against the troops, that he had better keep way, he received this reply, " I must follow them. I am their leader."

When I formed the band and created the Wildabouts with my friends, we decided we wanted to make a band-sounding album, a rock-sounding album. I made two solo albums before that were more experimental albums, and I think that they didn't really resonate with my fan base because they were too out-there, too artsy.

We're a pop art band. Not a pop band.

I think the best way to be an activist is to live your life well and be honest. It means being out. If you are not comfortable marching, you can make a big difference just by working side by side with someone who actually knows you're gay and a fine human being.

I had a teacher in art school who said something about the only works he really enjoyed seeing or found much in were works where he had a sense that a discovery was made in the course of making this object. I like to hold to that as my marching orders.

As rich as you think some of us are, for every $18.99 CD you buy, the artist usually sees a toonie or so. Pay your producer out of that. Then your manager. Then split it five ways among your band mates. Now don't act surprised when you see the drummer of a platinum-selling Canadian rock band behind the drive- thru window at Tim Hortons

I have some sort of affinity for compulsive behavior. The most interesting stories come up from the people on the outside. They don't waste energy marching to the same drummer most of us do. It gives us an opportunity to look at things in a different way, which is the purest thing cinema can do.

I didn't decide to start to playing piano until I was almost 13 years old when my friends and I thought it would be fun to start a band. None of us actually played any instruments so the band never quite got off the ground, BUT it made me go home and ask my parents for piano lessons. That was really the beginning for me. Once I started, it was all I wanted to do.

I don't want to hear from a band that pretty much sounds like another band. Oh I've heared this riff before, or I've heared these words that everyone is saying. I want to hear new poetry, new guitar riffs, new drum-beats, new sounds. Then I'm really interested.

Whenever armed forces . . . are used, the idea of combat must be present. . . . The end for which a soldier is recruited, clothed, armed, and trained, the whole object of his sleeping, eating, drinking, and marching is simply that he should fight at the right place and the right time.

A learning experience for sure. You're always learning in this business. How to work with people and how to handle your band on a professional level. How to stick up for your band and do what you think is the right thing and to know when to let things happen against what you think is best. It's challenging but it's been a good thing for us, no doubt.

If you have a great band with a mediocre drummer, you have a mediocre band. If you have a mediocre band with a great drummer, you have a great band!

When I joined the band I didn't know any of the tunes, and when I left the band I didn't know any of the tunes!

I think a band - even a band that's been around as long as the Rolling Stones - I think that's still the formula. You know you're gonna get those songs, and you don't mind sitting through the ones that you maybe don't know very well because you know they're not gonna let you down - they're not gonna mess with you. And I kind of feel the same way about the way I structure my shows.

Let's all pull together and make these United States the grandest place in this whole country. I see a vision. A glorious vision. A united people, marching forward shoulder to shoulder, giving their all for the common good, working while I whistle.

The main reason we didn't break up is because we weren't really a college band. We were just, two dudes who were messing around with music. We never played off-campus except for once or twice. We never had any ambitions to make it as a band after college, or anything like that. So that probably worked in our favor. We never took anything seriously, we still don't!

The land of the free - we've got an army marching around the world under the banner of freedom, and yet, we are the most un-free society, in terms of institutions of the deprivation of liberty, of incarceration. The incidents of incarceration is higher in the United States than elsewhere in the world.

Whenever humans come together for any reason, music is there: weddings, funerals, graduation from college, men marching off to war, stadium sporting events, a night on the town, prayer, a romantic dinner, mothers rocking their infants to sleep ... music is a part of the fabric of everyday life.

But these weren't the kind of monsters that had tentacles and rotting skin, the kind a seven-year-old might be able to wrap his mind around-they were monsters with human faces, in crisp uniforms, marching in lockstep, so banal you don't recognize them for what they are until it's too late.

A band is a great way to destroy a friendship, and a tour's a great way to destroy a band.

