Top 345 Metaphors Quotes & Sayings

You don't organize metaphors . . . you explode them.

Truth is a mobile army of metaphors, metonyms, anthropomorphisms, in short a sum of human relations which have been subjected to poetic and rhetorical intensification, translation and decoration […]; truths are illusions of which we have forgotten that they are illusions, metaphors which have become worn by frequent use and have lost all sensuous vigour […]. Yet we still do not know where the drive to truth comes from, for so far we have only heard about the obligation to be truthful which society imposes in order to exist" from, "On Truth and Lying in a Non-Moral Sense".

In music, you can use metaphors with ease - if a person doesn't understand the parable, they can still enjoy the melody of the music. If, however, a person reads a book and misses the meaning of its metaphors, this will be extremely disheartening for both the reader as well as the author.

Metaphors convince at once or not at all.

The poet wants to ‘say’ something. Why, then, doesn’t he say it directly and fortrightly? Why is he willing to say it only through his metaphors? Through his metaphors, he risks saying it partially and obscurely, and risks saying nothing at all. But the risk must be taken, for direct statement leads to abstraction and threatens to take us out of poetry altogether.

Metaphors are not user-friendly. They're difficult to find and difficult to use well. Unfortunately, metaphors are a mainstay of good lyric writing-indeed of most creative writing. ...metaphors support lyrics like bones.

All words, in every language, are metaphors.

Why would one ever be so insane as to ditch a perfectly beautiful metaphor? Cut back, of course, prune if you like, so that the best metaphors are clear and sparkling. But I will throw out unread the book that promises me no metaphors inside.

People who speak in metaphors should shampoo my crotch.

Ideas result from the collision of metaphors inside the head.

Metaphors. This was the cost of making out with an artist.

We believe that we know something about the things themselves when we speak of trees, colors, snow, and flowers; and yet we possess nothing but metaphors for things - metaphors which correspond in no way to the original entities.

It is permissible to be the god of your own metaphors.

The human species thinks in metaphors and learns through stories.

Metaphors and Similes are the beginning of the democratic system of envy.

When we talk about the Universe Story we are talking about the acquisition of a totally new paradigm, one which overturns many of the patterns that we unconsciously believe to be true. There is not simply the addition of new metaphors and images, but the metaphors and images themselves flow out of a new consciousness inspired by a new awareness of the cosmos.

We are such materialists that all our metaphors are going to be material.

We are prisoners of our own metaphors, metaphorically speaking.

The worst of gardening is that it's so full of metaphors one hardly knows where to begin.

I've grown up on a diet of metaphors. If young writers would find those writers who can give them metaphors by the bushel and the peck, then they'll become better writers - to learn how to capsualize things and present them in metaphorical form.

Life's metaphors are God's instructions.

Martin was dafter than a syphilitic polecat - where do I get these metaphors from?

Half the people in the world think that the metaphors of their religious traditions, for example, are facts. And the other half contends that they are not facts at all. As a result we have people who consider themselves believers because they accept metaphors as facts, and we have others who classify themselves as atheists because they think religious metaphors are lies.

Tomas did not realize at the time that metaphors are dangerous. Metaphors are not to be trifled with. A single metaphor can give birth to love.

Metaphors are dangerous. Metaphors are not to be trifled with.

Metaphors hide in plain sight, and their influence is largely unconscious. We should mind our metaphors, though, because metaphors make up our minds.

My fans have always loved my metaphors.

You can make a global film, which affects so many countries and affects sort of this worldwide epidemic, but it has, zombies are great metaphors for the times we live in today and that's what I always find fascinating about them, but then it's like the walking dead, you know, the unconscious, and the metaphors for them are just really something I was inspired by.

Infrastructures of power always inhabit the surface of the earth somehow, or the skies above the earth. They're material things, always, and even though the metaphors we use to describe them are often immaterial - for example, we might describe the Internet as the Cloud or cyberspace - those metaphors are wildly misleading.

