Top 112 McQueen Quotes & Sayings - Page 2

There are so many great actors, but I really have a lot of respect for Johnny Depp. I've seen a lot of movies with him in it and, even if it's a film that wasn't as successful as you thought it would be, I've never seen him put in a bad performance. My favorite actors from history have to be Steve McQueen and James Dean.

The big stars I felt a kinship with were never the romantic leads. It wasn't Steve McQueen or Robert Redford - it was people like Walter Matthau and Anthony Quinn. My big hero was Tommy Cooper.

I am shocked and deeply saddened by McQueen's death. He was a genius, and his talent was second to none. Like many others, I always cited him as a hugely inspirational leader of world fashion. He will be greatly missed.

I was cast last minute for Casino Royale. They asked me to fly to Prague. I liked the script very much. I flew to Prague and did a bit of an audition. I was really focused and stressed out. And Daniel Craig was there. He was very, very blonde, like a Steve McQueen. He's moving a lot in real life. He's quite nervous. He was very lovely, very patient, and really connecting with me when we did the screen test.

With McQueen you have so much at your fingertips. That is what's so incredible about this place. Lee built an amazing house, an English house - and that is very important - where creativity rules, where you can do whatever you want to do for the shows because no one's saying: where's your basic dress, where's your three button jacket?

When I was growing up, it was Clint Eastwood, it was Harrison Ford and Steve McQueen - these guys were tough. They were leading men, but they were also tough and physical.

Alexander McQueen's designs are all about bringing contrasts together to create startling and beautiful clothes and I hope that by marrying traditional fabrics and lacework, with a modern structure and design we have created a beautiful dress for Catherine on her wedding day.

The great 'New York Times' columnist Dave Anderson famously slept one year in a child's race-car bed. There he was, Pulitzer Prize and all, snoring as his feet dangled over the rear tires of Lightning McQueen.

John loved celebrity. We attended an American Film Institute dinner honoring James Cagney, and the room was filled with famous actors like Mae West, Kirk Douglas, John Wayne and Steve McQueen. John was like a kid in a candy store.

I shop everywhere from Maxfield to antique stores. I love Alexander McQueen and Vivienne Westwood, and I love vintage. Golyester has the best selection of mint things and dead stock. I collect 1940s to 1970s platform shoes, and that's where I got a few of my best ones.

People constantly make the mistake of comparing London with New York, Milan and Paris and that's not what it's about. London has its own fashion identity. You come here to find the next Alexander McQueen or John Galliano.

Given how unflinching his productions have been, the 44-year-old McQueen is remarkably gentle and thoughtful - so much so that he will request a moment to consider a question, and turn it around in his head to get the shape and weight of it, before answering, occasionally with an excited rush of words in response.

I did an after-school special as my first big thing. It was starring Butterfly McQueen. She was the name. But the real star of it was Robbie Rist, who was that little blond kid who looked like John Denver.

McQueen was daring, original, exciting. He shook up the establishment with his creativity and understood what it takes to be a great British ambassador for fashion. I admired him very much. He was a fashion revolutionary that, like me, made the journey from [Central] Saint Martins to Paris where he put his own unique mark on the industry. He will not be forgotten.

I like edgy but classic looks - like Chanel mixed with Alexander McQueen. My personal style is edgier. My closet is just black, gray, and white. I'm more comfortable in darker colors and leather jackets.

Steve McQueen is a genius. And I think that word is overused, but I think with Steve it's rightly used. He's a genius.

Things I Want to Happen After I die: You're allowed to be sad, but you're not allowed to be too sad. If you're always sad when you think about me, then how can you remember me? —Sam McQueen

We know there needs to be diversity in storytellers telling their own stories. I think there's a beautiful forward movement in that direction with McQueen telling '12 Years A Slave,' with Coogler telling 'Fruitvale,' and with Daniels telling 'The Butler.'

