Top 1200 Merchant Of Venice Famous Quotes & Sayings

If somebody tells me I'm famous I say, 'I'm not.' I can't see myself as famous and I don't think I'll ever call myself famous. I definitely don't feel famous.

Practically everyone in Hollywood has a neighbor who's been famous, wants to be famous, is famous, has been married to someone famous, worked with someone famous, slept with someone famous, been blackmailed by someone famous.

In the realm of pop celebrity, the bar has been lowered so far that there is no bar. People can be famous for being famous, famous for being infamous, famous for having once been famous and, thanks largely to the Internet, famous for not being famous at all.

I met Mel [Brooks] backstage in Anne's [Bancroft] dressing room. He was wearing one of those pea coats, pea jackets that were made famous by the Merchant Marines, and I admired it and he said, "You know, they used to call this a urine jacket, but it didn't sell."

Civilization, let me tell you what it is. First the soldier, then the merchant, then the priest, then the lawyer. The merchant hires the soldier and priest to conquer the country for him. First the soldier, he is a murderer; then the priest, he is a liar; then the merchant, he is a thief; and they all bring in the lawyer to make their laws and defend their deeds, and there you have your civilization!

'The Merchant of Venice' is a straightforward, clear story, while 'The Winter's Tale,' as a general rule, is hard to present because there is so much plot.

Venice has always fascinated me. Every country in Europe then was run by kings and the Vatican except Venice, which was basically run by councils. I've always wondered why.

The thought in my mind was that I must be a good merchant. If I were a good merchant, the rest would probably take care of itself.

I never wanted to be famous. I want to be more famous than I am so I can get the roles. I hate losing the roles. I was famous more for being around people who were famous, and I hate that kind of fame.

What we want to do to monetize Venmo is to add more and more capabilities. Anywhere you see a PayPal merchant, you can click on that button and actually use your Venmo account to check out at that merchant. Then we'll monetize that transaction exactly the same way we monetize a PayPal transaction.

To kick off a merchant is to censor ideas and interfere with the free exchange of products at the core of commerce. When we kick off a merchant, we're asserting our own moral code as the superior one. But who gets to define that moral code?

I wish I could sit back and say, 'Oh, I'm gonna wait for a Merchant-Ivory film to come my way. Or Ivory-Merchant. Whatever it's called. But you just take what's given and then, hopefully, down the road you can be more choosy and only do, say, Wayans brothers movies. That's my goal: to be more Merchant-Ivory-Wayans.

The problem for us, as viewers, is that we want famous people who are passionate about the things they're famous for, because that makes them worthy of the attention. But I think many of those famous people just want to be famous.

To me, I can be famous in sports. But to me, I cannot say it means a lot to be famous. Being famous is something I don't like.

I became an actor, and because I had success as an actor, I became famous. I was acting for quite a while before I got famous; television made me famous. I guess that it's television that is responsible for everybody's desire to be famous.

Practically everyone in Hollywood has a neighbor whos been famous, wants to be famous, is famous, has been married to someone famous, worked with someone famous, slept with someone famous, been blackmailed by someone famous.

I was arrested 1965. I had come back from the merchant marines, got into conversations about the war. I had never heard of Vietnam until I was in the merchant marines in constitution square in Athens, and I picked up the New York Herald or the International Herald Tribune and there was my first introduction of the word Vietnam.

I think Google is the most successful attention merchant - profitable attention merchant in the history of the world, most successful advertising-only based company - most profitable. They started a very idealistic, beautiful company in many ways, but they didn't have a business model.

Living in a bubble as I said in a featherbed of privilege. That's why leaving home, leaving the prep school and going to the University of Michigan in the early '60s was a moment of awakening and to go to a place like Michigan and to see suddenly a world in flames and the injustices all around was quite a wake up call. I lasted a year and a half at Michigan before I dropped out and joined the merchant marines and I was a merchant marine for my sophomore year then I came back to Michigan.

I came up with a parallel Venice called Venus. set in a parallel Venice about 1701.

