The comics I've talked to have varied styles as stand-ups, but the throughline is that it's the most intense thing they've ever done.
I've been very lucky in this second marriage. It's just luck. It's absolute luck. And I can only marvel at it. So many other things could have happened that didn't, so overall I feel blessed.
I like Comixology and I think they have a very captive audience which is good and bad. I hope that getting my books on there expose folks who just read Marvel/DC/Image to try something different.
I used to read comics as a kid, and now I'm reading them for research. It's great fun. It's not bad homework.
The thing I always laugh about is we tried for years to make successful television. And at the end of the day, we never had a show run as long as our run at Marvel.
Being a Marvel superhero has always been a dream of mine. And so I think every choice that I made in my career, every step that I took, brought me to that point.
We're never going to please everyone, but all the great Jewish comics have succeeded through irreverence and self deprecation.
Goblins burrowed in the earth, elves sang songs in the trees: Those were the obvious wonders of reading, but behind them lay the fundamental marvel that, in stories, words could command things to be.
What I love about WonderCon is that, while the focus is on the comics, it's also a celebration of games and movies and all the ancillary media.
Stand-up comics tend to make two assumptions: that Christians have no sense of humour and that all their audiences are unbelievers.
What we do as comics can be a service to people. It can make them laugh and take their mind off their problems for a few minutes.
The 'Ms. Marvel' mantle has passed to 'Kamala Khan,' a high school student from Jersey City who struggles to reconcile being an American teenager with the conservative customs of her Pakistani Muslim family.
Publishing the lyric books, poetry or comics of other musicians I know. That's the thing I really want to break into!
It is the fashion to talk of our changing climate and bewail the hot summers and hard winters of tradition, but how seldom we pause to marvel at the remarkable constancy of the weather from year to year.
I love the challenge of taking established, iconic comics characters and showing readers why they remain contemporary.
It's Marvel's toybox; I'm just glad I'm able to play with the toys and have some impact on what goes on. I didn't create Daredevil, so I'm not about to stand here and say that I'm the only one who gets to play with the toy.
There is a sequence in my 'Detective Comics' run where you can't find consecutive issues by the same artist. That's intentional. That was done on purpose.
I'm an avid reader. Novels, non-fiction, comics, it doesn't matter. Best way in the world to feed your head.
A glorious place, a glorious age, I tell you! A very Neon renaissance - And the myths that actually touched you at that time - not Hercules, Orpheus, Ulysses and Aeneas - but Superman, Captain Marvel, and Batman.
Deadpool exploded for the youth around 2010 with 'Marvel vs. Capcom.' He was the most popular character. He does kicks, then mocks you as he hits you and dances around you when you hit the ground.
'The Green Turtle' wasn't all that popular. He lasted only five issues of Blazing Comics before disappearing into obscurity.
For me, one of the really cool things about this is that throughout these movies, there have been - and I enjoyed it this way - hints at what S.H.I.E.L.D. is and how they function within this Marvel movie universe which, as you know, is deeply based in the comic books.
Believe it or not, every Marvel character is someone's favorite character. There's a fan out there who absolutely believes that their character should have their own television show.
The one thing Marvel does is think outside the box, going all the way back to Ang Lee directing the first 'Hulk.' They like to go outside the genre.
There's almost a universe as big as the Marvel Universe with X-Men. I mean, Deadpool is something I think everybody was taken surprise by, except for the people who read the comic book.
I would be so happy to be Young Hulk. I cannot even explain to you. That would be so dope. He was my favorite Marvel hero, and the fact that Mark Ruffalo plays him is sick.
The great comics can fall on their faces, but then they can say, 'Oh, baby, you're the greatest.' They show their heart and their vulnerability.
Not exactly sure there can be a final chapter to Thanos, considering what he is and his relationship with Mistress Death. Might just be that as long as there is a Marvel, there will be a Thanos to plague that universe's heroes.
However, if I can expand this to Top Cow or Avatar I'm helping the sales, however small, on my Marvel books because I'm almost certain to pick up some new readers.