Fashion went from being much more rarefied to being more accessible. Now everything is changing in the art world, too: even the highest level of institutions are becoming more aware of the general public, like the McQueen exhibit at the Metropolitan or the Tim Burton at the MoMA or how the Gagosian does historic Picasso shows, bringing museum quality into a gallery. Galleries are becoming more like museums, and museums are becoming more accessible. In the next decade, I think it'll be blown open: there will be a lot of shifting around in terms of how artists approach their work.

When I think of artists that I would have loved to work with, it's Jimi Hendrix. And Steve McQueen. He's not a rock star, but he's kind of a rock star to me.

A McQueen woman always has to feel powerful. She's never a girly girl, she's always a woman.

The whole movie thing has never been a source of great pride for me, in that Burt Reynolds, who starred in the picture, butchered the original script I had written for the late Steve McQueen, and the result, while a massive moneymaker, was lashed by the critics. But like the old joke about Pierre the Bridge Builder, The Cannonball Run is indelibly inscribed on my so-called career portfolio, and few conversations with strangers pass without the subject of the picture arising.

You know what I did? I turned down an offer to do 'Enemy of the People' with Steve McQueen. It doesn't matter that the film was never really released. A movie like that, successful or not, adds to your credits. It leads to other roles.

My McQueen particularly was hard to make, because my father was dying. I see it, and I see my confusion, my pain, my everything. I thought that it was really interesting to be able to put the people from behind the camera in front of the camera as they make it.

Japan had a more radical experience of future shock than any other nation in the Nineteenth and Twentieth Centuries. They were this feudal place, locked in the past, but then they bought the whole Industrial Revolution kit from England, blew their cultural brains out with it, became the first industrialized Asian nation, tried to take over their side of the world, got nuked by the United States for their trouble, and discovered Steve McQueen! Their take on iconic menswear emerges from that matrix.

I did grow up next door to Steve McQueen, who was a very famous movie star at the time, but as a kid it didn't impress me. We always had great fun with him. He would take us out on Sundays on his motorcycles, riding around in the desert; he was like a second father.

I'd love to do a noir. I think Steve McQueen is so cool. But a classic film is a classic film, and perhaps the fantasy of being those characters should be left alone. You're treading on very thin ice.

I don't want people thinking they know me instead of the character. Steve McQueen has loads of stories about him - who knows what's true? But it's great for people to fictionalize rather than know the truth.

The McQueen woman doesn't want to feel casual. It's not that kind of world. When you put on the clothes, they make you stand differently, feel differently. It was about how to do that but make it feel light. I've always been part of Lee's romantic side, that's what I love.

The first movie I can remember ever seeing was Hard Times with Charles Bronson and James Coburn. My dad also introduced me to the likes of Jimmy Cagney... John Garfield... Robert Ryan... Steve McQueen... James Caan... Those are my fondest memories.

I am a California girl, born and raised, so flip-flops and cutoff shorts are my go-to look. An easy Angeleno uniform, so to speak. But for my role on 'Suits,' I'm dressed in Alexander McQueen, Tom Ford, and Prada almost every day. And therein lies the difference. For work, I wear art; in real life, I wear clothes.

My favourite designers always create a strong silhouette, like McQueen and Tom Ford and Alaia. I like structured things that you can throw on, and it's almost like armour, and you're, like, ready for the day.

When I arrived here at Givenchy, there was a lot of confusion. Before me, there had been some great geniuses - John Galliano and Alexander McQueen are great masters. They marked history. But when I came in after Julien Macdonald, it was also a bit of a mess, because not even I could understand what the true identity of Givenchy was. Everyone thinks that it's only Audrey Hepburn, but there is a whole other world behind it.

I think maybe that as time goes by there will be more newness but because I was part of what it was before it's not like coming into a house and saying it's all about me. I don't feel like that. It really is all about McQueen and the things that he was trying to say and about moving that forward, making it relevant, making it desirable, making it into what people want to wear.

Fashion Week was at Bryant Park and there were a few shows like Marc Jacobs, or when Alexander McQueen came to town, that were offsite, Helmut [Lung] was offsite, but it was very intimate. It wasn't the way it is today where you have a thousand people at the show. You may have had 200 to 250 and it was really the trade and you know fashion greats.

