Top 416 Merchant Of Venice Quotes & Sayings - Page 5
Explore popular Merchant Of Venice quotes.
Last updated on November 15, 2024.
Nature is a rag-merchant, who works up every shred and ort and end into new creations; like a good chemist, whom I found, the other day, in his laboratory, converting his old shirts into pure white sugar.
I do think one success of Northern Europe, which the United States came from, was its willingness to accept innovation in business practices like Adam Smith and the whole Enlightenment. It essentially made the merchant class free instead of controlled by the king and aristocracy. That was essential.
It's so easy for me to get caught up in the feeling of a city like Venice, where everything is just beautiful color and gorgeous buildings that are so peaceful. You can roam around and get lost in the labyrinth.
It is the custom of Venice to paint on canvas, either because it does not split and is not worm-eaten, or because pictures can be made of any size desired, or else for convenience... so that they can be sent anywhere with very little trouble and expense.
Venice is a cheek-by-jowl, back-of-the-hand, under-the-counter, higgledy-piggledy, anecdotal city, and she is rich in piquant wrinkled things, like an assortment of bric-a-brac in the house of a wayward connoisseur, or parasites on an oyster-shell.
Amsterdam was a great surprise to me. I had always thought of Venice as the city of canals; it had never entered my mind that I should find similar conditions in a Dutch town.
A group of us started a community center in Santa Monica. We've tried different programs, and three have worked really well. A poetry group. Once a week we visit Venice High and talk to girls at risk.
Venice, Italy, survives 365 days out of every year in water; New Orleans can survive a few days of water if it has to.
Fads get hot in California. A good idea can come from Des Moines, but it's not going to be anything there. Then it'll hit Venice Beach or Westwood and go all around the country, back to Des Moines.
Like Venice, Italy, New Orleans is a cultural treasure. And everyone who lived in the city should be allowed to come back. But that doesn't mean that they all should live in exactly the same spot that they lived before.
I worked with Ismail Merchant on 'The Mystic Masseur,' I did 'Sakina's Restaurant,' I've done plays, I've been on Broadway, I've done movies, I've done TV... but nothing has had the pop culture penetrative impact as 'The Daily Show' has. It's the nature of the beast.
Living in L.A., it's such a big huge place and there's so much of it. It's so much fun to be in Chinatown, or Downtown L.A. I was in Lynnwood, I was in Huntington Beach. I was in Venice. It's an incredible place.
My husband and I went to Venice, Italy, for our first-year anniversary and spent a day on the Island of Burano. There, we had lunch at the famed Trattoria al Gatto Nero da Ruggero - one of the most incredible meals of our lives.
At 6 p.m. I stood in the doorway of my studio facing the Venice boardwalk. A few spectators watched as I pushed two live electric wires into my chest. The wires crossed and exploded, burning me but saving me from electrocution.
They wouldn't take me in the navy because of my glass eye. So I joined the merchant navy, who allowed monocular crew if you worked in the kitchens. You're not wanted on deck or in the engine room with one eye, but you're good to fire up the ovens and cook hundreds of chops.
After school I went to work at a builders' merchant in Stoke. After we finished on a Friday, it was down to the Duke of York for a drink with my mates and a game of darts. Unfortunately for them I had a natural talent and nobody could beat me.
The classical allusions and the Platonic disquisitions on beauty are no longer a form of cover, but integral to Aschenbach's complex sexuality. Moreover, the wandering around Venice in pursuit of Tadzio isn't a prelude to some sexual contact for which Aschenbach is yearning.
Venice is a place where the past is still hanging around, waiting for an appointment with the future; but the future hasn't shown up. In the meantime it is a kind of no man's land, given up by default and occupied by irregulars and their dogs.
I've met my bride-to-be in Italy and I will be married in Italy soon, in a couple of weeks. In Venice of all places! In closing, I guess what I would like to say is to my bride-to-be, Amal, that I love you very much and I can't wait to be your husband.
