Top 1200 Marching Band Quotes & Sayings - Page 16

Duane Allman was bursting with energy ... he was a force to be reckoned with. His drive and focus, as well as his intense belief in himself and our band, was incredible. He knew we were going to make it. We all knew we were a good band, but no one had that supreme confidence like he did, and it was a great thing, because his confidence and enthusiam were infectious... it says a lot that his hero was Muhammad Ali. That kind of supreme confidence that Ali had - that's where Duane was coming from

No man should think that peace comes easily. Peace does not come by merely wanting it, or shouting for it, or marching down Main Street for it. Peace is built brick by brick, mortared by the stubborn effort and the total energy and imagination of able and dedicated men. And it is built in the living faith that, in the end, man can and will master his own destiny.

My father being a soldier, every time I saw soldiers marching - 'Well,' I thought, 'my father's that,' and these soldiers were always looking magnificent. And I thought they were powerful; they were all-powerful. I knew that they were an elite in India.

My musical background in Tyler, Texas was quite outstanding. Uh, I grew up with, uh, with high school teachers who were in bands, they could play music. And we had a nine piece band there in Tyler, and I joined them when I was about, oh, 15 years old and traveled all over Texas in that band, playing for the elite oil people. Hah. And um, I was making about 50 bucks a night, and uh, it taught me, they taught me how to find my timing and to learn the songs that I wanted.

Let us therefore continue our triumphal march to the realization of the American dream... for all of us today, the battle is in our hands... The road ahead is not altogether a smooth one. There are no broad highways that lead us easily and inevitably to quick solutions... We are still in for the season of suffering... How long? Not long. Because no lie can live forever... our God is marching on.

The houses of this country (Maharashtra) are exceedingly strong and built solely of stone and iron. The hatchet-men of the Govt. in the course of my marching do not get sufficient strength and power (i.e. time) TO DESTROY AND RAZE THE TEMPLES OF THE INFIDELS that meet the eye on the way. You should appoint an orthodox inspector (darogha) who may afterwards DESTROY THEM AT LEISURE AND DIG UP THEIR FOUNDATIONS

I always wanted to make motion pictures, ever since I was a wee boy, and I was 32, and time was marching on. I met a guy who said, 'Come out to Hollywood for 10 days, and I'll get you a deal.' So I figured, 'OK, 10 days.' On the 10th day, he got me a development deal with Disney, not for a lot of money, but it allowed me to make the move.

I think ultimately what you really want is a few people within any label that are into the band enough to really work on it every day for a long time and to actually try a little bit. But obviously, the major labels have more money to spend, so if they feel like spending it, they have bigger resources there when you need them. It doesn't always necessarily translate into them doing a better job for a band, but I think especially if you're playing the game of commercial radio and making videos and stuff like that, that's sort of an expensive proposition.

If Bernie Sanders was the nominee, wherever he went, the crowds would be big and you'd be scared to death of them. You would be worried sick. There'd be so much energy, and those people would be running around and they'd be doing nothing but working for, campaigning for, marching for, protesting for Bernie Sanders. None of that is ever gonna happen happen with Hillary Clinton, unless they pay for it, unless they buy it.

When I showed ‘Black and the Red III’ in Malmö, Sweden, it was a continuum - a band - all around the galleryseeing this huge space in the gallery in Malmö, I just took a deep breath and I put the paper around in a single band. Then I continued along, printing on the wall like a trompe l’oeil to reiterate the images in the work printed on paper that I had push-pinned to the wall. I literally took the rhythm and the images from ‘Black and the Red III’ and continued that on the wall.

I'm not naked, I'm in the band.

Being a writer is part of a noble tradition, as is being a musician – the last egalitarian and open associations. No matter what happens in terms of fame and fortune, dedication to writing is a marching-step forward from where you were before, when you didn’t care about reaching out to the world, when you weren’t hoping to contribute, when you were just standing there doing some job into which you had fallen.

I went to L.A. to be a drummer in a band.

And there was no money in Chicago for a band.

All things are created twice. There's a mental or first creation, and a physical or second creation of all things. You have to make sure that the blueprint, the first creation, is really what you want, that you've thought everything through. Then you put it into bricks and mortar. Each day you go to the construction shed and pull out the blueprint to get marching orders for the day. You begin with the end in mind.

Ultimately, we as a band just write what we write. Some of it's very serious, and even in the serious songs, there's sometimes an angle of levity. I think that's just how we communicate naturally and to shy away from that would be, first of all, boring for me, but also it wouldn't ring true to who I am or the way I relate to people or the way we relate to people as a band or the way we relate to the audience. Humor is a big part of it, but we also take our craft very seriously.