You travel the world, you go see different things. I like to see Shakespeare plays, so I'll go - I mean, even if it's in a different language. I don't care, I just like Shakespeare, you know. I've seen Othello and Hamlet and Merchant of Venice over the years, and some versions are better than others. Way better. It's like hearing a bad version of a song. But then somewhere else, somebody has a great version.

Who's famous anymore? No one. There are these comedians that are famous in a weird way. There are comedians, like Anjelah Johnson and Russell Peters, [who] are unbelievably famous, but in a way they're selling out 1,000-person stadiums.

If you read a lot, nothing is as great as you've imagined. Venice is - Venice is better.

If every museum in the New World were emptied, if every famous building in the Old World were destroyed and only Venice saved, there would be enough there to fill a full lifetime with delight. Venice, with all its complexity and variety, is in itself the greatest surviving work of art in the world.

... in the eyes of its visitors, Venice has no reality of its own. Anyone visiting the place has already seen so many pictures of it that they can only attempt to view it via these clichés, and they take home photographs of Venice that are similar to the ones they already knew. Venice [is] becoming like one of those painted backdrops that photographers use in their studio.

There is a big difference between The Merchant of Venice and a photograph of two males of different races in an erotic pose on a marble table top.

...the tourist Venice is Venice.

When writers for adults contemplate Venice, they behold decay, dereliction and death. Thomas Mann, Daphne du Maurier, L. P. Hartley and Salley Vickers have all dispatched hapless protagonists to Italy, where they see Venice - and die.

Be a famous musician. Be a famous act or. Be a famous write r. Be a famous basketball player. Be famous.

I think it takes a very generous and tolerant non-famous partner to stick with the famous person, especially if s/he wasn't famous when they first got together. And add to it the fact that the Web makes it extremely easy to meet admirers... well, there are a lot of temptations to be ignored, or else embraced.

My mother took me to Venice one time and showed me all the houses where famous composers used to live. It gave me a fascination for music and the city, but also for architecture. It was a valuable lesson.

Second is the way of the merchant. The wine maker obtains his ingredients and puts them to use to make his living. The way of the merchant is always to live by taking profit.

If anyone besides famous people knew what it was like to be a famous person, they would never want to be famous.

There was once a great actor named George C. Scott. He was on stage in the Delacourt Theater in Central Park, where they do Shakespeare every summer, and he was playing Shylock in The Merchant of Venice. At one point he took the robes he was wearing and just started flipping them up in the air, out of nowhere. And later, an actor said to him, "What was that, George, what were you doing?" And he said, "They were sleeping." You're always trying to catch them.

To go out in a gondola at night is to reconstruct in one's imagination the true Venice, the Venice of the past alive with romance, elopements, abductions, revenged passions, intrigues, adulteries, denouncements, unaccountable deaths, gambling, lute playing and singing.

My dad was undeniably famous when I was a kid - he was on Wogan and Clive James and the radio every week, but as far as I was concerned he wasn't famous enough. My best friend was Ben Brooke-Taylor. His dad Tim was in The Goodies - that was famous.

Starting off in music, the purpose of it was not to become like well known on the street and be famous. You know, I didn't even think about that part of being famous. Famous for making records, yes, but famous face in a woman's magazine, I never thought of that. I didn't want that.

I was being taken around by a press agent at the Venice Film Festival at age 18. Was it fun? Sure. But it was a dangerous path to be walking on as far as having a substantive life. Because the casualty rate at the Venice Film Festival for 18-year-olds? High.

When you become famous, you start getting invites to parties where there are famous athletes and famous rock stars, politicians, people who have tremendous power and affluence. It's not in my DNA, but certainly I have been exposed to it.

I think the work is the same in Indie films or blockbuster. It's just a difference when you do all the publicity. It's like another job. I remember the first time I did The Dreamers. I went to Venice; quite a good amount of publicity, a lot of round-tables and TV. I was just not expecting that. I thought I was going to visit Venice, but actually no.

Many famous feet have trod Sublunary paths, and famous hands have weighed The strength they have against the strength they need; And famous lips interrogated God Concerning franchise in eternity.