There are metaphors more real than the people who walk in the street.

What then is truth? A movable host of metaphors, metonymies, and anthropomorphisms: in short, a sum of human relations which have been poetically and rhetorically intensified, transferred, and embellished, and which, after long usage, seem to a people to be fixed, canonical, and binding. Truths are illusions which we have forgotten are illusions — they are metaphors that have become worn out and have been drained of sensuous force.

One of the things I love about translation is it obliterates the self. When I'm trying to figure out what Tu Fu has to say, I have to kind of impersonate Tu Fu. I have to take on, if you will, his voice and his skin in English, and I have to try to get as deeply into the poem as possible. I'm not trying to make an equivalent poem in English, which can't be done because our language can't accommodate the kind of metaphors within metaphors the Chinese written language can, and often does, contain.

Poetry has become the higher algebra of metaphors.

The metaphors exist for the stories.

What do you see when you see me?' She asked him, burying her own face in his bosom. 'Do you want the truth?' She nodded. 'The firing squad.' 'That's not the whole truth. Try again.' 'Insatiability,' he said with some bitterness. 'That's oblique but altogether too simple. Once more,' she insisted. 'One more time.' He was silent for several minutes. 'The map of a country in which I only exist by virtue of the extravagance of my metaphors.' 'Now you're being too sophisticated. And, besides, what metaphors do we have in common?

An archetypal content expresses itself, first and foremost, in metaphors.

You are not made of metaphors, Not apologies, not excuses.

Dead metaphors make strong idols.

Metaphors are an interesting example of creating magic in prose.

Metaphors are dangerous. Love begins with a metaphor

As history shows, dead metaphors make good idols.

Metaphors have a way of holding the most truth in the least space.

Islands are metaphors of the heart, no matter what poet says otherwise.

Writers think in metaphors. Editors work in metaphors. A great reader reads in metaphors. All are continually asking, "What does this represent? What does it stand for?" They are trying to take everything one level deeper. When they get to that level, they will try to go deeper again.

The things that are said in literature are always the same. What is important is the way they are said. Looking for metaphors, for example: When I was a young man I was always hunting for new metaphors. Then I found out that really good metaphors are always the same.

Poetry begins in trivial metaphors, pretty metaphors, "grace" metaphors, and goes on to the profoundest thinking that we have. Poetry provides the one permissible way of saying one thing and meaning another. People say, "Why don’t you say what you mean?" We never do that, do we, being all of us too much poets. We like to talk in parables and in hints and in indirections - whether from diffidence or some other instinct.

Metaphors are the weapons of cowards.

The characters are, by their nature, archetypes that can serve different metaphors.

We use metaphors to express our own truths.

In all aspects of life... we define our reality in terms of metaphors and then proceed to act on the basis of the metaphors. We draw inferences, set goals, make commitments, and execute plans, all on the basis of how we in part structure our experience, consciously and unconsciously, by means of metaphor.

Everyone knows that metaphors are important, yet we have no idea why.

But metaphors help eliminate what separates you and me.

You live for pretentious metaphors.

The dictionary contains no metaphors.

Vampires are total sexual metaphors; there's just no way around that.

Writers think in metaphors. Editors work in metaphors. A great reader reads in metaphors.

It seems to me that metaphors come down to a certain idea of interconnectedness - that everything relates to everything else. Metaphors don't believe in autonomy. And in the end, perhaps that idea of interconnectedness is a moral position.

Metaphors are fine if they aid understanding, but sometimes they get in the way.

Science fiction - and the correct shortcut is 'sf' - uses actual scientific facts or theories for the source ideas or framework of the story. It has some scientific content, however speculative. If it breaks a law of physics, it knows it's doing so and follows up the consequences. If it invents a society of aliens, it does so with some respect for and knowledge of the social sciences and what you might call social probabilities. And some of it is literarily self-aware enough to treat its metaphors as metaphors.

Metaphors are much more tenacious than facts.