Emma Thompson and her husband, Greg Wise, have become citizens of Venice. I'm not sure whether it's just laziness, or fear of one of life's most stressful events - moving house - but you won't budge me from South London.
If you go to Florence, it has all surface beauty, but like Venice, it's simply a museum of Renaissance times. Los Angeles is raw, uncouth and bizarre, but it's a place of substance. It has more new horizons than any other place.
I know of no American who starts from a higher level of aspiration than the journalist. . . . He plans to be both an artist and a moralist -- a master of lovely words and merchant of sound ideas. He ends, commonly, as the most depressing jackass of his community -- that is, if his career goes on to what is called a success.
Costly grace is the treasure hidden in the field; for the sake of it a man will gladly go and sell all he has. It is the pearl of great price to by which the merchant will sell all his goods.
Stephen Merchant looks like a Muppet. I mean, he looks like Beaker.
Roy Jones still number one and it's gon' be that way baby! For all these doubters, him [points to Larry Merchant] and the rest of them that said Roy Jones is a fluke, now they know.
Mann's Death in Venice actually contains a snippet of philosophy about the second question, when Aschenbach, collapsed in the plaza, engages in his quasi-Socratic, anti-Socratic, ruminations.
Were you a merchant, would you settle yourself in a rich or poor neighborhood? You would not be so blind as to locate yourself among persons who would not be able to purchase your goods. So with nations with whom we trade.
Situated on an island which I think it will one day cover, it rises like Venice from the sea, and like that fairest of cities in the days of her glory, receives into its lap tribute of all the riches of the earth.
Oh, London is a man's town, there's power in the air; And Paris is a woman's town, with flowers in her hair; And it's sweet to dream in Venice, and it's great to study Rome; But when it comes to living, there is no place like home.
When my film went to the Venice Film Festival and won the best script writing, the jury [prize], it didn't go to my head. I know how many black filmmakers that I am operating with whose name will never be mentioned. But I'm part of them in that silent existence.
Venice is a place that is high on reinvention. The kind of place that you can go and be whoever it is you want to be and do whatever it is you want to do, and nobody's really going to ask you a lot of questions about it.
I moved into a nice houseboat in Little Venice when I was 15 years old. I found a girlfriend called Monday and a houseboat called Friday, so I had the week sewn up.
They say funerals are not for the dead but for the living. Those rites are what permit you to move on, so if you don't deal with the remains, you can never deal with the memories. That might be true; we may have walked in their dust down on Venice Minor, but it's not the same as a proper good-bye.
Every artist wants his work to be permanent. But what is? The Aswan Dam covered some of the greatest art in the world. Venice is sinking. Great books and pictures were lost in the Florence floods. In the meantime we still enjoy butterflies.
The writer, Ruth Jhabvala, livedin India but was German. My partner Ismail Merchant was from Bombay but was educated in England and he had a different view on the world. Probably they had to contend with some sort of Oregonian-ness in me that they didn't understand and didn't know where it was coming from.
We buy and sell goods. We buy low and sell higher - that's what we all do to make a profit. But I consider a merchant someone who has a certain intuition and instinct, and - very important - knows how to run a business, knows the numbers.
I met Mel [Brooks] backstage in Anne's [Bancroft] dressing room. He was wearing one of those pea coats, pea jackets that were made famous by the Merchant Marines, and I admired it and he said, "You know, they used to call this a urine jacket, but it didn't sell."
I will never forget experiencing Venice for the first time. It feels like you are transported to another time - the art, music, food and pure romance in the air is like no other place.
Using the Adagietto of Mahler's Fifth is one of the touches of pure genius in Visconti's film (even though Mahlerians complain very loudly that the piece has been ruined), since it corresponds perfectly to Aschenbach's yearnings and to his circling walks around Venice.
Virginia was in fact a landowning aristocracy, without nobility or merchant class, or any considerable small peasant farming class; and the other Southern colonies, except North Carolina, were on the whole similar to Virginia in these respects.