Life is tough and it's tough whether you're famous or not famous. And in the end it's probably better to be famous because the perks are better. You get better seats at the basketball game, and you get better tables and reservations places. If I call a doctor on Saturday morning I can get him. There's a lot of things, indulgences that you don't get, if you're not famous. Now I'm not saying it's fair. But I can't say that I don't enjoy it.

First, my frame of reference for the Britten opera shifted. I'd always thought of Britten's approach in Death in Venice as another exploration of the plight of the individual whose aspirations are at odds with those of the surrounding community: his last opera returning to the themes of Peter Grimes. As I read and listened and thought, however, Billy Budd came to seem a more appropriate foil for Death in Venice.

I haven't read Ibsen, Shaw, Shakespeare - except 'The Merchant of Venice' in ninth grade. I'm not familiar with 'Death of a Salesman.' I haven't read Tennessee Williams.

After making my stage debut aged nine as Macduff's small son in 'Macbeth,' I had played a number of parts, from 'Twelfth Night's Viola to 'The Merchant Of Venice's Portia'.

As many times as I've seen 'The Merchant of Venice,' I always take Shylock's side. For all the hatred that guy is shown, he has a reason to hate in return. He's treated cruelly. And it's tragic that he learns to be intolerant because of what others do to him.

I think Chris' favorite role was in 'Remains of the Day,' which was the Merchant Ivory film that he shot not long before his accident, a couple years before. He loved working with Merchant Ivory.

I'm probably slightly more famous than I've been comfortable with. Famous enough to have my phone calls returned is about as famous as I want to be.

People run away from the name subsidy. It is a subsidy. I am not afraid to call it so. It is paid for the purpose of giving a merchant marine to the whole country so that the trade of the whole country will be benefitted thereby, and the men running the ships will of course make a reasonable profit.... Unless we have a merchant marine, our navy if called upon for offensive or defensive work is going to be most defective.

It is not surprising that Venice is known above all for mirrors and glass since Venice is the most narcissistic city in the world, the city that celebrates self-mirroring.

You know, there's a moment when you're famous when it's unbearable to go out because you're too famous. And then there's a moment when you're famous just right.

If somebody tells me I'm famous I say, 'I'm not.' I can't see myself as famous and I don't think I'll ever call myself famous. I definitely don't feel famous. To me, this is just a job.

When I went to Europe for the first time, I went to Paris and then to Venice. So after Paris, Venice was my first great European city, and it just blew me away.

A famous person to themselves, they don't get up in the morning and think, I'm famous. I'm not famous to me. Famous is a perception.

I stood in Venice, on the Bridge of Sighs; A palace and a prison on each hand; I saw from out the wave of her structure's rise As from the stroke of the enchanter's wand: A thousand years their cloudy wings expand Around me, and a dying Glory smiles O'er the far times, when many a subject land Look'd to the winged Lion's marble pines, Where Venice sate in state, throned on her hundred isles.

I played Shylock in my school's staging of 'Merchant of Venice.'

Venice was always one step removed from what was going on. If you were in Turin or in Milan or one of the industrial centers, you would have had a much more active political constituency. Venice essentially lived for itself.

There is still one of which you never speak.' Marco Polo bowed his head. 'Venice,' the Khan said. Marco smiled. 'What else do you believe I have been talking to you about?' The emperor did not turn a hair. 'And yet I have never heard you mention that name.' And Polo said: 'Every time I describe a city I am saying something about Venice.

It is always assumed that Venice is the ideal place for a honeymoon. This is a grave error. To live in Venice or even to visit it means that you fall in love with the city itself. There is nothing left over in your heart for anyone else.

To Forget Venice is a tour de force of ventriloquism. Elegant, contemporary, and wry, the voice at its center is also capable of disarming flights of imagination as it enters and inhabits other lives across time and gender. The glittering, fetid city emerges as a complex metaphor for the human heart’s simultaneous tenderness and capacity for cruelty, its ‘silver glow / a local specialty: filth / disguised as ornament.’ This Venice is unforgettable.