Top 319 Marilyn Quotes & Sayings - Page 6

Every time I go to Europe, I remember that James Dean never saw Europe, but yet I see his face everywhere. There's James Dean, Humphrey Bogart and Marilyn Monroe - windows of the Champs Elysees, discos in the south of Spain, restaurants in Sweden, t-shirts in Moscow. My life was confused and disoriented for years by his passing. My sense of destiny destroyed - the great films he would have directed, the great performances he would have given, the great humanitarian he would have become, and yet, he's the greatest actor and star I have ever known.

I don't think she [Marilyn Monroe] saw herself as victimized and a sex object. She knew how to contend with it. I'm sure she was no fool about it. On the one hand, it was very flattering and great; on the other hand, it was probably awful and could be very lascivious and very terrible. But I think a lot of women just wanted to be like her. And that's still true today.

I think we're in a really interesting moment for women globally just in terms of, like, historically, I think we're in an interesting moment for women. Because, it's important to remember, there have always been funny, funny women. Mae West was real funny. Marilyn Monroe was in one of the greatest comedies, Some Like It Hot, ever made. I mean, it's not like we're lacking. I just think the percentage of women in positions of power in all aspects of our culture is improving and women are standing up and demanding to be heard.

You could say one wine is like Dorothy in the Wizard of Oz while another is like the mature Judy Garland, or that a big voluptuous chardonnay is like Marilyn Monroe -round, bosomy - you can remember that chardonnay, If you say a wine is snappy and lively, like Robin Williams, that's very different than the Anthony Hopkins of wine - urbane, sophisticated, measured, considered.

I know people who say Hollywood broke her heart, and all that, but I dont believe it. She was very observant and tough minded and appealing, but she adored and trusted the wrong people. She was very courageous-you know the book Twelve Against the Gods? Marilyn was like that, she had to challenge the gods at every turn.

I had been in a place where I was letting too many people dictate who I should be and what I should be, and I was trying to make everybody happy to the point where it was just killing me. I'd completely lost myself. It's kind of funny now that people think I've completely changed myself for Marilyn Manson, when this is actually the first time in my life that I took a stand and said, "This is who I am and this is who I've always wanted to be, and I'm finally with somebody who lets me be who I want to be."

Let me tell you something. As we were walking around in the store, Marilyn and I were just really impressed by all the novelties and the different types of little things that you could get for Christmas. And all the people that would help you, they were dressed up in things that said 'I believe in Santa Claus.' And the only thing that I could think is that I believe in George Bush.

John F. Kennedy, who seized the White House from Richard Nixon in a frenzied campaign that turned a whole generation of young Americans into political junkies, got shot in the head for his efforts, murdered in Dallas by some hapless geek named Oswald who worked for either Castro, the mob, Jimmy Hoffa, the CIA, his dominatrix landlady or the odious, degenerate FBI chief J. Edgar Hoover. The list is long and crazy - maybe Marilyn Monroe's first husband fired those shots from the grassy knoll. Who knows?

My mother loaned me $1000. The first issue came out at the end of 1953. I knew I needed something original. I had a photographer shoot a 3D feature for the first issue and learned it would cost too much money. When the 3D thing turned out to be too expensive, at that same moment I came across the photos of Marilyn Monroe.

I can tell when I've met a bad journalist when they say, "I've met Madonna," or "I know Marilyn Manson." Because I haven't met anyone I've ever interviewed. I've sat down in the position of an interviewer, and they've sat down in the position of an artist trying to promote a product. We have no relationship. I'm able to ask them questions I'd never be allowed to ask them if we were casual friends. It's a completely constructed kind of situation.

Like me, Marilyn Monroe had suffered at the hands of some not very nice men. She was used, unappreciated and struggled to find herself. She worked her way up in Hollywood with stars in her eyes and a kind heart, but found that Hollywood wasn't always as kind in return. She may have been publicly adored, idolized and lusted after, but she felt alone and trapped.

I think his portraits of Jackie, Liz, Marilyn, Mao, Elvis, Lenin - and objects like the soup cans, the dollar signs, the hammer and sickle, it's all about icons. Its all about what people worship in an irreligious or secular world. In terms of Andy's personality and Andy Warhol as a human being who I was very close to, I still feel kind of sorry for him on a personal level. I mean, he was the ultimate example of great success wrapped around inner turmoil and emotional pain.

I would like to say in defense of the Christian religion that there are nice things about it. There really are. And Marilyn can tear up the Bible all he wants and I understand why, but... there's good things in the Bible. Good things. Like about, you know, not killing people, and... you know... not sleeping with people's husbands.

Americans respect talent only insofar as it leads to fame, and we reserve our most fervent admiration for famous people who destroy their lives as well as their talent. The fatal flaws of Elvis, Judy, and Marilyn register much higher on our national applause meter than their living achievements. In Amerca, talent is merely a tool for becoming famous in life so you can become more famous in death - where all are equal.

My first big acting performance was in the Marilyn Monroe biography piece, and it required frontal nudity. I talked to Mira Sorvino, my co-star, about how nervous I was because I didn't know how my mom would react. She said, 'Can I be completely honest with you? I've seen your mom in interviews, and she seems pretty screwed up. I don't think there's much you could do to shock a broad like that.' And from that moment on it was big nipples to the wind!

(on Marilyn Monroe) I was walking down Broadway with her and nobody was stopping us. She was going to (Stella Adler's) actors' studio, and she was taking me to show me what it was all about. And I said to her: "How come nobody is taking your picture?" She said: "Well, watch." She took her scarf off, straightened her shoulders, and draped something another way, and we were surrounded. It must have been 400 people. And I said: "Now I know why!"

I guess at that moment in time I had a certain... presence? A certain level of presence in the industry. But that was at Madonna's request. There was a concept for the video ["Material Girl"], and the idea was that it was kind of a Howard Hughes and Marilyn Monroe sort of idea, that there was this guy behind the scenes making it all happen. And she saw me as that guy, so she asked for me.

Marilyn always dreamt of being an actress. She didn't, by the way, dream of being just a star. She dreamt of being an actress. And she had always lived somehow with that dream. And that is why, despite the fact that she became one of the most unusual and outstanding stars of all time, she herself was never satisfied. When she came to New York, she began to perceive the possibilities of really accomplishing her dream, of being an actress.

For hours she danced and sang and flirted and did this thing that's-she did Marilyn Monroe. And then there was the inevitable drop. And when the night was over and the white wine was over and the dancing was over, she sat in the corner like a child, with everything gone. I saw her sitting quietly without expression on her face, and I walked towards her but I wouldn't photograph her without her knowledge of it. And as I came with the camera, I saw that she was not saying no.