My personal style icon is Steve McQueen. My design style icon is a mix of everyone from Jackie O. to Lauren Hutton to my mother.

Considered purely as effects-driven filmed drama, 'The Day After Tomorrow' checks in somewhere in the middle of one of Hollywood's most absurd and least lamented dead genres, the disaster pic of the '70s. It's a little better than 'Earthquake' but not as good as 'The Towering Inferno,' because it doesn't star Steve McQueen and Paul Newman.

Where's our Paul Newmans? Where's our Robert Redfords? We've got Jason Statham, who is great... blue collar and cool, which is fantastic. And we've got Hugh Grant, which is great. But where's this crossover, this blue collar guy who is cool? Where is our James Dean? Where is our John Travolta and Steve McQueen?

There are a lot of people that I think look very good - Bryan Ferry and Jude Law dress really well, Steve McQueen was cool, and all the James Bonds have been very dapper.

Alexander McQueen was one of the greatest fashion designers of his generation. His genius, sometimes provocative, admired and saluted by all, constantly opened new perspectives. Visionary and avant-garde, his creations took their inspiration from both tradition and timeless hyper-modernity.

I get to wear Vivienne Westwood and Alexander McQueen and crazy stuff, but of course, my mom would never in a million years let me buy that. She won't even let me buy my own pair of skis!

I was always attracted to the type of cinema hero as an adolescent growing up in Ireland. Robert Mitchum springs to mind. Later on, it was Steve McQueen to a certain extent and Charles Bronson. They're these types of grizzled characters who had one foot on the side of law and order and the other foot in the bad guy's camp.

The only people that come to my mind in the last years are Lee McQueen and John Galliano. Truly, truly . . . How do I say? Full of ideas. Full of the smell. They just had this incredible passion for what they did.

Watching the news inspires me to keep going and reminds me why I should never complain. I'm inspired by those who don't let others define them: Martin Luther King Jr., James Dean, Vincent Van Gogh, Hillary Clinton, Tennessee Williams, director Steve McQueen. They've all changed the conversation by making their voices heard.

My dad was mixture of John Wayne, Steve McQueen and Errol Flynn all rolled up into one. He was a really tough guy. He taught me how to fight literally when I was four years old. He taught me street-fighting techniques.

'Con Air' was kind of a turning point for me, in my mind. I never shot anybody in that movie - I never did anything bad - because there were so many bad guys in that movie. I said, 'The hell with this, I'm just gonna be a lovable guy.' I'm like Steve McQueen in 'The Great Escape.'

A man should be rugged like Steve McQueen; the way he stands, like he's ready for something. Or he should be a man of the world like Dean Martin.

As far as people I'd like to work with, the list is endless. I think to work with Steve McQueen would be amazing, and then some of the U.K. talent we have: Eddie Marsan, Olivia Colman, both of whom I have met and admired for a long time. We're very blessed in this country; there is so much talent for people to work with and learn from.

I think my heart always goes out to men at the peak of their celebrity who checked out. There's such an odd, horrible trend in my lifetime for it - Kurt Cobain, David Foster Wallace, Alexander McQueen, Heath Ledger.

Steve MCQueen created an entire family to tell one man's tale and I am delighted that so many of this family have also been recognised today. I am hugely grateful to the Academy for this great honour, and, of course, to Solomon Northup for sharing his story through his breathtaking book.

Lee was very much his own person so it's impossible to know quite what he would have thought but part of the reason for me staying is that I believe he always wanted this to be a house that would be here forever, that he never wanted his name not to mean anything any more. And I want that too. I want Alexander McQueen to continue. Then, in a hundred years time, there will still be this house that he created, this great place that represents modernity and creativity and beauty and romance and all of those things. That, I think, would be amazing.

I love movies. I adore movies. I grew up on Steve McQueen and Clint Eastwood and Warren Beatty. The list goes on. Spencer Tracy. I wanted to be in movies.