I'm a band dictator.

If asked how to cope with a great host of the enemy in orderly array and on the point of marching to the attack, I should say: "Begin by seizing something which your opponent holds dear; then he will be amenable to your will." Rapidity is the essence of war: take advantage of the enemy's unreadiness, make your way by unexpected routes, and attack unguarded spots.

A band is as solid as its drummer is.

I love gay Mardi Gras in Sydney, which is a big parade, a big march that thousands and thousands of people participate in. And there's one little group... well it's not little, it's got hundreds of people marching, and they're all very sweet, middle-aged and elderly people who are the parents of gay children who are out and proud.

Nature actually works through intense cooperation. There is competition in nature , but it thrives through cooperation. We don't teach this to our kids. It's actually a violent ideology. It's why kids go into school and bully each other and god forbid do things even worse. Cooperation will become the marching orders of the human species or we're not going to make it.

With my voice and my band, I can do anything.

I am very optimistic about - about Iraq. I mean, this could be one of the great achievements of this administration. You're going to see 90,000 American troops come marching home by the end of the summer. You're going to see a stable government in Iraq that is actually moving toward a representative government.

This is going to sound really corny, but it's the way I feel: Musicians have been around for a really long time. It's a really, really old job. When you look at the way that a small band toured back in the '50s, it's similar to the way that a small band tours now. It's been this long tradition, and when you meet somebody who has been doing this for a really long time, you have to have tremendous respect for them.

I think we're a little bit protective in that way. You're always trying to balance between what's spreading the word about the band and what's good money and what's a shitty look. Is this good for the longevity of the band? Do people even care these days? We care, but do we care more about the money? We've had a lot of discussions about things. It gets us into a lot of fights, but it also makes you question your own morals in a really good way.

LCD is a band about a band writing music about writing music.

The story of our band is that we were this relentless touring band in those early years. We were leaving day jobs and going off on the road and having fun and seeing the country for the first time. We were playing Chinese restaurants and basements and record stores and houses. We were crashing on floors and it was all new and exciting. It was like a vacation. It didn't feel like work. I couldn't wait to go on tour back then. I would be sitting at my day job or my apartment, just itching to go. There were so many adventures that were about to happen.

If army ants are wandering around and they get lost, they start to follow a simple rule:Just do what the ant in front of you does. The ants eventually end up in a circle. There's this famous example of one that was 1,200 feet long and lasted for two days; the ants just kept marching around and around in a circle until they died.

Anything was better than going to work. All those early tours before we made any money were more like vacations. I don't think it was until 2001 that we pulled our heads out of the sand and were like, "What are we doing?" I don't think Chris realized he was in a band until 2001. He all of a sudden woke up one day and realized he was in a band. He thought he was just recording my solo project. Three albums later, we're in Baltimore trying to figure out what to do with ourselves.

This is the band I always wanted to be in.

We need to send our words out in the direction we want them to go. In other words, we need to start talking victory when we’re staring at defeat. We need to start talking healing when we’re feeling sick. We need to start blessing and prosperity when we don’t have anything. We need to speak about marching when we feel like quitting.

I think it is clear to everyone what happens in the Fifth . The rejoicing is forced, created under threat, as in Boris Godunov . It's as if someone were beating you with a stick and saying, "Your business is rejoicing, your business is rejoicing," and you rise, shaky, and go marching off, muttering, "Our business is rejoicing, our business is rejoicing.

I'm in a band. I'll do what I want.

Giving in to a shrill instinct, she ran around the side of the building. Butch was marching toward his car as if he were carrying an unstable load, and she rushed to catch up with them. “Wait. I need to ask him a question.” “You want to know his shoe size or something?” Butch snapped. “Fourteen,” Wrath drawled. “I’ll remember that at Christmas, asshole.

In Jones's experience, the decision to turn one's life around in a different direction rarely arrived with fireworks and marching bands. Often, the decision came with tears and regret. Then, almost impossibly, the power of forgiveness would fill an unseen void, allowing a new day's optimism and sense of purpose to take hold and point that life in a new direction.

I'm a chameleon. That's my personality in the band.

Upon my arrival in the United States the religious aspect of the country was the first thing that struck my attention; and the longer I stayed there, the more I perceived the great political consequences resulting from this new state of things. In France, I had almost always seen the spirit of religion and the spirit of freedom marching in opposite directions. But in America I found they were intimately united and that they reigned in common over the same country.

We are a people's band.