Shhhh...right now, all around you, outside your door, down the street, and in every corner of YOUR world... there's evidence of a conspiracy. ALL THE ELEMENTS are secretly marching to the beat... of YOUR drummer... while casually pretending to be detached and indifferent...YOU ARE THAT POWERFUL.

With Michigan's economic future on the line, we can't afford to have our 500 local school districts marching in different directions. Instead, we need a high standards, mandatory curriculum to get all our students on the road to higher education and a good paying job.

For the past several years, I've been harboring a fantasy, a last political crusade for the baby-boom generation. We, who started on the path of righteousness, marching for civil rights and against the war in Vietnam, need to find an appropriately high-minded approach to life's exit ramp.

The whole punk scene is, of course, responsible for the Go-Go's ever getting created. Because before punk rock happened, you couldn't start a band if you didn't know how to play an instrument. But when punk happened it was like, 'Oh, it doesn't matter if you can play or not. Go ahead, make a band.' And that's exactly what the Go-Go's did.

I'm 64 years old and, yeah, I went through a transition in my life last year, with the death of my son, that woke me up to a lot of things. You know, I'm perfectly happy in my own little groove. Marching along, building my company, and you know, a happy person.

In the early eighties, there were a lot of artists involved with the music scene. All those young artists, before their careers took off, were into music. Robert Longo used to play some guitar. He had a band for a while. Basquiat had a band. I mean, people were always trying to mix music and art - in fact, I'm guilty of it myself.

What matters most is not who is sitting in the White House, but "who is sitting in" - and who is marching outside the White House, pushing for change.

Down is an incredibly important band to me. And there's one other project that may be a little tough for people to understand - it's not sonically heavy, but subject-wise it's absolutely heavy. It's a band that I've been in for many, many yearsm and I've just been waiting for the right itme, and boy, it sure is the right time. So, yeah, you will hear music from Philip Anselmo again, and it ain't gonna be nothing nice.

I think the Internet really sussed things into perspective. Because twelve years ago, I could spend my days on writing and running my band and touring and making posters and practicing with my band and working on my vocals, but I didn't spend a large pie chart of my time sifting through criticism as well, and nowadays I do, and all female artists do, because to be able to promote your work, you need to live in those spaces.

"Anybody have money?" Frank checked his pockets. "Three denarii from Camp Jupiter. Five dollars Canadian." Hedge patted his gym shorts and pulled out what he found. "Three quarters, two dimes, a rubber band and - score! A piece of celery." He started munching on the celery, eyeing the change and the rubber band like they might be next.

Like in Athens, it went by so fast and I mean, I remember it being like the best trip ever. And I am so excited for Beijing. Like at Opening Ceremonies when you walk out with your whole team and you are all marching and they light the torch, I mean - it is so exciting.

There's something intrinsically Australian about a bunch of brothers and school friends getting together as a band at a very young age and all pulling together as a band at a very young age and all pulling together as mates to make something happen.

Starting a band is the easy part. Once you've formed the band, you have to tell a story, and that story requires songs. And not just good songs, but great songs. After a while, great songs won't do - they have to be the best. Success doesn't make it any easier. Each time I start a new record, it's a brand-new search.

Imagine someone so infatuated by a band that they have every different pressing of every album the band made. Most of the time, the only difference in the album is the matrix number or a different 'made in' notation on the back cover or label. This is enough to make some people extremely excited. Actually, much more than excited.

Our way of life is under attack. Those who make themselves our enemy are advancing around the globe. The survival of our friends is in danger. And yet no war has been declared, no borders have been crossed by marching troops, no missiles have been fired.

Yeah, sci-fi is definitely a big influence on Fear Factory. I've had people tell me we always sing about the same thing but it's like well, if we were a black metal band we'd sing about Satan, you know? What if we were a Christian metal band? All the songs would be about how much we loved Jesus.

Basically, every band that makes it has some dude with some sense of business. I don't know if our band would've been so successful were it not for Daniel's [Kessler] insight into how things really work. Daniel was the one who was diligently saying, "We should make a demo, send it out, play shows but not too many shows, get on shows with touring bands that are coming to New York."