Basically, I love Loki and I found out that Marvel were making a television show about him. Like everyone, I saw him die in 'Infinity War,' and I was horrified.
For Marvel, we've never looked at any of our characters in terms of gender, race, or religion. It truly is about, who is the best character for the story? If that character happens to be a woman, fantastic.
Iconic Paris tells us: here are our three-star attractions, go thou and marvel. And so we gaze obediently at what we are told to gaze at, without exactly asking why.
We knew a little bit about Carol Danvers, but we certainly hadn't read all the comics and didn't know all her history.
I hate comics who look at comedy as therapy. But at least it gets things out of my system in a funny way.
Dwayne McDuffie was one of my favorite writers. When I was growing up, he was one of the few African Americans working in American comics.
I would not change very much about the American theater. I marvel and rejoice in the way the country's regional theaters have formed a network that has become, in essence, our National Theater.
I never was really into comics as a child, and I think if you miss the boat when you're a kid, you don't necessarily pick up on it when you're an adult.
I feel like I understood the language of comics. I had a real fluidity with that medium at a very early age.
Talking about my personal life onstage, I've realized I'm not one of those comics who can do that. I can allude to it but I don't want to be a confessional performer.
We relate comics to the main super-heroes, but it's a great medium through which all sorts of stories are told.
One travels so as to learn once more how to marvel at life in the way a child does. And blessed be the poet, the artist who knows how to keep alive his sense of wonder.
Every marvel of our age arose out of the critical give and take of an open society. No other civilization ever managed to incorporate this crucial innovation, weaving it into daily life. And if you disagree with this... say so!
You have the massive world that was created by Marvel, and then you have these very intimate actors around you. There was as much character work on this as there would be on a little independent film. So, I felt very fortunate in that sense.
I do marvel at what life puts in your path. It's always the unexpected. But I am lucky to be surrounded by very positive people and during my rehabilitation from the haemorrhage that helped very much.
If you want to give me Robert Downey Jr in a metal suit and have him join the X-Men, then yes, let’s go head-to-head [with Marvel Studios].
I honestly believe students of painting in the next century will laugh at the abstract art movement. They will marvel at such a drawn-out regression in the plastic arts.
I have yet to see one of those Comedy Central shows with multiple standup comics that doesn't include someone the size of the Hindenburg.
I think women are vital to the future of the superhero comics and the entire industry - as creators, as editors, as consumers, as retailers.
The topic of Sarah Palin has been open season to the media, entertainment industry, and club comics alike.
When I was at Marvel, they were in bankruptcy, which is hard to believe now with 'Avengers 2' out, but it was during the 1990s. It was a troubled place. Comic book sales were dropping. Work was scattered.
My brother and I were really into baseball cards, and it seemed like an easy switch to jump over to comics.
Things improved a little bit in the '80s; there was kind of a revival of alternative comics, but then they went downhill in the '90s.
I've seen situations where I think comics are really unrealistic about what creative expression and what the artistic freedom, what that entails.
I used to draw comics a lot. I was obsessed with 'The Young Ones,' and was massively into video games, although I was no good at them.
I was the nerd. Because I was reading. I wasn't into sports. I was really into art. Very geekish about comics. Assumed gay.
I've seen other comics, with great pleasure, watching their own specials, and I don't know how or why they do it.
Overall, I'm happy how 'Original Sin' has come together. It's an amalgam of all I've done at Marvel, mixing the gritty, violent 'Punisher Max' stuff with the zany, light-hearted 'Wolverine & The X-Men' work.
I genuinely enjoy the puzzle put before me with a crossover - how do I use this bigger piece of the Marvel Universe to tell a character-based tale I wouldn't normally think to tell?
Marvel does a fantastic job about bringing human stories - because you're telling big stories with a heart at the centre of it - and that's what connects all of the characters to our audience members.
I'm a fan of the sensibility of comics, and I love the escapism of them and the defining of good and evil. They're just so creative, too.
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