Top 365 Masks Quotes & Sayings - Page 5

Art has no other object than to set aside the symbols of practical utility, the generalities that are conventionally and socially accepted, everything in fact which masks reality from us, in order to set us face to face with reality itself.

When I'm on set, I'm on set, and I focus and get the work done. Then when I'm done, I kind of have this button that I switch. I'm constantly switching this button and putting on different masks, and that kind of keeps me organized.

White as a winding sheet, Masks blowing down the street: Moscow, Paris London, Vienna - all are undone. The drums of death are mumbling, rumbling, and tumbling, Mumbling, rumbling, and tumbling, The world's floors are quaking, crumbling and breaking.

Strip is the power. I'm ready to strip... I think everyone is. In that I'm saying I think everyone is ready to take off masks and pretentious costumes that don't represent who they truly are.

When you're an insecure teenager, you build walls and defenses and masks, and those are incredibly satisfying to perform and chip away at. I mean, when I was an insecure teenager, you'd have had no idea what I was insecure about because I hid it so well. Only confident people are comfortable wearing their vulnerabilities on their sleeve.

GDP has been a con perpetrated upon the poor of the world: a measure of economic activity and not of actual wealth. What it masks is the way in which we transform their natural capital into our consumption through international rules that regard the ecosystem services upon which they rely as mere externalities.

Anything that provides you with very, very stable income, very stable conditions, maybe generally stable, that often, it masks real risks, risks of blow-ups.

It's the African-American experience. You've got to wear different masks. When you're in the hood, if you stand out, you get picked on for being weak. Sometimes you have to hide your intelligence. In front of your boys, you might put on a bit of bravado, be a little bit tougher.

Regardless of the fact that in this country, certainly in the arts, we treat comedy as a second-class citizen, I've never thought of it that way. I've always thought it to be important. The last time I looked, the Greeks were holding up two masks. I've always thought of it not only as having equal value, but as the craft of it, being funny.

And regardless of the fact that in this country, certainly in the arts, we treat comedy as a second-class citizen, I've never thought of it that way. I've always thought it to be important. The last time I looked, the Greeks were holding up two masks. I've always thought of it not only as having equal value, but as the craft of it, being funny.

With kids, I have less time for things like masks - though I do try to treat myself, after they've gone to bed, to a mask or something. It's kind of funny because, as you get older, you probably need to do more in terms of beauty, but actually, you have less time to do it. But becoming a mother has made me a stronger person.

We fell in love with different people. Looking back, we might have done it in a different order, but we got invested. We really wanted to do the flashbacks because we wanted to explore who these women were on the outside versus the inside, and get a fuller picture of the masks we wear.

Community [is] a group of individuals who have learned how to communicate honestly with each other, whose relationships go deeper than their masks of composure, and who have developed some significant commitment to "rejoice together, mourn together," and to "delight in each other, make others' conditions our own.

Amy was profoundly shocked. "A little over an hour ago, our bus was attacked by three men in ski masks. They definitely knew me, and probably Dan, too. We fought them off, but it could've gone either way." "Like if they'd used a cookie truck instead of a gas tanker," Dan added. "Nobody's scared of Oreos.

...The next time I opened my eyes, I was in the morgue. This, all by itself, is enough to really ruin your day. I was lying on the examining table, and Butters, complete with his surgical gown and his tray of autopsy instruments, stood over me. 'I'm not dead!' I sputtered. 'I'm not dead!' - Harry Dresden, Death Masks, Jim Butcher

Of all sports, football seems to be the most sanctioned homosocial opportunity for straight men to be with each other, pat butts, struggle, strive, and take showers together. All that talk of tight ends and penetration. The reason there are face masks on those helmets is so that can't kiss each other.

All of us know, whether or not we are able to admit it, that mirrors can only lie, that death by drowning is all that awaits one there. It is for this reason that love is so desperately sought and so cunningly avoided. Love takes off the masks that we fear we cannot live without and know we cannot live within.

I think that the inability to love is the central problem, because that inability masks a certain terror, and that terror is the terror of being touched. And if you can't be touched, you can't be changed. And if you can't be changed, you can't be alive.

Man is not merely the sum of his masks. Behind the shifting face of personality is a hard nugget of self, a genetic gift.... The self is malleable but elastic, snapping back to its original shape like a rubber band. Mental illness is no myth, as some have claimed. It is a disturbance in our sense of possession of a stable inner self that survives its personae.

In other words, all these things you might cling to, Catholicism, democratic ideals, Hasidism, Marxism, Freudianism, all of these things are exposed [through use of psychedelics] as simply quaint cultural artifacts, painted masks and rattles assembled by people of good intent but clearly not great grasp of the situation.