When we started the band, I was really like, "We just want to make a lot of records" - not quite unlike Guided By Voices' schedule. I've always thought that our live thing is what we do best, and having a really robust, big catalog makes for the most interesting live band - especially with people, at this point, traveling to see us night after night. For us to have almost 100 songs to pull from is a really cool thing. The sets can be different. They can be invigorating on an intellectual level. I definitely hope to continue to release records at an accelerated pace.

It is not a band. It is an idea.

The chemistry is everything in a band.

I wouldn't do go to another band.

But it can be hard to experiment when you're in a band.

If you're going to invest a valuable asset (like time), go ahead and make it productive. Use a postit or two, or some index cards or a highlighter. Not to write down stuff so you can forget it later, but to create marching orders. It's simple: if three weeks go by and you haven't taken action on what you've written down, you wasted your time.

The ideal set up by the Party was something huge, terrible, and glittering-a world of steel and concrete, of monstrous machines and terrifying weapons-a nation of warriors and fanatics, marching forward in perfect unity, all thinking the same thoughts and shouting the same slogans, perpetually working, fighting, triumphing, persecuting-three hundred million people all with the same face.

You know, Bernie [Sanders] is - he is a team player. I think he's on the wrong team, perhaps because he's been in Washington, D.C., too long, because he used to really understand independent politics and why we cannot have a viable political system unless we have independent political parties. Otherwise we just keep marching to the right.

We do what we want to do. We write songs. We try not to repeat ourselves too much. We have our own sound and our own way of doing things. Up until now it has always been enjoyable. None of the members have ever got to the point where they don't want to be involved in it ... It's not entirely possible for me to stand back and look at the Rolling Stones because being a part of it you can't. I wish that I could just sit in the audience for one night and see the show. Everyone in the band has said that at some point. But then you wouldn't be seeing the whole band. And that's the problem with that.

We're not a Screamo band.

Differentiated Instruction is a teaching philosophy based on the premise that teachers should adapt instruction to student differences. Rather than marching students through the curriculum lockstep, teachers should modify their instruction to meet students' varying readiness levels, learning preferences, and interests. Therefore, the teacher proactively plans a variety of ways to 'get it' and express learning.

I really enjoy touring period! I had another band called Killing Machine, we went out on tour which was only fifteen shows & we went out in a really old motor home. That had to be the most fun. I didn't have to do radio at nine in the morning everyday. It was me & a bunch of friends. The singer was my tattoo artist. My girlfriend would fly in & we would sleep in a hammock above the bed the band were sleeping in [laughs]. I like that stuff that's really fun, I like the camping experience.

The band geek has liquor?

I'm a one-man band!

The '60s and '70s - I grew up in the Haight-Ashbury - people around me were going to school by day and all night long having these incredibly exciting meetings, mobilizing, marching, drafting statements. It was very intoxicating. It was very energizing. We've really forgotten a lot of those skills. Or they haven't been transmitted. It's useful to the people controlling us to have those skills not be available.

Of course, like all the informal inhabitants of the University the roaches were a little unusual, but there was something particularly unpleasant about the sound of billions of very small feet hitting the stones in perfect time. Rincewind stepped gingerly over the marching column. The Librarian jumped it. The Luggage, of course, followed them with a noise like someone tapdancing over a bag of crisps.

We worked as a team... I was one of the band.

I saw the Ramones, early on at a country-rock palace in Denver. They were opening for some record-company band, so the local music establishment, and I emphasize the word "establishment," was there in force, and the handful of us who knew the Ramones were up in front. And half the fun was, you know, not only were the Ramones the most powerful band I had ever seen at that point, but they made it look so simple - that anyone could do it, hell, even I could do it. This is what I should be doing.

Precision marching is less important for the bridal party than maintaining the proper facial expresssions: The bridegroom must look awed; the bridesmaids, happy and excited; the father of the bride, proud; and the bride, demure. If the bridegroom feels doubtful, the bridesmaids, sulky, the father, worried, and the bride, blasé, nobody wants to know.

Metallica is my favorite band.

I don't know if it was related to the type of music that we were doing at that time or what, but Todd Cook actually just turned to me and was like, "You know what would be a great name for a metal band? Dead Child." We talked half-jokingly that we were going to do a band. I guess as time went on, I started writing songs that were more metal sounding, and it just evolved from there. It actually started with the name first, and then the songs came second.

Every sentence has its drumbeat. rhythm is one of the most powerful dimensions of language: it separates tribes, united families, soothes children, and shocks us into new awarenesses. Every good writer, marching to his or her own drumbeat, marks out a vibrational field as home territory. The cadences of our sentences carry echos of ancestry and influence as surely as the double helix that orchstrates the life of the body.