Top 28 Marquez Quotes & Sayings

He sank into the rocking chair, the same one in which Rebecca had sat during the early days of the house to give embroidery lessons, and in which Amaranta had played Chinese checkers with Colonel Gerineldo Marquez, and in which Amarana Ursula had sewn the tiny clothing for the child, and in that flash of lucidity he became aware that he was unable to bear in his soul the crushing weight of so much past.

No one wrote better about the sin of pride, the corruption of power and the redemption of love. I will miss you, Gabriel García Márquez.

I adore gelato; it's a pleasure I shared for years with my friend Gabriel Garcia Marquez.

The influence of John Hughes is fully felt in the melodrama 'Donnie Darko.' This first film written and directed by Richard Kelly is a wobbly cannonball of a movie that tries to go Mr. Hughes one better; it's like a Hughes version of a novel by Gabriel Garcia Marquez.

A lot of writers fall in love with their sentences or their construction of sentences, and sometimes that's great, but not everybody is Gabriel Garcia Marquez or James Joyce. A lot of people like to pretend that they are, and they wind up not giving people a good read or enlightening them.

The Anglo-American tradition is much more linear than the European tradition. If you think about writers like Borges, Calvino, Perec or Marquez, they're not bound in the same sort of way. They don't come out of the classic 19th-century novel, which is where all the problems start. 19th-century novels are fabulous and we should all read them, but we shouldn't write them.

I always read the Latin American writers. I love so many of them: Gabriel García Márquez, José Donoso, Alejo Carpentier, Jorge Luis Borges, Clarice Lispector. I also love a lot of American experimental writers and surrealist European writers. But perhaps The Persian Book of Kings was the greatest influence - I encourage people to look at it. There is such a wealth of incredible stories.

All of the great writers whom I admire have died. I guess the most recent one would be Marquez.

'One Hundred Years of Solitude' convinced me to drop out of Harvard graduate school. The novel reminded me of everything my Ph.D. program was trying to make me forget. Thank you, Gabriel Garcia Marquez.

Gabriel Garcia Marquez is one of my all-time favorite writers. I feel spiritual when reading his words, even though they're translated. I wish desperately that I could read it in its original language. I already feel like I'm going to church when I read him; imagine if I could read it in the original.

I think there are people who are born storytellers. I think of someone like T. C. Boyle or Gabriel Garcia Marquez. I think really, without putting any pejorative on it, they're like carnival barkers, 'Come into the tent, and I'll tell you this story.'

About Rafa Marquez, I don't think there are enough words to describe what he represents to all Mexican players.

I have for a long time loved fabulist, imaginative fiction, such as the writing of Italo Calvino, Jose Saramago, Michael Bulgakov, and Salman Rushdie. I also like the magic realist writers, such as Borges and Marquez, and feel that interesting truths can be learned about our world by exploring highly distorted worlds.

Gabriel Garcia Marquez's 'One Hundred Years of Solitude' is such a powerful book, and 'Love in the Time of Cholera' is so strangely, brilliantly optimistic.

I think that it's important to try to keep reality. I think that Gabriel Garcia Marquez speaks a lot about reality in his magical realism. So I don't think we have to be hyper-realistic. But we have to understand the pressures that undergird the lives of the characters within that novel.

Gabriel Garcia Marquez was a newspaperman originally in Colombia. He talked about - and I agree - how everybody has a public life, a private life, and a secret life.

I wanted to literalize the surreal here. Those are my favorite kinds of stories. I love when Gabriel García Márquez does that, for instance - it adds to the joy, dares you to believe the unbelievable. And why not: so much of life is so dreamlike, so strange, so absurd.

I always thought books were just the canon, things I couldn't identify with. And then I was introduced to really amazing multicultural literature - it was all things I was trying to do unsuccessfully in my poetry. It really just changed everything. I was introduced to authors like Sandra Cisneros, Gabriel García Márquez, Junot Díaz, and a lot of African American literature, as well.

If I had to read only one author, it would be Gabriel Garcia Marquez because I love the mystical, magical quality of his writing.

A lot of the books I read are in Spanish. There's this great author, Garcia Marquez.

A few of the world's most famous non-American novelists have large followings in the United States, among them Gabriel Garcia Marquez and Guenter Grass, who were both popular even before winning the Nobel.

All things in my novels are real for me. Some western critics said that Garcia Marquez's novels are magic realism. However, I believe that Marquez must have experienced everything in his novels.

For me, there's nothing better than getting immersed in a sprawling, epic, multi-generational family saga, and 'One Hundred Years of Solitude' by Gabriel Garcia Marquez is the most sprawling, epic, and multi-generational of them all.

Authors I've longed to write like - but realize I actually can't even begin to - include Poe, Gabriel Garcia Marquez, Kafka, Daniil Kharms, Witold Gombrowicz, Emily Dickinson, Robert Walser, Barbara Comyns, Ntozake Shange, Camille Laurens, Zbigniew Herbert, and Jose Saramago.

When I finished reading '100 Years of Solitude,' by Gabriel Garcia Marquez, I got really sad. I thought, 'This will never happen for me, for the first time, ever again.' Then I opened 'Beauty Is a Wound.' It's a completely different story and writing style, but it has a similar place in my heart now.

How will I ever get out of this labyrinth!" In reality, "How will I ever get out of this labyrinth!" were probably not Simon Bolivar's last words (although he did, historically, say them). His last words may have been "Jose! Bring the luggage. They do not want us here." The significant source for "How will I ever get out of this labyrinth!" is also Alaska's source, Gabriel Garcia Marquez's The General in his Labyrinth.

I'm really happy, and beating Marc [Marquez] at the very last chicane gives me an extra boost.

For those fed up with the lack of mystery at the top of the Premiership, could I refer you to the commanding heights of the Conference. The wide points gap between first and second says we are about to witness the return to the football league of Accrington Stanley. So legendary have they become that everyone across the generations knows them, yet even those of the certain age required (you'd be pushing 60) can scarcely believe they were ever there. What proof do we have that this most Garcia Marquez of football teams was, is and yet may truly be?