Top 1200 Martial Artist Quotes & Sayings - Page 4

Forgiveness is like the martial arts of consciousness. In Aikido and, other martial arts, we sidestep our attackers force rather than resisting it. The energy of the attack then boomerangs back in the direction of the attacker. Our power lies in remaining nonreactive. Forgiveness works in the same way. When we attack back, and defense is a form of attack, we initiate a war that no one can win.

An artist is always alone - if he is an artist. No, what the artist needs is loneliness.

As an artist, illustrator, and photographer, most of my daily work was formed around the Art & Entertainment business, which was about packaging ideas that looked like they were crafted as artist ideas. In the distributed products, my artist credit was hidden inside the package of the artist or entertainment personality.

Making social comment is an artificial place for an artist to start from. If an artist is touched by some social condition, what the artist creates will reflect that, but you can't force it.

Contessa, a.k.a. Baboushka, was a leader in the Russian mafia. Hardnosed, ruthless... very much her own woman. She's a martial artist, marksman, and good with guns and gadgets as any good pulp spy should be. She's supported by her constant companion Gyorgy Gyorgyov, an old friend of her family who was, in fact, her KGB handler and inventor.

A true artist could and should create till the day they die. You don't ever fail as an artist until you quit being an artist.

you don't need talent to be an artist. 'Artist' is just a frame of mind. Anybody can be an artist, anybody can communicate if they are desperate enough.

Each person may see a fight in different ways... They can see more to a primal way. Others they can see in a pure artistic way... For me I see the pure artistic way, the way that a true martial artist can show his art.

I was worried that I, the artist Morimura, would have conflicts with the participating artists and develop a strenuous relationship with them. But the actual experience was completely the opposite. The artists accepted my requests rather positively, because it came from a fellow artist. I strongly feel that the fact that my being an artist avoided the usual curator vs artist tension, and led to creating a positive atmosphere as well as developing a solidarity amongst artists and building a community for artists.

The idea of a talent that was bigger than an artist's ability to choose to use it, that would dictate the artist's life more than the artist could dictate, was interesting to me.

I think great art goes beyond the control of the artist. In some ways, art often makes itself and reveals things about that artist that maybe the artist is not fully conscious of.

I practice the martial arts. I don't practice MMA. MMA is my job, MMA is a new sport. Martial arts is the knowledge from the ages.

I mean when you go to a network and say, "We want to make a martial arts series in the future." And give them the pitch. And by the way, the only way to achieve the authentic Hong Kong martial arts we need a full-time fight team unit working concurrently, and we're hiring a Chinese fight team from Hong Kong. And they were like, "Great, let's go."

I don't believe in total freedom for the artist. Left on his own, free to do anything he likes, the artist ends up doing nothing at all. If there's one thing that's dangerous for an artist, it's precisely this question of total freedom, waiting for inspiration and the rest of it.

At the end of the day, I'm an artist. I may make work and decide to do something political, but it will come out of an artist's position. It won't come out of society telling me I have to. If I do, it's because I choose, as an artist, to do it.

You get a world-class athlete like Hershel Walker, who was a Heisman trophy winner and did some amazing things, but he had a martial arts background. He did kickboxing. He had a combat sports background. It was just rekindling that training and that martial arts workout ethic. He got back into it and did quite well.

A photographer is a photographer and an artist is an artist. I don't believe in labels or titles. Why should a painter or sculptor who has probably never challenged the rules be an artist just because his title and an art school education automatically make him one.

I like to believe a true fan of music or an artist has a genuine respect for what the artist does and has a distinct understanding of their actions. In that buying an album they are helping the artist to continue making music. It's hard because everyone wants something to be free.

This image of wanting to be an artist - that I would in some way become an artist -was very strong. I knew for a long, long time that that's what I would be. But nothing I ever did seemed to bring me any nearer to the condition of being an artist. And I didn't know how to do it.

There's a whole, that is a whole subgenre within martial arts cinema. The supernatural martial arts movie. Particularly within Asian cinema.

You are not an artist simply because you paint or sculpt or make pots that cannot be used. An artist is a poet in his or her own medium. And when an artist produces a good piece, that work has mystery, an unsaid quality; it is alive.