The Left masks its distaste for the Bible's condemnation of homosexuality in a straw man argument that Bible believers are violent bigots. They are not. Citing the Bible doesn't make you a bigot against human beings - it makes you a bigot against sin, which is a good thing.

For me, the ages between 9 and 12 were great because it was before you wore any masks, and you had some autonomy in the world. You had some freedom, and you felt you had unlimited ambition. It's when you thought, 'I'm going to write plays. I'm going to be president. I'm going to do this; I'm going to do that.' And then it all falls apart.

Following directly behind the bier were the servants who would, in earlier times, have been slaughtered at the graveside, along with a warrior's horse. Musicians and torchbearers came next, with the rear taken up by the mimes- sinister, silent figures in wax masks modelled on dead members of the family.

Take off all the masks, manners, fancy clothes, all the devices you use, and be the most honest person you can be with yourself. Then, whatever love you get then is real. All the false approaches, like trying to be a player, only bring false results.

The only real struggle [in Doctor Strange] was casting spells - learning all these amazing things with fingers, and then remembering what to say at the same time. They would say, 'So you have to put your hands there, not there because the light is going to go [MAKES SOUND] so that kind of masks... but it was all good.

The theater, bringing impersonal masks to life, is only for those who are virile enough to create new life: either as a conflict of passions subtler than those we already know, or as a complete new character.

TV, and the culture it anchors, masks and drowns out the subtle and vital information contact with the real world once provided. There are lessons, enormous lessons, lessons that may be crucial to the planet's persistence as a green and diverse place and also to the happiness of it's inhabitants-that nature teaches and TV can't.

I had a great experience working with Dynamite on Masks, and had just gotten started on a stint on The Shadow with them when they floated the idea of a Captain Action series. I've been a little obsessed with the character since I was first introduced to him in the pages of Amazing Heroes back in the early 1980s.

In a deep metaphysical sense, all that is conditioned is illusory. All phenomena are literally 'appearances,' the outer masks in which the One Reality shows itself forth in our changing universe. The more 'material' and solid the appearance, the further is it from reality, and therefore the more illusory it is.

For what gives value to travel is fear. It breaks down a kind of inner structure we have. Travel robs us of such refuge. Far from our own people, our own language, stripped of all our props, deprived of our masks (one doesn't know the fare on the streetcars, or anything else), we are completely on the surface of ourselves.

Then I could not help wondering what the watching gods thought of us, with our clever masks and our jokes. What we think of crickets, perhaps, whose singing we hear with pleasure, though some of us smash them with our heels when they venture into sight.

Pilgrimage means being alert to the times when all that's needed is a trip to a remote place to simply lose yourself, and to the times when what's needed is a journey to a sacred place, in all its glorious and fearsome masks, to find yourself.

Blake understood. Treated it like a joke, but he understood. He saw the cracks in society, saw the little men in masks trying to hold it together...he saw the true face of the twentieth century and chose to become a reflection of it, a parody of it. No one else saw the joke. That's why he was lonely.

The Manuka honey face mask is another favorite of mine that I actually do. I know there are these people that recommend crazy masks, and I'm like, 'There is no way you're putting that on your face!' But I do put Manuka honey on my face. I take a teaspoon and warm it up.

In some traditional African dances, people wear masks in order to become the embodiments of particular spirits. I have heard that they often cover the mouth-piece with spider webs or something that resonates, so that their voice gets distorted, ceasing to be the voice of a human and becoming representative of a voice that comes from another world.

Sitting quietly, doing nothing, not knowing what is next and not concerned with what was or what may be next, a new mind is operating that is not connected with the conditioned past and yet perceives and understands the whole mechanism of conditioning. It is the unmasking of the self that is nothing but masks - images, memories of past experiences, fears, hopes, and the ceaseless demand to be something or become somebody.

With a film you go with the script that's already written. And I've never thought of a project, a film that would come from my own desire. I don't think I can do it. I need someone else's desire to be able to do something. With a record, it is completely different, it's a collaboration with another artist, but I'm willing to go into intimate places with no masks on.

Whether our feet are compressed in iron shoes, our faces hidden with veils and masks; whether yoked with cows to draw the plow through its furrows, or classed with idiots, lunatics and criminals in the laws and constitutions of the State, the principle is the same; for the humiliations of the spirit are as real as the visible badges of servitude.

If you want the great and mighty things God has for you, you must get to the root of anger and deal with it. Get rid of the masks and face the things that happened in your life that made you the way you are today. Admit that you can't change by yourself. Until the root is removed, it'll continue to produce one bad fruit after another.

The masks we wear are simply veils that we have chosen to hide behind in order to get our way, or to demonstrate how we are reacting to the powers and forces that seem to influence us from the external world. They are part of our self image, and in some cases the mask is nothing more than a protective device, a defense mechanism.