There is timing in the whole life of the warrior, in his thriving and declining, in his harmony and discord. Similarly, there is timing in the Way of the merchant, in the rise and fall of capital. All things entail rising and falling timing. You must be able to discern this.
The horseman serves the horse, The neat-herd serves the neat, The merchant serves the purse, The eater serves his meat; 'Tis the day of the chattel, Web to weave, and corn to grind, Things are in the saddle, And ride mankind.
Pedro Teixeira, the great Portuguese merchant-adventurer, wrote a beautiful description of a coffeehouse with windows overlooking the Tigris and the ruins of old Baghdad. That was in 1604, and he's visiting the same street that I write about in the book, named after Abu Nuwas, though it wasn't called that back then.
My favorite thing is just walking around London in no direction. I love people watching. And you can turn down a street and feel suddenly as if you are in Venice, or you'll be in a Spanish area or somewhere very English or Middle Eastern.
this is the spirit of the enchantment under which Venice lies, pearly and roseate, like the Sleeping Beauty, changeless throughout the centuries, arrested, while the concrete forest of the modern world grows up around her.
I am a warrior, so that my son may be a merchant, so that his son may be a poet.
When the thing is finally sparked, the white man is not there - he's gone. The merchant is not there, the landlord is not there, the one they consider to be the enemy isn't there. So, they knock at his property. This is what makes them knock down the store windows and set fire to things, and things of that sort.
We belong to the community. It is not the tailor alone who is the ninth part of a man; it is as much the preacher, and the merchant, and the farmer. Where is this division of labor to end? and what object does it finally serve? No doubt another may also think for me; but it is not therefore desirable that he should do so to the exclusion of my thinking for myself.
As I read Mann in German for the first time, the full achievement - both literary and philosophical - of Death in Venice struck me forcefully, so that, when I was invited to give the Schoff Lectures at Columbia, the opportunity to reflect on the contrasts between novella and opera seemed irresistible.
Self-reliance can turn a salesman into a merchant; a politician into a statesman; an attorney into a jurist; an unknown youth into a great leader. All are to be tomorrow's big leaders - those who in solitude sit above the clang and dust of time, with the world's secret trembling on their lips.
I don't want to be in my car all day. I love getting up in the morning in Venice and walking my dogs down to the cafe to get my tea, and then perhaps going to a bookstore and sitting and reading, then walking to the beach.
In Venice in the Middle Ages there was once a profession for a man called a codega--a fellow you hired to walk in front of you at night with a lit lantern, showing you the way, scaring off thieves and demons, bringing you confidence and protection through the dark streets.
Bodybuilders party a lot, and once, in Gold’s - the gym in Venice, California, where all the top guys train - there was a black girl who came out naked. Everybody jumped on her and took her upstairs, where we all got together.
To my mind, Death in Venice represents an enormous advance in Mann's literary development, not simply for the commonly appreciated reason that he crafted a superbly supple and elegant style, apparently well suited to the kind of prose Aschenbach is supposed to write.
My beautiful, my own
My only Venice-this is breath! Thy breeze
Thine Adrian sea-breeze, how it fans my face!
Thy very winds feel native to my veins,
And cool them into calmness!
The Hollywood business has been experiencing continual change since about 1915, when Charlie Chaplin was in Venice. The current time is no exception... You have to accept there will be constant change in the future.
Arguably, the Venice Film Festival is the second best film festival in the world, after Cannes.
Even within single sentences, there are sudden changes of register. And when the travellers go to Venice, they see a play by Voltaire! This is a novel [Candid] which has narratives within narratives, such as when Cunégonde recounts her story.
My mother took me to Venice one time and showed me all the houses where famous composers used to live. It gave me a fascination for music and the city, but also for architecture. It was a valuable lesson.
Animosity towards the merchant class has been around for centuries. Why? The goal of making a profit is quite obviously a self-serving motive. Other occupations, while equally self-serving, are better able to hide their motives.
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