There’s no “correct path” to becoming a real artist. You might think you’ll gain legitimacy by going to university, getting published, getting signed to a record label. But it’s all bullshit, and it’s all in your head. You’re an artist when you say you are. And you’re a good artist when you make somebody else experience or feel something deep or unexpected.

As a 4-year-old, I saw two men competing in the ring, and I thought it was martial arts. I asked my parents if I could do martial arts. So, I was 5 or 6-years-old, and I was doing karate and jiu-jitsu. Later on, I started kickboxing. Then, it just progressed. I did a little bit of everything, but predominantly, I did kickboxing.

I am a serious artist in my own right, in the sense that I've spent my entire life being an artist and trying to be an artist and making work.

I don't really have a problem with the pain of life. Perhaps that is because I am a martial artist and I am used to dealing with pain. Or perhaps I adjusted to pain because there has been a great deal of it in my life.

People often say, 'Ah, ultimate fighting is so violent,' but it's rooted in martial arts. Martial arts incarnate respect. You can't walk into a dojo and say to your sensei, 'Hey, salut tabarnac!' After every one of my fights I go and shake the hand of my opponent. I don't need to hate the other fighter to fight him well. It's a sport.

The main reason he wanted to be a recording artist was because it gives you much more freedom in your writing. You only have to please the artist and the artist is you so you can be more daring and experimental.

I am an artist, and I understand the pros and cons of being an artist, and the pressures of being an artist, and how much being an artist can be torture to people around you; you know, you friends and your family and how material you can be, and how it's hard to take criticism and all the things like that.

An artist is above all a human being, profoundly human to the core. If the artist can't feel everything that humanity feels, if the artist isn't capable of loving until he forgets himself and sacrifices himself if necessary, if he won't put down his magic brush and head the fight against the oppressor, then he isn't a great artist.

I like to tell the artist what the song or album means to me, in detail. Then I let the artist run with it and create in an unrestrained manner. Once the artist gets back to me with a few ideas, I like to do the little changes to make it perfectly speak to the audience.

Back in the Bruce Lee era, and in my era, Kung-Fu stirred up a kind of frenzy, and many people were learning martial arts from us. But about a decade ago, Hollywood began bringing in a number of our action choreographers, including two from my own stunt crew, where they became martial arts directors. Now, a decade later, Hollywood has learned it all, so when you look at the action films they're making now, they all use our action, our martial arts, and then add to that their own technology which is ten times better than ours, and it has to leave us dumbfounded: how did they film that?

Sometime during the mid-50s I said, 'I am an artist.' Before that, for many years, I had said, 'I'm going to be an artist.' Then I went through a change of mind and a change of heart. What made 'going to be an artist' into 'being an artist', was, in part, a spiritual change.

I think an artist can fit under a few different categories depending on how much you explore your creativity. It can vary from artist to artist from musician to performer to vocalist. I thrive on creativity. So in the long run I want to be an all around entertainer.

I think Ang Lee is a very, very talented director. He used martial arts to talk about love and girl, you know... But Zhang Yimou tried to use martial arts film to talk about Chinese culture, Chinese people. What do they think, what do they want and what do they hope the world will become.

There's always someone kicking guns. We wanted ["Badlands"] to be a world without guns and bullets, where martial arts was the form of fighting and defense and attack. Martial arts is king in this world. That was the first thing. We didn't want it to be a period piece either. We felt those are overdone and stuffy. That was what lead us to explore that area of science fiction and future, a world we can create and control.

The critic, to interpret his artist, even to understand his artist, must be able to get into the mind of his artist; he must feel and comprehend the vast pressure of the creative passion.

Everybody asks 'would you fight Conor McGregor?' - of course I'd fight Conor McGregor but it's not because of the money. It's because he's such a huge martial artist and everybody considers themselves the best if you fight Conor McGregor, if you beat Conor McGregor. I look at it like that.

When I worked on 'Xena' I had to concentrate on fighting like Lucy Lawless. In 'Kill Bill' I not only had to stop fighting like Lucy, after three years of copying her moves, but start fighting like a Wu Shu martial artist. I'd never done Wu Shu before so mentally it was a massive challenge.

There questions of wanting to be an artist, and what does that mean, what makes you an artist? Are you an artist if you're in a gallery in New York and not an artist if you're doing it at home? Do you need legitimation to count? If you've been acculturated to believe that you have certain obligations - familial, social, human - if multitasking has been your forte and that's what's been praised and rewarded, where do you find the single-mindedness, the selfishness to do something like art? I think those are questions that arise differently for women and for men.