I always have SK-II face masks in the fridge - they are excellent especially if you've been on a plane and your skin is puffy. I also love Rodin face oil with jasmine - it's delicious and gives you a real glow. I always use Chanel eye cream. I go to have my eyebrows waxed and lashes tinted, and then I always curl my eyelashes.

What I have always found most beautiful in the theatre, in my childhood, and still today, is lustre--a beautiful object, luminous, crystalline, complex, circular, symmetrical. However, I do not absolutely deny the value of dramatic literature. Only, I should like the actors to be mounted on high pattens, to wear masks more expressive than the human face, and to speak through megaphones.

There is a Hindu myth about the Self or God of the universe who sees life as a form of play. But since the Self is what there is and all that there is and thus has no one separate to play with, he plays the cosmic game of hide-and-seek with himself. He takes on the roles and masks of individual people such as you and I and thus becomes involved in exciting and terrifying adventures, all the time forgetting who he really is.

At the time, in 1996, an electronic band signing with a major label was something new, at least in France. Daft Punk knew that this meant a marathon of promotion, TV appearances, etc. To protect themselves and to be discrete, they came up with the masks and, three years later, the robot helmets.

On the stage . . . masks are assumed with some regard to procedure; in everyday life, the participants act their parts without consideration either for suitability of scene or for the words spoken by the rest of the cast: the result is a general tendency for things to be brought to the level of farce even when the theme is serious enough.

Funny thing about Bob Dylan, the newest Nobel laureate in literature: He's been a master of self-invention for more than 50 years, creating personae, wearing them like masks, and then discarding them as soon as they grew too familiar.

To all organic conceptions of life Americans oppose a mechanistic conception. In a society which has 'started from scratch', everything has the characteristic of being fabricated. In American society appearances are masks, not faces. At the same time, proponents of the American way of life are hostile to personality.

I can just remember the blitz of Manchester, or perhaps my father's tales about the blitz of Manchester. I can remember the blackout, the powdered eggs, and the gas masks. But I think no British person should pretend that being resident in England could count as being in the thick of the action.

All the children had to wear a gas mask in case of a gas attack by the Germans. They tried to make the masks like Mickey Mouse faces so the children would like them. But I didn't. They had big ears on them.

Come you masters of war You that build all the guns You that build the death planes You that build the big bombs You that hide behind walls You that hide behind desks I just want you to know I can see through your masks.

I went to college to study drama where I discovered I had no talent and after a period of dropping out majored in cultural anthropology which of course meant more masks and dancing. I studied what interested me and so I had to become a writer because my education had left me unsuited for a decent well-paying job.

Society is about masks and hiding and pretending to be something that you're not and not opening up, and in acting, you do all of those things, but it also shows the performers in a very raw state. They have to literally upset themselves to get to that position sometimes. You don't need a load of people judging you or not being interested in what you're doing or being an ass on set because it ruins it.

Kids go crazy for the Krampus tradition and dress up as little monsters - they have beautiful masks, handmade from wood. Our village in Austria puts on a special play in which the creature tells an old beggar to repent his sins; when he refuses, he's beaten up by lots of Krampuses at once.

When the amalgam is delivered to your dentist in a special protective box, he has to take extreme caution when handling the stuff: with masks, gloves, gowns, goggles, all needed to protect him from danger. He then drills your teeth and rams the mixture into your cavities, whereupon it becomes miraculously, instantly safe!

In western culture, we have ignored death. We're running the other way - everything is about life and youth. So, there's something resonant about walking around with our own death masks. Zombies are the visible embodiment of death staring at us with our own faces.

In my experience, you can help by drinking lots of water when you're travelling, and I also wear face masks on the plane. You might look silly but it helps your skin feel healthier and you generally feel better than you might have done when you land.

I love skincare. If anything, my skin goes extremely dry. I could put hand cream on my face, and it still goes in. On flights, I always put on masks, and I have night cream as my day cream.

The child--a skilled actor with a hundred masks: a different one for his mother, father, grandmother or grandfather, for a stern or lenient teacher, for the cook or maid, for his own friends, for the rich and poor. Naive and cunning, humble and haughty, gentle and vengeful, well behaved and willful, he disguises himself so well that he can lead us by the nose.

We [people] love ourselves with conditions. We need opinions, we need approval, we create an image of ourselves that is not what we are. This how we lose our authenticity and create masks - how we become "domesticated."

Kitschis one of the major categories of the modern object. Knick-knacks, rustic odds-and-ends, souvenirs, lampshades, and African masks: the kitsch-object is collectively this whole plethora of "trashy," sham or faked objects, this whole museum of junk which proliferates everywhere.... Kitsch is the equivalent to the "cliché" in discourse.