My one failing as an artist is that I depend on reference material to perhaps a greater extent than I should. Delacroix said that if you can draw a man falling out of a window and have the drawing finished before he hits the ground then you're a real artist. I wasn't that kind of artist.

I don't believe in total freedom for the artist. Left on his own, free to do anything he likes, the artist ends up doing nothing at all. If there's one thing that's dangerous for an artist, it's precisely this question of total freedom, waiting for inspiration and all the rest of it.

To many people Michael Jackson seems an elusive personality, but to those who work with him, he is not. This talented artist is a sensitive man, warm, funny, and full of insight. Michael's book 'Moonwalk', provides a startling glimpse of the artist at work and the artist in reflection.

I was associated with the Artist Placement Group in the early 1970s and David Hall, the video artist, was an Artist Placement Group artist. I was completely broke at that time, and he said to me, "Come and do some teaching" - he was head of department at Maidstone College of Art. And I went and did a couple of teaching days and practically the only person who showed up was David Cunningham [Flying Lizard's main man], with all of this finished work

The Best of the artist's art, which will one day be in a Museum wall, the Painting that sets the artist apart of all other artist artists.

There's no diploma in the world that declares you as an artist—it's not like becoming a doctor. You can declare yourself an artist and then figure out how to be an artist.

I feel like through martial arts I'm able to face my fears head on. It makes me not run away from challenges in life. I'm able to transfer my martial arts training over to other challenges. To be able to conquer your fears is the best feeling in the world.

An artist's career doesn't happen in the cycle of one week of news. An artist's career happens in a lifetime, and if you're a true artist you're willing to die for what you believe in.

Nowadays, if you're a great artist, you don't have to leave the house, which is a really big difference. You're closer to the artist. And the artist can be closer to their artistry without having to always worry about branding themselves or building something image-wise.

A little artist has all the tragic unhappiness and the sorrows of a great artist and he is not a great artist.

I took what worked for me and found I had a system that others were interested in and seemed to work for a wide number of people. It was recognised by other martial artists, grandmasters and such, and they gave me the recognition. I'm proud of my work in martial arts. I still teach but only once a week in a private class, and I train a couple more days a week.

I want to be an artist artist, a real artist. I don't just want to do this for temporary money.

Being an artist doesn't just mean you have a song. That doesn't make you an artist. The word 'artist' means so many different things, and I feel like to be a real one, you really have to do it all. The people that I think of as artists - Tyler the Creator, Childish Gambino, Kanye West - are doing the most.

Being an artist doesn't mean that you're a good artist. That was the bargain I first made with myself: I'd say, I'm an artist, but I'm not really very good.

The artist usually sets out -- or used to -- to point a moral and adorn a tale. The tale, however, points the other way, as a rule. Two blankly opposing morals, the artist's and the tale's. Never trust the artist. Trust the tale. The proper functions of a critic is to save the tale from the artist who created it.

A martial arts practice hall, a dojo, is a place you go to practice being the best you can be. But the true combat in a dojo is not between one person and another as most people believe it to be. The true combat in a martial arts practice hall is between the people within ourselves.

I hope martial artists are more interested in the root of martial arts and not the different decorative branches, flowers or leaves. It is futile to argue as to which leaf, which design of branches, or which attractive flower you like; when you understand the root, you understand all its blossoming.

I've always been a fan of martial arts, even before I did jiu-jitsu tournaments. I did point karate tournaments and wrestled in high school. To me, it was just an evolution and mixed martial arts was the next step. I just wanted to compete and train in it. I had no illusions of it being a paying gig.

The artist is a strange being. I think it's safe to say that a real artist is conscious of having a personal singularity that is partly a blessing and partly a curse. An artist enjoys and suffers from isolation. As solitude, isolation can nurture. It can also destroy.

The only duty an artist has is in the quality of the art. There is no moral obligation to denounce. An artist confronted with a tremendous injustice sometimes feels inclined to say something. Denouncing the situation is the artist's choice.

I just like artist-driven projects, but for artists themselves: artist spaces, artist mentor programs, and artists buying buildings and making lofts. Doing whatever we can do. Because at the end of the day, I really think that we as a community only have each other.